Library

On April 6, 2018, at the stage assessment of the finals of the "Idol Producer" competition that lasted for more than four months, the nine candidates for the debut men's team were finalized. They are: Chen Linong, Fan Chengcheng, Justin, Lin Yanjun, Zhu Zhengting, Wang Ziyi, Xiaogui (Wang Linkai), and You Changjing. The name of the men's team was confirmed to be NINEPERCENT. From being ignorant when he first entered the competition, he has become a national idol that attracts everyone's attention and shines brightly. They have put in sweat and hard work, experienced twists and turns and hardships. While they have grown rapidly on this stage, they have also proven their position with actions. This group of sparkling teenagers is the best interpretation of youth. Whether they are laughing and making trouble, or crying and comforting each other, from them, we can see the infinite possibilities of the future, and we can also find the shadow of our own youth. As far as growth is concerned, as long as you work hard for your dreams and go all out, there will be no regrets.

"Bai Yuchan Taoism Collection" is a supporting project of the author Professor Gai Jianmin of Sichuan University in the National Social Science Fund project "Bai Yuchan Taoism Jindan Sect Southern Sect Research" (completed project, excellent appraisal grade, project completion certificate number: Certificate No. 20110061). It is the author's eight-year effort to "fish from the lake" based on solid literature and field investigations. By means of detailed acquisition of historical materials such as classic documents and local chronicles, inscriptions, notebooks and novels, using traditional bibliographic philology and textual research methods, through mutual verification of internal and external classics and local chronicles and archaeological documents, correcting errors, pointing out deviations, sorting and compiling the lost Bai Yuchan documents, it can be said that it is the latest compilation achievement of Bai Yuchan documents.

"Only the Masses, No Culture (Updated Edition)" selects a total of 53 important interviews and reports by Wang Xiaofeng, the former senior editor and writer of "Sanlian Life Weekly" from 2001 to 2019. It includes in-depth interviews with nearly a hundred key figures in the cultural circle, including Li Zongsheng, Cui Jian, Xu Wei, Wang Feng, Wang Shuo, Jia Zhangke, Lao Lang, etc. At the same time, the author also conducts an in-depth analysis of hot topics in the field of popular culture in the past two decades, including ring tones and online music that have gradually been forgotten by people, as well as the Spring Festival Gala, auditions, and music festivals that are still attracting attention today, covering music, movies, cross talk, literature and other aspects. Twenty years of in-depth observation has provided an important record for us today to review the development of popular culture, and also provided a new perspective for us to reflect on the cultural carnival of entertaining people to death.

"Blank Space: Essays on the Culture of Qiu Shuitang" contains twelve articles on literary reading and cultural criticism by Tian Xiaofei, a professor of Chinese literature at Harvard University. Dante's journey in "The Divine Comedy" is a symbol of reading; Dante's guide is the predecessor poet Virgil. In "Blank Space", Professor Tian Xiaofei also embarks on a reading journey: from classical literature such as "A Dream of Red Mansions", "Jin Ping Mei", "The Peony Pavilion" and "The Decameron", to Jin Yong's martial arts novels, Eco's historical novels, as well as film works such as "Journey to the West" and "Frida" as textual insights. Every article in "Blank Space" is a product of reading, conveying the author's care and thinking about the current social culture and reality.

This book is a collection of essays by the famous essayist Ling Shijiang, and is also one of the "Chengdu Writers' Book Series". This is the daily life of a stranger who migrated from Tibet to the world. It is fruitful, fragrant and not wasted. Time is with him, past events are falling, grass is growing in the soil, flowers are blooming, trees are growing, and feelings are flowing. When Tibet has become a writer's back, facing the mortal world, he returns to his daily life, to the feelings of ordinary people's life, making writing an unchosen realization from the depths of his soul. It is a conscious behavior, a permeation of the pure breath of life, and the same place where the writer and the reader live equally. It is a way to return to the ordinary passing years and restore reality, so that readers can get relaxed, pleasant and confident reading, so as to understand and accept the authenticity and warmth of this world.

This book is a collection of essays, including a total of 25 essays by the author. With the theme of Chinese wine culture, this book focuses on the relationship between people from all walks of life and wine in history and reality. It vividly explains Chinese wine civilization, wine culture, wine customs, and wine legends, allowing readers to enjoy the charm of wine in the text, learn about wine stories, wine anecdotes, and wine history, and gain insight into the rhythm of wine in Chinese civilization. This book not only contains historical research, research on wine culture, exploration of the development of wine and social relations, but also interesting anecdotes about the wine life of people from all walks of life, which can delight drinkers and amaze readers.

As a papermaking technology worker, the author of this book introduces his experience in learning and researching "papermaking", including more than 60 years of work experience, understanding and insights. The book is divided into fifteen parts: I learn papermaking, I love reading, I like painting, I collect information, I speak on the stage, I do research, I write articles, I collect, I read reading lists, I make reviews, I am an editor, I take a pen name, I sit in my study, I am ordinary, and I and rice paper. In addition, there are three appendices and a postscript. The readers of this book are: teachers and students in papermaking and related majors (printing, packaging, business, etc.), Young employees in enterprises, personnel in the tourism department, etc.

This book is written down by classmate Li Zhikun with his immature pen. It is simple, true, and plainly touching. This book takes us into the world of the young author, and follows him to experience the happiness of childhood and the beauty of life. This book has a novel creation form. It is not only an excellent collection of essays, but also a portrayal of the young author's real life. It can not only resonate with children, but also inspire teachers and parents.

This is a compilation of the author's historical reading notes in recent years. "The Analects of Confucius·Shuer": "The Master did not talk about strangeness, power, chaos, and gods." In the era when Confucius was the most sage teacher, what Confucius did not talk about was what the Confucian scholar-bureaucrats did not talk about, did not praise, and could not bear to talk about, that is, the trend of the atmosphere. The author borrowed the name "Zi Buyu" from "Zi Buyu" to name this book "Shi Buyu". The "history" in "Shi Buyu" does not refer to history in the general sense, but specifically refers to our common historical cognition. Shi Wuyu and my words refer to academic monographs published in recent years, using popular language to convey fresh historical knowledge and academic viewpoints.

Write slowly. The writer suggests using a "slow" attitude to think, study, exercise, appreciate music, and live calmly, and then turn them into sources of inspiration. These experiences will be useful inspirations for teenagers who are just learning to write.

This is a legend spread in the countryside and wilderness. Their fantasy and mystery show the antiquity and depth of this land. Wild animals with special abilities, mysterious black pools, and cries in the bushes on the beach. This is legend and life. What readers feel is love, beauty, sympathy, and compassion.

This is a legend spread in the countryside and wilderness. Their fantasy and mystery show the antiquity and depth of this land. Wild animals with special abilities, mysterious black pools, and cries in the bushes on the beach. This is legend and life. What readers feel is love, beauty, sympathy, and compassion.

Guiding children to learn writing is the core goal of this series of books. How do famous writers describe childhood, animals, people and events? Reading, writing, thinking, what real experiences do famous people have? Writer Zhang Wei gave his own account and showed it one by one.

This is the writer's childhood memory and a look back at the innocent and ignorant years. Catch fish, trace flowers, fight beehives, and talk to the stars. The innocence and simplicity of childhood, the love of imagination and dreaming, are hidden in everyone's heart.

This book is based on memories of interesting childhood events in the 1960s and 1970s: 1. Through different seasons and spaces, it describes the changes in childhood life at that time and the life attitudes of the people around them. There are corresponding food, clothing, housing, transportation, entertainment, and study.

"City Memory" is Mr. Zhao Zhenyuan's insights and random thoughts on his travels, work, and life in Chengdu, Wuxi, Lhasa, Jiaxing and other cities. These works faithfully record his personal walking footsteps and psychological journey. Some focus on describing scenes, some focus on writing about people and events, and some are about the thoughts and feelings of being in this situation and scene. The content is real and the emotions are sincere, which makes people read it kindly and naturally, and also has a different kind of gain.

The book begins by combing the initial form of salons entering China, distinguishing its connections and differences with traditional literati gatherings and informal talks, and sorting out its historical context. The subject chooses the origin and development of several more representative salons in the modern literary world, such as Zeng Pu's salon, Shao Xunmei's flower hall, Lin Huiyin's wife's living room, and Zhu Guangqian's poetry reading party, as the starting point, and uses spatial inspection to study the spiritual and cultural history of certain types of intellectuals in modern China.

"Li Yuan Guest Li Binsheng" is a biographical literature based on Li Binsheng's experience in singing, painting and opera. It is interspersed with historical events, folk culture, celebrity anecdotes and rich Peking Opera artistic content, making it both highly readable and with a certain degree of historical material. One of the highlights of this book is that the author has interspersed chapters of "telling common folklore and explaining opera" in his writing, so that the introduction of folk culture and Peking Opera vividly appears on the page along with a character's growth experience; the second highlight is the selection of nearly a hundred opera paintings accumulated by Mr. Li Binsheng over the years.

This book is one of the Gezhi Library. These articles are the culmination of the author's more than thirty years of continuous writing. The reasons for his writing are often random, random or in response to an appointment, without an overall plan. The specific features of the places that the author visited back then should have changed due to rapid economic development, but their historical background and connotation will not change. Because these articles retain the good memories of the inspection activities, carry the deep friendship between the author and the friends who went on the inspection together over the years, and condense the author's insights into history and life through the inspection.

"Eight Thousand Miles of Road to Clouds and Moon" is a brand new collection of works by Bai Xianyong, a master in the literary world. It writes the life trajectory and historical soul of an era. It is the accumulation of stories over time, and it is also an unsatisfactory cultural nostalgia. The author deeply feels between the lines that these memorable people and things in his life are the wealth of life that can never be recalled, reflecting his growth experience, mental journey and aesthetic ideals. Bai Xianyong used his lifelong pen to paint a true picture of life, leading readers to gradually touch the hot mind of a writer. "Eight Thousand Miles of Road to Clouds and Moon" is like a long river of euphemism, with an endless aftertaste that can be described endlessly. In the silent words, there is abundant vitality.

This book contains a total of thirteen representative prose works by the writer Jin Hou. It is divided into three categories: First, based on Fujian and Shanxi, it provides in-depth personalized interpretation and tracing of historical and cultural monuments. The second is the author's philosophical and poetic expression. Third, the author personally went to Mazui Village in Hunyuan County, northern Shanxi, and visited the only family in Mazui Village. He used poetic pen and ink to outline the living conditions and various difficulties of the Riquan family in this land far away from the hustle and bustle. The Marquis of Jin wrote poetry, so reading his prose will naturally bring out the remoteness and melancholy of poetry, just like the pastoral songs that penetrate the bone marrow. At the same time, his prose has traces of the combined effect of experience and rationality. Under the poetic surface, what surges is awe of time and life, and reflection on mankind and the world.

This book mainly presents the creative practice of artist Jin Weihong, including the artist's diary, essays, interviews and critical articles, as well as about 20 pictures of his works. This book is the artist's personal expression of the living conditions in this era, as well as his observation and thinking about himself and others, and even the entire art world.

This book consists of 33 emotional stories and their notes, covering issues such as love, lovelorn, marriage, divorce, remarriage, etc., Including extramarital love seeking, love entanglement, disasters, humiliation, dilemmas, intertwined love and hate, perseverance, etc. Behind the story is the entanglement of love and hate, the collision of joy and sorrow, the showdown between beauty and ugliness... Destiny is a wandering river. We walk in the world of mortals, savor the various aspects of life, and understand the philosophy of life. I would like to dedicate this book to everyone who has love in their hearts to convey hope and gratitude to the world.

This book is a family essay, with content ranging from the father's perseverance and responsibility, the mother's tolerance and tolerance, to the children's growth stories... The gentle and delicate writing style tells the story of family memories that span three generations, and is also infiltrated with the author's incomparable attachment and love for family ties. These memories are often the memories of an era and the memories of all people who have lived through that era, so they will always resonate with readers. The article is deeply touching and painful. Only by reading can you understand it.

This book is a collection of the novelist Bao Bei's spiritual and written memories of traveling in Tibet for ten years from 2005 to 2015. It is an intimate whisper of a sexy woman and a mysterious hiding place. She has traveled all over Tibet, and her writings are also related to various parts of Tibet. The book is beautifully designed, with text and pictures that are light and airy. It is hardcover and printed in four colors.

This is a collection of prose essays. The author's heartfelt experience of life enables her works to present the richness, complexity and vividness of social reality, and truly reflect people's way of thinking and living conditions today. The authors use their creative vision to quickly discern the mysteries of the characters' souls, and their clever words are organized into characteristic language. The characters and scenes in their works are not only real and natural, but also have their distinctive personality judgments. Write about yourself, classmates, and friends as well as scenery and landscapes. The layout of the work expresses and constructs a long and tranquil space in the most direct and simple way, which makes people's hearts beat when reading it.

This book is a selection of prose works by writer Li Jinshan. It mainly includes some of his reminiscence essays and cultural prose. Li Jinshan's reminiscence prose has clear writing style, usually about a small thing, expressing a different kind of feeling, and the casualness is more obvious. In cultural prose, he did a lot of literary and historical research, such as articles about the food, drink and customs of the Song Dynasty, which are full of references, have a broad vision, and have profound and connotative connotations.

The author of this book "Hometown Scenery" introduces and describes his life insights from the perspective of his own life and his hometown through four small themes: children's stories, nostalgia, wild fun, and leisurely writing. There is the memory of the hometown in the Fenhe River Basin, the cultural understanding and archaeological roots of the hometown, the love for the loess land, the perception and understanding of life, the true knowledge, the plain and moving.

This collection of essays is the author's reflections on himself and his compilation of study, work, and life during his studies at Columbia University. It is divided into four parts: the first part explains the reasons why she made the choice to study; the second part focuses on her thinking about society during her two years of study; the third part is her re-evaluation and perception of the study abroad environment as a "foreigner"; the fourth part is her understanding of the relatives around her. With the transformation of multiple identities and the author's rich experience and keen insight, interesting moments can be seen everywhere in the words narrated, exuding the brilliance of intelligence, and reading is deep and tough, considerate and warm.

If these texts are collected together and called a book, this book does not have any technical content. Because these are words that speak my heart. In addition to recording my long series of continuous days and my true feelings about the continuous days, I can't knock out any graceful, gorgeous and thrilling stories at my fingertips. Although, I would love to write a novel. In fact, I prefer prose to poetry. Just like I prefer to sit lazily by the water or on the mountain, watching the bright sunshine shine on my years, passing by in a hurry, and coming back in a hurry. My heart stretches melancholy, just to prevent myself from dozing off in life. Because I only have one heart, I want to keep the agility and freshness that God gave her when she first came. I don't want her to be lost in a vague place, unconscious and unable to find her.

Lu Xin is known as an "avant-garde writer". There are things in Lu Xin's works that may seem weird and neurotic, but they are by no means absurd. In his writing, sounds can be picked up, light can go around, and the night can grow legs... The reader's senses follow the author not to be confused, but to be reset. It's like a romantic poem, like a surreal painting. Everything in Lu Xin's works has life, but this may not be a cause for joy, because this perception is more used to feel the sadness of the world. Or the author hopes that after understanding everything, readers can take the initiative to take on the important task of eliminating social misfortune. Most of the articles are written against the background of "land reform", "educated youth", and "cultural revolution".

The small green seedling was like the sun between the fingers, illuminating every corner of their hearts. A kind of power flowed from the fingertips to the whole body. The highland barley seedling was passed among the people. They all held it at the fingertips and watched intently. No one spoke, and the grass was very quiet.

"Jia Pingwa's Travels" is a fine collection of Mr. Jia Pingwa's 40 years of travel prose writing - vegetation, mountains, rocks, wasteland gardens, encounters or pursuits, admiration or regret, loneliness or freedom; the panorama reproduces the living conditions and mental state of people in one era, and perfectly explains the beauty of a "traveler"'s self and the world.

This book collects the author's current commentary articles in the past ten years. It is divided into five parts: Interesting things in wine, various aspects of the world, thousands of miles of mountains and rivers, all living things, and the unbounded network. The content is relevant to the times and the comments are hearty. The article is high-level, sharp, and measured. The characteristics of online comments allow it to choose a wide range of topics and lively language.

This is an anthology of essays about the debates between Lu Xun and his "argument enemies", recording Lu Xun's experience in writing battles. Among them are articles written by Lu Xun and Chen Xiying on the dispute between right and wrong of "gossip", the debate between "Lu and Liang", the dispute between Lu Xun and Lin Yutang, the conflict between Zhou Zuoren and Lu Xun, etc., Which reproduce the contradictions and conflicts between a group of cultural elites active in the Chinese literary world at that time. Reading the articles about Lu Xun's debates with his opponents, under the "contrast" of such scenes, you may be able to understand many things that were difficult to understand by reading only one side of the article. For example, people will find that it turns out that Lu Xun was scolded far more than he was scolded. On many issues, he responded passively; Lu Xun mostly "stopped ridiculing and hotly scolding" others, but he himself was repeatedly accused of being a "student bandit", etc. These "polemic" words are the sharpest and most exciting part of Lu Xun's writing style, and clearly express Lu Xun's characteristics.

During a person's life, reading some prose with far-reaching ideas and rich philosophical thinking can not only broaden his horizons, re-understand history, society, life and nature, and gain new ideas in thinking, but he can also learn the superb and mature creative skills of famous writers. We have selected the works of dozens of masters in the history of modern Chinese prose. They are: Zhu Ziqing, Lu Xun, Ba Jin, Xiao Hong, Yu Dafu, Xu Zhimo, Dai Wangshu, Hu Shi, Liang Shiqiu and Lin Huiyin, etc. Here, you can appreciate beautiful articles that soothe your soul, feel the long-lost emotions retained in your memory, and feel the homesickness of being in a foreign country.

The author Li Nanyang has lived in a family with a strong cultural and artistic atmosphere since childhood, and his experience has been very tortuous. She has loved writing since she was a child, and this book is a collection of reminiscence articles she wrote after settling in the United States. The book contains memories of fragments of childhood life, expressions of deep love for her daughter, gratitude to her daughter's teachers, and affectionate relationships with friends. The author's language is plain, the narration is friendly and natural, and there is a trace of true feelings between the lines.

The words that record his insights in Kang Zeyu's prose, poetry, and essays seem to have the answer to his youth. It makes people happy and applauded, and at the same time they are infected by his literary thoughts and passion. Many literary people say that they can see the vitality of traditional culture in his words, which makes people feel that "the future generations are formidable".

The content of "Notes from Yanshan" is, firstly, travel notes. Since 2005, my husband and I have been traveling to other countries around the world at our own expense every year for twelve years. Exotic customs and scenery are naturally fascinating, but what we pay more attention to is the development and evolution of local economy, culture, civilization and history. It can be said that we have traveled thousands of miles and read with our feet. I always want to write down the things that particularly touch me. The second is to remember people. I have interacted with some people in the past, some are teachers who have inspired me, some are good friends who have been with me for many years, some are fellow villagers who have helped me, and some are students who have touched me. I kept thinking about it and wrote it down. The third is bookkeeping. After retirement, I read a lot of books, especially biographies and historical essays, and I have read very few novels. I remember a friend said that you should have different perspectives when reading different types of books. For example, when reading a novel, you should read it page by page; when reading a certain type of book, you should scan it piece by piece; but for prose essays, you should read it sentence by sentence. Many years ago, he recited to me Huang Yongyu's letter to Cao Yu: "I don't like your plays after liberation. I don't like any of them. Your heart is not in the play, you have lost your great psychic gem, you have been misled by the situation! You have shrunk from an ocean to a stream." Such criticism and expression can be said to be deeply emotional and penetrate the back of the paper, and it is really memorable. I think that the beauty of prose essays naturally lies in the elegance and clarity of the sentences, and it is also more suitable for spiritual and cultural exchanges. While reading, there is often a feeling of spiritual connection or resonance and even an urge to have a conversation.

This is a collection of essays, including nearly a hundred articles by the author. The author writes about people, events, and history with philosophical writing from different angles, and expresses his feelings in all directions. The starting point is different and the expansion direction is different. Although it is said to "escape from wisdom", the author's thoughts and feelings full of wisdom and depth are always revealed between the lines.

"Existence·I" is a refinement of one's own complex: What kind of personality do I have? Am I an enterprising person? I kept summarizing my dreams, and I preserved my innate emotions and ideals. Joy, anger, sadness, joy, sourness, sweetness, bitterness, and spicyness are all normal conditions in the world. Change is the law of history; change is the eternal character of everyone. Therefore, preserving myself is my own behavior, preserving myself is my own scenery, and preserving myself is also an ideology!

Life, suffering, despair, dignity... Magic and reality intersect, humor and tears coexist, and the reincarnation dialogue between life and death; the pressure of money, the complexity of human nature, the struggle between desire and conscience. Fortunately, amid the thrilling trials and struggles driven by desire, there is always warmth and dignity. Looking directly at the hardships at the bottom, Bai Xiangwei's latest full-length masterpiece "Live to Die" reveals to you a world you have never paid attention to.

The works collected in this collection are divided into three categories and five volumes according to style. The first part is words. The second and third sections are poems, divided into "Old Style Poems" and "New Style Poems". The fourth and fifth parts are articles, which are divided into "literary articles" and "academic articles".

The collection of poems and essays "The Water and Soil of My Hometown" is about to be published. I hold the manuscript with a heavy heart. This is a work that tells nostalgia and depicts regional scenery. The book contains 41 pieces of prose, essays, and poems, which are the collective creations of 34 young wanderers. These authors are all well-known figures currently active on the national propaganda and cultural front. Among them are writers, poets, calligraphers and painters, as well as party and government cadres, reporters, editors, and editor-in-chief of major media. These works are either elegant and graceful, majestic or profound, fully expressing their deep emotions and ardent expectations for their homeland. These words flowing from the bottom of my heart are very emotional and sexual, with sincere family affection, simple nostalgia, and mellow style. Whether they are reminiscing about nostalgia, exploring anecdotes, describing scenes and travels, or expressing feelings about objects, they are all full of passionate emotions, brilliant literary talent, and full of the texture of life and the warmth of family affection.

Are what you have right now what you really need? The happiest thing in life is not finding people and things you can stay with for a long time, but meeting people and things you can't lose. The secret of life is just this. Those things that remain in your life in peace are what you want and are truly yours. Not necessarily much, but good. We are all making choices, but there are also shackles that we cannot get rid of. In the end, life is an explanation given by oneself. Walking through the colorful world, you can concentrate on facing the darkness and light within. Traveling through the desolation and chaos of the past, knowing how to end can also make a good start. At this moment, there are no regrets in life, neat and refreshing. It is the greatest freedom I can think of, and it is also the first tenderness I can give myself.

This book selects more than 80 beautiful love articles of various kinds published by the author in many domestic newspapers and periodicals, highlighting the richness of life, reality and philosophy. Each is a beautiful story about love, and each one is a deep understanding of love, like a cup of fragrant and elegant coffee. , Like cups of warm tea, gives gentle caress to lonely and anxious hearts, and gives throbbing enlightenment to confused and troubled souls, allowing readers to feel the richness and beauty of love, enjoy the beauty, and be infected by wisdom in relaxed reading.

This book is a comprehensive revision based on the original book. The Wei and Jin Dynasties were a truly troubled time. But troubled times also gave birth to wonderful literary chapters. This book takes the poems and songs of the Wei and Jin Dynasties as clues. It not only talks about politics and celebrities, but also talks about emotions and lovesickness. It also talks about landscapes and seclusion. Based on the story, it uses lyrical words to describe the character and romance of the Wei and Jin Dynasties affectionately.

This book is composed of some of the author's miscellaneous thoughts when traveling or in his spare time. It mainly praises the great rivers and mountains of the motherland, as well as some natural and simple principles and some basic principles of life. The language is easy to understand and the content is humorous.

The manuscript of "The Lost Grassland" starts from the author's perception of his hometown, Inner Mongolia, and expresses the author's views on these from various perspectives such as people, nature, society, history, and life. It embodies the lyricism of prose and uniquely and keenly interprets the author's thoughts, talents and feelings. This book invites masters of literature to write essay appreciation and general comments to make it easier for students to understand.

This book contains 76 letters and 69 notes between Mr. Han Yu and more than 60 famous contemporary literary and artistic figures. These letters come from calligraphers and painters, literary theorists, playwrights, film artists, poets, editors, etc. Although they have different majors, they have the same interests and aspirations. Through letters and notes, we can read about their deep friendship, their extraordinary talents, and their optimistic attitude towards life. This is not only a record of their true feelings, but also a unique archival material in the contemporary Chinese literature and art world. It is an extremely precious work with great research value.