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This book has about 370,000 words and is revised based on the 2005 doctoral thesis. With an in-depth exploration of the cultural background of the Han and Tang Dynasties, the author uses the method of mutual verification of literature and history to conduct a comprehensive and systematic study of the five major themes of the Han and Tang frontier fortress poems, including bitter cold, martial arts, nostalgia, war, and customs, as well as their creative modes. He strives to innovate in traditional topics, which is of great academic value.

This book takes the nearly seventy years of poetry creation from Wanli to the end of Chongzhen in the Ming Dynasty as the research object, and explores in depth and detail the social composition of late Ming poets, the geographical distribution of poet communities, the creative pursuits of each school, and the historical evolution of the overall poetic style. The author has abundant information, rigorous reasoning, concise writing, and clear discussion, which makes the book have high theoretical depth and academic credibility.

From an etymological perspective, the book traces the emergence of the core meta-category "Xiang" in Chinese literary theory and its preliminary development in the pre-Qin Dynasty, analyzes the influence of Confucianism, Taoism, and "The Book of Changes" on the development of the connotation of "Xiang" and the early use of "Xiang" in a general sense; and then clarifies the evolutionary trajectory and continuous generalization of "Xiang" from a philosophical category to a literary theory category, from the theorists' elucidation and Qin and Han creative practices At two major levels, it analyzes the final establishment of "Xiang" as a meta-category of literary theory; combines Buddhism, metaphysics, and characters and objects to explore the internal and external motivations for the maturity and continuous development of the "Xiang" category, and examines the series of sub-categories derived from it at the levels of the universe, creation, text, and reception. Through penetration, intersection, and integration, category communities and classic propositions involving different dimensions are formed. In this way, we can glimpse the pervasiveness, unification and transcendence of the meta-category "xiang", see the national characteristics, aesthetic style and academic construction of Chinese literary theory, and trace the national characteristics of Chinese literary theory categories from the aspects of thinking mode, appreciation tradition and other aspects.

The burqa, called burqa by the British and chadari by the Afghans, is a long, ankle-length veiled robe made of mesh fabric on the face. It is also the outside world's inherent impression of Afghan women. Truth is a kind of dignity. This is true for those who explore the truth and face the truth. It is even more true for those who can finally show their true appearance to others. People's impression of Afghanistan seems to be only war, child marriage and abuse of women. After traveling to Afghanistan several times, the author deeply felt that people's prejudices are like a thorn firmly nailed to the burqa. The burqa blocks not only their lives, but also our eyes. The author ate and lived with six Afghan women in the book. The six women ranged from a 16-year-old disabled painter girl to a cake-making woman in her late fifties; the six stories ranged from the daughter of the former Kandahar mayor to an ordinary female college student; the six perspectives ranged from unspeakable love to the deep affection of family. They were born in different provinces, come from different ethnic groups, work in different jobs, have different colors and personalities. Afghan women are just like us, neither nobler nor humbler.

This book will select twenty-eight poems from the "Five-Character Vernacular Poems" in "Dunhuang Susuo" and call them "Folk Songs of the Tang Dynasty". It will use all Tang Dynasty documents to make textual research and annotations for these folk songs, thereby outlining the life images of various people such as government soldiers, poor peasants and farm laborers, runaways, landlords, officials, monks, Taoist priests, businessmen, craftsmen, stepmothers, male and female second-rates, etc. This book also conducts textual research on the "bianwen" involved, and believes that "bianwen" is pictures and texts, which are explanatory texts explaining the plot or scenery in the "bian" (pictures). The reason why "Bianwen" uses a combination of prose and verse is that it inherits the combined style of "Zhuan" (prose) and "Zan" (rhyme) in ancient my country. The Tang Dynasty folk songs and Bianwen selected in this book have high literary value, historical value and folklore value. Mr. Yang's exegesis and discussion have opened up a new field of ancient literature research.

The "Poetry China" series is co-sponsored by Zhonghua Book Company and the Chinese Poetry Research Institute. It is published and distributed to the whole society, with four issues published every year. The purpose of this magazine is to "collect the most moving contemporary poems, include the most authoritative poetic methods, and share the most interesting poetic words." In terms of content, it mainly focuses on discussing writing skills, exchanging writing experiences, and appreciating pictures, texts, and poems, and strives to become a spiritual home for masters to communicate. The target audience of this magazine is young and middle-aged traditional poetry lovers. While collecting the outstanding works of the "Poetry China" traditional poetry creation competition, it will also select and publish the outstanding works selected by major poetry magazines and websites across the country (the name of the published poetry magazine will be published when published).

This book writes the history of opera novels from the Yuan Dynasty to the 20th Opium War of Daoguang in the Qing Dynasty. The so-called historical summary omits some works with low literary value or no literary value at all.

Based on the general background of the history, Confucianism, Zen, and poetics of the two Song Dynasties, this book begins with a microscopic analysis of the interactions between scholar-bureaucrats and Zonggao and the discourse system they shared. It examines the relationship between Zen and poetics between Zonggao and the scholar-bureaucrats of the two Song Dynasties, explores the process of their mutual influence in constructing their respective systems of Zen, Confucianism, and poetics, and identifies the interaction between poetic theory and the evolution of Zen.

This book is based on a large number of documents on Du's poetry in the late Ming and early Qing dynasties, and discusses in detail the five aspects of Du's poetry during this period: collation, chronology and chronology, notes, techniques, and interpretation. These five aspects almost cover the main content of the study of Du's poetry, and are a comprehensive reflection of the academic achievements of Du's poetry in the late Ming and early Qing dynasties.

This book explains the relationship between the words used in poetry - "poetic language" and the poet's spirit through the analysis of plant descriptions in classical Chinese poetry.

This book pays attention to the communication of Tang poetry at that time from multiple angles, and discusses it from seven aspects: communication conditions, communication format, communication channels, communication awareness, communication interests, communication scope, and communication effects. It comprehensively reveals the relationship between the communication of Tang poetry and the development of Tang poetry.

This book is a collection of articles published by the author over the years. The contents include: the chapter structure of "The Book of Songs", the author and age of "Preface to Poems", the origin of the collection of poetry in the early Tang Dynasty, Qin Jia and his wife's poetry creation in Beijing, Tao Yuanming's political tendency, Du Fu's study of Tao's poetry style, etc. Some articles have relatively novel academic perspectives.

The Eastern Zhejiang literary school of the Song Dynasty was a prose school that spread in the eastern Zhejiang region from the middle of the Northern Song Dynasty to the Song and Yuan Dynasties. It was rooted in the Zhejiang meritorious school, and gradually evolved from a school that conveyed principles to a literary school that focused on rhetoric. As the most important prose school in the Southern Song Dynasty, this school is the keeper of the fine tradition of Song prose and the most meritorious argumentative school in the literary world. It has an important position in the history of Chinese prose. At the same time, this literary school built a theoretical system of article criticism, which promoted the maturity of article studies; created a comment-based selection criticism method, enriched the criticism style of article studies; and compiled classic selections of articles, which influenced later literary anthology activities. The Literary School made important contributions to the development of Chinese literary studies from three dimensions: theoretical establishment, critical style, and literary selection activities.

This book is the first literary paper published by the master of Chinese studies Wang Guowei in 1904. It is also the first paper in the history of Chinese literature research that uses Western literary theory to comment on the pearl of Chinese classical literature. It has always been highly praised. In addition to the full text of "Commentary on a Dream of Red Mansions" with detailed annotations, this book also selects several other articles written by Wang Guowei on Schopenhauer's philosophy and aesthetics, including "Schopenhauer's Philosophy and His Educational Theory", "On Schopenhauer and Nietzsche", "The Place of Elegance in Art", "Autograph" and "Autograph" "" Preface 2", and appendices include the preface to "Mr. Wang Jing'an's Suicide Notes", "Mr. Wang Jing'an and the Thoughts of the Late Qing Dynasty", "Mr. Wang Jing'an's Literary Criticism" and Wang Guowei's Chronicle to help readers further understand Wang Guowei's research on "Dream of Red Mansions" and literary and artistic theoretical thoughts, as well as Wang Guowei's person and his studies.

Through the study of the Ballad Movement, this book reveals that the intellectuals who advocated the New Culture Movement paid attention to the traditional side in addition to "anti-blockade and old-fashioned", so that their image is more consistent with historical reality; starting from the lack of music in the Ballad Movement, it thinks about the regrets in cultural inheritance, and the methods and ways to make up for this regret; it pays attention to the positive and negative energy of government power in cultural communication, and thinks about how to scientifically use government power to transmit positive energy, hoping to help today's intangible cultural heritage protection work.

The historical materials are rich and the narrative is peaceful. It enriches people's knowledge and understanding of modern Chinese literature from the perspective of literary journal research. --Yang Yang, professor and doctoral supervisor of the Chinese Department of East China Normal University, painted a profound picture of a special area in the history of modern publishing through careful investigation. --Zhang Zhiqiang, professor and doctoral supervisor at the Department of Publishing Science, Nanjing University

Hegel once asserted in "Aesthetics": "There is no epic in China." This sentence once made some people feel angry and criticized. However, if you think about it carefully, this cannot be blamed on Hegel. The responsibility lies with us. It is we who did not discover such a great epic as "Gesar" and introduce it to the whole of China and the world in a perfect form, so that it can become the common spiritual wealth of the Chinese nation and all mankind. This made Hegel, a great scholar and wise man hailed by Engels as the "Giant on Mount Olympus", say such words. After the founding of the People's Republic of China, the profound significance of our country's great achievements in the "Gesar" cause is that it allows the world to re-examine this nation surrounded by snow-capped mountains, its history, and its culture with reverence. It has also completely changed the cultural landscape of world epics. In the history of the development of world epics, it has firmly established the lofty and unshakable status of "Gesar" and is known as the "Iliad of the East." "Gesar" and Homer's epic, one representing ancient Eastern civilization and the other representing ancient Western civilization, complement each other. They can be called two brilliant pearls in the history of human civilization and have won honors for the great motherland in the academic and cultural fields. This book comprehensively reflects the struggles of several generations of "Gesar" people in New China, with a high sense of responsibility and mission, with the "tenacity" fighting spirit advocated by Lu Xun, with the persistence of not letting go, perseverance, perseverance, and passing on the fire from generation to generation. This is the development of an epic. This is the development process of a national culture.

This collection takes the Song Dynasty, which ended in 1894, as the modern period of ancient Chinese literature. It focuses on the study of popular novels and also discusses Shanren poets, a weak link in the study of Ming and Qing literature. On the basis of attaching great importance to data research and excavation, the author places relevant literary phenomena and creations in recent times within the framework of the development of Chinese cultural history, explains their connotations, and evaluates their gains and losses. Specifically, it includes three major topics: first, comprehensive research on the history of novels from a cultural perspective; second, case studies of novel writers and works from a cultural perspective; third, research on mountain poets of the Ming and Qing Dynasties and others.

The main topic discussed in this book is the connection between Lingnan literature and stone carvings in the Tang Dynasty, including Guilin stone carvings, Rudong rock carvings in Xing'an County, Guangxi, and the Tang Dynasty stone carvings "Weijing Benzhicheng Stele" in Shanglin County, Guangxi.

The author Chen Zishan has been engaged in the study of modern Chinese literary history for a long time and is committed to the research and teaching of Chinese literary historical materials in the 20th century. He once participated in the annotation work of "The Complete Works of Lu Xun" and later made important contributions to the excavation, arrangement and research of the works of important modern writers such as Zhou Zuoren, Yu Dafu, Liang Shiqiu, Tai Jinnong, Ye Lingfeng, Zhang Ailing and Chen Zhifan. This manuscript is a collection of research papers on Lu Xun and Zhou Zuoren that Chen Zishan has published over the years, and has certain academic value.

This book outlines the linear trajectory of the evolution of small town narratives in the new era, describes the narrative characteristics of different periods, reveals the overall changes and expansion of small town narratives in the new era on a diachronic basis, determines the representative works and representative writers of small town narratives in the new era, interprets some key works, points out the creative personalities of some writers, and examines the stylistic characteristics and formation process of small town narrative novels in the new era.

"Annual Digest of Chinese Literary and Art Papers" (hereinafter referred to as "Digest") is a serial publication edited by the Literature, Art and Aesthetics Research Center of Capital Normal University. Four volumes have been published continuously since 2007. The digest selects more than one million words of articles every year, covering various disciplines such as literary theory, literary history, literary criticism, art, etc. It is comprehensive and rich in information and is highly praised and positively recognized by peers in literary research and art research. In order to ensure the authority and fairness of the editing and selection process, the selection adopts the form of hiring "editing and selection consulting experts" for recommendations in each relevant field. This is the first large-scale serial publication in China that combines annual selection and abstraction, and can help experts and amateurs in the field of literature and art understand the essence of academic research in a year. The 2011 "Digest" continues the practice of previous years and is a large-scale publication that combines annual anthology and abstract. "Digest" covers five parts: literature and art, ancient and modern Chinese literary history, modern and contemporary Chinese literary history, literary criticism, and art. Each part selects 10 full texts of outstanding academic papers in 2011, 20 summary of opinions, and 100 indexes of main papers. It is an important document in the field of literature and art research and has important reference value for experts in related fields and literature and art enthusiasts.

Due to the large time span, anthologies of poems from the early Qing Dynasty usually have many volumes, many of which are rare. It is not easy for readers to understand the characters in them and search for the works. To this end, Xie Zhengguang, Chen Qianping, and Jiang Liangqin collaborated to compile a comprehensive index of poets' poems in 56 anthologies, which provides convenience for the use of these anthologies. Although this is just a tool book that provides search functions, it can tell us a lot. First of all, we know from the index that 56 poetry anthologies include more than 10,000 poets from the late Ming and early Qing dynasties. This alone is enough to make us think a lot about the popularity and prosperity of poetry in the Qing Dynasty. Secondly, the birthplaces and majors of these more than 10,000 poets, their distribution in the anthology, and the inclusion of their works allow us to try some quantitative analysis and obtain some overall impressions of early Qing poetry. In short, as long as you use this index well, its value will far exceed its search function.

This book is a collection of academic papers that combines theoretical criticism with research on the writer's works. The manuscript mainly takes Lu Xun, Guo Moruo, Mao Dun, Ba Jin, Lao She, Cao Yu, Ding Ling, Feng Xuefeng, Qian Zhongshu, Ba Ren, Ye Zi, Zhu Ziqing, Shen Congwen and other modern literary figures as the starting point to study the writers' creative ideas and their works, and their value and significance in the history of modern literature. Pay attention to the combination of macro and micro, put forward your own unique views and insights, include a review of thoughts and creations, and an analysis of specific works to meet the research or reading needs of different readers. As a local researcher at the Liaoning Academy of Social Sciences, I cannot help but pay attention to the literature of the Northeast Liberated Areas and even the Northeastern occupied areas. Therefore, a considerable proportion of the articles collected in the book are the results of research on several representative Northeastern writers such as Xiao Hong, Xiao Jun, Zhou Libo, Liang Shanding, Luo Mai, and Tian Bi. In particular, it will provide an objective and fair evaluation of the works of writers during the period of the occupation of Northeast China, provide evidence for some past erroneous views, and restore their true colors in literary history. This not only fills some gaps in this research field, but also reflects the local characteristics of the manuscript. These results can play a supporting role in university liberal arts teaching, especially the teaching and learning of teachers and students in the Chinese Department. As academic exchanges, they are also beneficial to literature researchers' mutual reference, enlightenment or debate.

The study of Haoran in this book basically completes the staged thinking on two issues: First, there are different opinions on how the seemingly troubled Haoran formed and changed. The author believes that there are changing political factors, as well as his personal life experience and emotional experience; second, the much criticized "Golden Avenue" is a representative of the seventeen-year cooperative novels. Although it has such and such shortcomings, its literary quality cannot be denied. Haoran is an open discourse field. The important thing is not to condense conclusions, but to generate thinking. Open research on each specific issue of Haoran's creation will deepen people's understanding and thinking of literary theory.

This book selects more than 30 papers in which the author analyzes and interprets the phenomena, poets and works of modern and contemporary Chinese poetry. According to the topics, it is divided into three series: "History and Issues of New Poetry", "Study on Poets", and "Close Reading of Texts" to explore the tradition of new poetry. , Poetry and society, "Young China" magazine, middle generation poets and other topics. Among them, the articles discussing the works of pioneer poets such as Song Lin, Wang Yin, Zang Di, Zhu Zhu, Huang Fan and Lei Pingyang are particularly eye-catching, full of dialectics and symphony of poetry and thought.

This book is written by Xia Wei from the Institute of Literature, Chinese Academy of Social Sciences. The author attempts to discuss "Dream of Red Mansions", "The Story of Awakening Marriage" and "The Romance of the Three Kingdoms" together. The whole book is divided into eleven chapters. Among them, the discussion of "Dream of Red Mansions" is relatively large, and it mainly discusses the issue of whether the last forty chapters of "Dream of Red Mansions" are continuations.

This book is one of the results of the major project "Research on the Core Propositions of Chinese New Poetry in the Context of Modernity" of the Humanities and Social Sciences Key Research Base of the Ministry of Education. Divided into two parts, the first and second parts, it gathers papers by a group of cutting-edge researchers focusing on the dilemma of poetic spirit, the origin of new poetry, issues and methods of new poetry research, the vitality and effectiveness of new poetry criticism, the social nature of text and its possibilities, rewriting literary history, middle school poetry education and other issues.

This is a groundbreaking work on red studies. This book believes that there is a neglected version system in the version system of "Dream of Red Mansions": the 120-chapter manuscript system, and makes a systematic and detailed study and introduction. Because this system is closely related to the issue of authorship of the last forty chapters of "Dream of Red Mansions", the author, based on the many achievements of previous scholars, has made a comprehensive and in-depth refutation of the main arguments and arguments of the representatives of the new Redology, Hu Shi and Yu Pingbo, who proposed, adhered to and solidified the "Gao E continuation theory", as well as the later Tan Yi School, and fundamentally solved the problem of "Gao E's continuation theory". This may become a foundational new development for the further development of red science.

Left-wing literature in the history of modern Chinese literature refers to revolutionary literature led by the Communist Party. This book uses rich, comprehensive, systematic, accurate and vivid historical materials to outline the entire process of the development of Chinese left-wing literature, from its inception to its maturity to its dominance in the literary world. Writers' works, theoretical criticism, ideological trends, publications, translations and introductions are all dazzling. History is divided into stages and development is hierarchical. There are various writers, rich and colorful works, colorful theoretical criticisms, literary publications come and go, and there is an overwhelming number of high-quality translations. Most of the books on the left published in the past focused on the movement, but this book mainly uses the works of writers as the entry point, allowing readers to see the strength of the muscles and bones and taste the taste of flesh and blood.

Narrative is inseparable from imagination, but existing narrative theories mostly focus on research techniques and ignore the imaginative function of the essence of narrative. This study starts from fairy tales, epics, and fables, focuses on analyzing the pivotal role of imagination in narrative, and analyzes the two-way interaction between theory and practice. If the penetration of fairy tales into people's childhood is the alienation of narrative time (or the unreality of the present), then epics trace the narrative time back to ancient times, explore the origins of history, and explore the setting of narrative plots in the explicit and implicit dual mechanisms of the narrative process; while fables use the immortal throbbing of the soul to transform the future. Drawing on the similarities between fairy tale thinking and myth, we explore the "perceptual" picture of narrative images and the metaphorical language structure that constructs this image picture; we reveal the symbolic order and allegorical effect of the interaction, mismatch, and harmonic resonance between the conceptual world and the sensory world.

This book closely focuses on the three aspects of Zhuhai literary creation subject, content, and overall style. It conducts a systematic and detailed analysis and dissection of Zhuhai literature that few people pay attention to, and puts forward its own unique insights. The author believes that: in terms of creative content, Zhuhai literature reflects the transformation from rural experience to modern urban life; in terms of creative subjects, immigrant writers have become the protagonists of Zhuhai literature; in terms of the overall creative style, Zhuhai literature is light and calm.

This book takes "Railway Guerrilla", "Defense of Yan'an", "Red Sun", "Bitter Cauliflower" and other long war novels as case studies, and conducts synchronic text genetic phenomena exploration on the rhetorical strategies, main text modifications, paratext changes, artistic adaptation strategies and other dimensions of the "Seventeen Years" long war novels, looking for this The reasons, motivations and meanings behind the flowing narratives are summarized, and the rules of text occurrence are summarized, so as to search for the polyphonic dialogue and inter-textuality of different artistic versions, unearth the history of friction and interaction between different discourses and different cultures, as well as the writer's psychological writing and spiritual slippage, and then reinterpret the text and enrich the reconstruction of literary history.

In recent years, China's economy has developed rapidly. Its high-speed rails, highways, port facilities and overall manufacturing scale have left the United States, the world's largest economic power, behind. This has puzzled many Westerners, who are looking for reasons. In fact, the answer is very simple. "Guanzi" written by Guan Zhong and his followers during the Spring and Autumn Period in China more than 2,000 years ago already contains various economic thoughts in "The Wealth of Nations" written by the Western thinker Adam Smith. Although the economic thoughts in "Guanzi" are not as systematic and scientific as the economic thoughts in "The Wealth of Nations", it was written in China more than 2,000 years ago and originated in China's Spring and Autumn Period. Comparing the two books, people found that the two books have almost the same ideological outline. Adam Smith's "The Wealth of Nations" quickly moved Britain towards the first capitalist society. But "Guanzi" was formed in the early days of feudal society. After more than two thousand years of feudal society, when China entered the market economy, the commodity economic concept of "Guanzi" immediately erupted like a volcano. The ancient commodity economic culture of the Chinese nation fully demonstrated the creativity of the people. This is why Westerners and many Chinese themselves are puzzled by the rapid development of China's economy. If you read this book, it may help you and me find the answer.

Liang Sicheng is one of the most famous architects in modern China and an outstanding representative of China's first generation of architects. His academic activities involve architectural history research, cultural relics and building protection, architectural education, architectural design, urban planning, art history research and other fields, and have achieved extremely fruitful results. This book is a special study on Liang Sicheng's academic practice, comprehensively covering his academic activities in various periods from 1928 to 1955, including: the establishment of the Department of Architecture of Northeastern University and its early architectural design and investigation of ancient buildings (1928-1931); joining the China Architecture Society and conducting investigations and research on ancient buildings (1931-1946); the founding of the Qing Dynasty Department of Architecture of Hua University and its educational practice (after 1946); participated in the construction of the new political power (1949-1950); participated in the planning of the capital and proposed the "Liang-Chen Plan" (1949-1955); protected Beijing's cultural relics and buildings (after 1949); actively explored the path to realize the national form of architecture (1949-1955). The author extensively collected Liang Sicheng's writings, relevant memoirs, historical archives, newspapers and periodicals, research works and other documents. Based on in-depth excavation of historical materials and from the perspective of modern social and cultural history, the author made an objective observation and analysis of Liang Sicheng's academic practice activities and his life, and put forward many unique and original viewpoints.

This book is a companion volume to "Ten Lectures on Poetry" and is also a textbook written by Mr. Long when he was teaching at the university. It is a rare classic work that comprehensively covers poetry and music, discusses its development rules based on the nature of verse, and provides instructions for creation and appreciation methods. This book discusses the origins of poetry, first of all summarizes the characteristics of lyrics and music, and their similarities and differences, and then introduces in turn the representative verse genres from the Tang to the Ming and Qing Dynasties, from small orders to slow tunes, from palace tunes to Sanqu, Zaju, and legends. It combines famous works with famous works to enable readers to gain a comprehensive understanding of the relationship between lyrics and music and its various aspects. The following section discusses French patterns and analyzes the application of flat and oblique tones, rhyme density, etc. In the creation of lyrics and music. This is extremely detailed and practical teaching. Based on his own profound knowledge, the author quotes from many sources, explains the profound things in simple terms, and explains in a fascinating way.

The book "New Changes in Style and Academic Culture of the Southern Dynasties" systematically explores the new changes in representative literary styles such as Song Ci, Yongming style, quatrain style, and seven-character poetry in the Southern Dynasties. The whole book cross-uses the research methods of literature, history, and philology, and through the investigation of the academic style and gentry culture of the Southern Dynasties, it examines Yuefu's stylistic innovation of "making words with numbers" and the rise of nine-character poetry, Yongming's aesthetics of sound and rhythm, and the establishment of quatrain poetry. The cultural context, the establishment of the status of "Bai Liang Poetry" as the first chapter of the seven-character poem, and the self-literacy of the emerging scribes in the Southern Dynasties are innovatively discussed, showing the inner context of the Chinese literary style from the style of the Han and Wei Dynasties to the style of the prosperous Tang Dynasty.

Poetry, generally called old poetry, refers to poetry written in classical Chinese and traditional rhymes. In the broad sense, ancient Chinese poetry can include various ancient Chinese rhymes such as rhymes, lyrics, and songs. In the narrow sense, it only includes ancient poetry and modern poetry. This book mainly discusses the writing theory and writing techniques of regular verse and ancient poetry in Chinese classical poetry, providing a reference for those who practice, appreciate and study classical poetry.

"Ancient Chinese Technical Culture" is a systematic reflection and exposition on ancient Chinese technical culture from the aspects of engineering technology, astronomy, geography, and medical culture based on decades of in-depth research on the history of science and technology at home and abroad by Mr. Jiang Xiaoyuan, a professor at Shanghai Jiao Tong University and a master of history of science and technology. Through systematic research, Professor Jiang Xiaoyuan not only proposed that "Joseph Needham's question is a false proposition", but also discussed with readers what "technical culture in ancient China" is with a dialectical attitude of seeking truth from facts and a truth-seeking spirit of using one piece of evidence to speak one word. This book uses a perspective that connects China and the West, blends ancient and modern knowledge, and starts from various interesting events in history - Why does the "Zhou Bi Suan Jing" contain amazing cosmological theories? Who told the Chinese people about the five zones of cold and heat? Who blew up the knight class to pieces? Did ancient China have a round earth theory? What exactly is Chinese medicine? --Reflect on the great achievements of ancient China, analyze them carefully, eliminate falsehoods and retain the truth, and enlighten readers on what is the proper attitude towards traditional culture. <Div></div>

The content of this book is divided into five chapters. The first chapter is a review of translation theories, which briefly introduces Western translation theory, Soviet-Russian translation theory, international translation theory, and international drama translation theory. Chapter 2: The reception of Chekhov's drama in the Chinese context, mainly includes the preliminary translation and research of Chekhov's drama in China, the systematic reception of Chekhov's drama in China, the political interpretation of Chekhov's drama in China and the in-depth study of Chekhov's drama in China. Chapter 3: The interpretation of the author's image in the translation of Chekhov's plays. Taking "The Seagull" as an example, it explains the role of narrative structure in the interpretation of the author's image; taking "The Cherry Orchard" as an example, it explains the reappearance of the author's image presentation in translation; taking "Uncle Vanya" and "Three Sisters" as examples, it explains the display of intellectual spirit in translation. Chapter 4 discusses the cultural identity of the textual level in the translation of Chekhov's plays. It takes "The Proposal" as an example to analyze the presentation of expression style in translation; takes "The Cherry Orchard" as an example to analyze the reconstruction of the character's personalized language in translation; and takes "Uncle Vanya" as an example to analyze the transmission of the cultural connotation of idioms in translation. Chapter 5 discusses the translator's subject position in the translation of Chekhov's plays and its impact on cultural identity. Taking "The Cherry Orchard" as an example, it explores the translator's "Chinese" interpretation of social issues; taking "Uncle Vanya" as an example, it explores the translator's "Chinese" interpretation of the mother-child relationship; taking "The Bear" and "Uncle Vanya" as examples, it explores the translator's "equivalent" reconstruction of cultural images.

In the late 1980s and early 1990s, Chinese society embarked on a new path of exploring a market economic system, and Chinese society as a whole began to enter a new period of comprehensive transformation. One of the important cultural phenomena during this period was the rise of urban culture and the prosperity of urban novels. In the process of urbanization, Chinese society in the 1990s gradually formed an urban consciousness centered on commodity concepts. This consciousness was not only different from the aesthetic value orientation under the rural cultural heritage, but also different from the ideology under the planned economic system. In such an urban cultural context, a new value concept exclusive to urban living space was formed, and an aesthetic psychology under the urban cultural background also began to be established. Literature reflects the changes of the times, and literature reflects human life. Urbanization is an inevitable stage of historical development and progress. Urban society, as a way of human existence and the stage of human life, its meaning and characteristics must be reflected in literature, that is, the generation of urban novels. In the new urban cultural atmosphere, urban novels have become a way for humans to observe their living environment and think about their own living conditions. Especially since the 1990s, the pace of urbanization has become faster and faster. Novels that reflect the changes in living space, life concepts, communication styles, thinking styles, values ​​and aesthetic psychology brought about by urbanization have also become more and more large-scale. At the same time, the expression of understanding, feelings and experiences of urban society has become more and more profound. The increase of urban writers and the richness of urban novel texts have attracted widespread attention from researchers, and the study of urban novels has thus entered a prosperous period. As a literary phenomenon that emerges with the times, urban novels have attracted much attention from researchers regarding their status and value in literary history. Various research methods and research perspectives, such as comparative literature, cultural studies, narrative science, psychoanalysis, new historicism, feminism, etc., Have been introduced into the field of urban novel research, which has deepened the research on urban novels since the late 1980s, especially in the 1990s.

Henry James is the founder of modern novels and modern novel theory. This book systematically explores the metaphorical thinking and metaphorical rhetoric characteristics of Henry James' plays and novels; analyzes James's introverted cognitive habits and the intellectual biological characteristics of the object of inquiry; and proposes that "Jamesian" is a "pre-affirmative mode" of literature, which has futuristic characteristics in style and language, calling for more understanding readers and critics to recognize it.

The 1920s was another large-scale "cultural renaissance" in the history of Russian literature after the Silver Age. At the center of this powerful hurricane of literary experiments was the literary group "Serapion Brothers". Their exploration and practice in the field of novels reflected various complex phenomena in the literary process at that time and had very important research value. This book mainly focuses on the theme of "inheritance and innovation". Starting from the historical context of inheritance, the literary code of inheritance, the theoretical preparation for innovation, and the artistic practice of innovation, this book makes a relatively complete and in-depth analysis of the literary exploration of the literary group "Serapion Brothers" in the 1920s, revealing the intricate origin relationships behind literary experiments and the fruitful results brought about by literary experiments.

This book places the study of Feng Xuefeng's relationship with Russian Marxist literary theory in the overall context of the relationship between foreign literature theory in the 20th century, historically examining the process of Feng Xuefeng's translation, acceptance, transformation and innovation of Marxist literary theory, while using case studies , comparative research and other research methods, systematically clarify the influence of Russian Marxist literary theory on Feng Xuefeng's literary criticism thoughts, comprehensively and in-depth grasp of Feng Xuefeng's literary thoughts, and objectively evaluate Feng Xuefeng's position in the nationalization process of Marxist literary criticism.

"The Great Earthly Poetry" depicts Wallace Stevens, the most powerful poet in the history of modern American poetry. From textual capture to poetic argumentation, it runs through Li Haiying's keen awareness of issues, vivid ability to be present, and wise insights. Between transcendence and empiricism, on observation and imagination, Stevens explores the "reality" of the "highest fiction", explores new physical properties and new spirituality, and achieves a "great earthly poetry", thus achieving two kinds of success: the successful realization of poetic meaning and the successful interpretation of poetics, and at the same time he obtains two kinds of values: poetic value and poetic value. "The Great Earthly Poetry" explains Stevens from three aspects: observing the poet's position in the context of modern poetry and the hidden and lasting influence it has had both locally and abroad; exploring the poet's posture and intention, and considering the poet's specific characteristics from the perspectives of ironclad thinking, observation methods, theme selection, lyrical dilemmas, and modern narratives. The author explores the essence of modern poetry as a whole, focusing on the long poems "Blue Guitar", "Imaginary Notes" and "Autumn Aurora", taking into account other texts and poetic conceptions, analyzing how the poet creates contemporary poetry that satisfies both reason and imagination, and establishes a poetry theory with the structure of reality as the central reference.

Liu Zongyuan was a famous thinker, politician and writer in the Tang Dynasty. He was one of the outstanding figures representing the ideological and academic achievements of the Tang Dynasty. This book introduces Liu Zongyuan's life story in detail, especially his political achievements and literary talent, against the broad social history and ideological and cultural background. On this basis, it also discusses in detail his theoretical achievements and contributions in philosophical thoughts, historical concepts, political thoughts, literary thoughts, and religious views. The book is rich in information, rigorous in research, detailed in explanation, and highly readable, reflecting the new level of Liu Zongyuan's research in the academic world at that time.

This book specifically discusses "archaic novels" in ancient Chinese novels, that is, non-vernacular novels mainly recorded in the sub-novel category. It strives to avoid the modern novel concept influenced by Western concepts. Starting from the traditional Chinese genre of "archaic novels", it examines the changes in the ancients' relevant understandings, the framework and evolution of its characteristics and connotations, and restores the historical reality. There are many innovations.

Tsinghua students are undoubtedly the best among their peers. Behind the blooming flowers is long-term accumulation, and there are wonderful stories behind the realization of the Tsinghua dream. In 2014, Tsinghua University continued to work with multiple media to launch the "Tsinghua 2014 Freshman Growth Stories". In addition, interviews and reports were conducted on outstanding Tsinghua students in 2016, such as special scholarship recipients. Now, the wonderful stories of these representative Tsinghua students have been collected and published in "I'm Waiting for You at Tsinghua (Third Edition)" to convey Tsinghua's diverse talent selection and education concepts to the public. In addition, the growth experiences of these outstanding students can also become role models and role models for young students, helping them grow better.

Poetry cannot be used as food, cannot solve employment problems, and cannot be expected to use poetry to transform society. Lu Xun said that a poem could not drive Sun Chuanfang away, but a cannon could drive him away. Except for a few periods, New Yuefu is not a highly rated poem. Poetry is not useful in those places. Poetry is like the breeze on the river or the bright moon in the mountains. It cannot fill the stomach, but it can cultivate people's sentiments and make them become poetic people. Poetic people do not regard life as a dry thing, know how to treat life well, and have less chance of suffering from depression. For poetic people, poetry is a spiritual home. Poetry education is ultimately a kind of aesthetic education. It teaches people to read poetry, love poetry, and understand poetry, but it does not require everyone to become a poet.

Spiders build webs at Sanjiangkou, and the water keeps pushing them into silk. It's like a poetic manifesto for the Internet age. "Some people write poems all their lives, but they don't know what poetry is." These words said by Song Moujun during his lifetime left a deep impression on me. "All good works tell people how to write." Therefore, Lu Xun never read books on novel methods. However, there was a young man in Tsarist Russia who once held up "A Simple Heart" and looked at the sunshine page by page, hoping to discover its hidden secrets. Those who have books can only say a few words to benefit people's minds - I have clearly read such a book. Wang Meng said: "The places where readers criticize you for being 'fake' are sometimes actually true records." Such words can really enlighten people.