Library

This book is a summary of the author's five years of research and teaching on online literature. The "Positions and Methods" section above are selected representative papers. The views put forward in these papers have had a great influence in the field of Internet literature research and the Internet literary circle. The next part is "Internet Literature Classroom", which contains reports from selected guests from the Internet literature community who participated in the exchange of information in the Internet Literature Research Course of the Department of Chinese Language and Literature at Peking University. Attached is a chronicle of major events in Chinese online literature, sorting out the development of online literature in the past 20 years. The core concept of this book is to discuss how to extrapolate literary tradition in the Internet era, that is, from the perspective of media revolution, understand Internet literature, study Internet literature, establish an evaluation system and critical discourse suitable for Internet literature, and connect it with the broader context of literary history.

As the "Collection of Chinese Language and Literature" written by my friends Zhang Shuangting and Zhao Xia is about to be published, I would like to accept the author's kindness and send me the proof to read it first. I hope I can write a few sentences as a preface after reading it. I couldn't refuse, either emotionally or rationally, but I was worried that because of the short time and too many chores, I wouldn't be able to read the collection of essays properly, and writing a few sentences would be meaningless. Surprisingly, I read from the beginning to the end without much effort. Because these articles are fascinating, the author uses bright and smooth language to explain the experience, practical knowledge and related theories about Chinese language. It is very interesting to read and you will not be able to put it down until you finish reading. After reading it, I gained a lot and felt a lot. I can only share the following thoughts to educate the author and readers.

The development of world culture to this day should be said to be a diversified development and cannot be blindly Europe-centered. Just like when we comment on whether a writer is great, we cannot use whether he has won the Nobel Prize for Literature as a criterion. Western colonialists insist that black Africa has no history and no culture, and attempt to write off Africa's long and splendid culture with just one stroke. This is of course a wishful thinking. "Essays on the Works of African Literary Writers" written by Yu Haodong, Yang Xiuqin, and Yu Renyuan collects and analyzes the works of the most famous writers on the African continent, telling you the history of civilization on the African continent. A set of five volumes of "Essays on the Works of African Literary Writers" is distributed internally to universities across the country.

"Life, Why We Are Here" is a humanistic reading book carefully launched by the famous writer Liu Xinwu after "Liu Xinwu Wen Cun". The book is divided into five parts: Life, Why We Are Here; The world is not just a walk; Heaven is sentient; Talk to yourself; An utopia with strange plants and trees. The articles vary in length and are rich in content, including long narratives and heart-warming essays, as well as short and pithy argumentative essays; they include reflections on traditional Chinese culture and understanding of Western social culture. You can write whatever you feel and think, and you can pick it up at your fingertips, but every article has the power to move people.

"Hundred Critics Today: My View on Criticism" brings together four generations of young critics from the "Today's Critics" column of "Southern Literary Circle" from 1998 to 2015, such as Nan Fan, Meng Fanhua, Chen Xiaoming, Dai Jinhua, and Li Jingze , Wu Yiqin, Shi Zhanjun, Zhang Xinyin, Gao Yuanbao, Shao Yanjun, Mao Jian, Yang Qingxiang and other 96 people, with important influence; it reproduces the debate and resonance of literary criticism in the past 17 years, attempts to restore history, and more importantly describes and inspires the present.

How should one spend one's life? Why is life noble? How to face loneliness and glory? How do you view history? Famous writers Liang Xiaosheng, Li Guowen, Liu Xinwu, and Cong Weixi have devoted themselves to preparing this humanities reading series for nearly ten years. Tell you about life and philosophy, dedicated to everyone on the road. This set of books includes four books: "Why is Life Noble?" "Why Life Is Here", "Why I Live Like This", and "History Has Never Been Like This".

This book is like a memoir, but the writing style is heavy and it strives for the true meaning of history many times. Some chapters of history inevitably involve the special era from the "Anti-Rightist Movement" to the "Cultural Revolution". The author was persecuted and tortured, experienced various tragedies, and temporarily lived in the "Peach Blossom Spring" during his exile. Some chapters are touching, including senior celebrities, famous writers, and ordinary people who have experienced hardships together. Some chapters describe scenery and the splendor of foreign places. There are also philosophical chapters that reflect on war, human nature, and evil. These articles, with their deep and vigorous writing, are full of contemplations on historical tragedies. In addition to tragedy, he can also strive to discover the goodness of human nature from ordinary and trivial daily life, and complete the transcendence of the sufferings of life.

"Literature as a Career" is a literary dialogue between three "post-80s" scholars. This dialogue starts from my own reading experience, literary taste, and knowledge-based construction, and explores the life implications and mission of taking "literature as a career" in the current context. On this basis, the dialogue discusses a series of topics from recent to distant, such as "Historical Writing in the New Century", "Literature of the 1980s", "Socialist Literature", "Modern Literary Tradition" and "Memorandum for Future Literature".

Why is life noble? The author focuses on the relationship between people and animals, and shows readers what the highest humanistic feelings are. Then, the author writes in depth, interpreting religious, philosophical thoughts and complex cultural phenomena, and finally asks: How is a new nation born? This is both a book of life wisdom and a profound social revelation.

Literature is an image reflection of social life that uses language as a tool, touches people with emotions. These inscriptions recorded in "Inscriptions of the Past Dynasties" embody profound and exquisite wisdom, staged scenes of wonderful historical blockbusters, and drew colorful historical scrolls. It has become a historical swan song that people still talk about today.

This book is a famous book by Mr. Wen Yiduo. Most of the articles in it were published in newspapers and magazines in the 1920s and 1930s, and were later compiled into a volume. The content of the book covers the advantages and disadvantages of similar books and poems, the degradation and redemption of imperial poetry, famous poets, poet chronology, and poetry translation, etc., Hence the name Zalun. This small book is the result of my analysis and study of Tang poetry from a brand-new perspective and from a historical perspective. The article's discussion is incisive, and the poems cited are all representative; the language is vivid and vivid, both informative and interesting, making it quite enjoyable to read.

The research results on "Wuthering Heights" have long been voluminous. However, due to the richness of the classic literary text, it has been repeatedly studied and interpreted by generations of readers. This book is the result of the author's many years of research. On the basis of carefully, carefully, repeatedly and carefully studying the original novel, the author has put forward many of his own independent opinions in the work's theme analysis, character analysis, artistic construction analysis, text comparative analysis and story chapter analysis, so that literary researchers can grasp and interpret the connotation of the novel more comprehensively and objectively. The five parts of the work are interrelated and support each other, forming a complete logical chain to explain the novel.

Introduction to "Drinking in Red Mansions for Years (The Affectionate and Affectionate Poems of Red Mansions)": The charm of Red Mansions, like the aroma of wine, has gone through more than two hundred years, and the sun and the moon have alternated for more than two hundred years. Now, it is like a bottle of aged wine. After fermentation and cleansing over time, it has become brighter and more mellow, rich and clear, making people unforgettable and have a long aftertaste. Xue Qin "read it for ten years, adding and deleting five times" in the Mourning Hongxuan, grinding all his own flesh and blood into the inkstone dipped in the pen. After painstaking efforts and hard work, we have just brewed this wonderful wine that is both mellow and refreshing, so that future generations can enjoy their own joys and sorrows.

"The Most Beautiful Book of Songs 2": Read the latest poetry masterpieces in the Great China series, with more rigorous interpretations, more touching writing styles, and more readable stories. The most beautiful book of poetry and the most touching love epic. Use poetry to understand the ancients, use the ancients to read their souls, and use their souls to understand life. The Great China Reading Series was highly recommended by Tang Yijie, a master of Chinese studies, and Li Zhonghua and Wang Shouchang, professors of Peking University.

The "Modernity" Issue in the Perspective of Contemporary Aesthetic Culture Criticism Wang Desheng Contemporary aesthetic culture theory and its critical practice must adhere to the position of "modernity" and devote themselves to the construction of "modernity" in contemporary Chinese culture in the process of criticism and reconstruction. However, the questions of "what is modernity" and "whether modernity is possible" are topics worthy of serious consideration in contemporary aesthetic culture theory.

Wang Guowei's "Human Words" is the most famous work of theoretical criticism of poetry and literature in modern China, which focuses on Wang Guowei's aesthetic and literary achievements. This time, "The Words of the World" published by our company is based on the complete manuscript of Wang Guowei existing in the National Library of China as the manuscript. It is reorganized according to the 2004 revised version of Shanghai Ancient Books Publishing House and the compilation, proofreading and review of "The Words of the World" by Shanghai Joint Publishing House. This makes the professional work originally placed in the academic halls become a classic version that can be appreciated by both refined and popular people.

"A Hundred Years of Chinese Literature: A Hundred Years of Troubles in 1898" attempts to describe the ideological and cultural background of a hundred years of Chinese literature from the perspective of cultural and ideological history. "One Hundred Years of Chinese Literature: One Hundred Years of Troubles in 1898" took more than seven years from origin to realization. Its publication will provide a reference for the study of Chinese literature over the past century.

"The consciousness of Chinese literature" is the main issue that this book pays special attention to and focuses on. The author of Great Literature and Chinese Style attempts to construct the value picture of "Great Literature" and the subjectivity of "Chinese Literature" through detailed interpretation of specific texts and specific phenomena, reveal the charm and value of "Chinese Style", and then seek a positive "support consciousness" for current literary writing and literary reading. Great Literature and Chinese Style adhere to Sima Qian's writing ethics of "no false beauty, no hidden evil", no empty words, no nonsense, no lies. It embodies the author's consistent frank and serious critical attitude and careful reading and in-depth critical style, showing a positive critical attitude constructed through questioning. After these articles were published in newspapers and periodicals, they aroused great response and praise from readers. They were reprinted many times by many authoritative publications and won many awards.

In the early stage, it was enlightenment education and a cry for national salvation. In the later stage, it was first a praise of construction, and then a new image of China was reshaped through obscure revelations. He pointed out that the national image of a literary work should be a comprehensive factor of the high level of the literary work itself that enhances the aesthetic value and social significance of the work itself, so that the quality and influence of the work itself can be used to establish and enhance the national reputation of the place where the work was born. Wang Guoying (Zhejiang University) took Lu Xun's "Sorrow" and Xia Yan's "The End of the Grass" as examples and pointed out that although they were twenty years apart in terms of creation time and story time, the escape consciousness and behavioral logic hidden in the bones are surprisingly similar, and have historical inheritance, thus gaining universal value. Li Hangchun (Zhejiang University) took "Yu Dafu's 'A Tale of Two Cities'" as the title and pointed out that the presentation of Shanghai and Hangzhou in Yu Dafu's works reflects two different moods and also shows two different styles and realms of modern Chinese city images from one aspect.

The three major theoretical issues of literary trends, literary styles and literary classics present the inner ideological structure of literary criticism or critical hermeneutics. Through in-depth questioning of "why to criticize" and "how to criticize", through specific guiding practices of poetry, prose and novel criticism, and through theoretical confirmation of many cases of "how to become a critic", this book has become extremely ideologically operational and has theoretical explanatory power. Starting from literary trends of thought, the author discusses the successes and failures of literary and critical trends of thought; starting from literary styles, the author particularly emphasizes the uniqueness of poetry, prose and novel criticism, and demonstrates the value of free thought in literary criticism through case analysis; starting from literary classics, the author establishes an open view of literary classics and makes free legislation for the dual classic recognition of avant-garde literature and popular literature.

"Research on the Literary Language of Heroes of Sons and Daughters" edited by Li Zhen studies the literary language issues of the novel "Heroes of Sons and Daughters" in the late Qing Dynasty. It is characterized by taking the text as the core, starting from the bottom of the language, using interdisciplinary research methods such as linguistics, literature and art, aesthetics, semiotics and other interdisciplinary research methods, conducting microscopic inspections from multiple angles and levels, selecting objective and credible examples, and exploring the literary language art of "The Heroes of Sons and Daughters". In the more than 150 years since the publication of "The Heroes of Sons and Daughters", critics have mainly commented on it from the perspectives of history, literature, ethnology and anthropology. However, it is worth noting that the literary language and art of "Heroes of Sons and Daughters" have received relatively unanimous praise. However, the evaluations made by scholars so far are very general and lack specific research, and some are even biased.

This literary history written by Zheng Wanpeng does not aim to be "comprehensive", nor does it pay special attention to historical periodization like other works. Instead, it pays attention to selecting and commenting on those literary events and links that have the characteristics of the times and have had a significant impact in the fifty years of development of contemporary literature. For example, this book attaches great importance to the study of "founding literature" and proposes the concept of "founding literary trends" (of course, this is just one family's opinion and is not without discussion), and makes an innovative summary of this, pointing out that these works "show a sense of historical integrity and express the Chinese people's heartfelt welcome to a stable situation that has experienced turmoil and war." Such arguments and judgments are often displayed in this book, which is proof of the author's academic courage.

"Shuangchun Collection" is a collection of cultural prose essays. The author Wei Hongping, with his rigorous scholarly attitude and simple writing style, recorded his experiences in reading history, people, reading, film and television and other cultural and artistic works. Some of the articles that evaluate historical facts truly reflect their own views and do not follow others' opinions. They are of great historical value. The overall style of the article is fresh and elegant, and it is worth reading.

"Shanxi Literary Criticism Series: Toward the Folk and Returning to Tradition" is divided into: a literary review; Shanxi writers; aesthetics and literary thought; and several parts that attach importance to original documents and advocate empirical research and retell the history of new literature (postscripts of generations). The main contents include: an overview of the development of Shanxi's new literature during the May Fourth period, an introduction to Shanxi's Anti-Japanese War literature during the world's anti-fascist war, etc., Which can be read and studied by readers.

The eight young and middle-aged critics Duan Chongxuan, Fu Shuhua, Su Chunsheng, Chen Ping, Yang Zhanping, Hou Wenyi, Du Xuewen, and Wang Chunlin (in order of age) selected in the "Shanxi Literary Criticism Series" are the backbone of the Shanxi literary world. They are all still working and responsible for leadership or teaching in the fields of publicity, literature, education, and scientific research. They have been engaged in literary criticism for 20 to 30 years, and have published many monographs and critical articles. This book series embodies the overall achievements of Shanxi critics and is an important matter worthy of attention in Shanxi literary circles. It will play a certain role in further promoting the healthy development of literary creation in the province and even the country. "Life is Beautiful Because of You" is one of them, which collects the author's literary review articles, reflecting his academic level and review style.

Shanxi is a great literary province with a long literary tradition. It has produced many great writers with outstanding achievements in history, as well as many great critics. For example, Sikong Tu of the Tang Dynasty wrote the classic literary criticism "Twenty-Four Poems" and other works. In the history of modern Shanxi literature, there have also been some very influential critics, such as Li Jianwu. Since the new era, with the prosperity of creation in our province, literary criticism has played an important role in guiding and promoting creation. Especially in the 1980s, with "The Critic" magazine as the core, a team of critics that attracted attention in the national criticism circle was gathered and cultivated, becoming one of the components of the "Rise of the Jin Army". After more than 20 years of hard work, these critics have accumulated richer and richer knowledge, become more and more theoretically sophisticated, have a broader vision of criticism, and have become more and more outstanding in their writing achievements.

Sima Qian's "Historical Records" is the first biographical general history in the history of Chinese history that connects ancient and modern times and covers hundreds of generations. It is also the beginning of our country's biographical literature. Mr. Lu Xun evaluated it as "the swan song of a historian, the unrhymed "Li Sao"".

There are four concubines of the Zhao family in two generations. Zheng Shuzhao, wife of Zhao Tinghuang, wrote "Poems Behind Shuxuan", Zhao Tinghuang's concubine Tang Zhen wrote "Yunying Yinjuan", Zhao Tinghuang's eldest son Zhao Yi's concubine Luo Mianxian wrote "Fragrant House Poems", and Zhao Tinghuang's second son Zhao Yi's wife Hua Xuan wrote "Manuscript of Wenzilou Poems". Their creations ran through the second half of the 19th century. The Zhao family had four concubines from two generations, two of whom (Tang Zhen and Luo Mianxian) committed suicide. The four concubines of the Zhao family from two generations, with their life interests and thoughts and emotions recorded in their poems, as well as their tragic acts of committing suicide as husbands, show us the living conditions and emotional flow of intellectual women in the late Qing Dynasty.

It is generally believed that "Jinggong style" refers to Wang Anshi's later poetry style. Its poetry carrier is mainly based on quatrains, and its artistic style is both tragic and leisurely, elegant and exquisite, free from vulgarity, refined and refined, etc. In recent years, some scholars have also traced the reasons for the formation of "Jing Gong style" from aspects such as Wang Anshi's poetic development, political career, mentality in his later years, ideological changes, etc. Some popular literary history books have also accepted their assertions. For example, "History of Chinese Literature" in the "Course for the 21st Century" series, Volume 3, Chapter 3, Section 4, "Wang Anshi's Poems" says: "The most representative works of Wang Anshi's poems in the later period are the lyrical quatrains describing scenes. It was these poems that made Wang Anshi famous in the poetry world at that time.

"Research on the Derivation and Evolution of Chinese Classical Poetry in Japan" edited by Xiao Ruifeng attempts to systematically study the derivation and evolution of Chinese classical poetry in Japan through an overall review of Japanese Chinese poetry, and to observe the far-reaching influence of Chinese classical poetry in a broader academic time and space. The book not only examines the cultural circle of Chinese characters covering East Asia from a broad perspective, comprehensively displays the channels and methods of Chinese culture's spread to the East, discusses the historical reasons why Chinese classical poetry was derived from Japan, but also analyzes the stage characteristics of the development of Japanese Chinese poetry in detail, and clearly outlines its ups and downs, and the trajectory of its evolution. In addition, "Research on the Derivatives and Evolution of Chinese Classical Poetry in Japan" also provides a deeper perspective on the origins and relationships between Japanese Chinese poetry and Chinese classical poetry, and further reveals the multiple and comprehensive role of the times, living environment, aesthetic taste, national psychology, cultural traditions and other factors in the process of poetry dissemination and acceptance.

This book systematically studies the rhythm issues of Chinese poetry and is divided into three parts: upper, middle and lower. Based on the analysis and evaluation of several Chinese poetry rhythm theories, the previous article pointed out that the rhythm of Chinese poetry is a "syllable-pause" rhythm, and this rhythm has its special phonetic basis and composition mechanism. The middle part discusses the composition rules and characteristics of rhythmic forms (including rhythmic units, sentence patterns or line patterns, stanza patterns, postures and rhythmic tones) in the Book of Songs, Songs of Chu, five or seven-character poems and lyrics, focusing on exploring difficult issues such as the origin of certain rhythmic forms from the perspective of tone and rhythm. The second part, on the basis of analyzing and evaluating the theory and practice of representative modern new poetry rhythm forms, discusses the composition rules and characteristics of the metrical new poetry rhythm form and the free style new poetry rhythm form, focusing on the construction principles and basis of the two new poetry styles. The middle part and the second part also discuss the unique rhythmic function of Chinese poetry rhyme, and the relationship between this rhyme and the rhythm of syllables and pauses.

In our real life, there are some people who are too hypocritical and care about face too much. What they say and what they do are inconsistent and there is nothing they don't know. They are very good at bragging in front of others and think that others are not as good as themselves. Sometimes my face is too big, and I don't know if it's because I'm fat or because I'm holding back my breath.

This book takes the factional dispute between nationalism and cosmopolitanism in American Indian literary criticism as a clue, examines the influential Indian critics, writers and their representative works since the mid-20th century, and grasps the historical evolution of Indian literature in the tension between tradition and modernity. Through the organic combination of overall research and case studies, this book strives to present the basic appearance of American Indian literature. The main research areas involve identity politics, tribal sovereignty, indigenous communities, nationality, cosmopolitanism, literary canons, aesthetic categories, the nature and function of Indian literature, and its intellectualization, discipline and institutionalization and other major issues.

Starting from the perspective of animal studies, this book explains the concept of ecological humanism. Based on this theoretical basis, this book discusses in detail the relationship between humans and animals in the novels of the famous contemporary American writer Kurt Vonnegut. It deeply explores the connotation, function, value and significance of the ubiquitous animal images in the novels, and has a profound influence on "Slaughterhouse-Five" and "Slaughterhouse-Five". "Breakfast of Champions", "The Banshee of Titans", "The Trick", "Grappagos Islands", "The Joke" and other novels to deeply interpret the carnivorous behavior, animal companions, animal farms and other expressions of human-animal relationships, showing the ferocity of human nature and post-industrial society presented by Vonnegut through these images...

What we will continue to discuss here is still the issue of how to read Lu Xun's classics in a classroom. "Still" to "continue the discussion" means: A few years ago, the author wrote some words about this that are not lacking in sincerity but are somewhat rough when read today. Various signs in recent years show that the topic of Lu Xun's classic mass communication still attracts people's attention and thinking with unfaded enthusiasm. This is an ordinary thing that happens almost every day, but due to the emergence of words such as "Lu Xun" and "classic", it has become an academically related and widely involved issue. For this seemingly local problem, we are willing to put it into a broad and in-depth academic perspective and look forward to getting a gratifying result.

This book originated from the 400,000 lecture notes recorded by Han Jingyuan, a student in the Chinese Department of Xi'an International Studies University, while listening to Mr. Yisha's lectures. After being compiled and polished by Mr. Yisha, the lecture notes of these four courses have become a large book full of originality and personality, about writing, literature and life, which is the essence of his 21 years of teaching.

"Learning and Questioning: Listening to Li Ao's Wisdom Life Lessons" uses quotations, reviews, and biographies to show readers the pride and personality of this "cultural madman" from the perspectives of life, gender, articles, politics, and culture. It also reveals and examines his various thoughts and opinions, which can help readers gain a deeper and more comprehensive understanding of Mr. Li Ao's person and knowledge. In addition, "Learning·Question: Listening to Li Ao's Wisdom Life Lessons" has another mission, which is to encourage more people to love life and face life positively through Mr. Li Ao's humorous and sharp attitude and his enlightenment and optimism about life.

"History of Ci in the Northern Song Dynasty" comments one by one on the famous poets in the Northern Song Dynasty and the social background at that time. "History of Ci in the Northern Song Dynasty" will be of great reference value to readers who study and research the history of ancient literature. The lyrical function of words has the ultimate expression and complex changes in their hands. The style of Song Ci is even more colorful, dazzling and beautiful. Such as Yan Shu's gentleness and elegance, Liu Yong's graceful humor, Su Shi's majestic elegance, Zhou Bangyan's elegance, Li Qingzhao's freshness and smoothness, Jiang Kui's elegance and elegance, Xin Qiji's melancholy and frustration, Wu Wenying's beauty and profoundness, Wang Yisun's twilight and lingering...

Although this treatise implements the study of the three major theorems or laws of Anthropology from beginning to end, and implements the third theorem or law of Anthropology, which is a new synthesis of the first two major theorems or laws, in essence, this treatise is not the kind of work that goes from concept to concept, and from category to category. Rather, when implementing the third theorem or law of human science and implementing a new synthesis of the first two theorems or laws, it directly faces social life and develops theoretical narratives with the social historical logic and life logic in value realization as the central content. This can be seen by just reading chapters such as "Value Realization and Intersubjective Intentional Structure", "Extensive Causality Theory of Value Realization", "Cultural Logic and its Dialectical Movement", "Knowledge Structure and Value Realization", and "Understanding of Deep Value Realization".

The Chongzhen period of the Ming Dynasty and the Shunye period of the Qing Dynasty are collectively called the "Ming and Qing Dynasties". The Ming and Qing Dynasties were an important revolutionary period in the development history of ancient Chinese novels. "Research on Novel Writers of the Ming and Qing Dynasties" conducts an overall study of the novel writers of the Ming and Qing Dynasties, examines the living conditions and creative mentality of writers, and examines the interactive relationship between factors such as era, region, writers, and works. It has relatively general reference and enlightenment significance for studying the laws of literary creation and development of various genres and eras.

This book starts from the basic concepts of Internet literature, from writing skills to work analysis, from reader psychology to marketing strategies, and finally talks about the author's personal growth, from the outside to the inside, and in-depth layer by layer. It not only sets up a ladder of growth for Internet article authors, but also paints a panoramic view of Internet literature for Internet article readers.

This book draws on the latest results of current literary system research and effectively applies them to the investigation of "literary research societies" in the history of modern Chinese literature, starting from "the literary society organization system of the literary research society", "the creative system of professional writers of the literary research society", "the editing system and communication system of the literary research society", "literary research The institutional system of the "Literary Research Society" was discussed in several aspects such as "The Society's Literary Debate and Criticism System", providing a new perspective for the study of literary societies; some materials that have been ignored by traditional text studies, writer studies, and aesthetic studies have also received full attention, which is of enlightening significance in broadening and deepening our understanding of modern Chinese literature.

This is a compilation of interpretations of Mo Yan's representative works from various periods by well-known scholars such as Wang Dewei, Deng Xiaomang, Shi Jingqian, Li Tuo, and Li Jingze. It covers all of Mo Yan's novels and short and medium-length works, and clearly shows the trajectory of Mo Yan's 30-year literary creation, China's first Nobel Prize winner in literature. By understanding Mo Yan's works, you can understand Mo Yan's life history. This is a compilation of interpretations of Mo Yan's representative works from various periods by well-known scholars such as Wang Dewei, Deng Xiaomang, Shi Jingqian, Li Tuo, and Li Jingze. It covers all of Mo Yan's novels and short and medium-length works, and clearly shows the trajectory of Mo Yan's 30-year literary creation, China's first Nobel Prize winner in literature. By understanding Mo Yan's works, you can understand Mo Yan's life history.

This book is a collection of essays. The author of each essay not only conducts theoretical discussions around a common theme, but also interprets the theme from different perspectives in their respective fields.

There are 108 heroes in Liangshan, involving a total of 77 surnames. Among them, the surname Li is the most popular, with 7 people, accounting for about 7% of the total number of heroes. This proportion is basically the same as the proportion of Li surnamed in the national population today. Shi Naian is really prescient. Among the 108 heroes in Liangshan, 33 have served as civil servants in governments at all levels in the Song Dynasty (based on the appearance of the characters); 25 gang bosses are kings of the mountain (based on the first appearance of the characters); 10 are from landlords and rich farmers. People; 9 people from private self-employed businesses who opened hotels; 8 people from fishing background; 23 people from other backgrounds... This article re-analyzes the fate of the 108 heroes on Liangshan from the perspective of modern people, allowing readers to appreciate this literary masterpiece from a new perspective.

Ten years ago, the post-80s generation was a new term that was circulated among teenagers. Today, 10 years later, the post-80s generation has become an important force at all levels of the current society - they will determine the fate of this country in the next 50 years, or even longer. The writers and poets born in the 1980s are the soul of this group. This book tells the story of the growth of the hearts and minds of the generation born in the 1980s. It also shows readers the dance of youth described by the writers born in the 1980s.

There are countless works on Stalin's life and activities as a politician, but "Stalin and literature" is still a new topic. This book is a monograph on the study of Stalin's literary thoughts and literary activities. The content includes: Stalin's literary thoughts, that is, the formation and development of Stalin's literary thoughts and his main discussions on literature; Stalin's literary leadership activities, including the process of formulating and implementing various literary policies and his comments on some literary works; Stalin's relationship with writers, including Stalin's interactions with the older generation of writers and poets, his contact with the new generation of writers who grew up in the Soviet era, and his attitude towards "fellow traveler" writers, etc.

The main content of "Huaben Novels" is divided into chapters such as an overview of Huaben Novels, Song Dynasty Huaben Novels, and their influence on later literature. "Hua" had a meaning in ancient times of "story". This meaning was already popular in the Sui Dynasty, and was used in the Tang, Song, Yuan and Ming dynasties.

"The Classic of Mountains and Seas" is an ancient pre-Qin book and the oldest geography book rich in myths and legends. It mainly describes ancient geography, products, myths, witchcraft, religion, etc., And also includes ancient history, medicine, folk customs, ethnicity, etc. In addition, "The Classic of Mountains and Seas" also records some strange events in the form of running accounts, about which there is still considerable controversy. The most representative myths and fables include Kuafu chasing the sun, Nuwa mending the sky, Jingwei filling the sea, Gun and Yu controlling the floods, etc.

This book is the first full-length novel independently created by a literati in the history of Chinese literature. It is a landmark work in the history of Chinese literature. It was written around the Longqing to Wanli years of the Ming Dynasty. It has a total of 100 chapters and about 900,000 words, including more than 850 large and small characters. It was called "the first wonderful book" by Zhang Zhupo, a famous theorist in the early Qing Dynasty. It is such a work that has been banned and banned many times throughout the ages, and has had an ill-fated fate. There are also different opinions on the identity of its author.