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"Three Hundred Tang Poems" compiled by Hengtang Tuishi (Sun Zhu) is moderate in length, and includes a wide range of authors. It also covers a variety of different poetry themes. It does not omit the most popular works. After more than 200 years, it is still in a new light and continues to play its role in enlightening ancient Chinese poetry and inheriting traditional culture. In "Three Hundred Tang Poems" of the "CITIC Classic of Chinese Studies", scholars Kang Zhen and Chen Poru not only translated and annotated it, but also added a modern interpretation, giving the ancient classics a modern flavor and new ideas.

Tang poetry and Song lyrics are precious heritage of Chinese traditional culture, a vast palace of literature and art, and an admirable peak in the history of Chinese literature. It can enrich people's knowledge, cultivate people's sentiments, and enrich people's spirit. This book selects the most representative chapters of Tang poetry and Song Ci, and provides precise explanations through the author's introduction, original text, annotation, and appreciation sections, so that readers can better understand the aesthetic connotation of Tang poetry and Song Ci, thereby enhancing their inner humanistic cultivation.

In the treasure house of literature and art in our country, there is a dazzling pearl, and its name is The Book of Songs. The Book of Songs is not only an artistic treasure of the Chinese nation, but also an artistic wonder blooming on the world literary stage. Literati and poets of all ages all drew nourishment from the Book of Songs and infiltrated it into their own works. What kind of work is "The Book of Songs" that has such a fascinating charm? Read this book and you will find the answer.

A basic reading book of traditional Chinese ancient poetry and prose. A basic reading book of traditional Chinese ancient poetry. A basic reading book of traditional Chinese ancient poetry. A basic reading book of traditional Chinese ancient poetry.

This book introduces the representative lyrics of 22 famous poets in the Song Dynasty, mainly with the theme of love. By introducing the representative works of each poet in each period, the author integrates life themes such as love, life, ideals and aspirations, and presents each poet to the readers in many aspects; at the same time, the author also adds his own comments and insights. The first half of "The Beauty of Song Ci (Emotions Are Deep in the Ci)" mainly talks about male poets, and the second half talks about female poets. The text in the book is delicate and soft, and at the same time, the author's positive and optimistic attitude towards life is revealed between the lines, making it endlessly interesting to read.

In the vast sea of ​​poetry of the Tang Dynasty, the author Jian Mo captured 30 distinctive poets, and used a poem from each of them that was not common but condensed the poet's temperament as the title. Using a poem as a window, he gently opened "The Beauty of Chinese Culture·The Beauty of Tang Poetry: Singing the Tang Dynasty with Joy", and the gorgeous poetic sky of the entire Tang Dynasty came into view. In this starry field, time and space are intertwined. The lives or fragments of poets who shine with spirituality and talent are staged like historical dramas, flickering and dying, but their chants and singing are shining with poetic brilliance, which has lasted for thousands of years.

This book uses the romance and classic poems of poets of the Tang and Song Dynasties as clues. Through interesting interpretations of the poets of the Tang and Song Dynasties and their popular poems, it tells the unknown stories behind the famous poets and their poems, often with remarks about people and the world. At the same time, the author combines the life background, character, education, emotional experience and other aspects of these poets to explore the development and evolution of the art of poetry in the Tang and Song Dynasties and the philosophy of life contained in the poetry.

This book is compiled based on the lecture notes given by the famous writer Chen Qinghua in some colleges and universities and various reading clubs. The author uses the romance and classic lyrics of the poets of the Tang and Song dynasties as clues, and through an interesting interpretation of the poets of the Tang and Song dynasties and their popular famous poems, tells the unknown stories behind the famous poets and their poems, often making remarks about people and the world. At the same time, the author combines the life background, character education, emotional experience and other aspects of the poets such as Wen Tingyun, Li Jing, Li Yu, Liu Yong, Fan Zhongyan, Zhang Xian, Yan Shu, Song Qi, Ouyang Xiu, Wang Anshi, Yan Jidao, Su Shi, Qin Guan, Zhou Bangyan, Li Qingzhao, Jiang Jie, etc. To explore the development and evolution of the art of poetry in the Tang and Song Dynasties and the philosophy of life contained in the poetry.

He is a talented poet who uses dreams as a horse. In his years of poetry and wine, he fully demonstrates the elegance and chicness of a poet. He is the emperor who guides the country, enjoys prosperity, and enjoys the supreme rights of a king in a huge empire. When two lives are intertwined, they form a huge contradiction. No one understands the poet's coolness as he chants the wind and moonlight in the golden palace, and no one understands the loneliness of the emperor under the waning moon in the morning breeze on the bank of willows. Therefore, he went towards the destined ending without any excuse. He failed the country and was misunderstood by the country. Time flies by for a hundred years, and history has sealed the past. Fortunately, his poems have been passed down through the ages. Let us follow the joy and sorrow in his writing, revisit the life trajectory of this "Emperor of Ci", and taste his joy and sorrow.

A person who has been molded by the times and worked hard to mold the times. Through his poetry, he sends out a battle cry, which will forever inspire generations of Chinese people to move forward bravely. Read the classic articles of a generation of patriotic poets and appreciate the ups and downs of official poets' lives.

A person who has been molded by the times and worked hard to mold the times. Through his poetry, he sends out a battle cry, which will forever inspire generations of Chinese people to move forward bravely. Read the classic articles of a generation of patriotic poets and appreciate the ups and downs of official poets' lives.

Nalan Rongruo, the last poet, is a passionate and handsome young man, born to be transcendent and refined. He is good at riding, shooting, and fighting. He is the first-class bodyguard of the Manchu Zhenghuang Banner. He has a passionate scholar in his heart. He once said: "I am a melancholy guest in the world, not a wealthy flower in the world." The bells and cauldrons in the golden-stepped palace did not make him feel happy, but became his biggest burden. Throughout his life, he took elegance as his life, was unruly and uninhibited, and made friends with commoner literati who were out of place in the world. He writes with ink and letters, blows flowers and chews pistils, and expresses his sincere feelings with his sincere words. A confidante, a first love, a loving wife... He has experienced many unforgettable women, but they left him again. He has always been a melancholy and lonely person. This book will take poetry as the main line to tell you the loneliness and sorrow in the life of Nalan Rongruo, a passionate poet.

This set of books can not only be used as a reference book for primary and secondary school students to learn idioms, but also suitable for readers of different levels to read as stories. It has wide applicability. Therefore, this set of books is very suitable for reading and collection by readers, and is also very suitable for collection and display in libraries at all levels.

"Poems of a Thousand Families" is an anthology of metrical poems with an enlightening nature during the Ming and Qing dynasties in my country. Because most of the poems selected in it are famous poems from the Tang and Song Dynasties, they are easy to learn and understand, and have a variety of themes: landscapes and pastoral, farewell to friends, homesickness and nostalgia for people, mourning the past and regretting the present, chanting objects and paintings, and serving banquets. They relatively widely reflected the social reality of the Tang and Song Dynasties, so they were widely circulated among the people and had a profound influence. Although it is known as Qianjia.

Chinese traditional culture is vast, profound and all-encompassing, far beyond what can be covered in one book. This series only selects some of the contents and introduces them in categories. The authors we invited are all professional researchers in various fields. Behind each short text there is actually years of accumulation. They strive to make these texts clear and simple yet rigorous and accurate. At the same time, we paired some texts with pictures to help readers form a more intuitive impression. No matter what degree you have, no matter what age you are, no matter what career you are engaged in, as long as you are a lover of traditional Chinese culture, you can get what you want from this book.

"Most Reminiscent of the Western Window and Cutting Candles: The Complete Collection of Nalan Rongruo's Poems" collects Nalan Rongruo's poetry works. "Most Reminiscent of the West Window Cutting the Candle: The Complete Works of Nalan Rongruo's Ci" includes works such as Dreaming of Jiangnan·Jiangnan is Good, Jianye Old Chang'an, Dreaming of Jiangnan·Jiangnan is Good, The City Tower is Scenic, Dreaming of Jiangnan·Jiangnan is Good, Nostalgia Who Passes on, Dreaming of Jiangnan·Jiangnan is Good, Hufu Late Autumn, Dreaming of Jiangnan·Jiangnan is Good, Really Come to Liangxi and other works.

The book "Red Classic: Intelligent Reading of Mao Zedong's Poems" was recently published by the Chinese Communist Party History Press. More than 60 popular Mao Zedong poems are interpreted with philosophical wisdom. While appreciating the lofty and extraordinary conceptual world of poetry, we also appreciate the spiritual connotation of poetry, express the great man's magnificent revolutionary momentum, romantic revolutionary feelings and vivid revolutionary temperament with new feelings, and then demonstrate profound and unique analysis and dialectical and wise thinking.

The beautiful and vivid words, concise and popular language, and pictures and texts in "Chinese Culture Knowledge Reader - The Forefather of Five Characters through the Ages: Nineteen Ancient Poems" comprehensively display to readers the key points of knowledge such as material culture, institutional culture, behavioral culture, and spiritual culture in Chinese culture.

The poems selected in this book are all classic works of Song poetry with profound thoughts, beautiful words, high realm and wide spread. In addition to detailed annotations, each poem also has commentary, suggesting the perspective and level of appreciation, guiding readers to use their active thoughts and swim in the vast ocean of poems.

This book is based on "Quan Yuan Sanqu", "Yuan Opera Selections", and "Yuan Opera Selections", taking into consideration various works, and compiling all the editions. The selection of annotations has expanded the selection of authors, including more than 400 works by more than 110 writers from the Yuan, Ming and Qing dynasties, and is accompanied by biographies of the authors.

This book selects the works of Qu Yuan, Song Yu, Jia Yi, Zhang Heng, Cao Zhi, Su Shi and others, and tries to use ancient book versions. Ancient names of people, places and special words still use the original characters without changing to simplified characters. It is organized according to the author's introduction, text, notes and comments. It aims to guide readers to feel and think for themselves and benefit from my country's excellent ancient literary works.

This book collects 326 poems by 139 writers of the Tang and Five Dynasties, including 3 works by 3 writers of the Five Dynasties. The arrangement of writers in this book is first assigned to a certain historical dynasty based on the year of their main activities. Within the same dynasty, the order is based on the year of birth. If the year of birth is not determined, the year of main activity will be considered. If two or more works by the same author are included, they should be arranged in the order of the relevant collection or individual collections as much as possible. Anonymous works are treated according to their position in the relevant collection. Each work in this book is listed with a two-word summary before the era and author to summarize the content. There are also columns for content, features, notes, appreciation, etc. For allusions and difficult-to-understand words, some are explained in the annotation column, and the other part is explained along with the text; the emphasis is on appreciation, one work at a time.

This book selects 89 paintings that are consistent with the artistic conception of Yuan operas from Ming and Qing painting collections such as "Tang Poetry and Painting Manual", "Poetic Painting Manual", "Paintings of Ancient and Modern Famous Masters", etc., And coordinate with each other. It contains 300 Yuan songs including Boyan's "Happy Spring is Coming" and Guan Hanqing's "Dade Song".

In "Liao Jiang Jin Se Ji Fleeting Time", An Yiru uses her consistently delicate and beautiful writing style to truly reproduce the poet's unparalleled talent and tragic and tortuous life through incisive analysis of Huang Zhongze's poems and life experiences, and by comparing them with the best poets and most classic poems since the Qin and Han Dynasties.

The thousands of years of splendid culture of the Chinese nation has been passed down from generation to generation, inherited and developed, influencing world culture, and is a shining treasure in the world's cultural treasure house. The poetry of the Tang Dynasty, the lyrics of the Song Dynasty, and the music of the Yuan Dynasty are the condensation and sublimation of the spirit of the times. They have strong artistic vitality and have been loved by the people for a long time. They are as beautiful as the towering mountains and the blooming flowers.

Song Ci is the pinnacle of art in the history of Chinese poetry. For hundreds of years, it has been loved by readers for its rich emotional connotations and unique artistic charm. This book selects classic works of Song poetry and provides detailed annotations and incisive comments, which will help readers better appreciate the charming style of Song poetry and enable readers to gain more life experience and beauty. Friends, if you want to have a deep understanding of the glorious culture and art of the Song Dynasty, if you want to appreciate the charming style of Ci that is different from poetry, if you want to get more life experience and the cultivation of beauty, please take a tour in the wonderful realm of Song Ci! I believe you will definitely gain something.

The resurgence of Chinese poetry ignited my passion for writing. Classical poetry can be said to be a sacred place in my heart. My interest in literature originated from the context and imagery of Tang poetry and Song poetry. If you hide it in the center, how will you forget it? Even in the era when thousands of horses were silent, I often envied my ancestors who had "the spirit of poetry and calligraphy in their bellies" despite their lifelong military service. When I left my post, I often regretted that my life was too short and my years were short, but I had no chance to get close to the holy place and contribute to the country of poetry. I thought it would be difficult to fulfill my long-cherished wish in this life, but unexpectedly in my later years, when I was prosperous, I actually gave it a try. I revisited my old dreams, picked up a bald pen, and wrote poetry based on emotion. Especially, modern communications and the Internet provide a convenient and broad space for writing. In my spare time, I may write about things that I understand, or express my feelings about events. Several friends sang, sang, and gave answers on topics such as current news, things, festivals, customs, and people's livelihood to express their understanding and experience of life.

Life is not about meeting each other, but it is like participating in business. Life is endless from generation to generation, and the moon and river look alike every year. It is my nature that my talents will be useful, and I will come back after all my money has been spent. The sun rises in the east and rains in the west. It is either sunny or sunny. We are both fallen people at the end of the world, so why should we have known each other before. This feeling can be recalled later, but it was already at a loss. Thousands of sails pass by the side of the sunken boat, and thousands of trees spring in front of the diseased trees. There is no colorful wind and flying wings in the body, but there is a clear understanding in the heart. I feel even more timid when I'm close to my hometown and don't dare to ask anyone. Thinking about the long journey of heaven and earth, I shed tears alone.

This book comprehensively counts 14,563 polysyllabic words in Li Bai's poems, including 1,223 parallel compound words. Based on previous research results, combined with the cultural background of the Tang Dynasty and the context of all Tang poems, and through arduous textual research and analysis, it quite accurately explains the semantics of 218 parallel compound words, including some words with strong religious overtones. This paper analyzes the various semantic relationships between the two morphemes that constitute the parallel compound words in Li Bai's poems; demonstrates that these compound words are formed and developed from ancient monosyllabic words as morphemes; summarizes the clustering characteristics of the meanings of these parallel compound words, reveals the distinct systematicity of the application of parallel compound words in Li Bai's poems, and the characteristic of "no sentence has no origin" in Li Bai's poetry.

Chinese classical poetry is rich in content and magnificent, and is an important part of Chinese culture. Among them, love poems (words and music) occupy an important position in Chinese classical poetry. "Five Hundred Famous Ancient Love Poems" selects more than 500 love poems from famous ancient Chinese writers. It briefly introduces the lives of the authors and analyzes the poems to help readers appreciate the love poems of famous writers in the past.

Tang poetry is grand; Song lyrics are euphemistic; Yuan music is bright and beautiful. Tang poetry, Song lyrics, and Yuan opera, as the crystallization of the "peak experience" of our national poetry, are enough to awaken the poetic soul sleeping deep in the hearts of every descendant of Yan and Huang. The poetry and painting, the rhyme of the words and the fragrance of the ink, perfectly interpret the classics handed down from generation to generation; the style of the music is full of bones, and the text and calligraphy are embroidered, which shows the Chinese civilization in a new way.

This book collects more than 900 poems from the Han, Wei, Jin, Southern and Northern Dynasties, and Sui Dynasties. It strives to use the perspective of historical materialism and the perspective of literary development to appreciate and evaluate the colorful works and glorious artistic achievements of this period, helping readers to have a more comprehensive understanding of the literary development of this period.

The Book of Songs is the earliest poetry collection in my country. It reflects the ancient life of our country for more than 500 years from the beginning of the Western Zhou Dynasty to the middle of the Spring and Autumn Period. It not only accumulates the wisdom and experience of the people of the Zhou Dynasty, but is also the literary crystallization of Chinese civilization. Chu Ci is a poetry genre with strong Chu culture that was popular in Chu State during the Warring States Period. They are the two major sources of realism and romanticism in Chinese classical literature. Their works are either simple, elegant, neat, or magnificent, with various styles, and have had a huge and far-reaching influence on the literature of later generations. In order to help poetry lovers better understand these poems, "Appreciation of Chu Ci in the Book of Songs" annotates and appreciates each piece from the ideological content, emotional interest, artistic characteristics and other aspects of the works for the enjoyment of readers.

Wang Wei and Meng Haoran are both rare poets. Wang Wei's poems describe the beautiful scenery of mountains and rivers, expressing the joy of integrating into nature, and are refreshing and natural to read; Meng Haoran's poems describe pastoral scenery, expressing his love for farm life, and are simple and touching to read. They are representatives of pastoral landscape poetry in the prosperous Tang Dynasty. A large number of popular poems have been handed down and are deeply loved by the public.

Volume 1. Discussing the rights and wrongs of poetry: Any misinterpretation of ancient poetry that is seen will be analyzed. For example, it is said that "Song of Thatched Cottage Broken by the Autumn Wind" is a work that insults the poor peasants, that "Two Orioles" in "Quetrains" are "broken silk and silk, not related to each other", that the poem "The Year of Li Gui in the South of the Yangtze River" is a forgery, all of them are verified one by one and corrected.

Landscape poetry, as one of many categories in the field of poetry, has always been loved by people. It has a rich catalog, a wide range of content, famous works, and beautiful works. Most of the poems collected in this book are excellent. Each work has [Notes] and [Appreciation] for readers' reference. In the process of editing and selecting this book, I have consulted the research results of previous and present people, and I have benefited from them a lot. I would like to express my sincere gratitude. Due to the limited level, insufficient information, omissions and deficiencies are inevitable, and we sincerely hope that experts and readers will give you their advice.

Tao Yuanming's works are sincere, simple and natural, and have been recognized and praised by the world. Mr. Lu Xun once said: "Tao Qian is great just because he is not 'full of tranquility'." When Liang Qichao commented on Tao Yuanming, he also said: "Nature is his loving partner, always smiling at him." Indeed, Tao opened a channel between nature and philosophy, and achieved a reconciliation between the hardships of life and the joy of nature. Even the most ordinary rural life scenes show an infinite and meaningful beauty in his writing.

Su Shi achieved pinnacle achievements in poetry, prose, lyrics, calligraphy, painting, etc. In the Song Dynasty when talented people abounded. He was a rare literary and artistic genius in Chinese history.

"Si Wuxie" is an appreciation work of the "Book of Songs" by the best-selling author An Yiru. For this publication, the author has made extensive revisions and added some chapters. This edition is an expanded edition. "Look for it with the elegance of poetry and look at it with the profundity of scriptures. It may be the voice that sounded in our hearts in the past life. The songs we sang together." In the book, An Yiru selected some chapters from the "Book of Songs" and gave them a modern interpretation. Today's people appreciate the beauty of poetry in it, which is often mixed with fashionable thinking and language, and incorporates the unique perspective of modern women. The articles are fresh and pleasant, giving a new look to classical poetry, and allowing young readers who are accustomed to rigid education to truly get closer to the artistic conception of poetry. This is also the fundamental reason why An Yiru's series of books are so popular among readers, especially young readers.

He is the living Buddha of Tibet and the largest king in the snowy area, but he loves fun and is bohemian by nature. He spent his short life of 25 years old and left a rainbow on the plateau that will never fade away. Many years later, people forgot his identity as the Dalai Lama because his love poems had been recited by many people. He is the Tibetan Poetry Buddha-Tsangyang Gyatso. Fate gave him a specific identity that prevented him from participating in human love and could only watch it from a distance. But he is also a passionate young man, so he can only choose to rebel and escape. Although his love ultimately points to disillusionment, he has been struggling in helplessness, suffering and resisting the prejudices of the world. Many years later, the poet's song, full of infinite affection, spread throughout the country.

The selected chapters of this book are based on popularization, and the works that are highly acceptable and easy to understand are selected for inclusion in the book, and other authoritative versions are also widely used for reference. The selection of Song lyrics and Yuan music is based on the consideration of works from various periods and themes, and draws on the strengths of many writers. Yuan opera includes Yuan Sanqu and Yuan Zaju. Yuan Zaju also has high literary achievements, but we try to focus on the Yuan Sanqu that are lively, lively, simple and straightforward, and can make the audience feel no sense of distance.

When you open the scroll of history, you will be greeted by classical poetry exuding a light fragrance. It is passionate but not pretentious, tactful but not coy, unrestrained but not exaggerated. It can make us fascinated and linger on. These poems go all the way from the source of Chinese civilization and tell the ancient history. So let us follow the footsteps of these cultures and take a pleasant journey, so that we can truly feel the beauty of "poetry and painting".

Song lyrics describe eroticism but not frivolity, wealth but not vulgarity, such as flowing clouds and flowing water, old pines and soft willows, the wind accompanying the moon, the mood is leisurely and elegant, and the embrace is broad-minded, making people fascinated and infinitely addicted. This book "Beautiful Song Poems to Read in a Lifetime" is the essence of our work based on studying and drawing on the research results of sages and drawing on the strengths of others. In addition to the original words and appreciation, the compilation style of this book also includes the poet's business card, notes, illustrations and comments from later generations. The "Business Card of the Poet" serves as an introduction and strives to be concise; the "Annotation" clears the meaning and strives to be accurate; the "Appreciation" explains the meaning in a simple and easy-to-understand way, lively and vividly, which helps readers grasp the aesthetic connotation of the original language and cultivate their temperament; and the appropriate amount of "illustrations" complement each other with visual images and context to trigger everyone's inspiration. In addition, we have also collected more classic comments from later generations to help readers broaden their horizons and inspire their thinking.

Tang poetry is the crystallization of the wisdom of the Chinese nation. It is like a vast ocean, containing countless treasures. People of all generations have recited it to appreciate the joys and sorrows of life, to understand the philosophy of life, and to discuss current social ills... The selection of "Time Library: Beautiful Tang Poems to be Read in a Lifetime" refers to a variety of Tang poetry anthologies and extracts the essence of each, aiming to provide readers with a popular reading book of Tang poetry, thereby promoting national culture and improving national quality.

In terms of compilation style, this book is written in chronological order and also covers poetry genres, starting from the poetry of Zhou and Qin Dynasties, including the Book of Songs, Han and Wei Ci Fu, Yuefu poetry, Wei, Jin and Six Dynasties poetry, Tang poetry, Song lyrics, and Yuan opera. Each chapter first records the original text, followed by annotations, followed by appreciation of the text, in order to better help readers understand the creative background and emotional implications of the poems, lyrics, and music.

When it comes to Tang poetry, every Chinese has a feeling of sweetness in their teeth and cheeks. In Tang poetry, you will see beautiful rivers and mountains, you will smell the fresh fragrance of flowers, and you will hear the sadness of people leaving... "Three Hundred Tang Poems" by Hengtang Tuishi is the most widely circulated anthology of Tang poetry in the past two hundred years and is popular at home and abroad. However, "Three Hundred Tang Poems" written by Hengtang Retired Scholars used the golden mean of "gentleness and honesty" to select poems and prose. A large number of popular famous poems were not included in the selection, such as "The Official in the Stone Haul", "The Charcoal Seller" and so on. In order to benefit readers, we have inherited the essence of "Three Hundred Tang Poems" by retired scholar Hengtang, and based on various compilations of Tang poetry, we have selected 300 Tang poems and compiled this collection of Tang poetry. The purpose is to provide a popular reading book for middle school students, college students, young people and readers who love Tang poetry, and to make a modest contribution to promoting national culture and improving national quality.

Poetry is an integral part of literature. Poetry was popular in the Tang and Song Dynasties, while modern poetry began to develop with the rise of vernacular. Poetry is not as delicate and indifferent as prose, nor does it have the ups and downs of novels, but it contains the richest emotions in the most concise language. The poetic environment is full of bold imagination, the poetry has a distant meaning, and it is also ethereal and strives to avoid reality and give way to the imaginary. The text is beautiful and rhythmic, often giving people the aesthetic feeling of "the moon in the water, the flower in the mirror". So how should we interpret this poem that is both real and illusory, and seems both far and near? Now let us follow the editor and enter the art hall of poetry appreciation...

Song lyrics are a dazzling literary form in the history of ancient literature. Over the past three hundred years of the Southern and Northern Song Dynasties, famous writers have emerged in large numbers with different styles. They have undergone tremendous changes and set examples for future generations. All kinds of love, travel sorrow, family affection, separation, friendship, state affairs, pastoral, and seclusion are all reflected in the poetry, and Song poetry has become another peak alongside "Tang poetry". There have always been many anthologies of Song Ci, and "Three Hundred Song Ci" captures the strengths of many schools and incorporates everything into one. It is one of the better anthologies in the past. Scholars Kang Zhen and Xiang Tiesheng not only translated and annotated "Three Hundred Poems of the Song Dynasty" in the "CITIC Classic of Chinese Studies", they also added modern interpretations, giving the ancient classics a modern flavor and new ideas.

There are numerous masterpieces of Song poetry, which are extremely beautiful. They have been passed down through the ages and are popular among the people. They are loved by generations of readers. The author strives for innovation and breakthrough in the compilation style of this book. In addition to the original words, he also adds interpretations and annotations of the work, and extends the content of the work to historical figures, customs and habits, legends and allusions, etc. The text is profound and simple, lively, elegant and accurate, which helps readers to understand the author and the historical and cultural background of the work while grasping the aesthetic connotation of the original words and cultivating their temperament. In the layout of the book, the visual image and word context are emphasized to complement each other, triggering readers' synesthesia.

"Classical Poetry Series: Three Hundred Yuan Operas" contains 300 Yuan Opera poems for appreciation by literature lovers. With the development of Chinese classical literature, another monument appeared in the Yuan Dynasty, which is what we often call "Yuan Opera". Wang Guowei in the late Qing Dynasty said in "Preface to the Examination of Operas of the Song and Yuan Dynasties": "Every generation has its own literature: the coquettishness of the Chu, the poetry of the Han, the parallelism of the Six Dynasties, the poetry of the Tang, the lyrics of the Song, and the music of the Yuan. They are all the so-called literature of one generation, and subsequent generations cannot succeed." This fully affirms the status of Yuan Sanqu in the history of poetry.