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"Hot Wind" contains forty-one essays written by the author from 1918 to 1924. Lu Xun made some short comments in the "Reflections" of "New Youth" in the previous year. Because most of the comments he made were minor issues, they were insignificant and the reasons were mostly forgotten. But as far as the current text appears, apart from a few general comments, some of them are about supporting the si, sitting quietly, and boxing; some are about the so-called "preserving the national essence"; some are about the old bureaucrats at that time who were proud of their experience; some are about the caricatures of the Shanghai Times. I remember that at that time, "New Youth" was under attack from all sides, and Lu Xun could only deal with a small part of it.

"May You Grow Up Slowly" is a collection of essays by famous writers on "slow parenting". It contains nearly 30 essays, including letters written by parents to their children, talks about their own growth experiences, and views on their children's education. It provides many educational experiences worth learning from. The authors of these essays come from different fields, including teachers, writers, scholars, scientists, businessmen, and ordinary people. The letters they write to their children are warm and touching. Their understanding and thinking about children's personalities are true, objective, and full of humanity. They are full of reflections on their own growth experiences, and they have relatively unique views on the education of the next generation.

This book is a concentrated writing by Mr. Liu Xinwu on the portraits of contemporary intellectuals or cultural groups. It records the turbulence of the times and the changes in the literary world, tells the unique legends and ups and downs of the protagonists, depicts the life style and philosophy of life of those gentle and wise men, and demonstrates their unswerving state of mind and gazing at the new moon after going through the dust and storms of life. The author's language is fresh and concise, and his narration is eloquent and moving. The words as calm as water contain a deep tension that washes away the lead and comforts people's hearts.

This book is a classic anthology of Wilde's fairy tales, including his popular classics such as "The Nightingale and the Rose", "The Happy Prince", "The Giant's Garden", "The Faithful Friend", "The Famous Rocket" and "The Star Child". These works were translated by Lin Huiyin, a talented woman during the Republic of China. Lin Huiyin's writing is beautiful, natural, full of aura, and full of quiet feminine beauty. It includes Lin Huiyin's translation of "The Nightingale and the Rose" and her play "Mei Zhen and Them" as well as some letters.

It contains Zhu Ziqing's prose that was never compiled into a collection during his lifetime. Some of these articles reflect the author's unique views on life, and some contain the author's thoughts on current social events. They have rich and profound thoughts, simple and meticulous style, clear and profound melancholy, concise language, clear and beautiful writing style, and are full of true feelings.

"Collection of Nanqiangbei Diao" is a collection of essays by Lu Xun, which contains fifty-one essays written by Lu Xun between 1927 and 1929. At that time, a scholar in Shanghai signed "Meizi" attacked Lu Xun in an article "Writer's Sketches": "Lu Xun likes to speak very much, but he has a stutter, and he has a 'Southern accent and a Northern accent.'" In response, Lu Xun counterattacked: "I can't say that Su Bai is soft, I can't. "To play a loud Beijing tune, if it is not in tune or popular, it is really a southern tune and a northern tune." It shows that he is unwilling to follow the trend and despise boring literati. The title of this collection is humorous and expresses his contempt for the enemy and his uncompromising attitude. Therefore, my husband named this collection published in March 1934 "Collection of Nanqiangbei Diao", which was a kind of self-deprecation and a mockery of Meiko.

"The Sequel to the Huagai Collection" is a collection of essays by Lu Xun, which contains thirty-two essays written by Lu Xun in 1926. Including "Miscellaneous Comments on Nosy, Learning, Gray, etc.", "Three Souls of Academics", "Ancient Books and Vernacular", "In Memory of Mr. Liu Hezhen", "Ma Zhi's Diary", "Shanghai Correspondence", etc.

"Lace Literature" is a collection of essays by Lu Xun, which contains 61 essays written by Lu Xun in 1934. Including "Women may not lie more often", "Northerners and Southerners", "The ancients were not kind", "Read a few books", "Toys", "Settling accounts", "Book reading notes", "Chinese characters and Latinization", "Three Ugly Examination Halls", "A Brief Discussion of Mei Lanfang and Others (Part 1)", etc. "Lace literature" was originally a word used by others in articles attacking Lu Xun, so Lu Xun used it to name the collection and design the cover.

The book was originally a handout compiled by Lu Xun when he was teaching a course on the history of Chinese literature at Xiamen University in 1923, titled "A Brief History of Chinese Literature"; it was used again the following year when he was teaching the same course at Sun Yat-sen University in Guangzhou, and was retitled "An Outline of the History of Ancient Chinese Literature". It was not officially published during the author's lifetime, but was renamed when it was compiled into "The Complete Works of Lu Xun" in 1938. Although the book only writes about the two Sima of the Western Han Dynasty, in this short ten-section lecture notes, it has its own characteristics in terms of material selection, style and viewpoints, so it plays an important role in the field of Chinese literary history research.

"The Grave" is a collection of Lu Xun's essays, including "On the Fall of Leifeng Pagoda", "On the Slowdown of Fairplay", "What Happened to Nora After She Left", "On "Fuck!"", "On Cultural Partiality", "From Beard to Teeth", "Widowism" and other twenty-four articles. These essays were written between 1907 and 1925. In these essays, Lu Xun prominently used historical writing, vividly cited facts, expressed his own right and wrong, pointed out current ills, argued about the past and present, and showed his revolutionary image of fighting the old forces to the end.

"Two Hearts Collection" is a collection of Lu Xun's essays, including thirty-seven essays written by Lu Xun from 1930 to 1931. Including "Good Governmentism", "On the Surprise of Friendships", "Bereaved" and "Capitalist's Lame Dog", "The Story of Rou Shi", "Serving the Country with Feet", etc. At the end is a translation of "Modern Film and the Property-owning Stage".

"Ji Ji Ji" is a collection of essays written by Lu Xun in 1927 and published in 1928. Faced with the reactionary warlords' massacre of revolutionaries and progressives, Mr. Lu Xun was both resentful and powerless. "In the past six months, I have seen a lot of blood and a lot of tears, but I only have mixed feelings. The tears have dried, the blood has disappeared, and the butchers are free and easy again, some with steel knives, some with soft knives. But I only have 'mixed feelings'. When even the 'mixed feelings' have been 'put where they should go,' I can only say 'nothing more.'"

"Morning Blossoms Plucked at Dusk" is Lu Xun's only collection of retrospective essays, originally titled "Revisiting Old Things". It is a text written by Lu Xun recalling different life experiences and experiences in his childhood, adolescence and youth. He wrote a lot about children and teenagers, which was very interesting to read. The whole book is composed of "Xiaoyin", "Dog·Cat·Rat", "Ah Changyu", "Twenty-Four Pictures of Filial Piety", "Five Rampant Meeting", "Impermanence", "From Baicao Garden to Sanwei Bookstore", "Father's Illness", "Miscellaneous Notes", "Mr. Fujino", "Fan Ainong" and "Postscript".

"Qiejieting Essays" is a collection of essays by Lu Xun. This book collects thirty-six essays written by Lu Xun in 1934, including "Two or Three Things About China", "Using Doctrine", "An Eye for an Eye", "Speaking of "Face"", etc. "Qiejie" is made up of half of the word "concession", which means that only half of China's sovereignty is left. These essays are not only sophisticated in technique and rich in argumentation, but the author's application of Marxist theory has also been integrated and integrated into specific content in accordance with the characteristics of miscellany.

"Quan Feng Yue Tan" is a collection of essays by Lu Xun. It contains sixty-four essays written by Lu Xun in 1933. Including "Song of the Night", "Eating White Prime Minister's Rice", "Morning Cool Chronicles", "Autumn Night Journey", "Sikuquanshu Rare Books", "The Evolution of Men", "Lessons from Movies", "About Translation (Part 1)", "Drinking Tea", "Also in Foreign Countries", etc.

"A Brief History of Chinese Novels" was originally Lu Xun's lecture notes on the history of Chinese novels at Peking University, with a total of twenty-eight articles. It was written in 1924 and published by Beijing Beixin Book Company in 1925. This book is the first monograph on the history of Chinese novels compiled by Mr. Lu Xun. The book has a total of twenty-eight chapters, describing the occurrence, development, and evolution of ancient Chinese novels, starting from myths and legends and ending with condemnation novels in the late Qing Dynasty. This book has a rich collection of materials and collected them carefully. It analyzes the thought and art of the novels of the past dynasties with concise words and accurate judgments. It is a landmark classic work in the 20th century.

"Wild Grass" includes 23 prose poems written by Lu Xun in Beijing from September 1924 to April 1926 and one "Inscription" written when compiling the collection in 1927. "Weeds" runs through serious self-dissection and unremitting ideological exploration. Its artistic features are distinctive - symbolic and metaphorical techniques, rich imagination and strange conception.

"Pseudo-Freedom" is a collection of Lu Xun's essays. It contains forty-three essays written by Lu Xun in 1933. It is a record of Lu Xun's political struggle and ideological criticism using essays as weapons at a specific historical period, including "Watching the Fight", "Talents in the Grand View Garden", "From Satire to Humor", "The Secret of Selling Your Soul", "Circle of Life of the Chinese", etc.

"Sanxian Collection" is a collection of essays by Lu Xun, which contains thirty-four essays written by Lu Xun between 1927 and 1929. Including "Silent China", "On the Bell Tower (Night Notes Part 2)", "An Account of Hong Kong's Christmas Wishes", "Short Introduction to "February" by Rou Shi", "The Changes of Hooligans", etc.

"The Final Collection of Qiejieting Essays" is a collection of essays by Lu Xun, which contains thirty-five essays written by Lu Xun in 1936. Including "Memory of the Soviet Printmaking Exhibition", "I Want to Lie", "Written in the Late Night", "Two or Three Things About Mr. Taiyan", etc. Attached volumes include "Comparative Studies of Literati", "Small Collection of Pinellia Pinellia", "Death", etc.

"Second Collection of Qiejieting Essays" is a collection of Lu Xun's essays. It contains forty-eight essays written by Lu Xun in 1935, including "The Hermit", "Cartoons and Cartoons", "The Beginning of Literacy in Life", "On "People's Words Are Terrible"", "Re-Discussion on "The Literary Disdain"", "Celebrities and Famous Quotes", "Escape from Fame", "The Tragedy of Almost Nothing", etc.

Writers who specialize in novel creation mostly write some prose works in addition to novels. This is because in addition to literary fiction and imagination, writers also have many real feelings and real feelings about reality and life, which are difficult to express in novels and need to be expressed and expressed in non-fictional ways such as prose. The famous novelist Zhou Daxin wrote many prose works in addition to novels, and this is why. This book selects Zhou Daxin's classic prose, which is full of historical depth and thoughtful content. Although these works describe different objects and have different contents, they contain a main line and highlight a key point, which is to tell childhood memories, narrate military camp life, record travel experiences, and record reading feelings according to the author's youth growth and life footprint. It comprehensively presents Zhou Daxin's creative achievements in prose.

Capture the small beauties of life with a childlike innocence, and experience the great freedom of life with a Zen mind. As the originator and essayist of modern Chinese comics, Feng Zikai was a master of both painting and writing. In addition, he studied under Master Hongyi Li Shutong, so his life was artistic, poetic, and free. This book takes flowers as its theme, from "Don't be idle when the flowers are good" to "There is great beauty in the world", then to "Sentient world, innocent life", "Waiting for time to bloom into flowers", and finally to "This life is close to the peach blossom garden", laying out Feng Zikai's "flowers". The life of "Blooming into a scene, falling into a poem" also reflects the lifestyle that contemporary people yearn for - from now on giving flowers to themselves, riding horses to freedom, and conveying ambitions with a Zen heart - those who have a beautiful heart will surely bear flowers along the way. There are three thousand things in this world, and you should be like Feng Zikai, happy and enjoying your life freely.

This is a collection of essays about attachment to the world. There are 50 prose works by 13 well-known writers. In the book, the writers talk about family love, friendship, long-lost hometown, and lost time. They either go straight to the topic or elaborate slowly. In their words, they all reveal their deep understanding and attachment to life and time. Writers sincerely share their true feelings and insights about beautiful things in life with readers. You can see interesting stories about the lives of our predecessors Lu Xun, Chen Xiying, Lu Xiaoman, Liang Sicheng, etc. In the writers' pens. The book is divided into seven parts. It is rich in content, real in emotion, and warm, giving readers affectionate warmth, perception of beauty, and enlightenment of life.

"Nature is as obedient to what it is engaged in as the hands of a dyer." Auden, one of the greatest writers of the 20th century, has newly included a 10,000-word postscript from the famous collection of essays by translator Hu Sang. "The Dyer's Hand" collects the splendid prose works of W. H. Auden, a generation of literary giants, including his famous lectures as professor of poetry at Oxford University. The articles in the book cover a wide range of topics but are related to each other. They all put forward their own views on poetry, art, and various situations in life. These thoughts and feelings are original and unconventional. Although the core focus is literature and art, behind the argument is the author's entire experience in the twentieth century.

"Condensed Autobiography" of Auden, the great poet who changed the entire English literary world. The translation has been revised, the layout has been refreshed, and new illustrations have been added. Auden's last collection of essays \u002F reviews skillfully integrates personal experience into book review writing, which to a certain extent can be regarded as his concluding statement on his long-term thinking mode. Auden was a figure who changed the entire English literary world in the 20th century. His achievements not only left immortal masterpieces in the fields of poetry, drama and criticism, but also the unique modernity contained in his words had an impact on contemporary literature and brought profound inspiration to writers in various fields of literature. It is difficult to count and indelible. "Collection of Prefaces and Postscripts" is a collection of essays and comments published in Auden's later years, which plays a special and important role in his writing career. The essays included in "Collection of Preface and Postscripts" were written from the 1940s to the 1970s. The content involves literature, theology, philosophy, art and even daily household life. The materials are detailed and rigorous, and the writing style is comprehensive. They have extremely high academic value, historical value and aesthetic value. At the same time, they skillfully integrate personal experiences into book reviews written for others. Many passages are like a condensed version of Auden's autobiography. As Auden's last essay\u002F review collection, the entire work continues from the inner life of human beings to the outer life, and is finally integrated with "I" as a member of the human race. It implies Auden's duality thinking mode and understanding of the dual attributes of human beings. To a certain extent, it can be regarded as his concluding statement on his long-term thinking mode.

His poetic skills are exquisite and his feelings are broad. "All his poems are written for love." A newly revised edition of W. H. Auden, universally recognized as one of the greatest writers of the 20th century, is translated based on the complete collection of poems that Auden voluntarily retained, and the essence of his works is included. Translated by Ma Mingqian and Cai Haiyan, it won the top ten best books of the year in "Shenzhen Reading Month". Includes new illustrations. From the beginning of his career in 1927 to the return of his soul to the country of poetry in 1973, Auden continued to inject new atmosphere into English poetry for nearly half a century. His works range from politics to religion, from cities to rural areas, and are full of beautiful words. Street conversations can also be incorporated into poetry. This book is translated based on the complete collection of poems that Auden voluntarily retained. It basically includes all the contents of previous editions of Auden's poetry collections, and covers all the poet's later collections of short poems. It can be said that the essence of Auden's poetry has been collected here. This new edition is released, and the translation has been carefully revised by the translator. Looking through the entire book, one can't help but admire the exquisiteness of Auden's poetic skills and the breadth of his feelings, and the ancient Western literary tradition has reappeared in its past glory again and again in his writings.

Auden, one of the greatest writers of the 20th century, and his best friend Isaac Wood recorded the classic journey to China in 1938. It has extremely high historical and literary value. Ma Mingqian's translation has rich annotations and detailed textual research. Auden's complexity is not only reflected in the several changes in his ideological trajectory, but also in the richness and variety of his life experiences. His frequent travel experiences shaped his contradictory character and profoundly changed his understanding of many issues. His trip to China in 1938 was an indispensable part of it. This time, traveling with him was his close friend and companion, the British writer Isaac Wood. The two have previously co-created three poetic dramas, and now they have traveled to China for their fourth book, traveling to Hong Kong, Guangdong, Hankou, Shanghai, the Yellow River Basin War Zone, etc., And have interviewed many important historical figures, leaving behind many precious first-hand information. This book is "Battlefield Travels" published in 1939, a battlefield diary integrating poetry, prose, and photos. It was the eve of the outbreak of the European War. The book was very popular for its detailed information, humorous writing style and firm anti-fascist stance. It had extremely high historical and literary value. Among them, the twenty-seven sonnets written by Auden were praised as "the most profound and innovative chapters in Auden's poetry of the 1930s, and can also be said to be one of the greatest English poems of this decade."

Xueyou, as the name suggests, is the key to learning, that is, the learning method. Mr. Qian has been immersed in academia throughout his life. Now he can tell future scholars about his determination to become a scholar and enlighten readers on how to enter the university. This book contains twelve of Mr. Qian's essays on academic methods, each of which focuses on one end of knowledge, all with detailed discussions, and mainly includes four aspects: first, understanding Confucius as the key to learning, and then obtaining the way to be a human being; second, analyzing Zhu Xi's reading methods one by one based on Zhu Xi's works; third, analyzing and commenting on the modern great Confucians Chen Li and Zeng Guofan The reading and scholarship methods of Zhang Zhidong, Kang Youwei, Liang Qichao and others have added to their reference and guiding significance; fourth, Mr. Qian Mu combined his own reading and scholarship to talk about the "in and out" of learning, "inference and understanding", etc., And briefly talked about the shortcomings of the academic style at that time. Readers can learn "how to run in and how to get out" of learning.

In 1974, Mr. Qian Mu, who was eighty years old, wrote the book "Reminiscences of Parents at Eighty Years" in memory of his parents. Eight years later, he wrote "Miscellaneous Memories of Teachers and Friends". This book is a combination of the two books and contains twelve appendices. In "Eighty Years of Reminiscences of Parents", Mr. Qian recalled the lives of his grandfather, father, mother and elder brother. Their words and deeds have become part of Qian Mu's personality. When writing "Miscellaneous Memories of Teachers and Friends", my husband could no longer see words. He was filled with emotion as he recalled the teachers he met when he was a student, his experience of teaching in primary schools, middle schools, and universities, as well as his journey of studying knowledge. From Guoyu Primary School to Peking University, Southwest Associated University, and New Asia College, the world has undergone sudden changes in the past few decades. From this book, we can get a glimpse of the changes in the country, society, atmosphere, characters, ideas, and academics in the twentieth century, as well as the profiles of Hu Shi, Gu Jiegang, Lu Simian, Chen Yinke, Liang Shuming, Feng Youlan, Lin Yutang, Fu Sinian and others. The reminiscences of Mr. Shu can preserve the demeanor of his previous life. Those who read these miscellaneous recollections will not fail to add objective evidence if they look at them with the eyes of studying the history of modern Chinese society.

Kawabata Yasunari, winner of the Nobel Prize for Literature and a master of Japanese aesthetic literature, is a masterpiece that will not be forgotten! "A Thousand Cranes", "The Dancing Girl of Izu", "Snow Country", "Ancient Capital", "Friends" and "Distant Journey".

Cai Lam is humorous and elegant. He tells what he sees and hears in vivid and vivid words and shares his insights with readers. He said: "Writing for the joy of writing is the real beginning. In addition to the merit of writing, it must also be truthful and frank enough." The essays are so touching and interesting that you can feel the philosophy of life seeping out bit by bit from the words. "Time is the Absolute Medicine" is a collection of Mr. Chua Lam's daily diaries from his 81st birthday in 2022 to April 2023, recording his life, food, and thoughts and feelings. In the book, Mr. Cai Lan shares with everyone his relaxed attitude towards life, and his broad-minded life wisdom is revealed in every word. Live a relaxed, comfortable and interesting life. Those who are thoughtful will get inspiration and wisdom from Mr. Cai Lan's words.

This book selects 69 representative works of Lu Xun's essays based on Xu Guangping's recollection of Lu Xun's "Gladful Remembrance", such as "youth", "women's normal college incident", "family" and other issues that Lu Xun was deeply concerned about. Facing the world and people's hearts, Lu Xun pointed out that "the life of 'irony' is real!" His words can always hit the mark in one fell swoop and hit the nail on the head! When seeing young people being harmed, Lu Xun always stood up and spoke out: "The timid are angry, but they attack the weaker!" Facing the vulnerable groups, Lu Xun always showed endless care and tenderness: "Think of everyone at any time and seek some benefits!" He never admitted that he was a mentor, but he gave people uncompromising courage and resilience between the lines: "May all Chinese youth get rid of the air conditioning!" It turns out that Lu Xun's essays not only have the sharpness we are familiar with, but also the tenderness that is easily overlooked!

This book is a collection of Fu Lei's art criticism, including articles on literature, art, music, etc., Including "On Zhang Ailin's Novels", "Hugo's Boyhood", "Cézanne", "The Relationship between Art and Nature", "Beethoven's Works and Spirit", etc. From these articles, it can be seen that Fu Leigeng is upright, honest and meticulous. He combines the traditional virtues and modern spirit of Chinese intellectuals and is a model.

Mr. Feng Zikai enjoys drawing cats and writing articles about cats. The cats in his works accompany their owners to read newspapers, drink and write poems, play with their children, and even help their owners entertain guests. Although they occasionally steal food and make people angry, the cute and playful cats always stay with people and spend their happy years together. This book selects several cat-themed essays by Mr. Feng and his daughter, together with more than a hundred cartoons featuring cat elements, from which we can see Mr. Feng's love for cats, his love for life and his pursuit of art.

"The "Interest" of the Human Heart" is divided into two parts, with the theme that life is full of emotions, dreams, and art. The first part talks about how painting looks at the world with a smile, that is, the impact that Feng Zikai devoted himself to painting on his life. Even after experiencing war, persecution, serious diseases and other unpredictable variables, he still remained calm and contented. The second part tells about the past and present of Western painting, that is, Feng Zikai's views, tastes and research on Western art, as well as his views on the differences between Western painting and Chinese painting. Whether Chinese or Western, it is a portrayal of life.

This book is the complete collection of Wilde's fairy tales, including two collections of fairy tales written by Wilde during his lifetime - "The Happy Prince and Other Stories" and "The House of Pomegranates", including nine famous stories including "The Happy Prince" and "The Nightingale and the Rose". The fairy tales created by Wilde are unique in style and full of whimsical ideas. They are known as "the most beautiful fairy tales in the world" and "the most touching fairy tales in the world". They are not only suitable for children to read, but also for adults. Behind every interesting story lies the author's satire and criticism of social reality and unpredictable human nature. Almost every reader can find resonance with the author's writing.

"Alexandre Dumas' Gourmet Dictionary" is a literary feast made up of entries one by one. Different from the rigid writing method of traditional dictionaries, Alexandre Dumas added a lot of literary factors when making entries. All celebrity anecdotes, myths and legends, jokes, and historical materials related to food are included, which is full of interest and makes people unable to bear to put it down. This book has been widely praised as "good-looking and easy to use". It is one of the few serious food literatures in the West. Its survival value and contribution cannot be underestimated. It is a rare work of French literature and French cuisine handed down from generation to generation.

In "The Red Flag: A Small Resurrection", Lao She uses his autobiography as a clue to express social customs and historical changes. With Lao She's pen, vivid characters appear on the stage - a gentle and honest father, a thrifty and simple mother, a sharp and arrogant aunt, the eldest brother-in-law who eats, drinks and hass fun, the eldest sister-in-law who is unreasonable, the eldest sister-in-law who is nothing but a blessing, the smart and capable second brother Fuhai, the cunning and scheming elder brother, the straightforward and honest elder brother, the upright elder brother. The kind-hearted shopkeeper Lao Wang, the stubborn and upright Wang Shicheng, the pampered Uncle Ding, the carefree Bo Shengzhi, the arrogant Pastor Niu... Once the people, they all lived happily and carefree in their own world, but when the Qing Dynasty on which they relied was crumbling and falling apart, their fate was equally bad.

After the outbreak of the Anti-Japanese War, Mao Dun, like the mobile literati of that era, visited Hong Kong, Xinjiang, Yan'an, Guilin, Chongqing and other places. With the war continuing and crises everywhere, Mao Dun was trapped in a social whirlpool full of contradictions and lived a life of upheaval. During this period, he made friends with many celebrities in the literary and artistic circles. This book is based on "The Complete Works of Mao Dun" and tells the story of Mao Dun's interactions with many old friends and new acquaintances from the 1920s to the 1940s. He reviewed the daily trivial matters with close friends such as Lu Xun, Zou Taofen, and Shen Junru, recalled the heroic sentiments of Qu Qiubai, Zhu Ziqing, Xian Xinghai, and other old friends, expressed his gratitude for the ups and downs of women such as Xiao Hong, Ding Ling, and Lu Yin, and recorded the anecdotes of Xiao Chunu, Ma Da, Sun Yuxiu, and others. Some of them had fled together, some were in the same literary camp, some had worked together, and some were fellow comrades in the revolutionary cause. The interactions with these friends, and the constant strengthening of revolutionary beliefs in the interactions, became a strong force supporting Mao Dun to continue going against the tide of life.

Mr. Mao Dun is not only a novelist, but also a fairy tale writer. He is also one of the earlier explorers and pioneers in the field of modern mythology research in my country. "Our Beautiful Myths and Fairy Tales" extracts basic viewpoints from Mr. Mao Dun's "Chinese Mythology Research", "Chinese Mythology Research ABC", "Norse Mythology ABC" and other mythology research works, discusses Chinese and foreign mythology theories, and selects classic mythology stories from China, Greece, Rome and Nordic countries for discussion and analysis. In addition, this book also includes more than twenty fairy tales from "Fairy Tales Volume 1" written by Mao Dun. Mao Dun's children's literature is the most educational part of his creation. Mr. Mao Dun's systematic research on Chinese and foreign mythology and rich theoretical writings reflect the splendid history of world mythology and the pioneering work of Chinese mythology research. His creations also reflect Mr. Mao Dun's hard work and achievements in the field of fairy tales.

"Jiang Weiqiao's Travels" compiles Jiang Weiqiao's life from the first year of Xuantong (1909) to the 24th year of the Republic of China (1935), covering Jiangsu, Zhejiang, Anhui, Hunan, Hebei, Shandong, Shanxi, Shaanxi and abroad. There are 39 travel notes and landscape essays in this book, with clear divisions, detailed descriptions, careful and rigorous writing, extensive quotations, and meticulous writing. It is of great reference value for studying the historical features, customs and customs of various places in the late Qing Dynasty and the early Republic of China.

"Walden" is a collection of essays written by American writer Henry David Thoreau, which details the author's reclusive life when he lived by Walden Pond for two years, two months and two days. This is a simple, fresh and philosophical book that records the author's unique understanding of nature, society and life, and presents the rich spiritual world of a transcendentalist. The frank brushstrokes reveal a sense of humor, and the deep thoughts shine with the brilliance of knowledge. As a representative work of Thoreau and a classic work of transcendental philosophy and natural literature, "Walden" inspired many important thinkers in later generations. It is deeply loved by readers all over the world and has enduring charm.

Mr. Qian Juntao is a well-known contemporary Chinese calligrapher, painter, seal engraver, and book binder. "Ingenuity" is based on Qian Juntao's personal works, and according to different themes, it tells readers about Mr. Qian Juntao's "money cover" design, his artistic achievements in seal cutting and calligraphy, as well as his love for collecting and his autobiography. The book also talks about the "Qian Cover" binding, that is, the covers he designed for Mao Dun, Lu Xun and other famous figures. They have unique conception, exquisite expression techniques and either clear or subtle artistic conception, reflecting his superb aesthetic attainments. It also talks about seal cutting and calligraphy, that is, its essence and experience in the art of calligraphy and seal cutting, showing its solid aesthetic foundation and superb technical level. It also talks about the ups and downs of collecting, that is, during his collecting career, he experienced the joy of finding treasures with great difficulty, the sorrow of living frugally and the pain of misfortune to his collection. These are all precious experiences of this artist.

As one of the founders of Chinese revolutionary literature and art, Mao Dun played the role of guide and explorer in the creation and research of Chinese literature. This book extracts Mao Dun's exquisite views on literary creation and literary criticism from his Chinese and foreign literary theories, and elaborates them in detail. "Interactions with Literature" tells the story of Mao Dun's own literary creation experience. "Seeing the Brilliant Sunshine" is Mao Dun's appreciation and comment on ancient Chinese classics and modern writers' works. Among them, Mao Dun's evaluation of Lu Xun's "Diary of a Madman" is "like people who have been in darkness for a long time suddenly see the splendid sunshine." "Picking the brightest stars" is Mao Dun's experience in studying world famous works. "Dialogue with the Masters of the Times" selects foreign literary masters to explore the five flavors of life behind their works. In "Words of Experience, a Golden Needle Can Save People", Mao Dun made a detailed summary of each link in literary creation. "Written to Beginner Writers" is Mao Dun's advice and guidance to young literary people on their creative journey. Mao Dun's attitude and methods towards literary creation reflect his realistic view of literature, his criticism and analysis of literary works reflect his sophisticated literary and artistic accomplishments, and his summary of writing skills and experiences reflect his objective and scientific literary trend of thought.

"The Three Floors of Life" is divided into two parts. The first part of the three-story life, that is, Feng Zikai believed that life consists of three stages: material life, spiritual life and soul life. How he broke through the shackles of material life, entered the realm of spiritual life, and further pursued the soul life. From this, we can understand Mr. Feng Zikai's personal character and noble sentiments in addition to his literary and artistic achievements. The second part talks about world famous people and famous music, that is, Feng Zikai's introduction to the life experiences of world famous people and his understanding of world famous music, as well as the exploration of their creative intentions and methods.

"Yu Dafu's Travels" compiles nearly forty of Yu Dafu's travel notes and landscape essays. These works describe landscapes and scenic spots, and contain rich knowledge of geography, history, and nature, as well as personal experiences and feelings. The language does not need to be refined, the composition is not restricted, the talent is talented, the style is eclectic, the style is suave, and the writing becomes interesting. "Fan Yanqiao's Travels" compiles fifty-eight of Fan Yanqiao's travel notes and landscape essays. These travel notes range from the 10s to the 1960s, covering the author's nearly fifty years of creative career. His travel prose is often written in writing, mixed with what he has seen and heard, with concise language and profound implications, a wide range of topics, and a strong writing style. "Travel Notes of Zhou Shoujuan" compiles 37 travel notes and landscape essays by Zhou Shoujuan, all of which are selected from Zhou Shoujuan's personal collection of works, including "A Collection of Traveling Clouds", "Travel in Suzhou", "Flowers and Grasses", "Continued Notes Before Flowers", etc. These works describe visits to famous mountains and beautiful waters, as well as the beauty of flowers and trees. They not only contain rich knowledge of geography, history, and nature, but also incorporate the author's profound knowledge of horticulture. The writing style is simple and natural, clear and beautiful. "Jiang Weiqiao's Travels" compiles Jiang Weiqiao's life from the first year of Xuantong (1909) to the 24th year of the Republic of China (1935), covering Jiangsu, Zhejiang, Anhui, Hunan, Hebei, Shandong, Shanxi, Shaanxi and abroad. There are 39 travel notes and landscape essays in this book, with clear divisions, detailed descriptions, careful and rigorous writing, extensive quotations, and meticulous writing. It is of great reference value for studying the historical features, customs and customs of various places in the late Qing Dynasty and the early Republic of China.

"Our Beautiful Myths and Fairy Tales" extracts basic viewpoints from Mr. Mao Dun's "Chinese Mythology Research", "Chinese Mythology Research ABC", "Norse Mythology ABC" and other mythology research works, discusses Chinese and foreign mythology theories, and selects classic mythology stories from China, Greece, Rome and Nordic countries for discussion and analysis. In addition, this book also includes more than twenty fairy tales from "Fairy Tales Volume 1" written by Mao Dun. "In the Countercurrent of Life" is based on "The Complete Works of Mao Dun" and tells the story of Mao Dun's interactions with many old friends and new acquaintances from the 1920s to the 1940s. "Seeing the Brilliant Sunshine" extracts Mao Dun's exquisite views on literary creation and literary criticism from his Chinese and foreign literary theory, and explains it in detail. "The Three Floors of Life" is divided into two parts. The first part of the three-story life, that is, Feng Zikai believed that life includes three stages: material life, spiritual life and soul life. How did he break through the shackles of material life, enter the realm of spiritual life, and then further pursue the soul life. The second part talks about world famous people and famous music, that is, Feng Zikai's introduction to the life experiences of world famous people and his understanding of world famous music, as well as the exploration of their creative intentions and methods. "The "Interest" of the Human Heart" is divided into two parts, with the theme that life is full of emotions, dreams, and art. The first part talks about how painting looks at the world with a smile, that is, the impact that Feng Zikai devoted himself to painting on his life. Even after experiencing war, persecution, serious diseases and other unpredictable variables, he still remained calm and contented. The second part tells about the past and present of Western painting, that is, Feng Zikai's views, tastes and research on Western art, as well as his views on the differences between Western painting and Chinese painting. Whether Chinese or Western, it is a portrayal of life. "Ingenuity" is based on Qian Juntao's personal works, and according to different themes, it tells readers about Mr. Qian Juntao's "money cover" design, his artistic achievements in seal cutting and calligraphy, as well as his love for collecting and his autobiography.

"The Taste of the World is Pure Joy" uses Mr. Wang Zengqi's painting, writing, cooking and other scenes to show the interest and wonder of daily life from a unique perspective. China's thousands of years of food culture exudes the atmosphere of human fireworks in Wang Zengqi's writings. Let us follow Mr. Wang to taste the taste of ordinary life, feel the faint nostalgia infected by the pen tip, and discover the little fun hidden in the years. "All the Eyes and Ears Are Water" selects articles related to the imprint of Wang Zengqi's hometown, accompanied by photos of the author when he traveled to his hometown and paintings and calligraphy works created to help readers fully understand this living literary master, and lead readers to feel the profound impact of the water-like hometown on the author, as well as the author's deep affection for his hometown and his hometown people. "Ten Thousand Miles of Traces from East to West, North and South" selects Mr. Wang Zengqi's travel prose. Following the author's writing, he travels across the country and famous mountains and rivers in various places, appreciating the beautiful mountains and rivers that we have never been to, and feeling the poetic and beautiful scenery through the author's eyes. The content of this book is mostly descriptions of local customs and scenery. The author uses simple but interesting language to tell us what he encountered and thought, giving us unlimited imagination and expectations. "Water Town is Scattered and Long" selects Mr. Wang Zengqi's beautiful works describing the people in the water town. With just a few strokes, three-dimensional and full characters appear on the paper, showing us the customs and characters of the water town at that time. Between the lines, we can feel the long distance and prosperity of the water town. Through the description of the characters, the various aspects of life are displayed in front of the readers, making people yearn for them. "Everything Has Spirits in Meditation" mainly selects Mr. Wang Zengqi's relevant articles describing all living things. The content of the book uses delicate and warm writing and playful and vivid language to show readers a natural world that is easily ignored and the beauty that can be seen everywhere in life. It is fascinating and thought-provoking. "Traveling Is Fun" Most of Mr. Wang Zengqi's works were devoted to Gaoyou, Jiangsu Province in the 1930s and 1940s. In this book, he also uses simple language to describe what he saw, heard and thought about Beijing, Hong Kong, Kunming and other places he traveled to, with a unique aesthetic. "Reminiscences of Teachers, Friends and Old Friends" Mr. Wang recalls the love between teachers and mothers in his childhood and tells about Jin Yuelin, Shen Congwen and other teachers when he was studying at Southwest Associated University. He records a group of brilliant people in a special time with portrait-like brushstrokes. "Feihong's Letters and True Feelings" is a collection of many letters exchanged by Mr. Wang Zengqi throughout his life. The book contains many letters between Mr. Wang Zengqi and many famous writers such as Shen Congwen, Ba Jin, Huang Shang, Fan Yong, Xiao Shan, Lu Jianhua, etc., As well as letters from home about life with his wife and younger generations. It not only provides us with a wealth of information for an in-depth understanding of Wang Zengqi and his works from one aspect, but also provides us with a precious historical material on the history of contemporary literature. "Poetry and Prose Zang is True" and "Word Evaluation Cun Xin Zhi" contain a large number of critical articles created by the author, including reviews of literary creations, writers' works, creative experiences, as well as reviews of calligraphy, painting, folk art and other artistic categories. The forms include literary essays, art essays, speeches, speech minutes, self-prefaces, prefaces for others, etc., And are accompanied by some old photos and calligraphy and painting works. From these articles, we can feel the distinctive character of a generation of literary masters and their correct, positive, and energetic attitude toward literary creation.

This book selects 64 classic essays by Mr. Feng Zikai and compiles them into a "bedside book" to show the life interests of Feng Zikai, a generation of life master. Mr. Feng's prose is full of human touch. He has his own unique aesthetic thoughts and unique insights into literature and art. At the same time, he integrated his own aesthetic thoughts into his prose creation, making his prose works have both substantial theoretical basis and profound social connotation. In the process of experiencing life, Mr. Feng discovered the beauty of life and realized the beauty of life. He paid attention to the truth, goodness and beauty in the world with his broad love, which contained strong humanistic feelings. Through ordinary and trivial things, he wrote a profound philosophy of life. Life is full of seas and hustle and bustle in the world. I just wish I could have a half-day of leisure and live a life without being pampered or frightened.