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Xinjiang's unique cultural geography is the literary style of Xinjiang's contemporary literary creation. This book examines Xinjiang's contemporary literary creation from the perspective of cultural geography, focusing on the study of Xinjiang's contemporary literary and cultural space, and trying to show the role of cultural geographical environment in shaping literary styles and writers' psychology. In a comprehensive consideration of geography, history, culture and literature, and supported by the works of contemporary writers in Xinjiang, the book analyzes the impact of Xinjiang's special natural geography, rich human geography, and diverse cultural factors on writers' spiritual temperament and creative tendencies, reveals the unique style of Xinjiang's contemporary literature, and explains the profound and particular influence of Xinjiang's cultural and geographical environment on Xinjiang's contemporary literature. Based on the development trends of Xinjiang's contemporary literature, this book highlights the richness, complexity, and dynamics of Xinjiang's cultural geography system from the aspects of culture, sociology, ethnology, history, etc., Summarizes the unique cultural characteristics of Xinjiang's contemporary literature, and extends the discourse space of Xinjiang's contemporary literature research.

This book conducts a comprehensive and in-depth study of the anti-war novels of contemporary American ethnic writers. It mainly explores from the perspective of postmodernist narrative theory how ethnic writers use juxtaposition, treatment, black humor and other techniques to criticize the wars launched and participated by the white American government and long for the spirit of world peace and freedom, such as the resistance and tenacity of the indigenous people against the white invasion. Strong survival; blacks and Asians' escape from war; Chicano lawyers fighting for justice for their own veterans and urban poor; Russians and Germans using black humor and science fiction to ridicule the absurdity of war; mixed-race youth's physical and mental trauma and trauma healing after the war; Chicano women exposing the hypocrisy of the U. S. Government through transnational love stories, etc. The anti-war novels written by ethnic American writers are poignant criticisms of the cruel wars of mankind and racial discrimination in the United States. The content of this book is novel and suitable for reading reference by teachers, graduate students, undergraduates and ethnic literature lovers in university liberal arts majors.

This book is a study of poets who have had a certain influence on the century-old new poetry, covering poets with characteristics and influence from the May Fourth period to the present. In the development of poetry, the text is the fundamental basis for confirming the achievement of poetry, and the creator of the text (poet) often goes through many complex artistic and psychological processes in the process of text creation. The poets selected in this book are all poets with great influence in different periods in the history of new poetry. The author conducts in-depth interpretation and discussion of their works through close reading of the text. From this, we can see the general outline of the development of poetry in different periods, which is not only a concrete demonstration of different poetic propositions, but also provides detailed case information for the writing of the history of new poetry.

"Research on the Reception History of Chinese New Poetry (1917-1949) (Essence)" written by Fang Changan is the result of the National Social Science Fund project, project approval number 09BZW052, completed in 2013, with good results. The main content is to examine and study the reception history of Chinese new poetry (1917-1949) in the past hundred years. It not only sorted out and studied the external form of the reception history of new poetry, but also revealed its internal evolution logic, characteristics and roots; it not only studied the relationship between readers' reading and acceptance, the creation of new poetry and the construction of poetics, but also deepened the understanding of the emotional space and aesthetic form of new poetry from the perspective of communication and reception. This research is of great significance for re-understanding the "classics" of century-old new poetry.

Gender criticism began with feminist attention and interpretation of literary texts and literary history, and then gradually expanded to the fields of art and culture. This book is mainly in chronological order, supplemented by geographical distribution. The topics include not only the study of women's literary history writing, the study of Chinese goddesses and literary texts, but also the case studies of important female writers in the history of modern literature and the study of gender-related literary themes. In particular, the study of online danbi novels in mainland China has shifted the focus to an area that academic circles have paid little attention to - the world of danbi literature.

This book focuses on the theme of "The Evolution of Ancient Chinese Stylistic Concepts" and contains a total of twenty-one papers. These papers have a certain correlation with each other. They discuss the historical process and morphological manifestations of the evolution of ancient Chinese stylistic concepts from different research objects, different problem areas, and different theoretical perspectives. They are intended to sort out, examine, and explain some important academic issues in ancient Chinese stylistic concepts and stylistic criticism that deserve full attention through the theoretical or documentary level. The study of stylistic concepts has a wide coverage, a high degree of comprehensiveness, and involves many disciplines. The scope of discussion to be developed and the issues that need to be studied in depth are more complex. Therefore, in our research, we pay equal attention to classics and history, pursue literary and historical taste, strengthen problem awareness, and pay attention to the mutual support and mutual invention between macroscopic investigation and case analysis. This has become an academic philosophy and method we pursue. This pursuit is reflected to varying degrees in the papers collected in this volume. The papers included in the book are the phased research results of the National Social Science Fund's major project "Compilation and Research of Ancient Chinese Stylistic Concepts". They were selected and edited from the participating papers of the "Paths and Methods of Research on Ancient Chinese Stylistic Concepts" held in Xi'an in March and October 2019. All papers are written by members of the research team.

This book is the author's analysis of a series of major academic issues since the reform and opening up, such as the development trajectory of literature and art in the new era, what changes have taken place in art philosophy, what is the basic connotation of human ontology and art philosophy, whether literature can be defined and how to define it, what form of existence literature has, how literary aesthetics emerged and developed in China, and the world's common What is the evolutionary trajectory of Communist aesthetics? How do we view the great achievements and lessons learned in literary theory in the 40 years of reform and opening up? How does "poetry and literature criticism" transform into "literary studies"? What are the characteristics of the global era and what impact it has on literature and literary theory? We conducted a relatively in-depth investigation and thinking, and put forward our own opinions. The author strives not to use clichés or empty words, but to speak his own words. The author believes that "one family speaks" means that scholars are encouraged to speak their own words. This should be a trend of the times and a social fashion, so the title of the book is "Academic Family Words".

This book uses General Secretary Xi Jinping's important expositions on literary criticism and literary issues as theoretical resources, explores various new contexts and new propositions about literary theory and literary criticism, and analyzes the valuable role of literary criticism in promoting the creation of literary and artistic masterpieces in the new era, building a cultural power and building socialist core values. At the same time, this book takes some traditional propositions, important concepts, and hot debates in literary theory, such as "literary ethics", "literary governance", and the authenticity and tendency of literature and art, as research objects to deeply explore their ideological connotations and explore their many implications for current literary and art issues in our country. The above issues are all basic issues in the field of Chinese literary theory in the new era. To discuss the above issues, this book always faces the ideological resources of traditional Chinese literary theory and the basic practice of current literary creation and criticism. It integrates the past with the present and emphasizes the new mission of literary and art work in the new era.

In recent years, the book market has experienced frequent upsets, and civilian non-fiction literary works have become bestsellers in the book market. They have not only won the favor of the publishing industry, but also won the love of readers. Some ordinary citizens not only write history and publish books, but their works also rank high on annual good book lists. This book takes this type of non-fiction works as the main research object, systematically sorts out and analyzes the concepts, classifications, characteristics, values, and causes of folk historical narratives, and conducts detailed textual interpretations of the works of 14 representative folk historical narrative authors.

This book takes the main genres of modern Chinese novels as its research object, including condemnation novels, public case novels, chivalrous novels, old-school martial arts novels, romance novels, detective novels, science novels, renovation novels, historical novels, etc. Through careful reading of the text, we can interpret its text connotation, narrative characteristics, cultural connotation, nation-state imagination, character existence status, etc., In order to draw objective and scientific conclusions. In terms of exposition method, the author draws on research methods such as hermeneutics, narratology, cultural analysis, and psychological analysis, which not only takes into account the overall picture of the modern novel genre, but also highlights the genre's personality; it not only echoes the style of the whole book, but also reflects the academic characteristics. This book is the first work to conduct an overall study of the genre of modern novels. It can provide reference for scholars who study Chinese novels and can also be used as a research reference book for graduate students majoring in modern literature.

This monograph provides in-depth theoretical analysis and research on the development of Marxism and Chinese literary theory in the 20th century from the aspects of methodological issues, major theoretical debates, and the particularities of theoretical forms in the interaction between Marxism and 20th-century Chinese literary theory. In the research, through the means of academic analysis and empirical research, we will clarify the influence and conflict process of different historical periods, different schools, and different power discourses in the combination and integration of Marxism and Chinese literary theory, make a clear grasp and theoretical description of the relationship between the occurrence and development of modern Chinese literary theory and Marxism, and grasp its complexity and development trajectory in the historical and aesthetic dimensions. This monograph also conducts in-depth analysis and research on the rich and complex fusion and dialogue between Marxism and Chinese literary theory in the 20th century, the problem areas and basic context of the sinicization of Marxist literary theory, the particularity of Chinese aesthetic modernity, and the theoretical performance of different models of Marxist literary theory at different stages of development. , As well as the basic issues, theoretical forms, and theoretical contributions of Chinese literary theory in the 20th century, including the theoretical weaknesses and deficiencies reflected in the development of Chinese literary theory in the 20th century, thereby providing a theoretical foundation and necessary theoretical preparation for the development and improvement of Chinese literary theory in the 21st century.

This book is the first study of "Bing Xin's Diary" published by domestic scholars. The author combed the historical materials about international exchanges, economic construction and cultural construction in the diary, outlined Bing Xin's family life, social life and literary life through the diary, analyzed and summarized the style of Bing Xin's diary and the literary concepts contained in it. As an innovative result of the study of "Bing Xin's Diary", this book has reference value for the study of modern and contemporary Chinese writers and the study of diary literature.

The Chinese translation of "The Poetics of Mongolian Heroic Epics" consists of a preface, a Chinese translation preface, eight chapters, a bibliography, and a comparison table of Mongolian and Chinese terms. The eight chapters are: introduction, structure of the universe, black and white heroic image system (1, 2), the image of a horse, the deep relationship between man and nature, the development of epics in cultural changes, and the rhythmic style of imagery. This book is the most important epic research work of the famous Mongolian poet and scholar Mr. Ba Brynberg, and is a classic theoretical work on the study of Mongolian heroic epics. This book successfully uses multi-perspective methods such as literature, aesthetics, and cultural anthropology to demonstrate the aesthetic characteristics of Mongolian heroic epics, constructs the poetic theory of Mongolian heroic epics, and raises the study of Mongolian heroic epics to a new height.

From October 10 to 12, 2015, the Internet Literature Creation and Research Center of the School of Liberal Arts of Zhejiang University of Communication held the "Inauguration Conference of the Internet Literature Creation and Research Center and the 2015 Internet Literature Summit Forum". Experts and scholars attending the meeting held a lively discussion around the theme of "Internet Literature Creation and Research". Participants agreed that under the new cultural context and value orientation, properly handling the relationship between ideas, art and the market, realizing the connection between online literature and mainstream literature mechanisms, creating excellent works worthy of the great era, and achieving healthy interaction in online literature reviews are issues that current online literature authors and commentators cannot ignore. The papers included in this collection of papers are the fruits of this forum. At present, Internet literature is still in the process of continuous development. Although it is difficult to compete with traditional literature to a certain extent, when the Internet becomes a media that people are more familiar with and accustomed to, Internet literature will undoubtedly become an important way of literary communication. Some commentators describe that the book market will move from the "image-reading era" to the "Internet-reading era." It can be seen that the study of online literature is of great significance, and this is also the original intention of publishing this collection of essays.

This book contains 18 chapters, with an "Introduction" at the beginning and a "Conclusion" at the end, and is divided into three parts in the middle. The "Introduction" section outlines the causes, paths, characteristics and limitations of the politicization of contemporary Western literary theory. The first part, "The Political Turn of Literary Theory," describes the theoretical form of contemporary Western literary theory after the political turn from the aspects of "cultural power," "subject position," "psychological analysis," "literary narrative," and "literary reading." The second part, "Post-Marxist politicized literary theory," presents the general style of post-Marxist politicized literary theory from the aspects of "cultural logic," "aesthetic ideology," "literary politics," and "literary criticism methods." The third part, "Criticism of Contemporary Western Political Literary Theory," points out that contemporary Western politicized literary theory has serious flaws in "literary concepts," "literary interpretation," and "literary value," and advocates the reconstruction of concepts or categories such as "literariness," "literary emotion," "aesthetic reading," and "poetic justice." The "Conclusion" section uses contemporary Western politicized literary theory as a reference to put forward its own academic opinions on constructing and improving the academic discourse system of "Socialist Literary Politics with Chinese Characteristics". This book has a novel topic selection, unique insights, and a high level of academic innovation. It has important inspiring significance for the discipline construction of literary politics and the academic expansion of contemporary Western literary theory research.

The word "fun" has aroused widespread discussion since its inception. It is not only an important concept in the history of Western thought and culture, but also frequently appears in many fields such as aesthetics, literature, ethics, philosophy, sociology, Marxist criticism, and even psychology and modern neurology. Especially after entering the 20th century, with the attention of modern and contemporary thinkers such as Gadamer, Bourdieu, Eagleton, Agamben, Sontag, and Arendt to the word, discussions on the concept of "interest" have continued for a long time, making the word gradually become a core vocabulary in the modern critical system. This book uses the research method of concept history to reproduce the occurrence and evolution of the concept of "interest" in British literature.

Small town novels that reflect life in small towns are literary presentations of specific small towns in different regions, and are also vivid records of the life and culture of the Chinese nation. The author believes that modern Chinese small town novels are prose novels structured as a series of short stories, which are combined into "Chinese Days and Nights". The small town novels in each region, through fixed-point perspective of the region, achieve an overall overlook and rational analysis of the region and its people on the basis of expressing various life scenes and value meanings. Looking back and examining small town novels from various places from the perspectives of ecology and anthropology, we will discover the majestic life landscape of the Chinese people. The various objects, customs, disturbances, and entanglements in the novel are natural manifestations of life in different regions, and are also expressions of the personalities of different writers. Perhaps the creators have their own ambitions, but their ultimate direction is to respect and cherish ordinary life. Based on the above understanding, this book examines small towns, literary towns, and small town literature research from the perspective of traditional culture and ecological culture. Through careful interpretation and excavation of narrative texts, it conducts an in-depth and detailed investigation and exploration of the life forms, living conditions and cultural values ​​of modern Chinese small towns, in order to systematically and rationally think about the living situation, life style and life value of modern Chinese people, and at the same time explore an alternative path for the research on the unique narrative art of modern small town novels.

"Allegory" is one of the most original, holistic and continuous core concepts in the history of European and American literature, and is still widely used in literary creation and research. The tradition of allegory has a long history and far-reaching influence, highlighting the cultural heritage, artistic innovation and language characteristics of European and American literature. This book systematically examines the birth and origin, development and prosperity, decline and revival of the allegorical tradition, carefully reads 16 classic works such as "The Iliad", "The Odyssey", "The Divine Comedy", "Robinson Crusoe", "The Scarlet Letter", "Prelude", "Dublins" and "Auction Lot 49", and explains The allegorical theoretical propositions of 13 theorists and critics, including Philo, Augustine, Coleridge, Benjamin, Paul de Man, and Jameson, integrate the theoretical evolution of the allegorical tradition with artistic expression, and provide an overall interpretation of European and American literature from the unique perspective of the allegorical tradition.

The study of Song poetry and Song annotations has attracted a lot of academic attention in recent years, but it is far from sufficient. This book further develops on the basis of previous achievements. Starting from the literature and problems, it first conducts a comprehensive literature review of Song poetry and Song annotations, which is more refuted and supplemented than previous works; It discusses issues such as the spread of Annotations and the Song Dynasty's "Selected Works", the interaction between Song Annotations and Song Dynasty poetics, and the Neo-Confucian poetry annotations of the Southern Song Dynasty. It has a broad vision, in-depth thinking, and can make discoveries that no one has made before, providing a new perspective and fresh conclusions for the research on this topic.

This study uses cognitive linguistic theory to study the rhetoric of Shakespeare's plays and their Chinese translation, and explores the cognitive mechanism of metaphor in the rhetorical language of Shakespeare's plays and its cross-cultural translation mechanism. The whole book is divided into two parts. The first is the study of the main figures of speech in Shakespeare's plays and their Chinese translation. The second is the study of images and metaphors, as well as the comparison of the metaphors of "heart", "wind" and "rain" in Shakespeare's plays and Cao's plays. This study systematically explains the rhetoric of Shakespeare's plays and their translation from the theoretical perspective of metaphorical cognition, which helps to better grasp the language of Shakespeare's plays, provides a theoretical basis for the translation of Shakespeare's plays, and contributes to the construction of a theoretical system of cognitive translation studies.

Middle English Arthurian literature is the result of the long-term development of various historical, cultural and literary factors in medieval Europe and Britain. It is an important component of European medieval literature and a very important cultural and literary heritage of Britain. It flourished during the formation period of the English nation and achieved very high literary achievements. It carries the spirit, ideals and values ​​of the English nation and has become the cultural gene of Britain and even the English-speaking world. This book is a comprehensive and systematic study of Middle English Arthurian literature. This book first discusses the origin, nature and development of romantic romance literature, the most important narrative genre in the middle and late Middle Ages, as well as the origin and evolution of the European Arthurian legend. On this basis, it then conducts a detailed and in-depth analysis of all existing Middle English Arthurian literary texts (including fragments). The main works are studied in special chapters. During the research, this book is committed to analyzing the content, artistic characteristics and achievements of the text itself in the historical and cultural context of the Middle Ages. It also focuses on exploring the rich historical and cultural information of King Arthur literature and revealing the Englishness embodied in the works, in order to examine the inner connection between Middle English Arthurian literature and the formation and development of the English nation.

The academic publication "Humanities" is edited by the Institute of Advanced Humanities of Henan University. "Humanities" adheres to the correct guidance of public opinion and puts social benefits first. "Humanities" centers on humanistic care, highlights academic originality and the dissemination of new knowledge, focuses on empirical research, encourages comprehensive innovation, and strives to integrate various disciplines, explore various academic thoughts and historical and cultural issues, and showcase new achievements in Chinese ideological and academic circles. "Humanities" strives to provide a platform for the academic community to publish high-quality academic results. The articles are mainly academic articles (essays), but we also publish academic essays that welcome ideas and other forms of academic articles. There are also columns such as "Dialogue", "Xuelin", "Notes", "Book Notes" and "Book Reviews" to reflect the research results of scholars in multiple forms and levels.

Starting from the theoretical perspective of "multi-ethnic culture", this book takes an overall look at the representative poets' works, poetry groups, writing phenomena and social communication in Guangxi since the 21st century. It aims to explore the overall overview of Guangxi's poetry writing since the new century and some writing dilemmas that urgently need to be dealt with, and reveals the writing concepts of different groups and the aesthetic tastes and cultural demands behind them. Particularly important is the exploration of the national consciousness and the spirit of the times behind the diverse poetry writing discourses of Guangxi young poets and their groups. At the same time, it examines from the overall perspective of the history of contemporary Chinese poetry and objectively explains the status and significance of Guangxi poetry on the map of Chinese poetry.

"King Yalu" integrates the creation history, conquest history, and migration history of the Miao people and their ancestors. It is a living encyclopedia of the Miao people. It has the characteristics of ancient mystery, rich and tragic, taboo and solemnity, and complete living state. Most of the motifs in "King Yalu" appear in the epic in a natural sequence. It is not only the framework supporting the heroic characters, but also the main line of the development of the epic. Therefore, the study of motifs in epic research plays a decisive role. The author uses time and space as the axis to explore heroic images; uses the motif as the outline to explore the connotation of the epic; uses inheritance as the root to seek the path to transformation, and constructs a new path for the study of King Yalu with "diachronic tracks" and "synchronic flow".

Inheriting the cultural context of Chu Feng Liu Yun and Ding Ling and Zhou Libo, the "Literary Yue Jiajun" and the so-called "Literary German Army" have collectively entered the new century. After nearly 20 years of scouring, scouring, smelting and transformation, a large number of writers and poets with certain influence have once again emerged in the Dongting Lake area, forming a unique literary atmosphere in the lake area. Studying and promoting literary creations in the Dongting Lake area has also become an unshirkable responsibility for local literary researchers. The book is divided into 4 parts, 9 chapters and 53 sections. The first "Phenomena Theory" focuses on "Peach Blossom Spring Poetry Group" and "Wuling Novel Phenomenon". The second "On Writers" focuses on the two writers Changyao and Shaohong. The third "Works Theory" mainly involves various literary masterpieces such as novels, poems, essays, and film and television scripts, such as "The First Year of Aili", "Water Tribe", "Phantom Change", "Tian Er Yao Tian Ji", "Yingshan Hongbai", "Xinhai Heroes", etc. The fourth "Influence Theory" is based on the creative facts of the new century, re-examines the style and characteristics of Ding Ling and Zhou Libo, and explores the profound and lasting impact of the outstanding creative achievements and precious creative spirit of the sages on later writers and regional literary creation; multi-dimensional and multi-level excavation and display of the creative characteristics and spiritual characteristics of these two famous writers by Dongting Lake are important inspirations and references for current literary writing, including regional literary creation.

This book is a selection of research papers on classical novels written by the author over the past 40 years. The content is mainly about the study of the "Four Great Novels" of the Ming Dynasty and the so-called "Three Great Novels of Qianlong" ("The Scholars", "A Dream of Red Mansions", "Qilu Deng"), "Strange Stories from a Chinese Studio" and other "Eight Great Classics". Research and apply the theory of "Literary Mathematical Criticism" proposed by the author to uncover the "Three Complex Plots", "Three Pole Construction", "Twenty-eight Laws", "Six One" Model", "Midpoint" Model", "Five Generations Narrative", and many related books such as "The Story of the Stone", "The Fairy Guiding the Way", "Axiology" and "Anti-Imitation" in classical + theory narratives. Narrative mode or creative method; propose and demonstrate "Luo (Guanzhong) Studies", solve the eternal mystery of "Liangshan Po in Taihang Mountain", discover the secret relationship between Mount Tai and novels such as "Water Margin" and "Journey to the West", and propose the research method of "Elegance Viewing Popularity", that is, interpreting "Eight Great Classics" with an attitude of "treating classics".

This monograph is the first in academic circles to use the worship of childlike innocence as a carrier to gain a glimpse of the community imagination in Dickens's 14 completed novels. The Victorians, who were in a period of civilizational transition, had stepped out of the Tönnies-style kinship community and been thrown into a society of strangers born out of industrialized division of labor. When shaping the nation-state, Dickens created a community narrative system that eliminated class exclusivity through the structural repetition of the worship of childlike innocence-the age inversion of precocious children and immature adults, fantasy landscapes, and the promotion of good and punishment of evil. The pursuit of the highest good in melodramatic aesthetics highlights the profound significance of social trust built by virtue to economic ecology.

This book mainly presents how Chinese literati perceived and imagined American literature in the 1930s in the form of a collection of documents. The full text of the previous volume contains 10 articles that comprehensively review American literature from different dimensions, which can reflect the basic judgments of Chinese literati on American literature during this period. The following part excerpts excerpts from 60 literati with different political and aesthetic tendencies, including Lu Xun, Liang Shiqiu, Shi Zhecun, and Yang Changxi, who discussed the works of American writers, in order to present a diverse picture of China's acceptance of American literature.

This book is based on an outline and analysis of the construction and development of different theoretical criticism topics of Ci, and strives to abandon the practice of using "narratives by famous writers" to obscure or replace the multi-dimensional development and specific processes of Ci theoretical criticism. It focuses on examining links such as "acceptance", "evolution", "innovation" and "development", and organically integrates them into a system, seeking to "unify" ancient and modern literary theories, and explore "changes" in traditional Ci studies, with a view to supplementing a shortcoming in the study of Ci during the Republic of China.

This book takes the surviving banknote version of the Qing Dynasty chapter novel "Qilu Deng" as the research object. This book first records and verifies the 14 banknotes currently known to be in existence (6 of which are discovered for the first time in this book) and 3 Republic of China printed editions. On this basis, through visual verification of the banknotes, the surviving banknotes of "Qiludeng" are divided into A and B banknote systems. This paper summarizes the overall differences between the two banknote systems, as well as the relationship between the original flows within the two banknote systems, and selects several representative collation examples from the micro level to support it, and then discusses the research significance and academic value of the Qilu Deng banknote origin system. At the same time, this book also conducts a special study on the comments on "Qilu Deng" for the first time based on the comments contained in the newly discovered banknotes.

This is the first systematic and complete history of Japanese literary theory at home and abroad. The discussion period is from 712 to 2000, and is divided into four parts: ancient medieval times, modern times, modern times, and modern times. It is divided into categories in chronological order, focusing on sorting out and evaluating the contents of various representative Japanese literary commentators and their representative works. A chronology of the history of Japanese literary theory is attached at the back of the book. This book can be used as a learning textbook for undergraduates and graduate students majoring in literature in China and Japan, as well as a reference for teaching and researchers majoring in comparative literature.

The logical starting point of this book is based on the understanding of the historical and literary situation of women under the dominance of patriarchal culture in the long history of mankind. On the basis of fully absorbing and drawing on the outstanding achievements in research on women's literature and culture over the past forty years, and taking the context of globalization and the historical process of the rejuvenation of the Chinese nation as the background, it focuses on the close relationship and development trend of mutual causation, interdependence, and interactive development between the late 19th century and the early 21st century (1895-2020) between Chinese women's liberation thoughts and modern and contemporary Chinese women's literature, sorting out the ideological context of women's liberation in various periods over the past century, and analyzing the sequential evolution of important nodes in each period. Examine the destiny trajectory, liberation will, value demands, liberation path and existential dilemmas of Chinese women reflected in female literature, and explore the trajectory of modern Chinese women's writing; at the same time, by exploring the female perspective and female voice hidden in the text voice and demands for liberation, and then sort out and present the process of the evolution of the nation-state from modern times to modern times. Chinese women have continuously broken away from the chains and obtained liberation. With the magnanimity and achievements of "half the sky", they have written a dazzling historical chapter in the history of Chinese women's development.

This book studies cutting-edge issues in foreign literature by applying methods such as cross-media criticism, literary ethics criticism, spatial narrative, post-colonial criticism, cultural criticism, influence research, and comparative research from seven aspects: "Interdisciplinary perspective of European and American literature", "Research on British Travel Literature", "Journey to China in Modern Slavic Literary Theory", "Dialogue in Literary History", "China's Rebirth of Shakespeare's Classics", "Russian Culture under Western Eyes", and "Sino-Japanese-Russian Literary Relations". The content involves interdisciplinary examination and new interpretation of the works of Dante, Shakespeare, Pushkin, Gogol, Dostoevsky, Solzhenitsyn and other classic writers, the core discourse of Bakhtin's literary theory, the relationship between Eastern and Western literature and other propositions, reflecting the keen concern for cutting-edge issues in foreign literature.

This is a special collection of Internet literary criticism, consisting of 75 papers. The content includes four parts: Principles of Internet Literature Criticism (18 articles), Internet Literature Evaluation System (21 articles), Internet Literature Criticism Standards (15 articles), and Internet Literature Criticism Practice (21 articles). These articles are all publicly published results in important domestic academic journals and theoretical pages of mainstream newspapers. They basically reflect the theoretical achievements and critical practice of my country's Internet literature criticism in recent years. Most of the authors of the article are front-line scholars in the field of theoretical criticism of Internet literature in my country, including senior scholars from traditional academic schools as well as academic newcomers who have emerged in recent years. Their diligent efforts and contributions to Internet literature criticism have undoubtedly played a decisive role in this emerging academic field. The editor extracts the best from the theoretical criticism achievements accumulated over the past 20 years of the development of Internet literature, and selects the best for collection and publication, so that more people can share these achievements. It is undoubtedly of positive significance to the theoretical construction and critical practice of Internet literature, and to the promotion of the healthy development of my country's Internet literature.

This book organizes and studies the English translation manuscript of Lin Yutang's "A Dream of Red Mansions" discovered by the author in Japan. It is the first academic monograph to systematically study Lin's manuscript. The research article examines the source and process of the translation, and answers Lin Yutang's question of translating and publishing the manuscript in Japan without directly publishing it. It points out that Lin Yutang's translation and research mirror each other, and that the translation of "A Dream of Red Mansions" is not only the embodiment of his lifelong pursuit of spreading excellent Chinese culture to the world, but also the presentation of his views on Red Studies that echo but are different from the mainstream. The plot of Lin's manuscript is integrated and connected naturally, and the translation is concise and authentic. It pays attention to reproducing daily details, traditional culture and poetry, and preserves the core literary nature. The narrative reconstruction and character variation reflect the cultural differences between the East and the West, and also project Lin Yutang's personal experience and aesthetic tendency. Internal research combined with comparative research with English, German, Japanese and other foreign translations shows that Lin's manuscript is a successful translation, and its emphasis on the last 40 chapters and the story of the maid are two major features that distinguish it from other translations. The 22 tables in the compilation include a comparison table between the original text and the translated version of Chinese traditional culture, as well as Lin's manuscript annotations, revision notes, etc., In order to provide reference for Lin Yutang research, red studies, and Chinese literature foreign translation research.

This book is written by 21 professors, doctors, writers, and scholars, based on their respective professional expertise and based on the principles of application, generality, and openness, and selects topics that are representative, original, and suitable for undergraduate students to accept as lecture content. The entire manuscript is divided into four major sections: regional characteristic culture of the Han Dynasty and Three Kingdoms, Chinese and foreign language and literature research and academic literacy, Chinese traditional culture and national spirit, and literary creation and writing ability. The book consists of 21 lectures in total, which are as follows: a summary of Han River culture; a discussion of the Water Margin Opera in the Han River Basin and its spreading significance; Zhuge Liang and Hanzhong - a discussion of Zhuge Liang's ambivalent psychological process in understanding the strategic position of Hanzhong; myths and legends of the upper reaches of the Han River; literature of the past dynasties People chant Hanzhong; Anthropological ritual interpretation of Kafka's "In the Exile Camp"; Chinese and Western literature: the identification of cultural spirit and aesthetic consciousness; cultural criticism and aesthetic redemption: the social landscape of aesthetic modernity; misreading and correct interpretation of Tang poetry and Song lyrics; the modern enlightenment of "The Romance of the Three Kingdoms"; The cultural ecology of martial arts novels; several issues in the creation of contemporary Shaanxi novels; the old-style poetry writing by new writers after the founding of the People's Republic of China; on three different types of borrowings - also on the difference between ancient and modern characters and Tongjia characters; an overview of Dunhuang literature; folk folk all over the country in the Tang Dynasty Paper culture - centered on the Dunhuang area; Chinese jade culture and traditional aesthetics; experience of visiting Shu Road; literature is a kind of life practice - some brief opinions on reading, writing, and language; writing characteristics of current affairs news reviews in the new media environment; overview of essays.

Discussions on rhyme and rhyme theory in new Chinese poetry have gone through a process of more than a hundred years, and there are still many controversies today. These disputes involve important issues such as whether new poetry needs to rhyme, what rhyme to rhyme, and how to rhyme, as well as how and what rhyme to use when writing old-style poems today. Poets, lyricists, critics, and scholars who study phonetics, prosody and other fields inevitably have gaps in ideas and understanding due to their different stances and perspectives on issues. This book puts forward its own views on how to resolve the controversy existing in the academic circle and reasonably explain the crux of the controversy through the discussion of the practice and theory of rhyme use in new poetry. At the same time, through detailed and in-depth academic discussions on Mandarin rhymes, the author summarizes the gains and losses in the compilation of existing new poetry rhyme books, proposes to formulate practical rhyme standards, and compiles a suitable rhyme chart for new poetry, providing a basis for the practice of new poetry creation.

In the process of the mutual integration of Mongolian and Chinese cultures, Mongolian Chinese creations gradually developed and matured. While accepting the influence of Han literature, Mongolian writers are also describing their nation's traditional thoughts and aesthetic concepts through unique expression methods, forming a new type of literature that has both Mongolian cultural background and Han cultural connotations. "Collection of Research Papers on the Integration of Mongolian and Chinese Literature of the Yuan, Ming and Qing Dynasties" contains 29 papers. The first part of the impact research focuses on the influence of pre-Yuan poetry on the creation of Mongolian Chinese poetry and the Mongolian literati's acceptance of traditional Confucian and Buddhist ideas; the second part of family research discusses Mongolian family literature; the third part of literary research discusses the literary value and research significance of important writers' works.

This book is a collection of selected papers from the 2014 annual meeting of the China Ethnic Minority Literature Society. These papers put forward constructive academic perspectives on the study of ethnic minority literature in many aspects. It is edited according to the four sections of literature research on ethnic minority writers, research on ethnic minority folk literature, theoretical construction of ethnic minorities, and interdisciplinary research on ethnic minorities. It aims to reflect the current cutting-edge trends in ethnic minority literature research and provide academic, innovative, and constructive academic materials for ethnic minority literature research.

Under the general title of "Literary Theory and Criticism Facing the Times", this book collects 50 research papers on seven special topics, including "Basic Theory of Literature", "Ancient Chinese Literary Theory", "Comparison of Western Literary Theory and Chinese and Foreign Literary Theory", "Western Marxist Literary Theory", "Culture and New Media Ecocriticism", "Literary Criticism Research and Work Analysis", "Literature and Art Research", and 2 "Addresses", totaling more than 530,000 words. The papers included now were selected from more than 80 articles through careful reading. These research papers focus on problem awareness, emphasize academicity, reality, and orientation. They have conducted in-depth thinking on important issues in the current field of literary and art theory in our country, and conducted in-depth research on some theoretical issues in literature, art and culture in the form of thematic theory. Many of the authors of the paper are famous domestic scholars in related fields. This collection of academic articles also has a special topic of "Literature and Art Research", and selects three latest research results by foreign scholars, which plays an important role in the exchange and dialogue between my country's research in related fields and foreign research.

Liu Song literature occupies an important position in the literature of the Six Dynasties. This article, on the basis of mastering the literature and materials related to Liu Song literature as much as possible, combined with the political system, cultural thought, scholar mentality, etc. Of this period, explains the style and artistic characteristics of Liu Song's works, explores the evolution process of literature in this period and its significance, and examines the doubtful issues of Liu Song writers. (1) The poetry of Liu Song Dynasty downplayed the mystical flavor and boring feeling in the poetry of the Eastern Jin Dynasty, and realized the return to literature and the image and aesthetics of poetry. The exploration of poetic styles by Bao Zhao, Xie Zhuang and others promoted the emergence and development of miscellaneous words and seven-character styles. (2) On the one hand, the Ci and Fu of Liu and Song Dynasties maintained the characteristics of style arrangement, and on the other hand, they added functions such as environment creation and lyricism, evolving in the direction of poetic characteristics, and profoundly influenced the development of Qi and Liang Ci and Fu. (3) The writings of Liu and Song Dynasties experienced the process of prose, parallel prose, mixed prose, and parallel prose, realizing the transformation from "ancient" to "parallel". (4) The significance of "transition" in Liu and Song literature is embodied in the transformation from reason to emotion, from talent to learning, and from elegance to vulgarity. (5) There are many doubts about the writers of Liu and Song Dynasties, which this article conducts research on. After examination, Yuan Shu served as the priest of the Yikang Army of Pengcheng King, the wine guard, the prefect of Xuancheng, and the concubine of the prince in the eighth, nineteenth, and twenty-fourth years of Yuanjia respectively. Wang Wei did not die of regret and grief due to misdiagnosis by his younger brother Seng Qian as historical records say, but he died of poisoning due to taking Hanshi Powder for many years. Etc.

Through a voluminous volume of historical materials, this book explores Xu Dishan's living environment, growth experience and creative background, and analyzes his cultural choices and spiritual roots in his "displaced" life experience and complex cultural environment, and between religion and belief. He explores his philosophy of life and pursuit of life, constructs the image genealogy and emotional context of his works from the journey between "this shore" and "the other shore", and writes the "exoticity" and poetic residence in his creation from the memories and imagination of aesthetic experience. Xu Dishan's unique spiritual charm runs through his entire life and overall literary creation. This book devoutly ignites Xu Dishan's spiritual fire from a more three-dimensional and comprehensive perspective, illuminates every "uniqueness" of him, and commemorates him on the 80th anniversary of his death.

This book takes China's contemporary mainland children's poetry as the research object, and strives to comprehensively and systematically examine the occurrence and development of contemporary mainland children's poetry in the past seventy years, and examines the inner thoughts and artistic choices contained in the texts of contemporary children's poetry in different historical periods from the context of literary history. Explore the richness and aesthetic construction dimensions of contemporary mainland children's poetry from the poetic context, analyze the specificity of contemporary mainland children's poetry and possible issues in constructing contemporary mainland children's poetics. And evaluate it from two aspects: recognition of the value and lack of development of contemporary mainland children's poetry. In order to provide reference for the healthy development of children's poetry in mainland China in the 21st century.

This book is based on trauma theory, new historicism theory, postcolonial theory, comparative literature iconology theory, etc., And uses the works of Conrad, Shakespeare, Art Spiegelman, Alice Walker, Hemingway, Melville, Kafka and other writers as research objects to explore the colonial wounds, racial wounds, women's wounds in Western literature. Sexual wounds, ecological wounds, and the wounds of modern people's survival dilemma, focus on exploring the historical reality and textual representation of colonial trauma, the trauma narratives of black slaves and Jews, the close connection between female trauma and colonization, race, male discourse, imperial consciousness, marine ecology and desert island ecology, and the survival dilemma of modern Westerners.

Middle English dream poetry is an important achievement of late medieval English literature. It mainly includes Chaucer and Chaucerian traditional dream poems and alliterative traditional dream poems represented by "Pearce the Ploughman". This book focuses on the dream poems created by poets deeply influenced by Chaucer in the late 14th and 15th centuries, the so-called Chaucerian poets. This book conducts a relatively comprehensive review and definition of Chaucerian fantasy poems, and selects ten Chaucerian fantasy poems for in-depth study. The study of ten dream poems in this book follows the rough development sequence of dream poetry, covering the main achievements of the Chaucerian poets in England and Scotland in the creation of dream poems in the 15th century. It is hoped that this book can enhance Chinese scholars' understanding of Middle English dream poetry and further promote the burgeoning domestic study of British medieval literature.

This book takes the heroic epic of the Evenki, a small ethnic group in Russia, as the research object, draws on the research results of domestic and foreign epic experts and anthropology scholars, and uses research methods such as motif analysis, comparative research, and literary anthropology to comprehensively and systematically clarify the narrative genre of the folk literature of the Evenki heroic epic. It includes the hunting culture, shaman culture and traditional national culture, interprets the national classic culture, etc.; Explains the unique understanding of the world reflected in the Evenki heroic epic, and discusses the development and spread characteristics of the Evenki epic; and proposes a series of important and unique academic viewpoints such as the certain affinity between the Evenki heroic epic and the history of the Evenki and Oroqen peoples in my country, providing reference for in-depth research on the Evenki epic and even folk literature.

This collection compiles 13 papers by the author. Issues of concern include: the definition of children's literature and literary fairy tales and the construction of related theoretical perspectives, the exploration of the origins and evolutionary history of European and American fairy tales, the re-evaluation of some important fairy tale writers, the discussion of the maintenance of ethics and morals and the impact of folk tales and fairy tales on children's growth, and how to practice the tradition of face-to-face storytelling in the era of globalization. These articles systematically demonstrate the author's theoretical system and research methods, which are of great benefit to students and scholars engaged in research in folk literature, folklore, children's literature, education and other fields.

In response to the academic debates on the group nature and historical positioning of Xiling poets, this book is based on the excavation and compilation of a large number of new documents. It conducts an in-depth investigation of the group composition, selection system, creative style, and Ci theory claims of Xiling Ci Circle, and reveals the genre attributes and anti-genre colors of Xiling Ci poets from both theoretical and substantive levels. And in this process, we will look into the evolution of the spirit of Xiling Ci and how it affects the transition from Ming Ci to Qing Ci.

This book mainly uses "community imagination" as the main line to study Canadian poetry creation over the past 200 years, including several major periods in the history of poetry: the pioneer period, the Federation period, the first half of the 20th century and the "Founding of the Nation" period. It overall highlights the evolution of the national imagination of Canadian English poetry from "community" to "pluralistic community". The main part includes four major chapters: "Towards "Community": Historical Politics and National Construction", "Experiencing the Wind and Snow: Natural Themes and Regional Poetics", "Revealing "Postmodernity": Internationalism and Formal Techniques" and "Toward "Pluralism": Multiculturalism and Rewriting of Ethnicity", which respectively start from the historical perspective. It analyzes Canadian poetry from four aspects: imagination, space construction, formal techniques and ethnic identity. Taking the most accomplished and representative poets and their works as the focus, it studies the national construction process of Canadian English poetry and explores its differences from the colonial psychology of Britain and the United States and the regional characteristics of the North.

The epic world is not only a joint or combined phenomenon of society and action, but also an aggregate structural system of culture, that is, mind, thinking or character. The composition of the two systems is the imitation principle behind empirical reality - derived from mathematical and statistical logic such as ontology repetition and circulation. As the title of the book indicates, epic typology and epic poetics refer to epic theoretical examples based on two humanistic interpretations of the exploration of the cultural grammar of steppe epics, while "social mind + imitation" refers to an overall theoretical perspective based on social action, ontological imitation of the cultural mind (repetition or cycle, etc.) And grammatical logic. The angle and interpretive framework, that is, starting from the corresponding relationship of cultural grammar, using epic typology, social action imitation and epic poetics, cultural mind imitation as the basis for theoretical interpretation, and then use this to respond to and discuss the ontological misalignment assumptions and logical corrections of the empiricist expression-reflection theory and social dramatization theory.