The Cross-cultural Literary Field: a Study of Dialogue and Identity between Chinese and British Modernism in the 20th Century
by Tao Jiajun
About This Novel
This book focuses on the cross-cultural literary field generated by the cross-cultural interaction between Chinese and British modernist groups in the 20th century. It explores the origin of this literary field, the China complex of the Cambridge Apostolic Society-Bloomsbury Group, the trip to China of the Oxford Modernist Talent Group, the China trip of Cambridge Modern Criticism leaders I. A. Richaci and William Empson, Xu Zhimo's perception and spread of British modernism, the new realm of Chinese and English poetics opened up by Ye Gongchao, the pattern of modern Chinese criticism established by Qian Zhongshu, and the cross-cultural travel writings of Xiao Qian and Ye Junjian. Five structural models of dialogue and identification between Chinese and British modernism are summarized-investigative aesthetic type, investigative ideological type, investigative poetics type, integrated experiential aesthetic type, and integrated comprehensive type.
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