Book of Otherworlds

I think I have an awesome world view, but compared with the real great masters, I have just reached the threshold.

Some ways to read this book. 1. Who is the protagonist? Generally speaking, the person who describes the most is the protagonist. For example, Xing Tianyu in the book. 2. Highlights of this book Novel ideas! Don't worry about the plot, as long as it's appropriate. 3. Don't have the mentality of a passionate plot Hot blood, how to get hot blood? I guess the author's understanding is to talk nonsense and seek death. But it seems that the author is not interested in talking nonsense, but wants to die... For example, during the fight between the super evolved bodies, you can have some verbal exchanges before starting the fight, say some words during the fight to set off the fight, and then block each other's knives. 4. The problem with God's perspective. As long as the character's actions make logical sense, then that's fine. Don't say why so-and-so does this, it's obviously better to do it that way. We don't know much about the plot characters, and their personalities determine their actions. 5. Do not substitute fiction into reality. This is the most important point. If a book is a fantasy novel, then you may think of it as a real world with fantasy elements added. Then you're in trouble. For example, if a book describes people's selfishness, you will think of people's selfishness in reality. If the book says that selfishness has serious consequences, you may think of all the selfish people in the world and feel scared. 6. Don't read books with the attitude of finding faults There is always something wrong with a book, and even if you don't have this attitude, it will affect your reading.

I have a bold guess that Pollabi is the juvenile form of the "Djinn"! 🥵 As long as the protagonist adds attributes to her through cultivation methods, builds equipment, improves skills, and passes a series of trials, and finally completes a special plot with full intimacy... A fresh djinn will be developed 😄 The Djinn cannot be obtained through summoning! ! ! 🪖

What I like the most about Da Sniper is that he never tries hard ╭(°A°`)╮ and when it's about to end, he never forces it on. . .

I took advantage of the limited exemption to catch up on the latest chapter. It's good. Compared with the previous books, the imagination is bigger, and the setting is extremely novel. In terms of the worldview set by imagination, the author has no problem starting from the top three. I don't understand how there is a problem of not being able to distinguish the protagonist. It's obviously been written from Xing Tianyu's perspective, so how can I not be able to distinguish the protagonist. The first part is extremely stunning. The grand world view slowly unfolds. The prologue of the book of alien worlds gave me a sense of déjà vu when I saw the three laws of robots and the laws of the dark forest for the first time. The diverse creatures, compact plot, and meticulous plot can be said to be perfect. The second part was a bit mediocre, mainly because the enemies faced were not dangerous enough. The Lord of Darkness was outclassed by the later King of Nightmares, so in retrospect it feels a lot less impressive. But this can be considered an accumulation. To prepare for the infinite brain-burning of the third part, only by relaxing and relaxing can you experience the real excitement. As for the third part, it can be said to be a brain-cell-destroying one. The first part was exciting because it allowed us to appreciate the unknown, but the third part was exciting because it threw more unknowns at me. The horror of murder in dreams, the antiquity and mystery of the Nightmare King, the magic of psychic magic, and the suspense of the protagonist's childhood secret. I dug so many holes that it made my heart itch. The fourth part does not have the climax followed by the trough like the second part. With the help of Ning Wenrui, the author has thoroughly developed the power of the Book of Otherworlds, appreciated the infinite possibilities of the Book of Otherworldly, and laid a solid foundation for the protagonist's future journey. To borrow the terminology of cultivation, it is the couple of wealth and law, that is, money (Ning Wenrui), book (Book of Strangeness), lover (Sylvia), and land (America). As for the fifth part, this latest one has a bit of a gap. The part about the praying elf is very novel and fun, and all kinds of wishes come true but have many sequelae. The part about the demigods was so awkward. Saladis has brought people into the absolute real world so many times. How come he has no foundation in the absolute real world, and there is too little preparation in advance. The protagonist is a big star, and he is a tramp. I always thought that Saladis's words were to confuse the protagonists, but unexpectedly they were telling the truth. This gap is a bit big and uncomfortable. Generally speaking, the author's imaginative setting is still the biggest highlight of this book. You won't find many such novel books. However, the control of the author's writing style is indeed not very good. The character description is still a bit pale and facial-like. He only describes the characteristics but does not reflect the complexity. Rhythm control isn't very good either. Another point is that the author has buried a little too little long-term story, and has not dug the hole deep enough. For example, the second part of Lord of Darkness was filmed, and the third part was filmed by Lord of Nightmares. The childhood puzzles in the third part are solved in the fourth part. This is the King of Darkness and the Snake of Destiny. Wouldn't it be better to leave these two traps for a while? The bugs in the first part are solved in the fourth part. I think this rhythm is good. You can't solve your pitfalls too quickly. You have to wait until the readers have almost forgotten it before you fill in the pitfalls. The readers will be surprised when they see this foreshadowing. Of course it's too late, and it's hard to fill it out myself. As for the writing style, it has improved a lot. I feel that the writing style is much smoother than

I always felt that the summoning ritual in Lord of Mysteries was learned from this book.

The idea is good, but the IQ is not online. It is summoned to solve the problem, but the lack of IQ is really unsightly. A weak country has boring diplomacy and does not even have the qualifications for equality. It still talks about demands. I don't know what the author thinks.

I can still recall the specific plot after several years. This is one of the few books out of thousands.

Summoning for death, in order to solve a problem, constantly summon creatures from other planes to solve the problem. But the reality is that the summoned thing itself is a big problem. Summoning seems to be not burdensome at all. If an ordinary person casts spells several times in a row without getting dizzy or dizzy, then if this continues for half a month, a super master will appear, the kind who can't be beaten to death. But this society seems to be very modern and orderly, so it is a bit contradictory to the author's setting.

This wave, this wave is when primary school students enter the laboratory. They see the formula for synthesizing explosives from the textbooks they picked up and want to try it out.

So pretty! This is what I consider a good story. With one creative idea after another, interlocking plots, and bold character trends, this is the best novel I have read this year. It took me half a week to read it. They say it's a bad ending, but in fact the main plot has been told. The pit has not been filled yet, so it is understandable why we pursue an absolutely complete story. For example, in the plot of the Purifiers, it is actually mentioned that after Xiao Zhen joins the Purifiers, the direction of the story can already be guessed. If I write it out again, it will fall into the trap of cliché. Authors of this style, Stephen King and Tian Xia Ba Sing, also gave me similar feelings.

Hey, the online games are so written that I really can't stand them. On the contrary, the few books you bought on the street think they are classics.

This book should be adapted into a film or animation

Read the whole book. What on earth did Ning Wenrui do without telling the protagonist? He was so scared that he didn't reveal it until the end of the book.

The idea of ​​​​sniping is erroneous, it is just a shortcoming, tsk, tsk, tsk

I've gained weight and now I'm reading it. Worthy of being called a masterpiece of imagination The ending was a bit rushed, but maybe it was because the amount of information was too much to take in at once, but it was still pretty good. Suitable for film and television adaptation, the style leans toward European and American personal heroism. Emotional drama is indeed a shortcoming. The world view and main plot direction are so great that other aspects cannot keep up, which is a pity. The pace is faster, the plot is more detailed, and the characters are more detailed. But it was so hard to write. This is a good book worth reading. A masterpiece of imagination. It's a pity not many people see it

I have read it many times intermittently in the past few years, and during this period I also read many novels that are ranked high on the monthly recommendation list, but I always lose the desire to read after reading a few chapters. I once thought that novels could no longer attract me because I am older, but every time I read this book, I can be shocked by the fantasy world you describe and immersed in it. By the way, I had already ordered all the plots before falling into the surreal world during the epidemic, but I lost that account.

This book is different from other books. The writing style is a bit like a film and television script or a physical book. It is not watery and interactive in real time. The first chapter is a bit like the American movie Cabin in the Woods. The male protagonist is not good at the beginning. The male protagonist of Cabin in the Woods should have failed second. When there is only one female protagonist left, she jumps out and fights back, killing everyone. The male protagonist of this book is not conspicuous at first. He waits for the summons to kill one of them, but only then gets mad when faced with a group attack. This changes the ending of the group annihilation. Each chapter is coherent and has an independent plot, just like the first to sixth seasons of American TV series. Each season has its own central thread. If you don't understand it, I can only say that you are suitable for reading a gold-fingered story about a novice who revolves around the protagonist. The protagonist in this book has no plug-ins, nor does he fight monsters, upgrade and change maps. He can fight thousands of people as a mortal against the Nightmare King who is stronger than a god. Although only the protagonist is killed by the group, it is much better than other books where the master always comes out later.

No one writes such books at all

I'm trying it again after so many years. Oh, author, please don't go astray in writing an online game. Let's just return to the summoning stream honestly.

It's a masterpiece. I've read it three times. Now I can't read any other novels except yours.

It's truly a masterpiece. I watched it a few years ago, and I still miss the feeling at that time.

It's from QQ, it's really nice. Such an old book is 90% better than today's books📖

977) Accumulated from reading a lot of books, in order to solve the problem that his power is getting stronger and harder to control and adapt to the world he is in, the protagonist of the magical prop master I have read uses the concept of absolute domination to dominate everything about himself. For example, the author believes that the fundamental reason why a person is injured by a knife attack is that the body is a part of the world and is naturally limited by the world. After the protagonist has complete control over all concepts of self, he can choose or cut off all physical feedback, such as whether he is injured after being attacked, or whether he will age and die. ①Tao and art, choose the road with fewer people, and choose the volume on the road with fewer people. It is recommended that the author should choose the road with fewer people and spend more time and energy. If failure is a high probability, why not be a fleeting meteor that can at least be remembered. It is better than a featureless book that dies in a corner and remains unknown from beginning to end. . ②Know clearly what your selling points are and what race track you choose. It is the only law, being superior, bullying the small by relying on the strong, invincible literature, extraordinary reality, crossing two realms, extraordinary in the novice village, bullying the weak with the weapon of truth, why not the story has always been about being king in the kindergarten, creation is the wilderness, for example, in the normal world of historical literature, you can change history by playing extraordinary. For example, in the world of low martial arts, you can use the extraordinary skill to become an immortal. If you can't write anything, you can write it as mixed, so you don't go to the world of high-end power to find abuse. The starting point is too many junk books that abuse the master and suppress the combat power. . ③ Readers' feedback to the author, most people's feedback to individuals, the pros and cons of trade-offs. ④ If new and small authors want to stand out among many similar authors, they cannot listen to all the editors of Qidian. The interests of small authors like you are not the same as those of the Qidian platform. Understand that what everyone says and does when it comes to matters of vital interest is motivated by their own self-interest. ⑤The current path to "successful online writing" is the product of the daily update volume and the quality of the work, but the focus is different. . Unless you are confident that the quality of the work can stand out among similar works of the same period and become a minority, you will have to publish more updates. Rather than publishing it later, it is better to publish it early. Neither of them can win over others, so just rely on your luck or connections. . I feel that many new book authors are wasting their time and energy, spending their time and energy on things that can be grasped, rather than things that cannot be grasped. ⑥If there is a high probability that the result is a rush, then you must be a shooting star. . ⑦ Often the reader's perspective and standpoint. Why do readers spend money in exchange for your story text? Long-term subscription rewards are not given by charity, but by exchange. Human nature. . 849) If the protagonist of the web novel chooses to change the world after traveling through time, powerful extraordinary plug-ins are a must. Of course, if you invest in a good pregnancy, choose to eat and drink, follow the general trend of history and be a speculator, or be an ordinary person in the so-called peaceful and prosperous times and live in peace, without thinking about changing history, this kind of choice does not require any powerful plug-ins. There are no powerful plug-ins to change the world. Either the author's writing style and ideas are excellent, or he is trying to outwit his opponents and the readers. The extraordinary cheat cheat tells readers clearly that the protagonist is superior for a clear reason, because the protagonist is a superman, and he and others are not competing for the same ecological niche at all. The effect of extraordinary cheat cheats is uncontroversial and certain, while some people give examples of controversial things, such as the bad luck of the enemy and the protagonist. What do you think is the core of what I said above? It is certainty, whether there is any controversy. At least I don't think that there is a high probability that future generations of soldier kings or engineers who travel back to the bottom of the dynasty will be able to change the world and fight for the dragon and become emperor. . Invincible flow solipsistic novel The keywords I gave: God in the world, solipsism, detachment from human nature, fun person, game world, chaotic neutrality, human possibility. I have read two self-centered novels. A certain secular powerful man hides behind the scenes and uses secular rules to embarrass the protagonist. The protagonist directly cheats and turns him into a pug 🐶 and a frog 🐸. . . "World Modification System" "I'm really not Jingle Cat" "I, the only person with superpowers on Earth" "Take the town back to prehistory" "Little Players from Another World" "This Superman is too much like a native of the motherland" "From Mutants to Dimensions" "Destroy the Demon God" "Niu Xiaodun's Coffin Board" "The Traveler Across the Animation World" "God's Manual" "What is it like to be summoned as a giant" "My World of Titans" "Go and create the world" "City" The Sims" "Staying in the Portable Space" "This Immortal is a Little Bit Stunning" "Protector of the Earth" "Magic Prop Master" "Non-Human Gene Complex" "Surviving the Doomsday: Minecraft" "Super God Refining" "The Supreme Secret Order" "My Divine Clone" "Myth Invasion" "The Demonic Transformation of the Tang Dynasty" "The Law of the Insect Swarm" "The Book of Alien Worlds" "My Summons Do Not Listen to My Commands" "The Stealing of Dreams from All Humanity" "Ivan the Master" "Parasite" "Infinite Arms Maniac" "My Private Planet" "Technology Super King" "Plane Pioneer" "Goldfinger Seller" "It's better to be a monster in the mountains" "I Weave Destiny in Parallel Time and Space" "The System of Mountains and Rivers" "From Chief to Captain" "I'm Cheating in All Realms" "The Only Player on Earth" "Low Dimensional Game" "The Only One in the Heavens" "Wild Crossing the New World" " "Skill Generator" "Magic Academy in the Film and Television World" "Do whatever you want" "Simulator from the mother's womb" "I am the source of strangeness" "I am immortal in the world of immortality" The last copy " I have many substitutes" "Heavens, everything starts with copying" "A different world starting from MC" "I opened the gate of heaven in the Song Dynasty" "This Northern Song Dynasty is a bit weird" can be done in the early and mid-term "Click your technology tree" "Magical magic? Technique? "Master" "Infinitely Stronger Starting from Marvel" "Plane Little Butterfly" I have read books for so many years, a strong power system. ●There is such a protagonist. The concepts of heaven, material, earth treasures, skills, magic weapons, props, etc. Are all illusory and useless to the protagonist. The external existence cannot harm or benefit the protagonist. The only price for the protagonist to become stronger is to awaken or lose me. . . From "Go and Create the World" ●There is such a protagonist, the eternal state caused by the blood lock, everything is set, edited and searched, and those infinite beings who practice detachment, who is stronger and who is weaker? From "World Modification System" ●There is such a protagonist, everything is information, everything is setting editing. From "Non-Human Gene Complex" ●There is such a protagonist, the setting editor describes all kinds of boasts, the transcendent, the unified, the perfect, the awakened, the real only exist outside the story ending and the story, and people are just watching the mainstream plot. . . From "The Magical Prop Master" Magic and superpowers, contained objects, gods and Buddhas.

After all, this book is 17 years old. It feels relatively sophisticated but has a lot of poisonous points. It is pushed forward forcefully and I never finish the first volume every time. At most, it ends as if I was a demigod. This time I abandoned the book. Firstly, the setting is not novel enough (I only rated the ones I read). Secondly, there are poisonous points, such as the stone statues. They know that they will die if they are broken and resurrected, but they don't want to protect them. For example, it is very rude to know that the protagonist is a demigod. I won't mention the other things...

For me, the original world view alone is better than most reskinned novels. It's a pity that the imagination spread too quickly and was not caught up. After being caught up, the follow-up was weak, and the plot neither took off nor fell back. The last novel that gave me this feeling was The Magical Prop Master, but the author of that book was very perseverant and allowed the plot to run wildly for a long time on the road of barbaric growth. In my opinion, a complete story was written.

First of all, I have to confess that since I came into contact with online literature, I have never subscribed to genuine books. Even textbooks and papers I read will give priority to searching for PDFs. I will not consider buying physical books or paid electronic documents unless it is absolutely necessary. The reason is simply that I have been accustomed to reaching out to various free resources on the Internet since I was a child, and this behavior is too easy to succeed, and the cost and risk are close to zero. What prompted me to come to the starting point was Liu Guang's final words in "Full-time Boss": When the author you like is forced to leave because of his livelihood, no matter how regretful you are, you can't bring him back. My major is economics, and I know very well how the emergence of copyright promotes the intellectual industry. I also know that it, together with property rights, forms the cornerstone of innovation. But like many people, I believe that the market is huge and individuals are small, and my choices cannot even stir up a bubble in the sea of ​​​​the market. However, Liuguang told me: Although the market for online literature is huge, the market for a book is indeed very small. Although each reader's choice may not be crucial, it is enough to affect the fate of a work. A work may start from the author's fleeting inspiration, but it must end with responsibility to the readers. What allowed it to survive in the brutal competition of online literature must be the financial support of readers; what allowed it to maintain its original characteristics during the serialization that lasted for several years must be the spiritual encouragement of readers for several years. Especially in a mode where readers and authors can interact in real time, readers' choices can even be directly reflected on the quality of the plot - there is no need to finalize the work like traditional literature, and works without foundation can completely die halfway. So I came here, out of selfish reasons: I hope to put more pressure on the author so that he can persist in completing the original idea; I hope to get some kind of self-forgiveness, although a little subscription is not enough to compensate for the piracy I enjoyed before; I hope there is a place to complain, at least at this moment I can feel confident speaking. Of course, the most important thing is that it is not easy to find a work that sells creativity in the online literature world where following trends and making money has become the mainstream. I don't want it to slowly become lost in the public eye. After discovering the particularity and fragility of the online literature market, subscription is a natural choice for a rational consumer, as contemporary economic theory says.

Come on, big sniper! I'm waiting for your new book. I just feel like it would be great if it could be perfected in the later stages. Several books are in the same situation.

It's because the protagonist becomes more and more mentally retarded later on.

The author's writing is very good, and it is definitely worth reading and subscribing. Recommend a book that makes you laugh like crazy, don't read it while eating, "The old man in time travels to pick up rags and makes a living by making bad movies"