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This book is roughly divided into three series according to its content: the first series contains comments from Chinese and foreign literati, some commenting on ideas and some on literary style. The second volume generally revolves around language issues, arising from different topics such as translation style, and unfolds some thoughts. The third volume is mainly a close reading of the texts of classical poetry, which are all unknown and wonderful words. The author wants to write an enjoyable work that breaks down the main points. "Blowing water" means idle talk in Cantonese. The article is just like Jiang Ruoshui's writing state for "Dushu" in the past ten years. There is no fixed topic or subject matter. He follows his heart without going beyond the rules. What is stable is his good knowledge and writing style: chic, elegant, and accessible. Not only does he have a dual knowledge background of China and the West, but his reading purpose is not limited to literature and language, and his vision covers society and thought. It is refreshing and amazing to read.

A total of 100,000 words, carrying my 1,001 days of thinking and insights. During this period, I also opened a personal public account and used various big-data psychology and behavioral methods to create test questions to interact with friends. Some articles had a click-through rate of more than 100,000+. This was an attempt that surprised me, because later I began to study deeper Confucianism, Buddhism, Taoism, and the dissemination and education of traditional culture. I had no time to update the public account, so I started writing the most traditional and ancient chattering style of writing records and random thoughts.

"A Piece of White Cloud Moves the Heart of Hometown" is one of the "Nostalgia Collection", a collection of essays. The author Wang Chonglu is a famous contemporary essayist on par with Yu Qiuyu, Liang Heng and others. His works are welcomed by readers from all walks of life at home and abroad, and he is known as the "Southern Yu (Qiuyu) and Northern King (Chonglu)". This book is a collection of essays by the author affectionately recalling events and people in his hometown. The emotions are deep and the writing is simple, which makes people feel the strong hometown complex, and leads readers to the aesthetic realm of mutual exchange and integration between people and family, people and nostalgia, and people and nature.

This book is a collection of essays, including more than fifty articles published by the author on his blog over the past ten years. The manuscript is divided into three parts. The content of the manuscript includes records and memories of relatives, experiences and experiences of life, observations and reflections on society, etc. These articles express the author's sincere emotions and realm of life, and inspire people.

"Contemporary Literary Assassin" Ning Ken's 40th anniversary commemorative edition, one of the 2018 "Ning Ken Collected Works" series. 2017 Chinese Good Books, 50 popular books in 2017. Write the history of Zhongguancun with the eyes of a novelist and write a biography of the reform era. "Notes on Zhongguancun" is based on field investigation and in-depth thinking, and writes about typical characters of Zhongguancun in different stages in a humanistic style. The book starts with Feng Kang, an academician of the Chinese Academy of Sciences who is one of the "Troika" of Chinese mathematics together with Hua Luogeng and Chen Shengshen, and runs through it. It focuses on Chen Chunxian and Zhongguancun's Silicon Valley dream, Liu Chuanzhi and Lenovo, Wang Zhidong and Sina, Wang Xuan and the "Millennium Promise", Wang Yongmin and Chinese character input, Cheng 19 paragraphs and notes, including Wei and Didi Taxi, Wu Gansha and smart driving, Su Su and garage coffee, show the epic process of how Zhongguancun pursues innovation, emancipates the mind, creates history, reshapes value, and becomes another world technology innovation center after Silicon Valley in the United States. Zhongguancun has not only changed Beijing, but also China, and in a sense, it has also changed the world. The work traces its origins and reflects deeply on this. It is inspiring, courageous, penetrating and shocking, and has unique artistic innovation. Ning Ken, a Beijinger. Novelist and essayist, his main works include the novels "Heaven·Zang", "The Masked City", "Three Trios", "The Door of Silence" and "The Crater". Born in Beijing in 1959, his original name was Ning Minqing and his ancestral home was Ningzhuang, Hejian County, Hebei Province. Graduated from the Chinese Department of the Second Branch of Beijing Normal University in 1983. In 1982, he published his debut poem "Snow Dream" at "Grudge" in Shanghai. He lived in Tibet from 1984 to 1986 and wrote a series of prose works such as "Sky Lake", "Tibetan Song" and "The Silent Shore", making him one of the representatives of China's "new prose" movement. He is the author of essay collections "Speak, Tibet", "Beijing: City and Years", "My 20th Century" and "The Pipe of Thought". There are also short and medium story collections "Words and Objects" and "Vigram", and the non-fiction work "Notes on Zhongguancun". He is currently a member of the 9th National Committee of the Chinese Writers Association and the executive deputy editor-in-chief of "October" magazine. He has won the Lao She Literary Award for Novel twice, the first Shi Naian Literary Award, the 4th "People's Literature" Biennial Novel Award, the Beijing Literary Art Award, the overall champion of the 2nd "Contemporary" Literary Rally in 2001, the first Sun Li Prose Award Biennial Award, the first Hong Kong "Dream of Red Mansions Award" recommendation award, and the first American Newman Literary Award nomination. Selected as one of the top ten novels of Asia Weekly in 2014 and one of the best Chinese books in 2017, with works translated into English, French, Italian, and Czech.

"Contemporary Literary Assassin" Ning Ken's 40th anniversary commemorative edition, one of the 2018 "Ning Ken Collected Works" series. Mo Yan, Jia Pingwa, Yan Lianke, Chi Li and Chen Xiaoming jointly recommended it. A pure literary masterpiece that examines power and human nature, a labyrinth story that challenges the reading dimension. "Three Trios" is one of Ningken's collections. The novel progresses through a three-line narrative that is extremely challenging to read. One line is the story of Du Yuanfang, the escaped state-owned enterprise boss, the other is the interrogation confession of a provincial secretariat who was double-regulated, and the third line is the annotations and narration of the above two stories by "I" who once experienced life on death row. The three parts, like three voices, continuously push the themes of the times, power, and human nature in-depth, thus making a common anti-corruption novel interpret rich meanings and questionings. As Mo Yan said, "it would rather combine sharp political criticism with profound human anatomy." Ning Ken, a Beijinger. Novelist and essayist, his main works include the novels "Heaven·Zang", "The Masked City", "Three Trios", "The Door of Silence" and "The Crater". Born in Beijing in 1959, his original name was Ning Minqing and his ancestral home was Ningzhuang, Hejian County, Hebei Province. Graduated from the Chinese Department of the Second Branch of Beijing Normal University in 1983. In 1982, he published his debut poem "Snow Dream" at "Grudge" in Shanghai. He lived in Tibet from 1984 to 1986 and wrote a series of prose works such as "Sky Lake", "Tibetan Song" and "The Silent Shore", making him one of the representatives of China's "new prose" movement. He is the author of essay collections "Speak, Tibet", "Beijing: City and Years", "My 20th Century" and "The Pipe of Thought". There are also short and medium story collections "Words and Objects" and "Vigram", and the non-fiction work "Notes on Zhongguancun". He is currently a member of the 9th National Committee of the Chinese Writers Association and the executive deputy editor-in-chief of "October" magazine. He has won the Lao She Literary Award for Novel twice, the first Shi Naian Literary Award, the 4th "People's Literature" Biennial Novel Award, the Beijing Literary Art Award, the overall champion of the 2nd "Contemporary" Literary Rally in 2001, the first Sun Li Prose Award Biennial Award, the first Hong Kong "Dream of Red Mansions Award" recommendation award, and the first American Newman Literary Award nomination. Selected as one of the top ten novels of Asia Weekly in 2014 and one of the best Chinese books in 2017, with works translated into English, French, Italian, and Czech.

"Contemporary Literary Assassin" Ning Ken's 40th anniversary commemorative edition, one of the 2018 "Ning Ken Collected Works" series. The writer who won the Lao She Literature Prize twice would rather work on his works. The book is both unbridled, delicate and affectionate, with a broad range of knowledge. The narrative text, which is rooted in Beijing dialect, is smart, majestic and accurate. "My 20th Century" is a collection of Ning Ken's essays, which is a collection of the writer's prose and essays. The collection is divided into three volumes. The first volume "Beijing: City and Years" mainly uses the writer's own growth experience as a clue to describe the growth trajectory of the generation born in the 1950s. The second volume "Walkers" mainly contains the words written by the writer while traveling around the world. The third volume of "Portraits" is the writer's recollections of his interactions with his mentors and friends in the literary world. Ning Ken's prose is both unbridled, delicate and affectionate, with a broad range of knowledge, and his narrative text rooted in Beijing dialect is lively, accurate and expressive. Ning Ken, a Beijinger. Novelist and essayist, his main works include the novels "Heaven·Zang", "The Masked City", "Three Trios", "The Door of Silence" and "The Crater". Born in Beijing in 1959, his original name was Ning Minqing and his ancestral home was Ningzhuang, Hejian County, Hebei Province. Graduated from the Chinese Department of the Second Branch of Beijing Normal University in 1983. In 1982, he published his debut poem "Snow Dream" at "Grudge" in Shanghai. He lived in Tibet from 1984 to 1986 and wrote a series of prose works such as "Sky Lake", "Tibetan Song" and "The Silent Shore", making him one of the representatives of China's "new prose" movement. He is the author of essay collections "Speak, Tibet", "Beijing: City and Years", "My 20th Century" and "The Pipe of Thought". There are also short and medium story collections "Words and Objects" and "Vigram", and the non-fiction work "Notes on Zhongguancun". He is currently a member of the 9th National Committee of the Chinese Writers Association and the executive deputy editor-in-chief of "October" magazine. He has won the Lao She Literary Award for Novel twice, the first Shi Naian Literary Award, the 4th "People's Literature" Biennial Novel Award, the Beijing Literary Art Award, the overall champion of the 2nd "Contemporary" Literary Rally in 2001, the first Sun Li Prose Award Biennial Award, the first Hong Kong "Dream of Red Mansions Award" recommendation award, and the first American Newman Literary Award nomination. Selected as one of the top ten novels of Asia Weekly in 2014 and one of the best Chinese books in 2017, with works translated into English, French, Italian, and Czech.

The Qing Dynasty was the last feudal dynasty in China and the last important stage in the history of ancient literature. Poems, lyrics, prose, novels, and operas all made important achievements. Among the numerous great and excellent novels created by literati in the Qing Dynasty, Cao Xueqin's "A Dream of Red Mansions", Wu Jingzi's "The Scholars" and Shi Yukun's "Three Heroes and Five Righteousnesses" are outstanding representatives. By interpreting the extraordinary lives and masterpieces of talented scholars in the early, prosperous, and late Qing dynasties, the author of this book helps us peel away the layers of history and see how they left a clean mark in this troubled world.

Thirty-eight love stories, including sadness and joy, love and resentment, touch growth through loneliness, and see hope through warmth. This is a prosperous world, but it is also a lonely world. We have all walked alone before, staying up late without a goal and feeling sleepy, and missing each other in solitude and feeling tired. But love is an eternal theme. It accompanies you across mountains and rivers, across oceans, in the hustle and bustle of the world, and in the silence of the night. You may have walked alone for a long time, and now we meet. May the mountains and rivers meet you happily, and the breeze separates you. May these thirty-eight love healing stories bring you warmth and courage, and help you meet a better self from now on.

"Contemporary Literary Assassin" Ning Ken's 40th anniversary commemorative edition, one of the 2018 "Ning Ken Collected Works" series. Ning Ken's works have been highly praised by Mo Yan, Yan Lianke, and Chi Li. His novel "The Crater" uses an extremely absurd writing style to write about the clean love behind the morbidity. When an era becomes sick, can love heal it? "Crater" has the structure of a popular novel, but also has pure literary exploration. It introduces narrative elements such as Western suspense novels, existential speculation, and Gothic atmosphere rendering, giving the whole novel a cold and unique temperament. "Crater" is based on the narrative of "a Jane's Manor that strives to improve the ecological environment destroyed by humans." The male protagonist is a tiptoe detective who is obsessed with mathematics and specializes in investigating sex-related cases such as infidelity and mistressing. He was invited to Jane's Manor to write a personal biography for the owner of the manor, Ms. Jane, a successful businessman dedicated to ecological reconstruction and known as China's "Rachel Carson." As the investigation deepens, the tiptoe detective discovers that there is a terrifying secret hidden in the secret room under the mountain of the manor... "Crater" uses absurd techniques to exaggerate the morbid psychology and behavior of contemporary people, touches on the selfish, indifferent, and violent side of human nature, and reveals the spiritual desolation of contemporary people under material weapons. It is a black humor literary work with a very personal style. Ning Ken, a Beijinger. Novelist and essayist, his main works include the novels "Heaven·Zang", "The Masked City", "Three Trios", "The Door of Silence" and "The Crater". Born in Beijing in 1959, his original name was Ning Minqing and his ancestral home was Ningzhuang, Hejian County, Hebei Province. Graduated from the Chinese Department of the Second Branch of Beijing Normal University in 1983. In 1982, he published his debut poem "Snow Dream" at "Grudge" in Shanghai. He lived in Tibet from 1984 to 1986 and wrote a series of prose works such as "Sky Lake", "Tibetan Song" and "The Silent Shore", making him one of the representatives of China's "new prose" movement. He is the author of essay collections "Speak, Tibet", "Beijing: City and Years", "My 20th Century" and "The Pipe of Thought". There are also short and medium story collections "Words and Objects" and "Vigram", and the non-fiction work "Notes on Zhongguancun". He is currently a member of the 9th National Committee of the Chinese Writers Association and the executive deputy editor-in-chief of "October" magazine. He has won the Lao She Literary Award for Novel twice, the first Shi Naian Literary Award, the 4th "People's Literature" Biennial Novel Award, the Beijing Literary Art Award, the overall champion of the 2nd "Contemporary" Literary Rally in 2001, the first Sun Li Prose Award Biennial Award, the first Hong Kong "Dream of Red Mansions Award" recommendation award, and the first American Newman Literary Award nomination. Selected as one of the top ten novels of Asia Weekly in 2014 and one of the best Chinese books in 2017, with works translated into English, French, Italian, and Czech.

The book is divided into six volumes, mostly in the form of prose essays. The content of the article is closely related to social reality. In terms of life management, emotional management, inner management, workplace and business management, etc., Through the eyes of a Zen practitioner, a unique perspective is used to resolve doubts and doubts. There are many novel observations and interpretations of classics, which are refreshing. "Qingchuang Essay" inherits the author's consistent freshness, gentleness, philosophy and other characteristics, and the language is more mature. It is hoped that through reading this book, readers can get spiritual enlightenment and sentimental cultivation, untie and untie, harmonize body and mind, and thereby move toward harmony in family, work unit and society.

This book focuses on human beings, social development, major events and other related topics, through the sparks of thought formed by the author's independent thinking. It reflects the author's unique thinking perspective on life and society, thereby inspiring readers to think differently.

This book is a new result of the author's recent research on modern poetry. It covers the Crescent Poetry School during the Republic of China, postwar new poetry and modern poetry, and the development of poetry from different paths since New China. There are both macro-diachronic descriptions and case studies of many important poets such as Li Guangtian, Mu Dan, Cai Qijiao, Lu Jian, Niu Han, and Gu Cheng. At the same time, the author also sorts out the poetic evolution of Chinese poetry from "new poetry" to "modern poetry". The author has long been committed to the study of new literature, especially new poetry, and these achievements have their own important academic value and significance. Most of the selected poets and topics are relatively marginalized ones, such as Li Guangtian, Cai Qijiao, Niu Han, Lu Jian, etc., So they have some significance in filling gaps in the study of new poetry and modern poetry.

Starting from the perspectives of literary research and literary history research, this book uses historical theory and historical theory to study Zhejiang female translators in three periods from five aspects: the early 20th century (1900 to 1919), the May Fourth Movement to before the founding of the People's Republic of China (1920 to 1949), and after the founding of the People's Republic of China to the present day (1950 to the present). The five aspects include: life anecdotes, translation creation (including translation background and translation motivation), the influence and significance of the translation, and translation thoughts.

7 parts, 50 stories, countless late nights of concentration. This is how contemporary young people view the world. "In writing, I am a spectator. I look at myself, society, everyone, and the whole world. I write down my understanding. My expression is also a spectator for you." This is the real experience of entrepreneurs. "My life should not stay in a certain place. There is restless blood flowing in my body. I am destined to be unable to settle down. It is impossible to be stuck in the cold of winter all my life." This is the soul of a lonely writer. "From last winter to this winter, everything I've been pursuing in my heart has been in vain, but I finally have someone I can really write and drink with. Even if each other's souls are so lonely, there is some warmth after all, right?"

As a collection of spiritual essays, readers can learn to take good care of their own souls in a comfortable and enjoyable way, and understand that meditation is also a part of life. Only by quieting down during busy times can there be precipitation, sum up experience, and make work and life easier. The book is divided into several chapters, each chapter has several topics. The book eloquently explains the truth, which makes people feel more cordial; it also contains a large number of real life stories that make people feel the same.

"Ten Miles of Lotus Fragrance and Liu Siqing" is one of the "Nostalgia Essays" edited by Wang Jianbing. It is a collection of Ma Ruifang's essays about family affection, local accent, and nostalgia. It contains 24 essays and 3 appendices. In Ma Ruifang's writings, nostalgia is the deep affection for relatives and friends, and the beautiful memory of a happy life. The works reflect the cultural heritage of the professor writer. Those about relatives such as "Grandfather", "Father's Traces" and "Waiting" are sincere and delicate in description; those about life such as "Pancake Flowers", "Reflection on the Little Kid" and "A Basket of Family Comedies" are humorous and witty; those about fathers (famous people in hometown) For example, "Uncle Yu Xiu", "Uncle Feng and His Books", and "Mr. Tian Zhongji, the Father" focus on descriptions of family interactions, making up for the oversimplification and lack of details in the official history; those depicting hometown style are full of cultural flavor and personal writing characteristics, such as "White Feather Returns Home" and "Pu Songling's Former Residence Essays".

We emphasize the protection of China's traditional culture, and there is nostalgia in traditional culture. Nostalgia is a unique complex of Chinese people's love and nostalgia for their hometown. It is a beautiful and natural cultural concept. The more society changes and the more impetuous it becomes, the more precious this complex becomes. Nostalgia is also a sense of root-seeking. Remembering nostalgia, remembering beautiful childhood, and remembering beautiful yearnings is to remember our roots. Each of us is a leaf in our hometown. No matter how far this leaf falls, it can never escape the meaning of the big tree to the leaf. A person always has the veins of his hometown, the blood of his hometown, and his DNA that can never be changed. Each person can also be said to be the incarnation of each village. They go out and scatter everywhere, but they will not lose the village. Speaking of nostalgia, it is an innate feeling. The hometown that lives in the heart is always fresh there. Hometown is a place that rests your soul and warms your loneliness. It is a place that accepts your fatigue and soothes your sadness. Turning over pages of a busy past, the lingering fragrance in my memory is always in my childhood hometown. There are our closest playmates, favorite food, the most beautiful clothes, and the most innocent longings. What fragrantly enters dreams is mostly the friendly faces of relatives and warm gathering scenes. Those relatives are either deceased or still in their hometowns.

The book "The Sacred Mission That Cannot Be Rejected - Collection of Feng Jicai's Speeches (2001-2016)" can be roughly divided into three parts according to the content of Mr. Feng Jicai's speeches over the past 16 years: 2001-2006 is the period of folk literature The period from 2007 to 2011 is the recording and protection stage of folk cultural heritage; the period from 2012 to 2016 is the beginning stage of the comprehensive rescue census of "intangible cultural heritage" and ancient villages. Mr. Feng Jicai's speech contains both metaphysical "ideas" and theoretical thinking closely related to field work. From this book, we can see the ideological process of a generation of intellectuals in the cultural circle fighting for the cultural destiny of the nation.

We emphasize the protection of China's traditional culture, and there is nostalgia in traditional culture. Nostalgia is a unique complex of Chinese people's love and nostalgia for their hometown. It is a beautiful and natural cultural concept. The more society changes and the more impetuous it becomes, the more precious this complex becomes. Nostalgia is also a sense of root-seeking. Remembering nostalgia, remembering beautiful childhood, and remembering beautiful yearnings is to remember our roots. Each of us is a leaf in our hometown. No matter how far this leaf falls, it can never escape the meaning of the big tree to the leaf. A person always has the veins of his hometown, the blood of his hometown, and his DNA that can never be changed. Each person can also be said to be the incarnation of each village. They go out and scatter everywhere, but they will not lose the village.

"Looking Back on the Road" is one of the "Nostalgia Collections" edited by Wang Jianbing. It is a collection of Zhou Daxin's essays about his hometown - Henan, especially Dengzhou, Nanyang. It contains 48 works, mostly describing the people, events and landscapes of his hometown, with the characteristics of the times. Among them are his own growth experience, the imprint of his hometown on him, and his love and pride for the glorious history and culture of his hometown. Although he is an "escapee" from his hometown (the author's words), the author is well aware of the beauty and suffering of his hometown. Therefore, he has always paid attention to the development and changes of his hometown, does not avoid the current rural development issues, and is full of confidence in the future of the countryside. The article contains both strong emotions and rational analysis and thinking.

"Where Is Home" is a collection of essays written by the famous writer Ye Zhaoyan about his nostalgia. The writing style is concise and the style is tranquil. This book contains a variety of themes related to his hometown in Ye Zhaoyan's prose, including recording the old customs of Nanjing, describing the scenery of Nanjing and its surroundings, or evaluating the style of various cities in Jiangsu. Behind the plain language is the author's love for his hometown, which unknowingly inspires people with beauty. The author of this book, Ye Zhaoyan, is a "Nanjing expert". Regarding Nanjing, which is known as the "ancient capital of six dynasties" and the "city of ten dynasties", Ye Zhaoyan has endless articles and love words to say. This city has a long and prosperous history, and history has given it too many memorable moments; the people living in this city have pursuits and sentiments. In spring, they enjoy the cherry blossoms in front of Jiming Temple, in summer they go to Xuanwu Lake to escape the heat, and in autumn they climb Qixia Mountain to appreciate the maple leaves... Such a city naturally makes people feel a lot of nostalgia, and people in this city will naturally develop a unique nostalgia. Ye Zhaoyan went to other cities in Jiangsu Province with his nostalgia for Nanjing. These familiar foreign places gave Ye Zhaoyan's nostalgia a different flavor. Let us experience his unique nostalgia in "Where is Home?"

"Home of the Frozen Earth" is a collection of essays written by the essayist Feng Qiuzi about his hometown. These essays either present the suffering of life and the hard life of the northern people in the works, making them burst out with touching power, or combine the author's rich life experiences to express gratitude to his relatives, his hometown, and his life. The author observes the changes in her hometown over the past few decades from a female perspective. The whole work has delicate and sincere emotions, simple and moving language, and warmth flowing between the lines, soothing the readers' hearts.

15 years ago, Yu Qiuyu began to conduct long-distance field trips to investigate culture. He traveled from home to abroad, from Chinese civilization to other civilizations. During this period, he used "Cultural Journey" and "Book of Mountains and Rivers" as records of his investigation of Chinese civilization, "A Thousand Years of Sigh" as a record of his investigation of Islamic civilization, and "Walker Without Borders" as a record of his investigation of Western civilization. At this point, Yu Qiuyu has completely paid attention to and recorded the three major civilizations in human history. Yu Qiuyu lamented in "Walkers Without Borders": "European civilization is indeed excellent and mature, and can integrate classical tradition and modern civilization, personal freedom and social ethics. I even envy the smiling eyes in the street cafes, just a flash, I feel that my vision is long-term and my country is safe. But in these years, I have become autistic due to excessive complacency and self-enjoyment, and I have many illusions about the world and myself. "Walker Without Borders" is divided into four volumes: Southern Europe, Central Europe, Western Europe, and Northern Europe, and contains 80 essays. The whole book is better than Yu Qiuyu's previous works in terms of completeness and profundity of thinking, tension and freedom of style. The new portable version of "Walker Without Borders" has been significantly revised, added and deleted by Mr. Yu Qiuyu, and has been published again with a new revision.

This manuscript is a collection of essays, covering celebrity anecdotes, textual research on allusions, reading thoughts, film discussions, etc. The author has a wide range of topics, mostly involving texts and events that have attracted much attention in the literary and film circles in recent years. He quotes from many sources and talks eloquently.

This book is a collection of essays by the author. It is a collection of thoughts and sporadic feelings about some people, things, and phenomena in the modern literary world that were derived from reading relevant books. The figures involved in the topic include Lu Xun, Contradiction, Shao Xunmei, Lin Yutang, etc.

This book is a collection of news reviews, prose travel notes and blog articles written by the author while working in Shanghai since 2005. The author has extensive coverage, unique insights, precise arguments, solid writing style, and concise words. He makes subtle insights from what he sees and hears personally, and spreads theory and knowledge through laughter and laughter. It is highly readable and can be used as a reference for journalists, educators, literature lovers and other readers. The author graduated from the postgraduate courses of the Chinese Department of Ningbo Staff University and the Graduate School of Journalism of Fudan University. He has been the deputy editor-in-chief of the East China Branch of the People's Daily since 2005, the president and editor-in-chief of the International Financial News since 2006, the deputy president of the Shanghai Branch of the People's Daily since 2008, and the director of the Shanghai Channel of the People's Daily since 2009.

Zou Taofen is an outstanding journalist, publisher and political commentator in modern history. He can be regarded as a model of a generation of Chinese intellectuals. This book collects a series of articles written by Mr. Zou Taofen based on his own experiences, including the full text of "Experience", "A Story of Surviving a Life in Trouble" and a set of short words about the founding of Life Bookstore. From these articles, we can clearly see that Tao Fen lived a life of serving the public and culture, from studying hard to running a journal with all his strength, going through prison and exile. There is a transcendent and optimistic will, a passion for facing readers, as well as painful thinking about the national economy and people's livelihood and perseverance in difficult situations.

Before an actor goes on stage, he will have reserved space and time. The professional term is "waiting". The times are developing rapidly, and all industries are seeking innovation and speed. Today's actors seem to have lost the "luxury" of waiting. They are rushed by time, hurriedly entering the stage, entering one role after another, becoming popular quickly, and then quickly forgotten. Zhou Xun, who has a non-acting background, has spent twenty years on the set, and has gained a reputation among audiences and popularity in the industry with her exquisite acting skills and down-to-earth professionalism. As she collaborates with more and more young actors, she has personally felt the desire of the new generation of actors for acting experience, so she joined hands with the movie channel "Today's Film Critic" to jointly launch "Performers' Words". In the program, she talked with 22 performers including Feng Yuanzheng, Xi Meijuan, Jiang Wenli, Wang Qingxiang, Huang Bo, Chen Jianbin, Shu Qi, Duan Yihong, Yi Yang Qianxi, etc., Talking about art and life, and jointly created 22 solid performance lessons in the new era. Performance is human nature. It is the knowledge of studying people, analyzing people, and better expressing oneself. It is a basic course for a successful life. Are you ready to perform?

This collection of essays collects 31 essays written by the author since 2014. The whole article closely revolves around the wetland culture, and uses the introduction of real life and emotional narrative to slowly and slowly show readers the "Wetland Brocade" in the eyes of the author. The author uses words to slowly condense and brew the historical customs and real life of the wetland, expressing the sacredness and worship in his heart. Qu Qing was born in the lower Liaohe Plain wetland. In his spare time, he is willing to collect, excavate and organize wetland culture. Through walking in the wetland, he has gained greater spiritual and material gains, and created a series of wetland culture essays. Articles such as "Long Yuan Ji", "Confessions of a Flower", "A Brief History of Spirits", "Hehai People", "Father's Tuozi Land", etc., All explain the cultural connotation and essence of the Liaohe Estuary Wetland from different angles, and are also full of the author's infinite regrets and memories of the golden years.

The author himself is a scholar who loves couplets and traveling. For decades, the author has traveled to scenic spots across the country, collected couplets of famous places, carefully studied them, and analyzed and appreciated the couplets from political and military aspects according to the region.

This book includes "History of European Literature" and "Origins of New Literature". "History of European Literature" is Zhou Zuoren's lecture notes at Peking University. It is also China's first relatively systematic history of European literature, covering topics ranging from ancient Greece to the eighteenth century. "The Origin of New Literature" is Zhou Zuoren's systematic summary of the May Fourth New Literature Movement and even the entire history of Chinese literature.

"Collected Works of Zhitang" is a collection of essays that Zhou Zuoren himself is satisfied with. It includes such well-known masterpieces as "The Story of Zhitang", "Past Life" and "Drinking Tea", showing the achievements of Zhou Zuoren's early creative career.

"A Set of Books to Understand Zhou Zuoren" includes: "Lu Xun's Hometown", "Characters in Lu Xun's Novels", "Lu Xun's Youth", "Memories of Zhitang" (three volumes), "Medicine Collection", "My Own Garden", "Art and Life", "Bitter Tea Essays", "Bitter Bamboo Miscellaneous Notes", "Talking about Tiger Collection", "Books on Rainy Days", "Collected Works of Zhitang", "The Origin of Chinese New Literature; History of European Literature"

The author starts a "retro" journey starting from Huizhou at a country B&B called "Pig Pen Bar". In the past two years, I have met poets who have escaped to the countryside, Qingcheng Mountain women's crowns who write while practicing spiritual practice, and actresses who want to open a B&B. Because of the rarity of this experience, I wrote down what I saw and felt on the way, in order to show that even in this rootless era where desires are burning like flames, we can still find the clear land hidden in our hearts by pursuing different life experiences, as well as the respect for our homeland and nature.

"The Notes of a Small Window": First, I wish to know all the good people in the world, second, I wish to read all the good books in the world, and third, I wish to see all the good landscapes in the world. Mr. Benxin: What does a person come to this world to do? Appreciate the best things to see, hear and taste. Mr. Cai Lam: I didn't use good things since I was a child, and I will not be discerning enough when I grow up. I also say that "those are external things." I no longer buy expensive things, but I will never use ugly ones, so it is not the same thing to say that I am easily satisfied. This book is about the beautiful mountains and waters that Cai Lam has seen as a traveler, the beautiful flowers and grass that he has appreciated as a life-taker, and the exquisite tastes of the world that he has tasted as a gourmet... All the good things to see and play are before your eyes. What I like is appreciation. The good things in the world are addictive, and fun is the most beautiful soul in the world. Walk slowly and appreciate it. Develop your own eye to appreciate those things that are truly "characterful".

Life is just a journey that comes and goes. Life is about joy and sorrow, and life is about bitterness and sweetness. This set includes five books: "Life is Just That", "Simple, Quiet and Calm - Living an Elegant Life Like Liang Shiqiu", "Life is in Leisure", "Living with One Mind in Mind", and "The Taste of the World is Pure Joy", which collects Liang Shiqiu's most philosophical and life-like prose. The books write about ordinary things, such as eating, sleeping, reading, watching plays, drinking tea, drinking, traveling, and talking about food, but they reveal Mr. Liang Shiqiu's self-satisfied, open-minded and elegant state of mind. This set of books, from the three perspectives of food, life, and life, three-dimensionally and fully demonstrates Liang Shiqiu's way of life and concepts of life. This is a set of selected works to understand Liang Shiqiu and his writings.

Accompanying the growth of thousands of teenagers, Wen Jier, a best-selling author born after 1995, is a new masterpiece after "I'm fine, but what about you". It is written for everyone who is busy growing up in a panic. I hope you and I will always be confident, work hard, and have the courage to "tear out a few pages of youth." Youth has quality, and we must be down-to-earth. "Tear off a few pages of youth and change into a hard-working self" records the growth experience of a 20-year-old girl, and is about courage, love and youth. After passing through a willful age, I may not be good enough, but I will work hard to be better, and I believe you will be the same. None of us can avoid growing up. The sad emotions brought about by growing up are never whims. But please believe that everything that makes you hurt is what you love deeply. They will make you stronger. Don't dim your light because of anyone. Tear off a few pages of youth and change yourself to a hardworking self. May you and I always maintain the courage of "I'm all in, you can do whatever you want".

The book "Jie Lu in the Human Land" mainly collects the author's prose works created in recent years. It is divided into 6 parts: "Dongli", "Jie Lu", "Human Land", "Xinyuan", "Forgetting Words" and "Xianhe", with a total of 75 articles. Among them, there are line drawings of natural life and the flow of self-emotions. The author's praise and perception of concrete life are actually the understanding and expression of various images of life. The complex and complex oppositions in the world are everywhere, and he attempts to dissolve this opposition through words. The "Xiping" he writes about is the place he "escaped" from many years ago, but it is also like the starting point of everyone's body and the destination of their soul. The book is mainly composed of prose essays, with diluted language and extremely rhythmic beauty; the emotions are delicate and reach directly to the softest area of ​​human nature. It has strong artistic and ideological qualities and reflects the author's love and piety for words.

You can't do all the things you like in life, but you should try to avoid what you are tired of. In the book "Chua Lam Talks about Life: Everything in the World Is Noble and Happy", there are Koizumi Yakumo, Kurosawa Akira, Ozu Yasujirō, and Yokoyama Taikan, as well as ordinary monks, photographers, and chefs; there are Setouchi Shantei, Natori Yuko, and there are also "female generals" and "Mama-san", fashion models, and female screenwriters... It is said that life is nothing more than doing things and being a human being. You should know how to earn and spend. My philosophy is, do everything quickly! You don't have to do things for others, in order to recognize that you exist; if you want to do anything, you must work hard to do it well! I know what hard work is like. Everyone gets old, so we must learn more knowledge while we are young. Cherish every moment you deserve and live life to the fullest. Things in this world are expensive and happy. May your life be humorous, brilliant, interesting and interesting.

Mr. Cai Lam said: Dishes that you can't eat enough are the best. The beans are so small, eat them one by one, cherish the taste of each bean, and cherish all the details in life. Shrimp must be eaten neither hot nor cold, and is at its best when served warm. The temperature of fish and rice should be the same as the human body temperature. Overheating and undercooling are both unacceptable. The level requirements are gradually increased, from cheap to expensive. In principle, you should eat from light to fragrant. Learn the word "taste". Mr. Cai Lam also said: Living, eating and drinking is also a kind of respect for life. The most enjoyable thing is to indulge yourself. Indulging yourself occasionally is a blessing. Spiritual people can also understand the truth from food.

This book contains 14 feature reports by interface culture reporters on domestic "wild writers". These writers also have other identities and jobs to support themselves in their daily lives, and even write to support themselves, including Yuan Ling, Su, Sun Zhizheng, Zhu Yue, etc. They have become famous in the current literary circle and are receiving more and more attention. Their free and tenacious writing postures show the diverse and vibrant scene of China's literary world.

Watching a movie is a very private thing, just like there are a thousand Hamlets in the hearts of a thousand people. But actor Zhang Yi said: When I don't know how to interpret a movie, I will ask him for his opinion. When the opinions are similar, it is like making a bet; when the opinions are different, I will instantly switch sides. Actor Yuan Hong said: When reading his film reviews, I want to read ancient Chinese annotations, which gives me an extra level of interpretation. Director Lu Yang said: I hope to read his collection of film reviews every year, just like an annual magazine. ..."Good Night, Human Being: A Lang's Private Notes on Watching Movies" is an annual private collection of film reviews by A Lang, the editor-in-chief of "Watching Movies" magazine. Carefully collects many blockbusters, best films and controversial works. Alang uses his unique perspective and sharp writing language to re-deconstruct and construct a deep but simple, broad and delicate viewing space - fun, interesting, private and sharing. Good night, humans.

This book is the fourth collection of essays by Professor Wang Liming. It is divided into six parts: "General Theory of the Rule of Law", "Legislative System", "Judicial System", "Practice of the Rule of Law", "Legal Education" and "Life Insights". The author uses a simple and positive humanistic writing style to describe his insights from legal education and legal research for decades. It contains both his imagination and expectations for the construction of the legal system, as well as his concerns and prospects for legal education, which profoundly demonstrates the academic quality and humanistic sentiments of a generation of legal professionals. As the author said, there are too many stories about the rule of law in the forty years of reform and opening up that we need to capture, observe, and think about. This collection of essays is a small part of what the author has extracted, and these ordinary stories record a great era.

The famous writer Liu Zhaolin collected and selected more than 30 prose works describing nostalgia, family affection, and customs, and compiled them into "Bayan Snow". These works are simple in writing, sincere in emotion, and restrained in charm. The turbulent deep feelings are tinged with a touch of helplessness and sadness, and contain sweet, salty, bitter, and astringent. Reading them makes people feel like they are there, and they are full of emotion. The Chinese New Year is to condense the long days that come and go into a few days and make them the most solemn days. Among the long days, the most solemn moment is the intersection of winter and spring. From this point on, spring is here! Therefore, celebrating the New Year is celebrating the Spring Festival! ! This is different from the New Year that was celebrated by Westerners, which was neither salty nor bland. Later, we also followed it and lived it carelessly. This is the most promising day in Chinese civilization. Who doesn't look forward to it happily! ! !

We emphasize the protection of China's traditional culture, and there is nostalgia in traditional culture. Nostalgia is a unique complex of Chinese people's love and nostalgia for their hometown. It is a beautiful and natural cultural concept. The more society changes and the more impetuous it becomes, the more precious this complex becomes. Nostalgia is also a sense of root-seeking. Remembering nostalgia, remembering beautiful childhood, and remembering beautiful yearnings is to remember our roots. Each of us is a leaf in our hometown. No matter how far this leaf falls, it can never escape the meaning of the big tree to the leaf. A person always has the veins of his hometown, the blood of his hometown, and his DNA that can never be changed. Each person can also be said to be the incarnation of each village. They go out and scatter everywhere, but they will not lose the village.

We emphasize the protection of China's traditional culture, and there is nostalgia in traditional culture. Nostalgia is a unique complex of Chinese people's love and nostalgia for their hometown. It is a beautiful and natural cultural concept. The more society changes and the more impetuous it becomes, the more precious this complex becomes. Nostalgia is also a sense of root-seeking. Remembering nostalgia, remembering beautiful childhood, and remembering beautiful yearnings is to remember our roots. Each of us is a leaf in our hometown. No matter how far this leaf falls, it can never escape the meaning of the big tree to the leaf. A person always has the veins of his hometown, the blood of his hometown, and his DNA that can never be changed. Each person can also be said to be the incarnation of each village. They go out and scatter everywhere, but they will not lose the village. Speaking of nostalgia, it is an innate feeling. The hometown that lives in the heart is always fresh there. Hometown is a place that rests your soul and warms your loneliness. It is a place that accepts your fatigue and soothes your sadness. Turning over pages of a busy past, the lingering fragrance in my memory is always in my childhood hometown. There are our closest playmates, favorite food, the most beautiful clothes, and the most innocent longings.

No matter how many years have passed since you left there, she remains firmly in your heart. That's your hometown. No matter how many ups and downs you go through in life, they will always warm your heart. Those are your fellow countrymen. Maybe you have changed countless language environments in your life, but there is one voice that you will never change. That's your accent. Included in this collection are the author's sweet memories and boundless nostalgia for the landscape and customs of his hometown, his deep love for his fellow villagers, and short prose. Many of these chapters have been selected into various authoritative prose anthologies and local textbooks in China.

The book is divided into four parts. The first part is about his career and the second part is about the past in the village. It describes the author Ye Xin's unforgettable life and what he saw and heard during the ten years from March 31, 1969, when he left Shanghai to settle in Shaguozhai, Jiuchang People's Commune, Xiuwen County, Guizhou Province, to October 31, 1979, when he left the place where he settled. The third volume is about mountains and rivers in Guizhou, and the fourth volume is about mountains and villages. It narrates the author's experiences and activities while working in Guizhou after leaving the village where he settled down, and depicts a vivid picture of Guizhou's landscapes. Through eloquent narration and peaceful words, it shows the author's pursuit in a wasted time and the true feelings of a generation of intellectuals towards the mountainous countryside of Guizhou.

"The Sound of Oars on the Canal" is a collection of essays, divided into four parts: the first part is deep among flowers, the second part is like a string of music, the third part is nostalgic, and the fourth part is old streets. The hometown of the author Honghai is Shuangqiao Farm in the northern suburbs, where the Tonghui River and the Queen Mother Xiao River pass through it, and their downstream intersection is the famous Beijing-Hangzhou Grand Canal. Through the vivid narration of the history of his hometown and the deep memory of his relatives, he expresses the author's deep feelings for his hometown. "Nostalgia Collection" is a literary project created by Elephant Publishing House for appreciation, research and collection. Wencong demonstrates the sincere feelings for the hometown of relatives and the deep emotion about life in the world in many aspects, bringing us closeness, aftertaste, and enlightenment, allowing us to feel the warmth, deepness, greenness and vastness of the power of words. Everyone has his own hometown. No matter how far you go, you can't help but visit and think about that place often. Reading this book, you can reminisce about the deep nostalgia and leave beautiful memories in the author's eloquent narration.