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In the late Ming Dynasty, Wuyue City was very prosperous in drama performances, commentaries, singing, opera and acrobatic performances, as well as leisure reading such as scripts, novels, Mongolian books, and essays. The author of the book combed out its relationship with the creation and dissemination of citizen literature by investigating the living conditions, communication channels, and main characteristics of urban entertainment culture in the Wuyue area at that time. The author pointed out that the Wuyue area was the origin and gathering place of the new humanistic thought trend in the late Ming Dynasty. The unorthodox ideas representing the spiritual demands of citizens were reflected through citizen literature and spread rapidly and widely through entertainment consumption. The book is rich in information and thoughtful in argumentation, and is a well-founded monograph.

The prosperity and achievements of contemporary Latin American literature are well known to the world, and this book strives to fully reflect this grand occasion: while commenting on the overview of the development of contemporary Latin American novels, poetry, and drama, it conducts in-depth research on the fruitful achievements and artistic levels of dozens of important writers in their respective fields from the aspects of novelists and novels, poets and poetry, dramatists and drama. For each writer, after introducing their life and literary career, they select their representative works and analyze the ideological content and artistic characteristics of the works, thereby showing the literary path each writer has taken and their literary achievements. At the same time, literary schools and tendencies such as magical realism, structural realism, fantasy novels, time patterns, special poetic structural forms, and absurd dramas that emerged in contemporary Latin American literature are discussed.

The author has accumulated more than ten years of experience in studying Chinese and Chinese literature in Taiwan, Hong Kong, Macao and overseas, and strives to construct a theoretical system of disciplinary theory and methodology for the disciplines of Chinese and Chinese literature in Taiwan, Hong Kong, Macao and overseas. Although this book is titled "Essays", it actually uses the framework and spirit of disciplinary theory to guide the entire article. At the same time, it also takes into account the discussion of research methodologies that are rarely involved in the current research on Chinese and Chinese literature in Taiwan, Hong Kong, Macao and overseas.

In the long history, Japanese literature has experienced a development process from natural occurrence to being deeply influenced by Chinese literature, then to the restoration of its own literary tradition, and finally to the vigorous absorption of Western literary concepts and literary techniques. "Japanese Literature" is written in chronological order, from ancient times to modern times, introducing the development of oral literature to written literature in detail, describing myths, legends, primitive ballads, Japanese songs, Chinese poems, stories, diaries, essays, renditions, haiku, popular novels and modern novels. Literary forms evolved from the duality of early modern literature to mid-term literature, which gradually became diversified, common people, and popular, resulting in rich and varied literary forms. In the process of its literary development, Japan has always insisted on being eclectic and vigorously absorbing excellent foreign literature and culture, making Japanese literature always occupy an important place in world literature.

This book focuses on the development of contemporary Chinese literature and art, focusing on exploring the internal mechanism of Chinese literature and art production, and how its institutionalization was established step by step. It plays a very important role in the study of contemporary Chinese literature and culture.

With a cutting-edge perspective and the latest vision, this book describes the history of the occurrence and development of contemporary literature as well as the most profound changes since the new century. The profound insights and rich information contained in the book will surely give readers new enlightenment.

This article selects eight topics that have had a certain influence in the field of Chinese literary theory since the 1980s, namely, literary activity theory, literary humanities theory, literary subject theory, rationalist and irrationalist literary theory, essentialist and anti-essentialist literary theory, rewriting literary history, ontology issues in literary history, and methodological issues in literary history. This paper cuts into the local evolution of contemporary Chinese literary theory from two perspectives, and then conducts an in-depth discussion on it, trying to outline the history, historical and current connotation of contemporary Chinese literary theory from one side. It also provides readers with an intellectual picture that can be used as a reference for understanding the subject concepts, knowledge structure, and evolutionary path of contemporary Chinese literary theory, and then grasping its inner logic.

Under the general title of "Literary Theory and Criticism Facing the Times", this book collects 50 research papers on seven special topics, including "Basic Theory of Literature", "Ancient Chinese Literary Theory", "Comparison of Western Literary Theory and Chinese and Foreign Literary Theory", "Western Marxist Literary Theory", "Culture and New Media Ecocriticism", "Literary Criticism Research and Work Analysis", "Literature and Art Research", and 2 "Addresses", totaling more than 530,000 words. The papers included now were selected from more than 80 articles through careful reading. These research papers focus on problem awareness, emphasize academicity, reality, and orientation. They have conducted in-depth thinking on important issues in the current field of literary and art theory in our country, and conducted in-depth research on some theoretical issues in literature, art and culture in the form of thematic theory. Many of the authors of the paper are famous domestic scholars in related fields. This collection of academic articles also has a special topic of "Literature and Art Research", and selects three latest research results by foreign scholars, which plays an important role in the exchange and dialogue between my country's research in related fields and foreign research. This book is based on the national society "China Chinese and Foreign Literary Theory Society" and uses the papers of the society's academic annual conference as the main source of articles. It has been carefully reviewed and selected by the editorial board. It will have a wide impact after publication and will definitely have an important impact on promoting the sustainable development of my country's literary theory research.

Chinese literature is in the midst of a great transformation, and the pattern of rural literature as the main body will gradually be replaced by the pattern of urban literature as the mainstream. In such literary changes, Shanxi literature, which has a tradition of realistic rural themes, will suffer unprecedented impacts, challenges and transformations. What is gratifying is that in the process of exploration and transformation of Shanxi literature, a new group of writers with vitality and impressive achievements has emerged: the fifth generation of Shanxi writers. They inherited the traditions of their predecessors, created a new world, made new explorations and achieved fruitful results in rural themes, urban themes, urban-rural integration themes and other subject areas, becoming the new and main force of Shanxi literature today. There are now more than 20 outstanding writers of this generation, and more than a dozen of them have gone nationwide and attracted much attention. Liu Cixin, Ge Shuiping, Li Junhu, Wang Baozhong, Sun Pin, Yang Yao, etc. Have become representative writers.

This book uses a chronicle method and style to study and sort out the history of the creation, dissemination, and acceptance of Chinese essays from 1978 to 1982, as well as its experiences and lessons. The main contents include: 1. Important political, ideological, and cultural policies; 2. Social trends of thought, ideological movements, and cultural developments that have a significant impact on the development of essays. 3. Representative essay concepts, debates and construction of essay theory; 4. Essay style and development of essay art; 5. Essay writers' interactions (societies, school activities, etc.); 6. Life stories of important essay writers; 7. Creation/writing, publication and review of important essay works and research results; 8. Others. Trying to return to the first-hand information, through the excavation, arrangement, collection, and compilation of the original materials, to obtain as detailed and complete as possible accurate and informative historical materials. On this basis, through the screening and selection, comparison and listing of these historical materials, a logic and order of literary history that "speaks with facts" are constructed. This kind of logic and order is not based on opinions to "glue" historical materials, but on the connections between historical facts. The author's opinions and evaluations are implicit in these historical facts and the relationships they establish.

This book attempts to use rich materials and fresh perspectives to make a comprehensive discussion and summary of Cao Zhi's literary achievements and historical status. This article comprehensively discusses Cao Zhi's historical and cultural environment, reconsideration of the issue of heir struggle, Cao Zhi's academic origins, literary inheritance, the evolution of Jian'an literature and Cao Zhi's status, the stages of Cao Zhi's creation, Cao Zhi's poetry theory, Cao Zhi's poetry theory, Cao Zhi's prose theory, the secular tendency of Cao Zhi's literary creation, Cao Zhi and Jian'an style, and Cao Zhi's influence on the literature of the Wei, Jin, Southern and Northern Dynasties. This book provides an objective and fair analysis of Cao Zhi's person, events and writings.

The 20th century was an era of the spread of Western learning to the east and the blending of Chinese and Western cultures. Hunan female writers who are immersed in Huxiang regional cultural factors are also an outstanding group with a global perspective and acceptance of Western civilization. Most of them have experience studying abroad, are proficient in foreign languages, and are deeply influenced by Western culture. Some are even writers, experts in foreign literature, translators, and educators. This book starts from the perspectives of time, region, gender, etc., Uses comparative research, and selects more than 10 Hunan female writers to conduct special research on their relationship with foreign literature, analyzing their choices and choices of Western culture and literature, as well as their influence and status in the world literary world. This book is not only conducive to writing the history of Hunan women's literature and promoting the development of Hunan women's literature and Chinese women's literature, but also conducive to the exchange and dialogue between Chinese and Western women's literature, and better promoting Hunan women's literature to the world.

This book aims at the current problems of different classification standards and complicated types of literary journals in the academic world. From the perspective of the literary production mechanism, this book attempts to clarify the classification of literary journals, explores the intrinsic relationship between literary journals and literary production, and strives to use relatively rich historical materials to give people a sense of the scene of modern literary production.

This book is an academic monograph that explores the stylistic form of novels in the new era from the perspective of stylistics. Based on extensive reading of novels in the new era, the author summarizes four major stylistic forms with important theoretical value - namely, the joke-carnival style, the symbolic-allegorical style, the poetic-prose style, and the new growth-autobiographical style - for study, and both diachronic stylistics Exploring the evolutionary rules, and also exploring various aspects of synchronic stylistics, thus basing the study of stylistics on a perceptual and living creation basis. Not only does it not have the problem of theoretically rigidly framing creation, but it also has certain methodological significance. This book has strong theoretical color, novel viewpoints, vivid writing, and sufficient evidence. It is a research work on novels in the new era with important academic innovation value.

This book brings together authors from across the Taiwan Strait and four places who have studied Bachelard's spatial poetics, with a total of fifteen academic papers. Consciousness is a very abstract thing. It is an idea, a perspective, and even a role that controls the self. Because it has no form, we can only discover its existence through constant exploration. "Poetics of Space" is such a book. He starts from the house and explores the space in which people live, and then shrinks this space continuously, even himself. Then we see the universe, life, and the basic consciousness that a person has. Researchers explore Barash's poetics from various angles, which has certain publication value.

The Mid-Tang Dynasty was a turning point from the Middle Ages to modern times, and it was also an era of change. The three major groups of Confucians in the Mid-Tang Dynasty were the recipients and reflectors of the crisis in the Mid-Tang Dynasty. This book takes the crisis of the Mid-Tang Dynasty and the Confucianism in the Mid-Tang Dynasty as the research object, and conducts in-depth research and analysis on the ideological changes in the Mid-Tang Dynasty and its impact on literature.

This book focuses on the novels of the twenty years after the disintegration of the Soviet Union as the research object, and divides them into three schools: realism, post-realism and post-modernism. Each school is elaborated on the development process and new trends in the current stage of development. At the same time, it is combined with specific works for in-depth interpretation and prospects for the future development of the school.

"Zhao Mengfu and the Poetry Circle of the Mid-Yuan Dynasty" mainly includes content from conception to reality: changing emotions and values, between rewards: life emotions as communication tools, acceptance and comparison of styles: with the characters in the Xuetang Yaji as the core, the group basis for style acceptance: the political beliefs of the northern celebrities, the aesthetics of the celebrities: the similarities and differences in poetic styles between the north and the south.

In the history of Chinese vernacular novels in the 20th century, although the May Fourth vernacular novels and the root-seeking literature of the 1980s are more than half a century apart, they show many similarities and intrinsic connections. This book conducts a comparative study of the two from six aspects: comparison of the historical and cultural context in which literature occurred, comparison of traditional national cultural attitudes, comparison in the sense of enlightenment, comparison of writers' emotions and attitudes towards custom descriptions, comparison of character series, and comparison of tragic styles. Through a series of comparisons, it can be seen that the development of literature follows rules, and literary creation will show a similar state in a similar historical and cultural context.

Metaphysics refers to a unique poetry school that emerged in the British literary world in the 17th century. The British poet John Dunn is a representative figure of this genre. He is famous in the literary world for his exquisite use of "fantasy" metaphors in his poems. Metaphysics did not receive enough attention in the development of the classicism trend in the 18th century and the romanticism in the 19th century. It was not fully recognized in the literary world until the 20th century, and it had a profound influence on British and American literature in the 20th century. This book starts the study of British metaphysical poetry from three parts: theme and thought, poetic art and imagery, comparison and influence. It intends to make a macro overview of the ideological characteristics, artistic contribution and research significance of this school of poetry, as well as make an in-depth micro analysis of many important poetic texts that have not been translated into Chinese.

Chinese literature entered the 1990s and took on a completely new style that was completely different from that of the 1980s. During this period of transformation, 1993 became a watershed in the literature of the 1980s and 1990s. Through the study of literary and cultural phenomena around 1993, this book finds that 1993 was a very important era for Chinese literature. The most prominent symptom was that diverse cultures began to be highlighted, and the coexistence of three cultures began to take shape. The transformation and mutation of literature in 1993 influenced and established the literary pattern of the late 20th century and even the 21st century. 1993 Is of great value and significance to the literary history before and after it. It is a watershed and boundary stone that marked the literary landscape of the 1980s and 1990s.

The content of this book is divided into four parts: introduction, part 1, part 2, and part 2. The specific content includes the tracing of the origin of Chinese rap literature and an overview of rap literature before the Tang Dynasty (Introduction), Tang Dynasty rap literature (Tang Dynasty rap literature) in Dunhuang posthumous documents, Song, Jin, Yuan and Ming rap literature such as Zhugong Diao, Tao Zhen, and Cihua (Part 2). Main rap literature in the Ming and Qing Dynasties such as Guci (Dugu), Zidi Shu, Baojuan, Slang, and other rap literature styles created and adapted by literati (Part 2). The content basically includes all the major forms of rap in various historical periods of ancient China. Although the degree of research in each part is different, the general idea is the same, that is, within the framework of the clues of vertical development, the different representative rap literature types in each historical period are examined horizontally. Each category strives to trace its origins, focusing mainly on the changes in the narrative system and performance system.

Chinese translated literature has a history of more than 100 years. During the development process of more than 100 years, Chinese translated literature and local literature have been engaging in frequent and close interactions, influencing each other, promoting each other, and prospering together. This book takes the development of the history of Chinese translated literature as a clue, from the perspective of translation studies and comparative literature, and describes the interaction between Chinese translated literature and local social culture, the interaction between Chinese social ideology and literary translation, the interaction between Chinese translated literature and local literature, and the interaction between Chinese translators' literary translation and literary creation.

The main purpose of this book is to interpret Western literature and art from the perspective of cultural studies. The structure mainly uses time as a clue, supplemented by the division of countries and regions, to sort out and give new interpretations to the development history of Western culture, literature and art from ancient Greece to the 20th century. While deeply grasping the cultural spirit of different periods and nations, we try to break through the misunderstandings caused by cross-cultural ideological differences, in order to gain a deeper and broader understanding of Western literature, painting, sculpture, architecture and other arts and even the entire culture through the discussion of intertextuality.

Liu Yong and Zhou Bangyan are two milestone poets in the history of the development of Song Ci. Both of them were romantic talents who knew music and music well. Because of the rhythm, romance and graceful style of their lyrics, later generations often called them "Liu and Zhou" together, and they were regarded as a group of poets. However, there has always been a dispute between elegance and vulgarity in the development of Ci poetry, which caused later generations to divide them into two opposing styles: vulgarity and elegance. Therefore, their status among the feudal orthodox scholars was also very different. The similarities and differences between the two words deserve us to put them together and conduct in-depth discussion and research from the perspective of reader acceptance. This book draws on the theory of Western reception aesthetics, and uses the poetry of the past dynasties and the comments about Erren's Ci scattered in the notes of literati as the main materials to sort out and study the reception of Erren's Ci in the past dynasties.

"Poetic Theory" was originally called "General Theory of Poetics" and was first completed at the end of 1932. When he applied for a job in the Department of Foreign Languages ​​and Literature at Peking University in 1933, Zhu Guangqian submitted "On Poetry" to Hu Shi. Hu Shi was so impressed that he not only hired Mr. Zhu as a professor in the English Department, but also invited him to lecture on "On Poetry" in the Chinese Department for a year. What Professor Shang Jinlin of the Department of Chinese Language and Literature of Peking University discovered this time was Mr. Zhu's course lecture notes at Peking University. It was a mimeographed 16-format volume with the title "On Poetry published as a modern appendix on July 5th" on the cover. The main text was titled "General Theory of Poetics". On the side of each page was printed the words "Peking University Lecture Notes July 4th G Publishing Group Printed by Li School (or Zhao School, Song School)". The text consists of seven chapters and about 100,000 words. "On Poetry" is Mr. Zhu's masterpiece, which can be said to have been written for a lifetime. This handout not only has theoretical and aesthetic value for readers, but as an early version of "On Poetry", it is also an important document and has important historical significance for examining the development of Mr. Zhu's poetic theory and academic path. Those who study literature (poetry) and aesthetics can compare it with later versions and see the changes in Mr. Zhu's poetic concepts, the expansion of his academic vision, and the refinement of his language. The editor has organized and revised the entire manuscript, and written a detailed postscript introducing the evolution of each version of "Poetry" and Mr. Zhu's lifelong pursuit of "poetics" research, which can be referenced by researchers and literature lovers.

This book contains the author's latest academic papers: the main body is a review of some contemporary literary historical materials, which have been published in publications such as "Modern Chinese Literature" and "Literary Review". It uses the form of juxtaposition of materials and annotations. The materials include important speeches, meeting minutes, etc. The annotations supplement the relevant historical background, literary events, character relationships, etc., So that students and researchers who are not familiar with the materials of that year can gain a more comprehensive understanding; the other articles are discussions on the writing and teaching of contemporary literary history.

Based on rich literature and text reading at home and abroad, this book attempts to enter into the "problem consciousness" of gender critics by reproducing the historical, social and theoretical context of female criticism, theoretically clarifying Showalter's gender review of literature and Butler's gender criticism of culture, and summarizing the theoretical characteristics and practical significance of American gender literary and cultural research.

Formalism was the mainstream literary theory in the 20th century. From the 1910s to the 1980s, formalism dominated the field of literary theory for more than half a century. Russian formalism transformed the language form\

This book introduces the basic knowledge of statistics required to carry out stylistic measurement research in a simple and detailed manner, and uses statistical methods and computer text mining technology (text clustering and classification technology) based on modern statistical theory to carry out research in the following aspects: extraction of stylistic features of ancient and modern Chinese literary works, author identification methods, stylistic analysis of specific works, variations in writers' language use, and the use of software tools related to computer stylistic measurement. This paper uses quantitative methods to study some stylistic issues that have always received widespread attention from society. The language is easy to understand, and the mathematics and computer knowledge involved are described in simple ways. Readers with a high school level of knowledge can read and understand it. The theories and methods of quantitative stylistics are powerful weapons for accurately examining the stylistic style of works and identifying the authors of works. They can provide scientific identification clues for judicial work, provide more scientific means for the collation and research of Chinese classical documents, and further scientificize the study of Chinese traditional culture. The study of metrological stylistics has a long history abroad and has accumulated fruitful scientific research results. But generally speaking, there is still a big gap compared with the research in this area in Europe, America, and Japan, and it is in a backward situation. This book attempts to draw lessons from relevant Japanese technologies and research methods, hoping to serve as a starting point.

"The Evolution of Image Categories" is one of the "Chinese Aesthetic Category Series". With the category of "image" as its core and ontology as its starting point, this book comprehensively examines the historical process of the formation of the category of "image", thus providing a systematic explanation of the construction of aesthetic imagery and its main characteristics. It also defines and analyzes adjacent or similar aesthetic categories, which can provide a useful reference for literary theory and literary creation.

This book provides the first comprehensive review of the theoretical thoughts and creations of Doris Lessing, the winner of the 2007 Nobel Prize for Literature. The first part not only traces the origin of Lessing's thoughts, explores various cultural backgrounds, excavates personal life and experience, and analyzes the social conditions and current situation at that time, but also combs and summarizes the core concepts of his theoretical thoughts and creative ideas and styles. The next article focuses on the interpretation of Lessing's novels. The style of the book is unique, with both plot introduction and commentary summary, as well as analysis of text structure and theme. It is of great significance for an overall understanding of Lessing's thoughts, views and works.

This book is a special collection of the study of "Water Margin" by Mr. Liu Shide, an expert in classical literature at the Chinese Academy of Social Sciences. It contains the main results of Mr. Liu Shide's many years of research on "Water Margin", reflecting the author's research characteristics of focusing on version textual research and his in-depth understanding of Chinese classical literature. The book consists of five parts and 32 articles, including edition research, life research of Shi Naian and Jin Shengtan, and analysis of some unknown little characters in "Water Margin", presenting Mr. Liu Shide's unique insights. This book is a well-established academic monograph on classical literature and an essential reference for studying "Water Margin".

The "Final Issue" and "Album of Mourning the Death of Mr. Lu Xun" of the old "Translation", in which Mr. Huang Yuan recalled the circumstances of Mr. Lu Xun's founding of "Translation", have certain historical value for my research, as well as the research on the history of Chinese periodicals and the general readers. This book selects nearly 200 paintings and foreign literary illustrations published in "World Literature" in different periods, and almost collects the outstanding pictures of the publication in the past 80 years into one book. In the domestic journal industry, we are the only magazine that can do this. This book provides readers who love foreign literature with a way to appreciate foreign literature in the form of illustrations in addition to text. Each illustration has a story behind it. Readers who love foreign art can also learn about literary stories and backgrounds from these texts. It also has certain reference value for book binding design professionals. It can be seen how "World Literature" inherits Mr. Lu Xun's emphasis on the role of illustrations in literary works.

This book uses ritual and music culture as the research background, abstracts its literary tendencies and theoretical propositions from the political, ethical, moral, and religious interpretations of the "Book of Rites", analyzes the literary thought of "rituals and righteousness", finds concrete examples from the textual expressions of the "Book of Rites", restores the original theoretical form of literature displayed in the "Book of Rites" text, and thus reveals the intrinsic connection between rituals, classics and literary thought. This book takes the important categories of rituals and specific examples of ancient ritual activities as its research objects, and always maintains the basic view that traditional Chinese literary thought originated from Confucian classics, and that the evolution of Confucian classics determines the basic development direction of Chinese literary thought.

"Wen Zhi Bin Bin" is one of the "Chinese Aesthetic Category Series". The book is divided into two parts, which respectively examine the four concepts of "literature", "quality", "art" and "Tao" and the two most basic aesthetic categories in Chinese aesthetics, from the whole process of origin, development, inheritance and evolution, from micro to macro. It also discusses and evaluates from the fields of aesthetics, literature, plastic arts and other aspects, as well as philosophy, psychology, ethical concepts and other aspects. Theory of Academic System" and "History of Chinese Poetry Criticism".

"Original in Qi" is one of the "Chinese Aesthetics Category Series". This book traces the formation and widespread use of the concept of "qi". It focuses on commenting on the theory of "Qi" in ancient Chinese literature, music, calligraphy, and painting; and interprets, sorts out, and summarizes the concept of Qi, a representative ancient aesthetic category.

"Chongwen Museum: A History of Taoism" is the first dedicated history of Taoism. Taking time as the warp and sect differentiation as the weft, it comprehensively and systematically introduces the history of the emergence, development and spread of Taoism. The time limit recorded in the book begins with the social conditions and ideological origins of the Qin and Han Dynasties before the emergence of Taoism, and ends with the spread of contemporary Taoism around the world. The recorded content involves the scriptures, doctrines, figures, religious systems, teaching positions, etc. Of Taoism and its various tribes, as well as Taoist festivals, etiquette, holy places, relics, architecture, literature, art, etc. While making a comprehensive survey of Taoism, the book also makes a profound analysis of the relationship between Taoism and ancient Chinese politics, society, economy, culture, and thought, and also puts forward many new insights into some important historical events and academic issues. "Chongwenkan: History of Taoism" explains the ideological origins of the formation of Taoism, which is basically the same as "Taoist Thought and Taoism", but it focuses more on the relationship between Taoist thought and Taoism. It more clearly reveals the main source of ideas for the formation of Taoism, and also points out the main origin of its behavioral system.

"History of Chinese Painting" divides the history of Chinese painting into three major stages - ancient history, from pre-Qin to Sui Dynasty; medieval history, from Tang to Yuan Dynasty; modern history, from Ming and Qing Dynasties. The author Chen Shizeng uses extremely concise words to not only outline and explain the styles of different eras, different regions, different schools and some representative painters in the history of Chinese painting, but also pays more attention to the inherent origin relationship in the development process of Chinese painting. As the author said: "The origin of calligraphy and painting has been clear and unified since ancient times."

"Chongwenguan: A Brief History of Chinese Novels" is the first monograph on the history of Chinese novels compiled by Mr. Lu Xun. Describes the occurrence, development, and evolution of ancient Chinese novels, starting from myths and legends to condemning novels in the late Qing Dynasty. "Chongwenkan: A Brief History of Chinese Novel" is an important work that pioneered the modern process of Chinese literary research and is a general history of Chinese literature. Its method of combing literary history has had a profound impact on later generations' literary research and writing, and the book's focus on various genres of popular literature has been an important research direction after the rise of the May Fourth Movement, fully reflecting the perspective and characteristics of modern academic development.

"Chongwen Museum: A History of Chinese Ethics" is the first academic work to systematically organize and study the occurrence, development and changes of ancient Chinese ethical thought. It is also one of Mr. Cai Yuanpei's representative theoretical works. The book divides the history of Chinese ethics into three eras, systematically introduces the important schools and main representatives of ethics in various historical periods in ancient my country, explains the key points, origins and development of each school of thought, and uses scientific methods to analyze their strengths and weaknesses. It provides important guidance and reference for the construction of modern Chinese ethics.

"Chongwenguan: An Outline of the History of Chinese Philosophy" is the representative work of the academic research of Hu Shi, the master of Chinese studies, and laid a firm foundation for his establishment of a sect in modern Chinese academic circles. "Chongwenkan: An Outline of the History of Chinese Philosophy" is the first great work by Chinese scholars to systematically study the history of ancient Chinese philosophy using modern academic methods. It is also the first history of ancient Chinese philosophy written in modern China that systematically applies bourgeois perspectives and methods. It has epoch-making historical significance. It has not only widely influenced researchers and thinkers, but also enlightened the public's real life in many aspects.

The status of "A Dream of Red Mansions" in literary history cannot be surpassed so far. This book analyzes and elaborates on the influence of "A Dream of Red Mansions" and contemporary Chinese novels from various angles.

"Chongwenguan: An Outline of Chinese History" is the only work left by the author Zhang Yinlin in his short life, which shows the author's profound and keen insights and profound knowledge. "Chongwen Guan: An Outline of Chinese History" was written as a textbook for history teaching at that time (the first volume of "Chongwen Guan: An Outline of Chinese History"), so it is more lively and lively in form, easy to read and understand, not boring at all, but at the same time rich in ideological connotation and theoretical depth. Moreover, the author has emotion and respect for the history of the Chinese nation, so there is nothing shallow, empty, or exaggerated in the book. Many of the views and ideas in the book are still of great value and reference to people today.

This book collects and organizes historical materials on the teaching of literary aesthetics in higher education in my country from aspects such as the imported influence of Chinese literary aesthetics teaching and research, the occurrence and development of Chinese literary aesthetics, research on the history of Chinese literary aesthetics teaching, the "gains" and "losses" of Chinese literary aesthetics teaching, and the foresight of Chinese literary aesthetics. It focuses on subject development, teaching issues and famous teaching teachers, explores the trajectory of literary aesthetics and the teaching industry, maturity and development, and hints at the characteristics and teaching rules of the literary aesthetics discipline.

For Korean scholars, what is the significance of studying Chinese classical novels? This is also a question that the author has been thinking about. Since ancient times, China has been both the source of culture and the closest cultural partner for South Korea. As a Korean scholar who studies Chinese classical novels, the author has been thinking about the cultural implications of Chinese classical novels, their influence and differences with Korean classical novels, and also the differences between them and Western classical novels.

This textbook was developed based on the author's teaching of the "Poetic Studies" course for the undergraduate major of the Chinese Department of Nanjing University. It provides a comprehensive and systematic discussion of the basic knowledge of poetry, as well as the content, form, creation methods and appreciation methods of poetry. The whole book is divided into seven chapters: the image of the poem, the emotion of the poem, the rhythm of the poem, the ambition of the poem, the rationale and interest of the poem, the artistic conception of the poem, and the conception of the poem. This book has the following characteristics. First, it constructs a new and complete theoretical system of poetry from content to form, from creation to appreciation. Such works have rarely been seen since Zhu Guangqian published "On Poetry" in 1942. The second is to avoid going from theory to theory when discussing, but to closely combine the elaboration of poetic theory with the analysis of poetic works. The poetic theories and poetic works cited are carefully selected. The third is to closely combine the elaboration of poetry theory with literature research. Everything will be based on the data. The sources of the cited data will be detailed and accurate, and efforts will be made to ensure that everything is well-founded. Fourth, we strive to be easy to understand, so we avoid tedious research throughout the article and pay full attention to the readability of the writing.

In the field of modern Chinese literary history research, Mr. Chen Zishan is well-known for his excavation and textual research of historical materials. He has previously written "Drunken in the Spring Breeze: The Pursuit of Yu Dafu and Others", "Drunken in the Crescent Moon: The Discovery of Liang Shiqiu and Others", "A Congsuo of Zhang Ailing", etc. Most of the articles compiled in this book are his new historical discoveries in the field of research on Lu Xun, Hu Shi, Yu Dafu, Zhang Ailing and other writers in recent years. The book is divided into five parts, namely "Lu Xun and his literary friends", "Hu Shi, Xinyue and the Beijing School", "Zhang Ailing and her contemporary writers", "Old School" writers 23", "Preface and postscript and others". The author starts from the perspective of the interactions and correspondence between these writers and their contemporaries, starting from the details, verifying historical facts, analyzing documents, and depicting new scenes inside and outside literary history.

This book aims to systematically review the century-old history of Eastern European literature in China based on the subjective standpoint of modern Chinese literature, including the connotation of Eastern European literature from a Chinese perspective; the translation, research and influence of Eastern European literature in China over more than a century; case analysis of writers such as Kundera, Petofi, Fuchik, and Brecht; and the role of Esperanto in this specific Chinese and foreign context. Through analysis of the intermediary cultural functions in the relationship, etc., We will conduct research on "Eastern European literature" in the relationship between Chinese and foreign literature, with a view to revealing the constructive significance of Eastern European literature to modern Chinese literature in comparison with the relationship between Chinese and Western literature, thereby fully exploring the complex relationship between modern Chinese and foreign literary relations, the occurrence and transformation of Chinese literature and culture, and foreign resources.

The "Weiming·What are Humanities and Social Sciences" series is written by famous scholars from famous universities, aiming to improve the people's humanistic quality and popularize social science knowledge. Each book includes the background of the discipline, research objects, main representatives and ideas, achievements, value of the discipline and some cutting-edge issues in the development of the discipline to today. As a way of human existence, literature has varying degrees of connection with everyone's life. "What is Literature" concisely and smoothly presents readers with a condensed picture of the connotation and extension of literature from many aspects such as imitation and expression, literature as language art, beauty and truth, games and sermons, the relationship between content and form, writers' creation theory, literary genres, reception aesthetics, etc. It helps readers understand the topic "What is literature" in a short time, and is an excellent academic popular reading. This book is the hardcover version of "What is Literature" published by our company.