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The book "Appreciation of Mao Zedong's Poems" selects Mao Zedong's poems, calligraphy, couplets, letters and other content. The explanations, annotations and comments on the poems are based on the principles of seeking truth, truth, novelty and beauty to fully demonstrate the most touching charm of the ideological and artistic nature of Mao Zedong's poems. At the same time, it is combined with Mao Zedong's poetry and handwriting to show the essence of Mao Zedong's calligraphy. In addition, a selection of some of Mao Zedong's couplets and his letters about poetry can fully demonstrate Mao Zedong's artistic views. Letting Mao Zedong's poems, lyrics and calligraphy return to the epochal sequence of the history of Chinese poetry and Chinese calligraphy in an atmosphere without publicity is a dual appeal for the clarity of the times and the self-confidence of the people; letting the appreciation of Mao Zedong's poetry and calligraphy become a common cultural meal for the Chinese public, with self-selection and self-taste, is an inevitable response to cultural dissemination and cultural acceptance.

Times are changing. The new era, new economic lifestyle, and new technical conditions have also prompted profound changes in the literary and artistic life of the people. When literature and art encounter new situations, what should we do? Some Western scholars have put forward the views of "the end of literature" and "the end of art". This "view of the end" actually reflects the changes in the three relationships between literature and art and aesthetics, the relationship between literature and art and the media as its carrier, and the relationship between literature and art and the concepts it reflects. Therefore, literature and art must adapt to new situations, and understanding literature and art also requires new knowledge. The necessity of letting the people master the knowledge about literature and art, and letting the people understand the new situation of contemporary literature and art, is becoming more and more urgent nowadays. Use easy-to-understand language to teach literary and artistic knowledge. It is actually not easy to turn the crystallization of experts' research results into the literary and artistic common sense of the people. It is very difficult to be light-weighted, popular but not superficial, cutting-edge but not impetuous, profound but not obscure. The principle of organizing the "Literary and Art General Books Series" is to ask everyone to write short books. The authors invited by the "Literature and Art General Series" are all famous scholars in related fields in academia. They are well-educated and have an in-depth understanding of the ins and outs of the subject. At the same time, they are academically able to both get in and get out. The purpose of the "Literary and Art General Books Series" is to build bridges from professional academics to the people in a language that the people can understand.

This book conducts a comprehensive investigation and analysis of the novels of Katherine Mansfield, a New Zealand-born British short story writer in the early 20th century, from the perspective of aesthetic modernity. The main contents include the aesthetic modernity of modernist literature, the relationship between Mansfield and modernist literature, the modernist style of Mansfield's novels, the modernist themes of Mansfield's novels and the modern aesthetic paradigm of Mansfield's novels. Through the investigation of the above issues, this book aims to illustrate that although Mansfield's novels are short stories, they embody a high degree of unity in form and theme, and have the characteristics of typical modernist literature. Formally, the unique modernist styles of Mansfield's novels such as structure, narrative, language, and discourse make them reflect the typical aesthetic paradigms of modernist literature such as irony, decadence, grotesqueness, and fear. Thematically, the expression of modern people's negative emotions such as trauma, depression, death, disillusionment, anxiety, and alienation, as well as the description of living conditions such as self-division, self-loss, and subjugation to things, make her novels implicitly negate and reflect on enlightenment modernity, highlighting the characteristics of aesthetic modernity.

This book describes and analyzes the evolutionary path and evolution characteristics of the basic elements such as theme, characterization, plot structure, and narrative mode of modern Xiaoxie novels from the classical paradigm to the modern paradigm, and then reveals and demonstrates the adjustment process and reasons of modern novels in terms of novel concepts, creative connotations, formal systems, language models, communication methods, writer teams, readership groups and other constituent elements. From this, four basic laws of the transformation of modern novels can be summarized: complexity and twists, gradualness, traditional regulation, and random motivation of explicit factors. This leads to the conclusion that the general theme of the era of transformation from traditional society to modern society is the fundamental driving force for all literature, including narrow evil novels, to move towards modernity. It provides a detailed empirical example and idea for further exploring the relationship between ancient and modern literature.

This book introduces academic discourses such as "cultural ecology" and "poetry character" to explore the "Song Xian spirit", "Song poetry paradigm", Song poetry "weather" and its development process contained in Song poetry, and explores the conditions, joints and generation mechanisms of Song poetry's characteristics and their development. The research conclusion of this book is that the "poetic character" of Song poetry, such as subject matter, themes, expressions, and poetic realm, as well as its development and change process, are closely related to the "cultural ecology" categories such as the political and cultural systems, political events, regional culture, poetry cultural functions, scholars' humanistic concepts, and Neo-Confucian cultural trends in the Song Dynasty. This book also explores the complex relationship between the cultural ecology of the two Song Dynasties and the character of Song poetry. It confirms that the basic ways and mechanisms of the relationship between the two mainly lie in: the identity of the social practice subject and the poetry creation subject, the poetry creation subject's cognitive function of poetry and poetry practice, and the practice subject who has both social practice and poetry creation identity to realize the connection between cultural ecology and poetry character in an aesthetic way. This book builds a research system based on "scattered perspective", refines research questions by focusing on "focus issues", strives to innovate the research structure, and deeply explores the major academic topic of "Song Poetry Character and Song Culture".

In the process of opening up to the wisdom of all mankind, contemporary Chinese literature must not only "think beyond the bounds" and draw from the vast ocean to seek new knowledge, but it also needs to have a clear-headed stance and critical attitude of "thinking about the past" and drawing on the past to enrich the present. In fact, contemporary literature contains the traditional roots of Chinese literature and the classical factors of artistic aesthetics, and has an inseparable flesh-and-blood connection with thousands of years of glorious classical literature, classical aesthetics, and classical literary theory. The inherent logical relationship between the two has rarely seen rigorous academic explanations and eloquent scientific judgments. Based on re-reading history, re-reading texts, re-examining issues, and re-investigating meanings, this book adheres to the academic proposition and original spirit of "respecting tradition and opening up gaps". It explores the development path of contemporary Chinese literature from the connection of traditional Chinese literary resources and the localization strategy of contemporary creation through four major chapters: "Connecting Tradition," "Continuation and Recall," "Wing Feng Zao" and "Sharing Time and Space." And aesthetic experience: from the integration of ancient and modern academic connotations, it interprets important propositions such as "Chinese character thinking", "landscape spirit", "classification" and "pursuit of the sublime", and embodies the "classical echo" through the analysis of typical cases: from the concern of the community of destiny for contemporary Chinese literature, it studies the literary phenomenon in Taiwan that follows the predecessors, so that they share the literary time and space of the great nation. This book pays attention to the integrity of cultural thinking and the richness of ancient and modern dialogues. It has a broad vision, a mixture of "virtual" and "real", and an elegant and smart writing style, making it a highly readable academic monograph.

This book is a collection of literary criticism written by Xing Xiaoli, editor of the "Novel Review" magazine of the Shaanxi Provincial Writers Association and director of the Literary Creation Research Office of the Shaanxi Provincial Writers Association. It contains more than 30 critical articles written by the author in recent years. The author analyzes and thinks about the current situation and problems of modern and contemporary literature from several aspects such as literature and the literary world, works of writers and artists, research on Chen Zhongshi, and travels in the literary world. He also analyzes and studies the works of writers. It is academic and readable.

In the 1970s, with the in-depth development of the feminist movement in Europe and the United States, African American feminist criticism began to make its own voice. Among them, bell hooks, the academic representative, increasingly became the focus of American criticism. This book first introduces the development of Hooks' thoughts, and then sorts out Hooks's black feminist criticism into four topics: black women's writing, black women's tradition, black women's images, and sisterhood, and critically reflects on them, which has great academic value.

The purpose of this book is to break through the usual ideological limitations, to sort out the relationship between literature and politics in the context of restoration of historical complexity, and to use the new novels from 1902 to 1911 as the object of analysis to discuss the political and cultural psychology involved in the construction of "modern nation-states". "The wind and rain are like darkness, and the cockcrow is endless" ("The Book of Songs? Zheng Feng? Wind and Rain"), the new novels of the late Qing Dynasty that existed in the process of China's modernization, with its dual characteristics of cultural anxiety and cultural self-consciousness, opened the logical starting point of the "Chinese Dream", as the saying goes, "Although Zhou was an old state, its destiny was restored" ("The Book of Songs·Daya·King Wen").

This book is a collection of more than 20 papers written by the author on topics related to Qing Dynasty literature. It mainly discusses some basic issues concerning the evolution of literary history and the development of literary criticism in the middle and early Qing Dynasty, and provides a logical analysis and explanation of these issues. The selected problem domain is not broad, but it also accommodates many elements of academic analysis. Among them, the core is the study of Wang Shizhen's poetic thoughts, Shen Deqian's poetic thoughts, Yuan Mei's poetic thoughts, the significance of Du's poetics in "Reading Du Xinjie", the literary criticism of "Sikuquanshu General Catalog" and the comparable topics extended from it. From them, we can fully understand the relationship between Qing Dynasty literature and the literature of previous dynasties; the relationship between literary development and the ideological trends of the times; the relationship between literary criticism and academic thought; the relationship between literary classics and literary acceptance, etc.

"Using things" is a common artistic technique in Chinese classical poetry. The poet quotes "stories" from the past to create semantic analogies with the content described in the poem, euphemistically conveying his own aspirations, forming an elegant and implicit artistic charm. A large number of ancient poetic works have conducted long-term discussions on issues such as the definition, status, rules and interpretation of verbs, forming rich theoretical resources. Based on this, this book analyzes and interprets, clearly clarifies and corrects the vague and ambiguous concepts of usage in ancient poetry, and initially cleans up and reconstructs the system of usage concepts in ancient poetry, highlighting its important position and significance in Chinese classical poetry and aesthetics. It then attempts to explore some basic laws and important traditions of Chinese poetry, and provides theoretical reference for understanding and appreciating the art of usage by famous ancient poetry masters such as Du Fu, Li Shangyin, Su Shi, and Huang Tingjian.

This book mainly studies Guo Moruo's historical dramas from the perspective of "internal" dynamics. Guo Moruo firmly believes that literature and art occur "from within", and its true meaning lies in expression. This understanding runs through his historical drama creation practice. Based on this understanding, based on the different stages of his historical drama exploration, this book attempts to find the dynamics and value basis of his creation from the development and changes of his "internal" world, so as to re-analyze his historical drama. The development process of Guo Moruo's historical drama creation has been deeply marked by clear "internal" regulations, and hidden behind it is his spiritual redemption process facing history. For historical dramas, Guo Moruo closely integrated his thinking on the relationship between history, reality and art with his personal pursuit of life, making his historical dramas not only have distinctive personal colors, but also have universal social and cultural implications.

This book contains nineteen research papers on Russian-Soviet literature and literary theory by Mr. Wu Yuanmai, an expert on Russian-Soviet literature, which can be roughly divided into three parts: 1. Russian literature and literary theory in the 19th century, Russian-Soviet literature and proletarian literature at the turn of the 19th and 20th centuries, and research papers by important theorists. 2. Research papers on Russian-Soviet literary trends and theoretical criticism (1820s-1880s). 3. Research on writers (Ehrenburg and Trifonov).

This book aims to systematically, objectively and aesthetically discuss the literary characteristics, poetic space and artistic direction of "Zuo Zhuan" that have influenced later generations for thousands of years. "Zuo Zhuan" was produced in the context of the decline of aristocratic families and the rise of noble families, and was deeply nourished by the spirit of "Zhouyi", "Shangshu", "Book of Songs" and other classics. "Zuo Zhuan" is an important classic in the history of Chinese culture that combines classics, history, and literary values. On the way to trace the literary origins of "Zuo Zhuan", this book restores its literary thoughts of respecting etiquette, expressing ambitions in poetry, and trying to seek "immortality" through "establishing words". It also explores its literary style of non-linear narrative based on linear time, perfectly combining the "fact" of history with the "virtual" of text, and expressing one's feelings directly in the way of "Junzi said". It reviews It uses "Spring and Autumn writing style", a rhetorical approach mainly alternated with parallel prose and admiration for Spring and Autumn rhetoric. While appreciating Zuo's "people-oriented thought" and "advocating hegemony consciousness", we also get closer to Zuo's sophisticated pen to recreate it for us. The images of men and women with different personalities and complex shapes in the Spring and Autumn Period are presented, and their "avoiding crime" and "idle brush" techniques show the endless ingenuity and intrigue behind the waving flags, swords and swords on the battlefield in the Spring and Autumn Period. In short, "Zuo Zhuan" has established its immortal literary status with its jumping style, soothing rhythm and long lasting charm. It is the source of historical biography literature, the model of prose justice and the foundation of classical novels.

This book deeply reveals the rich cultural connotation of ancient Chinese novel texts through a systematic and comprehensive examination of novelists and commentators' knowledge and literacy in Confucianism, history, prophecy, arithmetic, natural history, religion (Buddhism and Taoism), prose (classical prose and eight-legged prose), poetry, parallel poetry, and quxue. It also explores the material selection trends of ancient Chinese novelists. The cultural origins of plot construction, characterization techniques, creative motivations, novel expression forms, artistic systems, etc. Are discussed. The close relationship between the critical theoretical resources of novel critics and their cultural literacy is discussed, which enables us to have a more comprehensive and profound understanding of the cultural motivations for the occurrence, development and generation of ancient Chinese novel creation and criticism.

This book takes the inner connection between the "soul storage concept" reflected in the epic "Gesar" and the "holy mountain and holy lake" as the research object. It integrates text analysis, theoretical thinking and cultural interpretation into the study of cultural ecology of "man and nature", expanding and deepening the research on the epic "Gesar". This book mainly involves two working languages ​​and a large number of first-hand Tibetan documents and field materials. It provides Latin transliteration and annotation of numerous Tibetan terms and special vocabulary in the epic writing. It practices a work method worth advocating in the study of Tibetan epics, showing that the author has a profound foundation in Tibetan language and a prudent scholarly attitude. This book has a reasonable topic selection, a novel perspective, a clear problem awareness and a broad academic vision. It reflects the academic consciousness that contemporary ethnic scholars should have, and has a considerable role in promoting the study of the "Gesar" epic.

This book takes Du Fu's resignation from Huazhou after the Beginning of Autumn in 759 AD and headed west to Qinlong as the starting point of the narrative. It ends with Du Fu leaving Tonggu in the winter of that year, entering the Shu Road and heading south to Sichuan. It uses Du Fu's life and creation in Gansu for nearly half a year as the narrative time and space. In order to realize the basic intention of writing this book - to clearly reproduce Du Fu's journey to Longyou in those years and sort out the academic differences in the previous research on Du Fu's Longyou poems, this book uses literary means such as scene reproduction to describe Du Fu's whereabouts and life in Longyou in detail, while also launching a large number of thematic discussions on the academic issues involved in the description. Therefore, literary description and academic expression are interspersed and rhythmic with each other. The first feature of the book is that it reads in an orderly and dry manner. The second feature of this book is that it actively expands some novel topics in the study of Du Fu Longyou's poems, such as the folk writing and common people's feelings of Du Fu's Longyou poems, the life experience and thoughts of Du Fu's close friend Ruan Fang in Qinzhou, "The tail of seclusion" in Du Fu's Longyou poems, Du Fu's "medicine life" and "eye life" in Longyou, the "always agile" writing characteristics of Du Fu's Longyou poems, the new world of poetic imagery in Du Fu's Longyou poems, etc.

This book mainly examines the relationship between the characters, stories and human geography phenomena in "Journey to the West" and the culture of the "Greater Western Regions". This book believes that the character prototypes, event motifs, and narrative features in "Journey to the West" are deeply influenced by the culture of the Western Regions. "Journey to the West" is the crystallization of the mutual integration of the culture of the Middle Earth and the Western Regions. This book is innovative in the collection, sorting and interpretation of new literature, the perspective of new perspectives and the comprehensive application of interdisciplinary methods.

This book takes the famous contemporary British female writer Doris Lessing's series of science fiction works "The Old Man of Southern Ship: Archives" (also known as "space novels") as the research object. It uses a variety of literary theories to try to reveal the cultural and political significance of Lessing's white British identity and colonial growth experience, deconstruct the grand narrative contained in the "space novels", and discover the colonial thoughts hidden in it.

This book selects 130 novels from the late Qing Dynasty and the early Republic of China, examines their version status, and briefly introduces relevant information. It attempts to provide some reliable information for readers to understand novels from the late Qing Dynasty and the early Republic of China (including creation and translation), and also lays a foundation for the academic community to correctly evaluate novels from the late Qing Dynasty and the early Republic of China. Compared with similar results, the old novels selected in this book have distinctive characteristics, being both extensive and representative, rich in historical data and academic, and popular and interesting with pictures and texts.

This book first gives a brief introduction to the life and works of Doris Lessing, and then divides the beauty of language in some of Lessing's works into six categories: the beauty of sound and color, the beauty of connection, the balance of language, the emphasis of language, the beauty of changes in language, and the implicit beauty of language. , And provide a more systematic analysis of twenty-one rhetorical devices that Lessing skillfully used in his works, on which various types of language beauty are realized. The analysis of each rhetorical device is centered on example sentences, combined with the context, and analyzes the literary effect from the perspective of language beauty. This book can help readers of Lessing's works appreciate the literary effect and linguistic beauty in his works from a rhetorical perspective. It can also help English majors learn more about and better master English rhetorical means and improve their language appreciation ability.

Li Zhiyi is famous for his "Bu Suanzi" ("The King Lives at the Head of the Yangtze River"). He is a member of Su Shi's literati group. He was dismissed from office for joining Su Shi's shogunate, and was arrested and imprisoned for Fan Chunren's suicide note and deeds. In his later years, he was exiled to Dangtu. Li Zhiyi traveled extensively throughout his life, traveling north and south. He once participated in the torrent of Yuanyou's poetry creation, and sang and responded to the masters of Su Shi's literati group. In his later years, he settled in Dangtu and was admired by young students as a disciple of Su Shi. This book uses detailed historical materials to explain the life of the Northern Song Dynasty writer Li Zhiyi and his friendship with Su Shi, Qin Guan and others. It also discusses Li Zhiyi's academic and literary thoughts. It also makes a detailed appreciation and analysis of the artistic characteristics and influence of his Yuefu poems, ancient poems, rhymed poems and quatrains against the background of the Northern Song Dynasty poetic style. It not only reveals the trend of the times, but also explains his personal characteristics and highlights his unique characteristics in pastoral poems and epic poems. Li Zhiyi's poetic theory is comprehensively discussed based on his poems, letters, inscriptions and postscripts and other related discussions, combined with the records of poetry talks in the Song Dynasty and the characteristics of Li Zhiyi's poetry itself. Li Zhiyi put forward the view that Ci "has its own style" in "Postscript to Wu Sidao's Xiaoci", expressing the ideological thought of Ci that insists on the characteristics of Ci. This book examines historical facts, embodies his artistic characteristics, and makes in-depth analysis of his lyrics.

This book is the final result of the National Social Science Fund Project "Research on Feng Menglong's Literary Activities" (Grant No. 08BZW042). Feng Menglong was a diligent and productive writer and scholar. He compiled seventy to eighty works in his life and left us tens of millions of words of works. His writings cover classics and history, poetry, drama, novels, folk songs, jokes and many other fields. The academic research on Feng Menglong focuses on the "Three Characters" and rarely touches on his chapter novels, classical Chinese novels, legends, folk songs and jokes. This result is of great significance for deepening Feng Menglong's research and expanding the research space of popular literature.

Chen Zhongshi is a Shaanxi writer who started writing before the "Cultural Revolution". He adheres to the literary belief of "only about hard work, not about harvest" and has completed the transformation from an educated youth who returned to his hometown to a professional writer. His masterpiece "White Deer Plain" is known as "the European and Western countries in the West, even though Balzac and Standal refused to give in," the "wonderful book of the generation" and the "secret history of the nation". This book is the first "critical" academic monograph to comprehensively examine Chen Zhongshi and his creations. The time span is from before the "Cultural Revolution" to the 21st century. The writing categories include novels, essays, and creative talks. The book uses detailed information, rigorous argumentation, and simple and clear words to systematically sort out the general context and entire process of Chen Zhongshi's literary activities and creative experience. It examines Chen Zhongshi and his creations in the context of contemporary Chinese literary history and even world literature. Through his growth experience and Summarize the creative experience, explore the artistic rules and literary value of his creation, and thus have a macro grasp of the evolution of contemporary literary creation in Shaanxi, outline the development of contemporary Chinese literature, and especially point out the inspiration and reference significance of Chen Zhongshi's creative experience for the growth of future writers. Literary works are autobiographies of writers. This book is based on commentary, and through the analysis and interpretation of "White Deer Plain" and other works, it explores the history of Chen Zhongshi's life experience and spiritual fission, so as to reflect on the vicissitudes of Chinese society since the founding of New China and its impact on Chen Zhongshi's literary creation. This reverse thinking and research of "work-writer-society" is an exploration and attempt with practical significance.

Jiang Yan (444-505), courtesy name Wentong, was a famous writer in the Southern Dynasties. He made outstanding achievements in various literary creations such as poetry, fu, and prose. However, throughout the ages, the perspectives on its research have mostly stayed on individual issues and individual chapters, and rarely examined its literary creation as a whole. This book starts from the five major themes of relegation, sentimentality, Confucianism, Buddhism and Taoism, stylistic awareness, and artistic thinking, and conducts an overall study of his literary creation. At the same time, he makes necessary comparisons with his contemporary writers, and makes a diachronic sorting, tracing back to the source, and following the trends, in order to give an accurate historical positioning to his literary creation.

This book interprets several important works of Canadian writer Margaret Atwood from the perspective of cultural studies, explores the author's thoughts on society, the subject's mental state, and human survival conditions reflected in the novels, and expounds Atwood's thoughts on the inherent relationship between the social and cultural functions of literature and its humanistic expression. This book's study of Atwood's cultural and social thoughts includes a three-dimensional analysis of individual spirit, social existence and human condition. It is mainly based on French philosophical thought and combined with Canadian social and cultural reality to interpret the social and humanistic care in Atwood's novels, involving themes such as nation and country, power structure, psychoanalysis, society and ideology, scientific and technological humanities, posthumanism and other themes. By elaborating on the relationship between writing and society and the writer's responsibility, this book explains the ethics and social responsibility in Atwood's works. Atwood not only expresses great concern for the nature of human nature, but also expresses concern for Canada's nation, national identity, human spiritual conditions, and even environmental ethics, ecological crisis, and post-human future society. By exposing the social and political issues and cultural crises in reality, Atwood looks forward to the utopian ideal of the future and makes profound thoughts on human nature and culture. These reflect the author's thinking and implementation of the social function of literature.

This book contains a total of three sections. "Plain Songs" selects several poets with the most typical significance in the history of ancient Chinese poetry. Through the analysis of their poetry creation, it explores the literary historical significance of ancient China's plain poetry style and the poet's mentality, and explores the aesthetic value it represents and embodies; "The Afterglow Scattered into Qi" briefly combs the institutional origin of ancient Chinese prose. , Explains the characteristics of various literary styles, and on this basis outlines the history of the development of ancient Chinese prose creation, and explores the characteristics of each stage of its ups and downs; "Social Roles and Literary Activities of Literati in the Mid-Tang Dynasty" focuses on several representative social roles of literati in the Mid-Tang Dynasty, and explores the interactive relationship between social roles and literary activities and the mentality of scholars.

The writing style of this book is consistent with the author's other book "Tangren Quatrain Enlightenment". The author selects the lyrics of more than a hundred poets from the Tang and Song Dynasties, explains them one by one, talks about the development process of the lyrics, the artistic characteristics of the lyrics, the poet's mood and feelings, and the writing is smooth and clear as words. This kind of enlightenment explanation has a profound impact on the education of young people.

In 1945, Maugham responded to the request of "Red Book" magazine to list what he considered the world's top ten novels, and attached ten thoughtful reasons for the recommendations. Shortly after the book list was published, it aroused enthusiastic responses from readers, and "Ten Novels and Their Authors" was born. More than seventy years later, Maugham's recommendation of the top ten novels in the world has become an immortal classic in the literary palace, and this collection of reviews written by him has also maintained its enduring charm and has been regarded as an introductory guide to literary reading by generations of readers.

Ancient novels have always been an important branch of ancient literature, but compared to the study of ancient poetry, the research on ancient novels is slightly weaker. This book is compiled from the "Series of Discussions on Frontier Issues in Ancient Novels" column run by three experts on ancient literature, Liu Yongqiang, Pan Jianguo, and Li Pengfei from the Department of Chinese Language and Literature of Peking University for ten consecutive years in the Journal of Peking University. It explores basic issues in the study of ancient novels in the form of dialogue, including style, style, structure, plot, etc., And generates many new ideas and perspectives. It is very enlightening and has certain cutting-edge reference value for ancient literature research. The so-called cutting-edge issues are not necessarily the current hot spots and cutting-edge research. They can also be the reflection and excavation of basic issues. And through such reflection and excavation, we may find that these complicated but connotative basic issues may still be the starting point or even the commanding heights of novel research.

A book that studies the Creation Society and Japanese literature. This book focuses on the relationship between Guo Moruo, Cheng Fangwu, Yu Dafu, and Zhang Ziping, the main early members of the Creation Society, and Japan. Starting from their study in Japan and extending to the period of World War II, it analyzes and criticizes their relationship with Japan in life, culture, literature, and politics from various angles. This book is based on the view of history that "there should be no gaps in history". Based on the principle of paying attention to historical materials and contemporary documents, this book uses comparative literature techniques to comprehensively examine the relationship between the early Creation Society and Japanese literature. It puts forward many new perspectives in order to fill the gaps in the research on the relationship between the Creation Society and Japanese literature.

This book is the first monograph by Chinese scholars to systematically study German Romanticism since the "spread of Western learning eastward" in the mid-19th century. Not only does he thoroughly study the history of the formation of German Romanticism, he also puts German Romanticism into the broad perspective of the Enlightenment, German classical literature, and contemporaneous Slavic-speaking world literature, English-speaking world literature (including North American literature), Romance-speaking world literature, Nordic literature, and other literature related to it. What is even more valuable is that this book has unique insights into the historical debate about German Romanticism. It is convenient for readers to grasp German Romanticism in one book, and it will also help promote in-depth research on German Romanticism in Chinese academic circles.

Although youth literature has always been favored by young people, who has tried to enter the author's world? This book divides writers born in the 1970s and 1980s into several types: traditional writers born in the 1970s and 1980s, youth writers born in the 1970s and 1980s, and alternative writers born in the 1970s and 1980s. Let's step into their world.

Starting from the starting point of New World Literature, this book covers the development history of rural areas, prose, novels, drama adaptations, etc., As well as the current situation of the new century and predictions of future development trends. It is the best reference document for comprehensively studying the history of literature in the new century.

"Xiao Chuang You Ji" was written during the Tianqi period and was written by Lu Shaoheng. Together with "Cai Gen Tan" and "Wei Lu Night Talk", it is also known as the three great books on life. The original name of this book was "Zuigutang Jiansao". Booksellers in the Qing Dynasty attached it to the name of Chen Jiru, a Ming Dynasty man, and renamed it "Xiao Chuang You Ji" and published it separately. It has been widely circulated. As a result, many people who came later did not know the original author. This book was written by Lu Shaoheng when he was living in Beijing. He was inspired by the world's customs. He extracted exquisite words and phrases from more than fifty classics and historical collections, divided them into twelve volumes, and compiled them into a book for self-examination and self-entertainment. It is a short essay of aphorisms and aphorisms. The content mainly explains the feasible methods of cultivating one's mind and dealing with the world. It provides valuable life experience for later generations and reflects the noble character cultivation of ancient literati.

The draft "Listening to Professor Li Yining Lecture on Poetry" is compiled based on Li Yining's class notes on Tang poetry and Song poetry. The full text is divided into three chapters. The first chapter summarizes the realm of understanding poetry, including poetry creation and the main classification of poetry; the second chapter specifically discusses Tang and Song poetry, Five Dynasties Song poetry, Jin and Yuan poetry, and Ming and Qing poetry; the third chapter analyzes the themes and feelings of Li Yining's poetry creation. This book is the first systematic compilation of Professor Li Yining's poetry, and reflects Professor Li Yining's in-depth and unique insights into the nature of poetry, poetry genres, and poets' achievements.

This book is selected from the works on Song Ci that the author has accumulated over many years of teaching and research work. It has already become the authoritative version of Song Ci appreciation anthologies. "Appreciation of Song Ci" abandons the politicized criticism model and returns to the path of criticism that focuses on the aesthetic characteristics of literature and analyzes the artistic skills and literary value of lyrics.

"Knowledge of Chinese Literature" mainly includes the development history of Chinese literature, ethnic and folk literature, Hong Kong and Taiwan literature, myths and legends, poetry and prose, sanqu and lyrics, novels and essays, fables and sketches, notes and travel notes, couplets and inscriptions, etc. It is highly literary, readable and informative. It is a good reading for our readers to understand Chinese literary works and improve their literary quality. It is also the best version for libraries at all levels to collect.

"How Deep the Red Is - An Aspects of "A Dream of Red Mansions"" is the culmination of Mr. He Xinmin's more than 30 years of research on "A Dream of Red Mansions". The book has a systematic and unique review and analysis of the author of "A Dream of Red Mansions", the origin and development of "Redology", the ideological connotation of the work and its aesthetic and philosophical value, the artistic achievements of the novel, the characters of "A Dream of Red Mansions", and the important plots of the work. In addition, this book also introduces the little-known academic contacts between the author and famous "Red Scholars" Zhou Ruchang, Hu Wenbin, Xue Ruisheng, etc., Which can enhance readers' enjoyment. The writing of the book is fluent, the language is fresh and interesting, and it combines scholarship and readability. It can be regarded as a popular work of "Red Studies" that can be appreciated by both refined and popular people.

In the more than two hundred years since Australia was named, Australians have invented their own cultural traditions and many national myths. These myths include "the discovery of Australia's unclaimed land by white Europeans", "the Australian bush myth", "Australia is white people's Australia", "the myth of Australia's happy lifestyle", and so on. Peter Carey, a famous contemporary Australian writer, conducted a series of deconstructive activities on these myths constructed by Australian society and history in his novels. As a spokesperson for national culture, Carey is committed to exploring the most common and fundamental social issues in Australia, namely the complexity, ambiguity and uncertainty of national identity, national identity and cultural identity. This book starts from the Australian-British and Australian-American relations reflected in Carey's novel creation, and studies identity issues such as the crisis and turning point of Australia's national identity, the ambiguity and clarification of national identity, the dilemma and transcendence of cultural identity, and Australians' exploration of self-identity.

This book takes the Chinese literary creation of contemporary Taiwanese ethnic minorities as the main research object. It uses theoretical knowledge such as ethnicity and cultural anthropology to conduct research on the historical origins, development patterns, aesthetic qualities, development dilemmas and significance of contemporary Taiwanese ethnic minority literature on the basis of comprehensively grasping the development of multi-ethnic literature in China and the changes in social and ethnic relations in Taiwan. This book deepens the understanding of Taiwanese literature and opens up a new field of research on Chinese ethnic minority literature.

This book uses the form of a ramble to focus on the poet's life course, the connotation of his works and the performance of his poetic art, with an emphasis on artistry, storytelling and interest. Each of the short essays included throughout the book deals with a poem, or a specific event. You can appreciate the essence of the work by reading each chapter separately, and you can understand the poet's life experience and personality by reading them together. It is both a very good cultural sketch and an academic sketch, and is very suitable for readers with middle-level education.

The main part of this book was serialized in a newspaper supplement. After being compiled into a book, it is quite popular among readers from all walks of life. The whole book "A Dream of Red Mansions" is simple and easy to understand, not branching out, full of eloquence and eloquence. It provides precise explanations and comments on the characters, stories, and writing techniques of "Dream of Red Mansions", including "Dream of Red Mansions".

"Jin Ping Mei", written in the Ming Dynasty, is China's first full-length social novel. It relies on historical books and borrows the story of Ximen Qing and Pan Jinlian from the novel "Water Margin" to extend the story. It writes about the lives of ordinary people in the city. It reflects the darkness and corruption of society by writing about Ximen Qing's family, setting a precedent in the history of Chinese novels. This book analyzes Jin Ping Mei from an aesthetic perspective, starting from breaking down the theme and explaining in detail the temperament and destiny development of each character in the book. Lead readers to know a more realistic "Jin Ping Mei".

This book is full of passion and covers the rise of Buddhism and the spread of Western learning to the East. It has a broad vision. The appendix is ​​"Introduction to the History of Chinese Thought in the Seventeenth Century". The two books are combined, including its ideological background, academic methods, national thoughts, philosophical thoughts, historical thoughts, and political thoughts, all analyzed one by one, with frequent and fascinating insights.

This booklet contains a total of seventeen articles. Among them, six are "Introduction to the Legends of the Tang Dynasty", "From the Problem of Guan Yu Mi Heng to the Analysis and Evaluation of Historical Figures", "Wu Jingzi and His Scholars", "Three Heroes and Five Righteousnesses", "The Strange Current Situation Witnessed in Twenty Years", and "The Flowers of the Sea of ​​Evil". These two small books have been out of print for a long time. Now, the above-mentioned articles have been revised and included in this book as a few footprints in the author's journey of developing classical novels.

The whole book provides a panoramic review of the works of Yugui writers in the past dynasties, and conducts detailed analysis and interpretation of representative writers' works. This paper uses the relevant theories of literary geography to focus on exploring the unique role played by Guangxi's unique natural environment and humanistic environment on the emergence and development of Yu-Gui literature. It also classifies and explains the transformation of Yu-Gui literary creation from a diachronic perspective, and discusses the status of Yu-Gui literature in literary history and its influence on later literary creations.

This book presents the general process of writing the history of Chinese new literature at home and abroad from 1919 to 1949 in a chronological form. On the one hand, the collected literary history works and literary history papers are displayed in chronological order, and their authors, publishers, publication times, editions, formats, page numbers, word counts, etc. Are introduced, and their important innovations are commented upon. On the other hand, this book divides the 30 years of writing on the history of Chinese new literature into three periods and compiles them into three chapters. Each chapter begins with an overview of the development and paradigm characteristics of China's new literature history writing in each period, and the last chapter summarizes the historical rules of China's new literature history writing. This book will also appropriately mention the major political, economic, and cultural events that influenced the writing of China's new literary history, in order to explain the internal and external reasons for the changes in the writing of China's new literary history.

This book, represented by the narrative poems of more than fifty modern poets such as Zhang Weiping, explores and studies the creation overview, artistic characteristics, development trajectory, significance value, narrative consciousness and other issues of modern narrative poetry, and strives to summarize and depict the overall overview and regular characteristics of the development of modern narrative poetry. In terms of content and theme, modern narrative poems not only focus on reflecting social people's livelihood and paying attention to major historical events, showing creative characteristics closely related to the situation of the times; they also focus on depicting the fate of individual lives, creating colorful characters, and showing a creative tendency that is life-oriented and civilian-oriented. It not only comprehensively reflects domestic social life, but also begins to open its eyes to the world and depicts what is experienced outside the region. In terms of poetic characteristics, Yuefu narrative poems mostly use objective scene narratives, focusing on the concern and description of social issues. Five-character narrative poems often use self-narrative or witness narratives with strong subjectivity and individuality, which can not only describe social issues, but also show personal life. The performance mode of the Seven-Character Song Line is somewhere between the two, and its performance function focuses on depicting various characters and telling legendary stories. Narrative poems mostly use combined narratives of scenes from different time and space, and their expressive functions are extremely wide and have the characteristics of series and scale.

The exploration of the nature of space runs throughout Calvino's novel creation. The writer tried to create different spatial forms at different times to convey his understanding of the world. Compared with other writers of his generation, he is not an experiencer of space, but a shaper of space and a reflector of the concept of space. This highly speculative exploration of space makes Calvino unique among many space writings. This book combines Calvino's eleven representative works from different periods into a whole. Taking spatial form and subject anxiety as the research goals, this book outlines the evolution of Calvino's spatial concepts and the growth process of subject thought contained in them.