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The academic publication "Humanities" is edited by the Institute of Advanced Humanities of Henan University. "Humanities" adheres to the correct guidance of public opinion and puts social benefits first. "Humanities" centers on humanistic care, highlights academic originality and the dissemination of new knowledge, focuses on empirical research, encourages comprehensive innovation, and strives to integrate various disciplines, explore various academic thoughts and historical and cultural issues, and showcase new achievements in Chinese ideological and academic circles. "Humanities" strives to provide a platform for the academic community to publish high-quality academic results. The articles are mainly academic articles (essays), but we also publish academic essays that welcome ideas and other forms of academic articles. There are also columns such as "Dialogue", "Xuelin", "Notes", "Book Notes" and "Book Reviews" to reflect the research results of scholars in multiple forms and levels.

Starting from the theoretical perspective of "multi-ethnic culture", this book takes an overall look at the representative poets' works, poetry groups, writing phenomena and social communication in Guangxi since the 21st century. It aims to explore the overall overview of Guangxi's poetry writing since the new century and some writing dilemmas that urgently need to be dealt with, and reveals the writing concepts of different groups and the aesthetic tastes and cultural demands behind them. Particularly important is the exploration of the national consciousness and the spirit of the times behind the diverse poetry writing discourses of Guangxi young poets and their groups. At the same time, it examines from the overall perspective of the history of contemporary Chinese poetry and objectively explains the status and significance of Guangxi poetry on the map of Chinese poetry.

"King Yalu" integrates the creation history, conquest history, and migration history of the Miao people and their ancestors. It is a living encyclopedia of the Miao people. It has the characteristics of ancient mystery, rich and tragic, taboo and solemnity, and complete living state. Most of the motifs in "King Yalu" appear in the epic in a natural sequence. It is not only the framework supporting the heroic characters, but also the main line of the development of the epic. Therefore, the study of motifs in epic research plays a decisive role. The author uses time and space as the axis to explore heroic images; uses the motif as the outline to explore the connotation of the epic; uses inheritance as the root to seek the path to transformation, and constructs a new path for the study of King Yalu with "diachronic tracks" and "synchronic flow".

Inheriting the cultural context of Chu Feng Liu Yun and Ding Ling and Zhou Libo, the "Literary Yue Jiajun" and the so-called "Literary German Army" have collectively entered the new century. After nearly 20 years of scouring, scouring, smelting and transformation, a large number of writers and poets with certain influence have once again emerged in the Dongting Lake area, forming a unique literary atmosphere in the lake area. Studying and promoting literary creations in the Dongting Lake area has also become an unshirkable responsibility for local literary researchers. The book is divided into 4 parts, 9 chapters and 53 sections. The first "Phenomena Theory" focuses on "Peach Blossom Spring Poetry Group" and "Wuling Novel Phenomenon". The second "On Writers" focuses on the two writers Changyao and Shaohong. The third "Works Theory" mainly involves various literary masterpieces such as novels, poems, essays, and film and television scripts, such as "The First Year of Aili", "Water Tribe", "Phantom Change", "Tian Er Yao Tian Ji", "Yingshan Hongbai", "Xinhai Heroes", etc. The fourth "Influence Theory" is based on the creative facts of the new century, re-examines the style and characteristics of Ding Ling and Zhou Libo, and explores the profound and lasting impact of the outstanding creative achievements and precious creative spirit of the sages on later writers and regional literary creation; multi-dimensional and multi-level excavation and display of the creative characteristics and spiritual characteristics of these two famous writers by Dongting Lake are important inspirations and references for current literary writing, including regional literary creation.

This book is a selection of research papers on classical novels written by the author over the past 40 years. The content is mainly about the study of the "Four Great Novels" of the Ming Dynasty and the so-called "Three Great Novels of Qianlong" ("The Scholars", "A Dream of Red Mansions", "Qilu Deng"), "Strange Stories from a Chinese Studio" and other "Eight Great Classics". Research and apply the theory of "Literary Mathematical Criticism" proposed by the author to uncover the "Three Complex Plots", "Three Pole Construction", "Twenty-eight Laws", "Six One" Model", "Midpoint" Model", "Five Generations Narrative", and many related books such as "The Story of the Stone", "The Fairy Guiding the Way", "Axiology" and "Anti-Imitation" in classical + theory narratives. Narrative mode or creative method; propose and demonstrate "Luo (Guanzhong) Studies", solve the eternal mystery of "Liangshan Po in Taihang Mountain", discover the secret relationship between Mount Tai and novels such as "Water Margin" and "Journey to the West", and propose the research method of "Elegance Viewing Popularity", that is, interpreting "Eight Great Classics" with an attitude of "treating classics".

This monograph is the first in academic circles to use the worship of childlike innocence as a carrier to gain a glimpse of the community imagination in Dickens's 14 completed novels. The Victorians, who were in a period of civilizational transition, had stepped out of the Tönnies-style kinship community and been thrown into a society of strangers born out of industrialized division of labor. When shaping the nation-state, Dickens created a community narrative system that eliminated class exclusivity through the structural repetition of the worship of childlike innocence-the age inversion of precocious children and immature adults, fantasy landscapes, and the promotion of good and punishment of evil. The pursuit of the highest good in melodramatic aesthetics highlights the profound significance of social trust built by virtue to economic ecology.

This book mainly presents how Chinese literati perceived and imagined American literature in the 1930s in the form of a collection of documents. The full text of the previous volume contains 10 articles that comprehensively review American literature from different dimensions, which can reflect the basic judgments of Chinese literati on American literature during this period. The following part excerpts excerpts from 60 literati with different political and aesthetic tendencies, including Lu Xun, Liang Shiqiu, Shi Zhecun, and Yang Changxi, who discussed the works of American writers, in order to present a diverse picture of China's acceptance of American literature.

This book is based on an outline and analysis of the construction and development of different theoretical criticism topics of Ci, and strives to abandon the practice of using "narratives by famous writers" to obscure or replace the multi-dimensional development and specific processes of Ci theoretical criticism. It focuses on examining links such as "acceptance", "evolution", "innovation" and "development", and organically integrates them into a system, seeking to "unify" ancient and modern literary theories, and explore "changes" in traditional Ci studies, with a view to supplementing a shortcoming in the study of Ci during the Republic of China.

This book takes the surviving banknote version of the Qing Dynasty chapter novel "Qilu Deng" as the research object. This book first records and verifies the 14 banknotes currently known to be in existence (6 of which are discovered for the first time in this book) and 3 Republic of China printed editions. On this basis, through visual verification of the banknotes, the surviving banknotes of "Qiludeng" are divided into A and B banknote systems. This paper summarizes the overall differences between the two banknote systems, as well as the relationship between the original flows within the two banknote systems, and selects several representative collation examples from the micro level to support it, and then discusses the research significance and academic value of the Qilu Deng banknote origin system. At the same time, this book also conducts a special study on the comments on "Qilu Deng" for the first time based on the comments contained in the newly discovered banknotes.

This is the first systematic and complete history of Japanese literary theory at home and abroad. The discussion period is from 712 to 2000, and is divided into four parts: ancient medieval times, modern times, modern times, and modern times. It is divided into categories in chronological order, focusing on sorting out and evaluating the contents of various representative Japanese literary commentators and their representative works. A chronology of the history of Japanese literary theory is attached at the back of the book. This book can be used as a learning textbook for undergraduates and graduate students majoring in literature in China and Japan, as well as a reference for teaching and researchers majoring in comparative literature.

The logical starting point of this book is based on the understanding of the historical and literary situation of women under the dominance of patriarchal culture in the long history of mankind. On the basis of fully absorbing and drawing on the outstanding achievements in research on women's literature and culture over the past forty years, and taking the context of globalization and the historical process of the rejuvenation of the Chinese nation as the background, it focuses on the close relationship and development trend of mutual causation, interdependence, and interactive development between the late 19th century and the early 21st century (1895-2020) between Chinese women's liberation thoughts and modern and contemporary Chinese women's literature, sorting out the ideological context of women's liberation in various periods over the past century, and analyzing the sequential evolution of important nodes in each period. Examine the destiny trajectory, liberation will, value demands, liberation path and existential dilemmas of Chinese women reflected in female literature, and explore the trajectory of modern Chinese women's writing; at the same time, by exploring the female perspective and female voice hidden in the text voice and demands for liberation, and then sort out and present the process of the evolution of the nation-state from modern times to modern times. Chinese women have continuously broken away from the chains and obtained liberation. With the magnanimity and achievements of "half the sky", they have written a dazzling historical chapter in the history of Chinese women's development.

This book studies cutting-edge issues in foreign literature by applying methods such as cross-media criticism, literary ethics criticism, spatial narrative, post-colonial criticism, cultural criticism, influence research, and comparative research from seven aspects: "Interdisciplinary perspective of European and American literature", "Research on British Travel Literature", "Journey to China in Modern Slavic Literary Theory", "Dialogue in Literary History", "China's Rebirth of Shakespeare's Classics", "Russian Culture under Western Eyes", and "Sino-Japanese-Russian Literary Relations". The content involves interdisciplinary examination and new interpretation of the works of Dante, Shakespeare, Pushkin, Gogol, Dostoevsky, Solzhenitsyn and other classic writers, the core discourse of Bakhtin's literary theory, the relationship between Eastern and Western literature and other propositions, reflecting the keen concern for cutting-edge issues in foreign literature.

This is a special collection of Internet literary criticism, consisting of 75 papers. The content includes four parts: Principles of Internet Literature Criticism (18 articles), Internet Literature Evaluation System (21 articles), Internet Literature Criticism Standards (15 articles), and Internet Literature Criticism Practice (21 articles). These articles are all publicly published results in important domestic academic journals and theoretical pages of mainstream newspapers. They basically reflect the theoretical achievements and critical practice of my country's Internet literature criticism in recent years. Most of the authors of the article are front-line scholars in the field of theoretical criticism of Internet literature in my country, including senior scholars from traditional academic schools as well as academic newcomers who have emerged in recent years. Their diligent efforts and contributions to Internet literature criticism have undoubtedly played a decisive role in this emerging academic field. The editor extracts the best from the theoretical criticism achievements accumulated over the past 20 years of the development of Internet literature, and selects the best for collection and publication, so that more people can share these achievements. It is undoubtedly of positive significance to the theoretical construction and critical practice of Internet literature, and to the promotion of the healthy development of my country's Internet literature.

This book organizes and studies the English translation manuscript of Lin Yutang's "A Dream of Red Mansions" discovered by the author in Japan. It is the first academic monograph to systematically study Lin's manuscript. The research article examines the source and process of the translation, and answers Lin Yutang's question of translating and publishing the manuscript in Japan without directly publishing it. It points out that Lin Yutang's translation and research mirror each other, and that the translation of "A Dream of Red Mansions" is not only the embodiment of his lifelong pursuit of spreading excellent Chinese culture to the world, but also the presentation of his views on Red Studies that echo but are different from the mainstream. The plot of Lin's manuscript is integrated and connected naturally, and the translation is concise and authentic. It pays attention to reproducing daily details, traditional culture and poetry, and preserves the core literary nature. The narrative reconstruction and character variation reflect the cultural differences between the East and the West, and also project Lin Yutang's personal experience and aesthetic tendency. Internal research combined with comparative research with English, German, Japanese and other foreign translations shows that Lin's manuscript is a successful translation, and its emphasis on the last 40 chapters and the story of the maid are two major features that distinguish it from other translations. The 22 tables in the compilation include a comparison table between the original text and the translated version of Chinese traditional culture, as well as Lin's manuscript annotations, revision notes, etc., In order to provide reference for Lin Yutang research, red studies, and Chinese literature foreign translation research.

This book is written by 21 professors, doctors, writers, and scholars, based on their respective professional expertise and based on the principles of application, generality, and openness, and selects topics that are representative, original, and suitable for undergraduate students to accept as lecture content. The entire manuscript is divided into four major sections: regional characteristic culture of the Han Dynasty and Three Kingdoms, Chinese and foreign language and literature research and academic literacy, Chinese traditional culture and national spirit, and literary creation and writing ability. The book consists of 21 lectures in total, which are as follows: a summary of Han River culture; a discussion of the Water Margin Opera in the Han River Basin and its spreading significance; Zhuge Liang and Hanzhong - a discussion of Zhuge Liang's ambivalent psychological process in understanding the strategic position of Hanzhong; myths and legends of the upper reaches of the Han River; literature of the past dynasties People chant Hanzhong; Anthropological ritual interpretation of Kafka's "In the Exile Camp"; Chinese and Western literature: the identification of cultural spirit and aesthetic consciousness; cultural criticism and aesthetic redemption: the social landscape of aesthetic modernity; misreading and correct interpretation of Tang poetry and Song lyrics; the modern enlightenment of "The Romance of the Three Kingdoms"; The cultural ecology of martial arts novels; several issues in the creation of contemporary Shaanxi novels; the old-style poetry writing by new writers after the founding of the People's Republic of China; on three different types of borrowings - also on the difference between ancient and modern characters and Tongjia characters; an overview of Dunhuang literature; folk folk all over the country in the Tang Dynasty Paper culture - centered on the Dunhuang area; Chinese jade culture and traditional aesthetics; experience of visiting Shu Road; literature is a kind of life practice - some brief opinions on reading, writing, and language; writing characteristics of current affairs news reviews in the new media environment; overview of essays.

Discussions on rhyme and rhyme theory in new Chinese poetry have gone through a process of more than a hundred years, and there are still many controversies today. These disputes involve important issues such as whether new poetry needs to rhyme, what rhyme to rhyme, and how to rhyme, as well as how and what rhyme to use when writing old-style poems today. Poets, lyricists, critics, and scholars who study phonetics, prosody and other fields inevitably have gaps in ideas and understanding due to their different stances and perspectives on issues. This book puts forward its own views on how to resolve the controversy existing in the academic circle and reasonably explain the crux of the controversy through the discussion of the practice and theory of rhyme use in new poetry. At the same time, through detailed and in-depth academic discussions on Mandarin rhymes, the author summarizes the gains and losses in the compilation of existing new poetry rhyme books, proposes to formulate practical rhyme standards, and compiles a suitable rhyme chart for new poetry, providing a basis for the practice of new poetry creation.

In the process of the mutual integration of Mongolian and Chinese cultures, Mongolian Chinese creations gradually developed and matured. While accepting the influence of Han literature, Mongolian writers are also describing their nation's traditional thoughts and aesthetic concepts through unique expression methods, forming a new type of literature that has both Mongolian cultural background and Han cultural connotations. "Collection of Research Papers on the Integration of Mongolian and Chinese Literature of the Yuan, Ming and Qing Dynasties" contains 29 papers. The first part of the impact research focuses on the influence of pre-Yuan poetry on the creation of Mongolian Chinese poetry and the Mongolian literati's acceptance of traditional Confucian and Buddhist ideas; the second part of family research discusses Mongolian family literature; the third part of literary research discusses the literary value and research significance of important writers' works.

This book is a collection of selected papers from the 2014 annual meeting of the China Ethnic Minority Literature Society. These papers put forward constructive academic perspectives on the study of ethnic minority literature in many aspects. It is edited according to the four sections of literature research on ethnic minority writers, research on ethnic minority folk literature, theoretical construction of ethnic minorities, and interdisciplinary research on ethnic minorities. It aims to reflect the current cutting-edge trends in ethnic minority literature research and provide academic, innovative, and constructive academic materials for ethnic minority literature research.

Under the general title of "Literary Theory and Criticism Facing the Times", this book collects 50 research papers on seven special topics, including "Basic Theory of Literature", "Ancient Chinese Literary Theory", "Comparison of Western Literary Theory and Chinese and Foreign Literary Theory", "Western Marxist Literary Theory", "Culture and New Media Ecocriticism", "Literary Criticism Research and Work Analysis", "Literature and Art Research", and 2 "Addresses", totaling more than 530,000 words. The papers included now were selected from more than 80 articles through careful reading. These research papers focus on problem awareness, emphasize academicity, reality, and orientation. They have conducted in-depth thinking on important issues in the current field of literary and art theory in our country, and conducted in-depth research on some theoretical issues in literature, art and culture in the form of thematic theory. Many of the authors of the paper are famous domestic scholars in related fields. This collection of academic articles also has a special topic of "Literature and Art Research", and selects three latest research results by foreign scholars, which plays an important role in the exchange and dialogue between my country's research in related fields and foreign research.

Liu Song literature occupies an important position in the literature of the Six Dynasties. This article, on the basis of mastering the literature and materials related to Liu Song literature as much as possible, combined with the political system, cultural thought, scholar mentality, etc. Of this period, explains the style and artistic characteristics of Liu Song's works, explores the evolution process of literature in this period and its significance, and examines the doubtful issues of Liu Song writers. (1) The poetry of Liu Song Dynasty downplayed the mystical flavor and boring feeling in the poetry of the Eastern Jin Dynasty, and realized the return to literature and the image and aesthetics of poetry. The exploration of poetic styles by Bao Zhao, Xie Zhuang and others promoted the emergence and development of miscellaneous words and seven-character styles. (2) On the one hand, the Ci and Fu of Liu and Song Dynasties maintained the characteristics of style arrangement, and on the other hand, they added functions such as environment creation and lyricism, evolving in the direction of poetic characteristics, and profoundly influenced the development of Qi and Liang Ci and Fu. (3) The writings of Liu and Song Dynasties experienced the process of prose, parallel prose, mixed prose, and parallel prose, realizing the transformation from "ancient" to "parallel". (4) The significance of "transition" in Liu and Song literature is embodied in the transformation from reason to emotion, from talent to learning, and from elegance to vulgarity. (5) There are many doubts about the writers of Liu and Song Dynasties, which this article conducts research on. After examination, Yuan Shu served as the priest of the Yikang Army of Pengcheng King, the wine guard, the prefect of Xuancheng, and the concubine of the prince in the eighth, nineteenth, and twenty-fourth years of Yuanjia respectively. Wang Wei did not die of regret and grief due to misdiagnosis by his younger brother Seng Qian as historical records say, but he died of poisoning due to taking Hanshi Powder for many years. Etc.

Through a voluminous volume of historical materials, this book explores Xu Dishan's living environment, growth experience and creative background, and analyzes his cultural choices and spiritual roots in his "displaced" life experience and complex cultural environment, and between religion and belief. He explores his philosophy of life and pursuit of life, constructs the image genealogy and emotional context of his works from the journey between "this shore" and "the other shore", and writes the "exoticity" and poetic residence in his creation from the memories and imagination of aesthetic experience. Xu Dishan's unique spiritual charm runs through his entire life and overall literary creation. This book devoutly ignites Xu Dishan's spiritual fire from a more three-dimensional and comprehensive perspective, illuminates every "uniqueness" of him, and commemorates him on the 80th anniversary of his death.

This book takes China's contemporary mainland children's poetry as the research object, and strives to comprehensively and systematically examine the occurrence and development of contemporary mainland children's poetry in the past seventy years, and examines the inner thoughts and artistic choices contained in the texts of contemporary children's poetry in different historical periods from the context of literary history. Explore the richness and aesthetic construction dimensions of contemporary mainland children's poetry from the poetic context, analyze the specificity of contemporary mainland children's poetry and possible issues in constructing contemporary mainland children's poetics. And evaluate it from two aspects: recognition of the value and lack of development of contemporary mainland children's poetry. In order to provide reference for the healthy development of children's poetry in mainland China in the 21st century.

This book is based on trauma theory, new historicism theory, postcolonial theory, comparative literature iconology theory, etc., And uses the works of Conrad, Shakespeare, Art Spiegelman, Alice Walker, Hemingway, Melville, Kafka and other writers as research objects to explore the colonial wounds, racial wounds, women's wounds in Western literature. Sexual wounds, ecological wounds, and the wounds of modern people's survival dilemma, focus on exploring the historical reality and textual representation of colonial trauma, the trauma narratives of black slaves and Jews, the close connection between female trauma and colonization, race, male discourse, imperial consciousness, marine ecology and desert island ecology, and the survival dilemma of modern Westerners.

Middle English dream poetry is an important achievement of late medieval English literature. It mainly includes Chaucer and Chaucerian traditional dream poems and alliterative traditional dream poems represented by "Pearce the Ploughman". This book focuses on the dream poems created by poets deeply influenced by Chaucer in the late 14th and 15th centuries, the so-called Chaucerian poets. This book conducts a relatively comprehensive review and definition of Chaucerian fantasy poems, and selects ten Chaucerian fantasy poems for in-depth study. The study of ten dream poems in this book follows the rough development sequence of dream poetry, covering the main achievements of the Chaucerian poets in England and Scotland in the creation of dream poems in the 15th century. It is hoped that this book can enhance Chinese scholars' understanding of Middle English dream poetry and further promote the burgeoning domestic study of British medieval literature.

This book takes the heroic epic of the Evenki, a small ethnic group in Russia, as the research object, draws on the research results of domestic and foreign epic experts and anthropology scholars, and uses research methods such as motif analysis, comparative research, and literary anthropology to comprehensively and systematically clarify the narrative genre of the folk literature of the Evenki heroic epic. It includes the hunting culture, shaman culture and traditional national culture, interprets the national classic culture, etc.; Explains the unique understanding of the world reflected in the Evenki heroic epic, and discusses the development and spread characteristics of the Evenki epic; and proposes a series of important and unique academic viewpoints such as the certain affinity between the Evenki heroic epic and the history of the Evenki and Oroqen peoples in my country, providing reference for in-depth research on the Evenki epic and even folk literature.

This collection compiles 13 papers by the author. Issues of concern include: the definition of children's literature and literary fairy tales and the construction of related theoretical perspectives, the exploration of the origins and evolutionary history of European and American fairy tales, the re-evaluation of some important fairy tale writers, the discussion of the maintenance of ethics and morals and the impact of folk tales and fairy tales on children's growth, and how to practice the tradition of face-to-face storytelling in the era of globalization. These articles systematically demonstrate the author's theoretical system and research methods, which are of great benefit to students and scholars engaged in research in folk literature, folklore, children's literature, education and other fields.

In response to the academic debates on the group nature and historical positioning of Xiling poets, this book is based on the excavation and compilation of a large number of new documents. It conducts an in-depth investigation of the group composition, selection system, creative style, and Ci theory claims of Xiling Ci Circle, and reveals the genre attributes and anti-genre colors of Xiling Ci poets from both theoretical and substantive levels. And in this process, we will look into the evolution of the spirit of Xiling Ci and how it affects the transition from Ming Ci to Qing Ci.

This book mainly uses "community imagination" as the main line to study Canadian poetry creation over the past 200 years, including several major periods in the history of poetry: the pioneer period, the Federation period, the first half of the 20th century and the "Founding of the Nation" period. It overall highlights the evolution of the national imagination of Canadian English poetry from "community" to "pluralistic community". The main part includes four major chapters: "Towards "Community": Historical Politics and National Construction", "Experiencing the Wind and Snow: Natural Themes and Regional Poetics", "Revealing "Postmodernity": Internationalism and Formal Techniques" and "Toward "Pluralism": Multiculturalism and Rewriting of Ethnicity", which respectively start from the historical perspective. It analyzes Canadian poetry from four aspects: imagination, space construction, formal techniques and ethnic identity. Taking the most accomplished and representative poets and their works as the focus, it studies the national construction process of Canadian English poetry and explores its differences from the colonial psychology of Britain and the United States and the regional characteristics of the North.

The epic world is not only a joint or combined phenomenon of society and action, but also an aggregate structural system of culture, that is, mind, thinking or character. The composition of the two systems is the imitation principle behind empirical reality - derived from mathematical and statistical logic such as ontology repetition and circulation. As the title of the book indicates, epic typology and epic poetics refer to epic theoretical examples based on two humanistic interpretations of the exploration of the cultural grammar of steppe epics, while "social mind + imitation" refers to an overall theoretical perspective based on social action, ontological imitation of the cultural mind (repetition or cycle, etc.) And grammatical logic. The angle and interpretive framework, that is, starting from the corresponding relationship of cultural grammar, using epic typology, social action imitation and epic poetics, cultural mind imitation as the basis for theoretical interpretation, and then use this to respond to and discuss the ontological misalignment assumptions and logical corrections of the empiricist expression-reflection theory and social dramatization theory.

This book is one of the series results of the author's research on modern literary historical materials. This book focuses on the excavation, collation and interpretation of lost works by modern writers, including Lu Xun, Bing Xin, Feng Zhi, Yao Xueyin, Wang Xiyan, Ye Gongchao, Gao Changhong, Zhou Fosu, etc. The author adheres to the concepts of "newspapers are the "daily notes" of modern writers" and "newspapers and supplements of the Republic of China are important historical materials for modern literature". Using the research method of Pu, through "field investigation" of newspapers of the Republic of China, he collects and organizes many lost articles of modern writers, with a view to making contributions to the historiography of modern Chinese literature.

This book provides a historical and morphological analysis of the spread and reception of modern and contemporary Chinese literature in the German-speaking world. The dissemination of modern and contemporary Chinese literature in the German-speaking world experienced the West German intelligentsia's acceptance of political exoticism amid revolutionary fervor during the Cold War, and the East German intellectuals' utilitarian acceptance amid repeated policies. After the 1990s, the two communication paths gradually merged into a unified German literary mechanism, forming a pluralistic reception paradigm with politicized reception as the basic framework. The recipients in the German-speaking world start from the spiritual tradition of local intellectuals. The politicized acceptance of modern and contemporary Chinese literature is always accompanied by the criticism and correction of the same paradigm, guarding the literary spirit they respect in dialectical reflection.

The status of women is one of the important yardsticks for measuring the degree of social civilization. Although the Republic of China lasted only a few decades, women's legal status encountered changes unprecedented in thousands of years during this historical period. For the first time, this book systematically examines the evolution of women's legal status in the Republic of China and modern Chinese literary writing and the "interaction" between the two in the context of the entire social, historical, political and cultural changes. It comprehensively combs the relationship between the evolution of women's legal status in traditional rural society, urban space, Soviet areas and liberated areas during the Republic of China and modern Chinese literary writing, in order to explore the historical process of changes in women's legal status and living conditions in the Republic of China and its impact on literary creation, as well as the role of literature on this historical process. This book is an intertextual examination of legal provisions, historical materials and literary texts. It re-examines and interprets some writers' works that have been ignored by previous literary history from the perspectives of women's history and legal history. It also provides new interpretations of some classic works in literary history, and outlines a modern literary picture of the changes in the legal status of women in the Republic of China. This provides a new interpretation space for literature and a new understanding of this period of history. It also has implications for the living conditions of women in today's society.

This book comprehensively examines the literary works of the Anglo-Saxon period from the perspective of modern space theory. It takes different levels of space: natural space, social space, psychological space and spiritual belief space as its warp, and different types of texts such as heroic epics, lyric poetry, saint biographies, and wisdom literature as its weft. It explores the spatial concepts and landscape characteristics elaborated in key texts. The study focuses on the interaction between different groups of characters and their places of residence, revealing that Anglo-Saxon writers were actively committed to transforming the abstract and broad concept of space into concrete spatial representations such as places, landscapes, regions, and boundaries that can be experienced and perceived. The research breaks the barriers between space, place and landscape, fully examines the interoperability and uniqueness between the three, and thereby digs out the spatial construction characteristics presented in the literary texts of this period and the social and cultural information they carry. This book contributes to the development of space discussions for early medieval texts, and to a certain extent enriches the application of spatial theory in domestic and foreign literary studies.

The study of poetry societies in the Qing Dynasty is an important branch of the study of Qing poetry. From this, we can illuminate the overall development and evolution of Qing poetry, and also explore the status of related poet groups and local literature. This book uses the collection of social poems as clues and textual basis to examine its scale, shape and style to demonstrate the diversity of poets' association methods in the Qing Dynasty. Through different perspectives such as the main body of association, geographical distribution, and poetry creation, this book attempts to restore the construction process of poetic concepts and aesthetics in the Qing Dynasty, analyze the function of collective convergence creation in Qing people's realization of social needs and emotional interaction, and present the artistic accomplishment and moral constraints of the Qing Dynasty poet group in conjunction with the political and cultural environment at that time.

Based on a comprehensive review of Wang Youding's literary creation, this book focuses on his family background, life, friendships, ancient prose creation and poetry creation, and conducts systematic and in-depth integrated research from the broad perspective of the history of ancient literature and poetry. It examines Wang Youding as an independent individual and strives to achieve documentary research and theoretical analysis. Combining interpretation with interpretation, we not only avoid trivial accumulation of documents, but also reject empty theoretical deductions, and "enter the literary heart from documents", striving for novel perspectives, broad vision, and dense and detailed arguments to give an accurate conclusion on Wang Youding's literary creation characteristics and status in literary history, enrich the study of literary history, and promote the research process of early Qing literature.

Based on recent research in academic circles at home and abroad, this book mainly combines contemporary psychological trauma theory, uses psychological analysis and text reading methods, supplemented by biographical research methods, to provide a comprehensive, systematic and in-depth interpretation of Woolf's works. The study of this book not only focuses on the impact of mental trauma on Woolf's creation, but also focuses on exploring how Woolf narrates trauma in her writing, transcends trauma to seek healing from trauma, and the psychological process of getting out of trauma. This is the key to Woolf's trauma writing. This book believes that Woolf's trauma writing has high ideological and artistic value. It not only accurately conveys individual traumatic experience, but also elevates individual experience to universal human experience. On the basis of profoundly revealing all the forces that hinder human happiness, it points out the ideal way to get rid of the traumatic state. It not only heals the writer's self, but also plays a full and effective role in soothing universal human nature. In this sense, Woolf is a trauma artist.

This book borrows many theories from cognitive poetics, such as cognitive grammar theory, cognitive salience theory, cognitive metaphor theory, cognitive narrative theory, and cognitive psychology theory, to study the language innovation art and narrative techniques of "Ulysses" at the discourse and narrative levels, as well as its cognitive pragmatic function and cognitive narrative function. This book establishes a cognitive analysis framework based on cognitive poetics theory and composed of two levels: discourse and narrative. Discuss the prominent forms of language representation from the discourse level, such as non-verbal sounds, lexical innovation, stylistic imitation, cognitive metaphor, cognitive thinking style and other levels of cognitive interpretation, revealing the essential characteristics of Joyce's literary language and Joyce's view of language: the innovation, uncertainty and playfulness of language; explore novels from the narrative level Talking about the metaphorical macro-narrative strategy and micro-narrative strategy; discusses Joyce's three unique stream-of-consciousness genre representation modes from the level of stream-of-consciousness genre - the normative, transitional and extreme SOC representation modes, and uses cognitive mental space theory to explore the stylistic characteristics and cognitive pragmatic functions of different representation modes.

This book aims to explore the multiple meanings of literary contexts and the meaning-generating mechanisms of various literary contexts. First, it focuses on the generalization of "context" in the field of humanities and social sciences, and explores the changes in research methods and thinking paradigms behind it; secondly, on the basis of redefining the concept of "context", it examines the new connotations and diversified types of "literary context", and integrates literary language from the textual level. The context is divided into four types: "intra-textual context", "inter-textual context", "inter-semiotic context" and "social and cultural context"; finally, it explores the unique multiple meaning function of literary context that is different from non-literary context, and deeply studies the different meaning mechanisms of various context types to generate literary multiple meanings. The book tries its best to show the full picture of literary context, focusing on exploring its functions and mechanisms for generating complex meanings. It also discusses the evolution of context and its functions and values ​​in the fields of artistic nature and literary criticism practice.

This book attempts to construct a theoretical system on nostalgic writing, and on this basis, conducts a comprehensive and systematic study of nostalgic writing in Chinese literature in the context of modern social transformation in the past century. The development process of nostalgic writing of century-old Chinese literature clarifies its historical evolution; it explains in detail the theme of nostalgic writing of century-old Chinese literature in the context of modern social transformation; based on the summary of the above research, it redefines the status of nostalgic writing of century-old Chinese literature in the context of modern social transformation in literary history.

This book contains Professor Chen Zhongyi's research articles on literary principles over the years. It is divided into two parts according to the content. The upper part is "Ancient and Modern Causes", which are mostly theoretical articles, such as "Tragedy and Drama", "Tradition and Currents", "Plot and Theme", etc., And the lower part is "Miscellaneous Stories from Far and Near", which are mostly single articles. The research and comments on writers include contemporary Chinese authors Mo Yan, Jia Pingwa, Zhang Wei, etc., As well as foreign writers Borges, Pamuk, Llosa, etc. The theoretical research and the study of writers' works complement each other, and the macro and micro are combined. It is a representative collection of essays by Professor Chen Zhongyi for many years of literary research.

This book is the first specialized work to study folk narratives in contemporary Shaanxi literature. Folk narrative is one of the important fundamentals of contemporary Shaanxi literature. Writers have frequently produced "phenomenal" masterpieces, participating in and promoting the transformation of contemporary Chinese narrative literature. This book systematically analyzes the discourse characteristics, functional significance, cultural consciousness, literary tradition, as well as achievements, limitations and prospects of Shaanxi literary folk narratives, with a view to providing a new interpretation of the complexity of folk narratives and gaining theoretical enlightenment that transcends regional thresholds.

This book is an academic anthology by Professor Cao Shunqing of Sichuan University. It is divided into 12 topics: "Discourse of Ancient Chinese Literary Theory", "Aphasia of Chinese Literary Theory", "Reconstructing Discourse of Chinese Literary Theory", "Categories of Ancient Chinese Literary Theory", "Comparative Categories of Chinese and Western Poetics", "Comparative Poetics and Overall Poetics", "Development Context of World Literature", "Comparative Literature Discipline Theory", "Chinese School of Comparative Literature", "Comparative Literature Variation", "Across Heterogeneous Cultures and Cross Civilizations", and "Discipline Construction and Talent Cultivation". This book aims to reflect Professor Cao Shunqing's thinking on various topics in concise and easy-to-understand paragraphs, and to provide readers with a convenient way to understand knowledge, consult literature, and exchange academic knowledge.

In the ancient civilized world, India and China each created unique literary theoretical systems. This book sets up twelve topics to conduct a comparative study of ancient literary theories in India and China. It aims to illustrate that the expression forms of ancient literary theories in China and India are very different, but the basic principles are consistent.

How to comprehensively evaluate the American modernist poet Ezra Pound? Is he a poet or a sinner? How to grasp his inner drive to travel between literature, art, economy, politics, East and West, history and reality? This book focuses on Pound as a "poet" and also faces Pound as a "sinner". In any case, such a contradictory turn is truly and permanently tied to his identity. His interaction with Western modern visual art in the early 20th century, especially the keyword ENERGY (energy\u002F) he proposed when he was making theoretical contributions to British Vorticism art, provided the inspiration and starting point for this book. Therefore, starting from three topics: Pound and Western modern visual art, Pound and China, and Pound and Italian fascism, this book shows this "American poet in the vortex" his consistent and continuous pursuit of "power" throughout his life, grasps a relatively certain and stable core of thought, and extracts the internal logic from the connection between his poetry creation, poetic thoughts and practical actions, thereby trying to achieve a comprehensive and comprehensive study of it.

This book uses "transformation" as the keyword, focusing on typical phenomena in the transformation process of contemporary Chinese science fiction, focusing on genre characteristics and text cases, outlining the historical development and transformation of contemporary Chinese science fiction. It strives to examine and grasp the relationship between technology and people, the aesthetics of industrial modernity, foreign influences, and the construction of Chineseness and other cutting-edge issues in science fiction criticism from the historical context, and make fundamental academic contributions to the study of contemporary Chinese science fiction.

During the Qianjia period, Pu Xue replaced Neo-Confucianism as the mainstream academic, and the change in academic research paradigm affected the literary concepts of this period. Scholars of Qian and Jiaqing re-examined the relationship between meaning, textual research and diction. Yuan Mei's theory of nature and spirit and Weng Fanggang's theory of texture, the former opposes Pu Xue, while the latter embraces Pu Xue. The two have completely different purposes. The theory of Xingling is intrinsically consistent with the Qianjia Yili. Pu Xue's liberal arts research promoted the creation of parallel prose in the Qianjia period. Scholars in Qianjia and Qianjia regarded parallel prose as the authentic article, and the dispute over parallel prose at this time was an extension of the dispute between Sinology and Song Dynasty. Under the influence of Qianjia Pu Xue, popular literature also had a strong textual research color.

Poems and poems were the mainstays of pre-Tang literature. The two evolved interactively, with one ebbing and the other growing. The history of literature has always focused on one-way research. This book integrates the two and is committed to the basic investigation of rhetoric. It takes style as the center and pragmatics as the key. It strives to break down the barriers between language and literature, research and creation, and pays attention to the similarities and differences between the two in basic issues such as subject matter, techniques, sentence patterns, diction, rhythm, and creative concepts. In this way, it reveals the "internal logic" of literary evolution, explains the beauty of physical appearance that "each body has its own beauty", reveals the fundamental nature of the two bodies, explains the literary reasons for the "death of Fu" and the rise of poetry, etc., And strives to demonstrate the clear, rich and vivid "beauty of the process" of the interactive mechanism of the two bodies.

The narrative definition, basic conceptual framework and theoretical construction of general narratology need to break through the limitations of the "language, especially text-centrism" of classical narratology. Its "text-centrism" can be traced back to the distinction between drama (imitation) and narrative by Plato and Aristotle. In fact, both novels and plays are stories. The concept of story in early ancient Greek culture has no media restrictions and is almost synonymous with narrative. Early human story forms were mostly developed in the form of oral narration, ritual performances, etc. The performance mode of its original oral culture also left traces in later written narratives. Narration has long been accumulated as a category of experience communication. Symbolized daily life is full of various narrative forms. Narration, as a kind of intelligence for planning and organizing social life, makes the daily life process itself have narrative structural characteristics. Based on the perspective of semiotics and media studies, this book also draws on the ideas and methods of phenomenology, cultural anthropology, sociology and other disciplines. It attempts to propose new concepts such as "writing author", "narrating subject", "subject voice" and "symbolic representation", and reinterprets issues such as "secondary narrative", "qualitativeness of recorded presentations such as film and television", "framework of presentation narrative", "Fabra and Huget", "narrative layering", "narrative and narrative terminology selection", "representation and representation" and other issues.

This book explores the form of early scholar-monk interactions and its relationship with literature from three main aspects: the confluence of Xuan-Buddhist thought, the formation of early Buddhist centers, and the literary creation of scholar-monk groups under the Buddhist background. A relatively in-depth analysis is made of the connotation of ideological categories such as Zhi Dun's "Surfaces of Color and Mystery" and Hui Yuan's "Image Noumenon" and their influence on literature; the formation of the characteristics of combining mountains and literature with meaning in the Buddhist centers of Kuaiji and Lushan; the creation of five-character poems by the poet monks in the Eastern Jin Dynasty and their poetic historical significance;