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This book is a collection of various texts in which Gide recommended Dostoevsky as "the greatest writer" and is a representative work of his literary criticism. As a traitor, Gide took Tuoji as his confidant, because he not only questioned the existence of God, but also used the power of the "devil" to achieve the purpose of exposing the devil, ugliness, and sin. Gide even concluded that "Dostedt is as great as Ibsen and Nietzsche, perhaps more important than them." Although Doskovsky was self-contradictory from his thoughts to his actions, and his efforts to directly clarify his thoughts from the perspectives of ethics, sociology, politics, psychology, and literary theory all failed, his exploration of revealing the secrets of the soul was comparable to Freud's research on the psychology of mental patients, and his novels "achieved a miracle."

Cai Huaiting (1557-1621), named Chengzhi, courtesy name Yiren, and nickname Huaiting, was a native of You County, Hunan. Cai Huaiting once served as the magistrate of Jiaxing Prefecture in Zhejiang Province and the Minister of Dapu Temple in Nanjing. He was indifferent and honest, and was known as the "Four Gentlemen". He was a devout Buddhist believer who had been under the disciples of Master Lianchi. His deeds are recorded in Buddhist classics such as Peng Shaosheng's "The Biography of Lay Scholars" and Peng Xisu's "Records of Pure Land Sages". The story of Cai Huaiting was once widely circulated in You County and its surrounding counties and cities, and had a great influence. However, with the popularity of modern media, its spread scope has become smaller and smaller. Documents such as Cai's genealogy and "The Legend of Cai Huaiting" (internally published) compiled in recent years have included and used his story, but they are very incomplete and there is no relevant research at all. With the goal of preserving and studying Cai Huaiting's story, this book is divided into three parts: upper, middle and lower. The first volume contains about 40 more exciting stories so that people can have a specific and clear impression of Cai Huaiting's story. The middle editor examines Cai Huaiting's life experience and personal beliefs, and studies the development, evolution, subject matter sources and morphological characteristics of Cai Huaiting's stories. The second part collects and sorts out the classical literature related to Cai Huaiting and Cai Huaiting's story, so that people can have a more comprehensive understanding of Cai Huaiting's story. This research form that brings together specific stories and legends, systematic research on stories and legends, and relevant historical materials of stories and legends is a new way of organizing and researching folk literature.

This series of books embodies the essence of the two generations of scholars, Taolph and Zhuge Yibing. The lyrical function of Ci has the ultimate expression and diverse presentation in their writings. It not only reveals the staged development process of Song Ci from a diachronic direction, but also displays the rich and diverse aesthetic forms of each stage of Ci from a synchronic perspective. It advances the research level of the history of Song Ci in depth and expands the research field of Song Ci history in breadth. The book's advantages of natural diversity, complementarity, and complexity and openness enable readers to feel the timeless artistic charm of Northern and Southern Song Dynasty poetry. For professionals and enthusiasts who study ancient literature, it is a culturally accumulated work worth collecting.

This book is an academic work. Taking literary style as the starting point, the author systematically combs the occurrence, development and specific evolution of modern Chinese literary style, and then explores the reasons for the change of literary style in modern times from both the internal and external aspects of literature, thereby exploring the style conversion mechanism and internal cultural logic of modern Chinese literature, which is of certain significance for correctly evaluating and assessing the establishment of style in modern Chinese literature. The author's argumentation is rigorous, the exposition is clear, original, and the arguments are sufficient and reasonable. On this basis, there are many wonderful insights. It has high reading and reference value for professional researchers and literature students.

Xiao Hong, with landmark works such as "The Field of Life and Death" and "The Story of Hulan River", has left a shining footprint in the history of modern Chinese literature. Xiao Hong only lived for thirty-one years in the world, but with her blazing fire of life, she created nearly a million vivid, clear and beautiful words full of national spirit. Whether it is novels, essays, poems, or dramas, Xiao Hong's writing always shines with realism. This has won her a high reputation among readers at home and abroad. This book narrates Xiao Hong's lamentable and legendary life. The writing is delicate and refined, and the author's psychological understanding of different periods is subtle and subtle. At the same time, the author of this book has comprehensive possession of a large number of detailed historical materials and rich research results, and based on good academic training, he has examined it with a unique perspective and clarified many errors in previous research on Xiao Hong.

Liu Yazi, a native of Lili Town, Wujiang District, Suzhou City, Jiangsu Province, is a famous poet in my country and the founder of Nanshe. Liu Yazi wrote a large number of passionate and high-spirited poems throughout his life, totaling more than 7,000 poems and 200 lyrics. Liu Yazi attaches great importance to the ideological nature of literature. He opposes the chanting of personal themes that lament the old and humble, and the poems that criticize the wind and the moon. In the history of the development of modern Chinese poetry, his poems have epoch-making significance. This book selects more than 100 ancient poems by Liu Yazi, and annotates each poem. It also introduces the source and creative background of the poems, so that readers can have a deeper understanding of these poems, and at the same time, they can also understand the author of the poems and the era in which he lived through these works.

This book combines points and aspects and runs through it with lines. It not only reveals the staged development process of the history of Southern Song Ci from a diachronic direction, but also shows the rich and diverse aesthetic forms of each stage of the Ci world from a synchronic perspective. It not only advances the research level of the history of Southern Song Ci from a depth, but also expands the research field of the history of Southern Song Ci from a breadth.

There is no separation between literature and history. Literary creation is the image expression of real society. By reading literary works of a certain era, you can understand many historical phenomena of that era from one perspective. "Ci is Yanke". Song Ci is famous for being good at describing the personal relationships between men and women, and reflects a relatively narrow aspect of social life. With the development of social life and the evolution of historical background, Song poetry has somewhat stepped out of the narrow circle of flowers in front of the moon and expressed a more open historical style of the Song Dynasty. This book selects 16 Song poems and works with similar themes to explain the historical environment and related historical facts of the production of the works. It hopes to bring a new reading perspective to readers and bring them a new reading experience, so as to deepen their impression and understanding of Song poems and Song history.

This book contains the works reviewed and edited by Wu Jianren. Considering that the works reviewed by Wu Jianren are difficult to see, and in order to help interpret Wu Jianren's comments, this book retains all the original texts, revised them from "New Novels" and "Yueyue Novels", and adds new punctuation. These works include the detective novel "Snake Circle", twenty-three chapters; "Xin'an Translations" with 90 titles and 94 translations; the tanci novel "Jia Fu's Western Drum Ci"; the romantic novel "Love in Love", five chapters, unfinished; "Xin'an Harmonious Translations" Volumes 1 and 2. The first volume contains two articles "One Thousand and One Nights" and "The Fisherman", and the second volume contains 15 articles including "The Marriage of Cat and Mouse" and "The Revenge of the Wolf and Sheep".

Su Manshu is a famous writer, poet, and translator in modern my country. He was good at poetry and painting throughout his life. He was proficient in Chinese, Japanese, English, Sanskrit and other languages. He was versatile and made achievements in various fields such as poetry and novels, especially in poetry. His poetic style was "clear, bright and beautiful" and unique. It had a great influence at the time and has been passed down to this day. This book selects more than 100 ancient poems by Su Manshu, and annotates each poem. It also introduces the source and creative background of the poems, so that readers can have a deeper understanding of these poems, and at the same time, they can also understand the author of the poems and the era in which he lived through these works.

The author of this book is Yu Biyun, a scholar during the Guangxu period of the Qing Dynasty. The book contains hundreds of famous works by Wang Bo, Luo Binwang, Li Bai, Du Fu, Wang Wei, Meng Haoran, Bai Juyi, Lu Lun, Liu Zongyuan, Liu Yuxi, Li Shangyin, etc. It specializes in the practice of Tang Dynasty rhymed poetry and quatrains, starting with tone, meter, meaning, syntax, and calligraphy to explain its subtleties. As an entry-level book for masters of Chinese studies, readers can be satisfied whether they want to learn and progress or appreciate research. In this reprint, in addition to re-editing and integrating the content, the title of the classic book has also been boldly rewritten, making the classic work more relevant to life and closer to readers.

The author of this book is Long Yusheng, one of the most famous ci masters in the 20th century. This book is divided into two parts, covering everything from the development of lyrics and music to the arrangement and usage of lyrics and music, as well as the expression of thoughts and feelings. This book has reference value and guiding significance for the study of the history of lyrics and music, phonics, and writing of lyrics and music. The examples cited in the book are mostly popular masterpieces. Through introduction and analysis, they can help improve readers' appreciation. As an entry-level book for masters of Chinese studies, readers can be satisfied whether they want to learn and progress or appreciate research. In addition to re-editing and integrating the content, this reprint also boldly re-drafts the title of the classic book, making the classic work closer to life and closer to readers.

The book selection includes the book review articles published by the author in relevant publications in the past three years, divided into five volumes: "Reviews on Poetry Works", "Reviews on Prose Works", "Reviews on Novels", "Reviews on Reportage", and "Reviews on Academic Monographs", with a total of 43 articles. This book selection comprehensively deconstructs the high-quality new books published by each author, and explores the value and influence of his works from multiple angles and levels. The swaying and colorful brushwork and unconventional forms make this collection of book reviews full of strong artistic charm. Except for a few reviews of the works included in this book review, which focus on books published by writers and poets from outside the province, most of the reviews focus on books published by local writers and poets. And one of the most important features is that these book reviews do not focus on works by famous writers. Most of them are books published by writers and poets who are not yet famous.

This book is an expanded version of "The Indescribable Jin Ping Mei" published by the author in the late 1980s. On the basis of theoretical speculation and understanding of the evolution of the history of Chinese novels, the author strives to clarify the long-standing confusion surrounding "Jin Xue". The author is not confused by the ambivalent comments, nor is he fascinated by the intertwined connotations of the text, but always maintains a sense of historical depth. With a methodology that combines macroscopic vision and microscopic precision, it provides readers with a speculative and transcendent consciousness for reading classic texts! This book runs through the author's concept of returning "Jin Ping Mei" with dignity. It is emphasized that when our national culture goes to the world and when we call for the prosperity of literature and art, we should follow the pace and trend of the new era and strive for a lofty position in the palace of literature and art for the great "Jin Ping Mei".

"Writing in Relativity" is a collection of essays, criticisms and essays on contemporary poetry written by the author since the 1990s. The content covers the relationship between new poetry and classical poetry tradition, modern Western poetry, the relationship between poetry and history and reality, politics, moral concerns and artistic ethics in contemporary poetry, etc. It not only includes the author's experience review of his poetry writing process, but also discusses the value of contemporary poetry and the problems it faces from the perspectives of real politics, social conditions, language changes, etc.

This book was written by Ye Jiaying when she was at Harvard University. It was also a major turning point in the author's academic research. Mr. Wang Guowei, a modern Chinese academic master, ended his life by sinking himself into a lake. This shocking move left many doubts to future generations. Why did he suddenly commit suicide at the height of his academic research at the age of fifty-one? Why did he, who devoted himself to the study of Western philosophy and literature in the early days, turn to the textual research of ancient characters, ancient artifacts, and ancient history and places in the later stages of his academic career? This book provides convincing answers to these two puzzling questions. At the same time, this book also makes an appropriate evaluation of its literary criticism represented by "Human Words".

"War of the Worlds", "Foundation", "The Three-Body Problem", "The Legend of the Galactic Heroes"..., What scientific knowledge is hidden behind these classic science fiction works? Which works of hard science fiction are worth watching? Which works are pseudo-science fiction disguised as science fiction? Quantum, black hole, light speed, wormhole, sophon, dichotomy foil, water droplet, which of these science fiction knowledge is true and which is false? Will the sci-fi world come true? From the classical era to the golden age of science fiction, from alien invasions, future epics, space operas, cyberpunks, superheroes, time travel to dystopia, Mr. Wang Jie will take you into the world of science fiction to fully understand the entire process of how science fiction moved from the classical era to the golden age and then to the new wave, and review the most classic science fiction works in these eras.

"Scar Literature Research Materials" is a type of large-scale academic reference book "Chinese Contemporary Literature History Materials Series". This book uses the main selected articles and data index as the layout style. It selects published papers on scar literature research to reflect the development of scar literature and show the outstanding results of research in this field. The index part collects research papers and academic monographs in this field to provide a wealth of information for general readers and researchers.

"Research Materials on Novels of the 1990s" is one of the large-scale academic reference books "Chinese Contemporary Literary History Materials Series". This book is organized based on the combination of main selected articles and data index. Selects representative papers on the study of novels in the 1990s to reflect the development overview of novels in the 1990s and show the highest level of research in this field; the index section collects research papers, academic monographs, etc. In this field, providing a wealth of information for general readers and researchers.

"Cultural Prose Research Materials" is a type of large-scale academic reference book "Chinese Contemporary Literary History Materials Series". This book uses the main selected articles and data index as the layout style. It selects published papers on cultural prose research to reflect the development of cultural prose and show the outstanding results of research in this field. The index part collects research papers and academic monographs in this field to provide a wealth of information for general readers and researchers.

"New Realistic Novels Research Materials" is a type of large-scale academic reference book "Chinese Contemporary Literary History Materials Series". This book is organized using the main articles and data index, and selects published papers on the research on new realistic novels to reflect the development of new realistic novels and show the outstanding results of research in this field. The index part collects research papers and academic monographs in this field, providing a wealth of information for general readers and researchers.

"Pioneer Novels Research Materials" is a type of large-scale academic reference book "Chinese Contemporary Literary History Materials Series". This book is organized based on the combination of main selected articles and data index. Selects representative papers on the study of avant-garde novels to reflect the development context of avant-garde novels and demonstrate outstanding research results in this field; the index section collects research papers, academic monographs, etc. In this field to provide general readers and researchers with rich information.

"Root-seeking Literature Research Materials" is a type of large-scale academic reference book "Chinese Contemporary Literature History Materials Series". This book is organized based on the combination of main selected articles and data index. Selects representative papers on root-seeking literature research to reflect the development profile of root-seeking literature and show the highest level of research in this field; the index section collects research papers, academic monographs, etc. In this field, providing a wealth of information for general readers and researchers.

"Pioneer Drama Research Materials" is a type of large-scale academic reference book "Chinese Contemporary Literary History Materials Series". This book is organized based on the combination of main selected articles and data index. Selects representative papers on avant-garde drama research to reflect the development profile of avant-garde drama and show the highest level of research in this field; the index section collects research papers, academic monographs, etc. In this field to provide general readers and researchers with rich information.

"New Historical Novel Research Materials" is a type of large-scale academic reference book "Chinese Contemporary Literary History Materials Series". This book is organized using the main articles and data index, and selects published papers on the study of new historical novels to reflect the development of new historical novels and show the outstanding results of research in this field. The index part collects research papers and academic monographs in this field, providing a wealth of information for general readers and researchers.

"Research Materials on Translation and Introduction of Foreign Literature" is a type of large-scale academic reference book "Chinese Contemporary Literature History Materials Series". This book is organized using the main articles and data index, and selects published papers on the study of foreign literature translation and introduction, reflecting the development trend of foreign literature translation and introduction, and showing the outstanding research results in this field. The index part collects research papers and academic monographs in this field, providing a wealth of information for general readers and researchers.

"Double Literature: Folk Literature + Writer's Literature" is a volume in the Gou Shen Series of the Museum of Modern Literature in China. This book consists of two groups of articles: first, about the folk literature views of several writers who have made important expositions on folk literature, mythology, and ballads in the history of modern Chinese literature; second, the author uses the principles and methods of literature and art to explore and study folk literature, and to elaborate on his own views on folk literature.

This book is a history of India's image, a history of Chinese literati's acceptance of Indian culture, and a history of Sino-Indian cultural exchanges from a new perspective. Using research methods such as mutual corroboration of literature and history, and iconography, we systematically excavated, organized, and studied the materials related to the image of India in Chinese classics, so that the fragmented and incoherent image of India that originally existed in a recessive state can be clearly and clearly displayed. While providing a vertical outline and panoramic view of Indian culture, it also highlights the characteristics of Chinese culture itself. This article provides a historical review of the two thousand years of friendly exchanges between China and India, two big Eastern countries, and provides inspiration and thinking for China-India relations in the new era.

This manuscript follows the principle of famous articles by famous writers. First, it selects articles about ancient Chinese novels by famous writers in the field of classical novel research, such as Liu Yongqiang, Ma Ruifang, Zhou Xianshen, Chen Xizhong, Yu Tianchi, Zhang Guofeng, etc. Secondly, select famous works from classical novels, such as the Western Masters, "The Plum in the Golden Vase", "Strange Stories from a Chinese Studio", "Three Characters and Two Rows" and other classic works. Third, follow the principle of beautiful writing, that is, select articles by famous writers whose interpretation of the text itself is very charming. The combination of these three makes this manuscript have strong core competitiveness and is the best among similar articles. In the interpretation of the article, we follow the principle of close reading of the text, grasp the unique characteristics of each article, and conduct a simple and vivid interpretation. Since the author has a high artistic aesthetic ability, the article itself also has a high artistic level. I believe readers will benefit from it.

Folklorist Mr. Deng Yunxiang wrote about the knowledge about vegetation, insects and fish. It seems to focus on plants, trees, insects and fish, but in fact the focus is not on this, but on telling traditional Chinese culture through plants, trees, insects and fish, which is full of strong Chinese cultural interest.

"A Brief Introduction to Poetry" is an enlightenment reading specially compiled by Mr. Yu Biyun for his grandchildren who want to learn poetry. It specializes in the practice of verses and quatrains in the Tang Dynasty. It focuses on analyzing the "tone, rhythm, meaning, syntax, and calligraphy" of each poem and couplet, as well as the "wonderfulness of the poetry". It has a unique perspective, sophisticated comments, and is quite inspiring.

"Research on Popular Literature and Martial Arts Novels" is a general elective course textbook compiled to capture the current interests of college students in reading. It takes popular literature and martial arts novels as the research objects and is divided into two parts. The main content of the first part includes the historical development of popular literature, its relationship with elite literature, as well as police and criminal literature, romance literature, etc. The second part mainly analyzes the characteristics and changes of martial arts novels, as well as the martial arts creations of Liang Yusheng, Jin Yong, Gu Long, Wen Ruian and others.

The author has been engaged in research and teaching of ancient Chinese literature for many years, and has published many academic works. This book collects the author's articles on relevant research results in recent years, and revised and supplemented previous research perspectives, which has certain academic value.

This book conducts a systematic study of Dai Biaoyuan, a master of southeastern writing in the late Song Dynasty and early Yuan Dynasty, and his literary works. It comprehensively interprets Dai Biaoyuan's life and works. Based on the ideological study of his works, it focuses on carefully sorting out the style and characteristics of his poetry and prose, and deeply explores his value from the aspects of inheritance, innovation and influence.

Around the May Fourth Movement, it was a period of alternation between Chinese autocracy and republic, democracy and dictatorship, science and superstition, vernacular and classical Chinese, new poets and old talents, new ideas and old morals, arranged marriages and free love. This book focuses on the contradictions and conflicts between the new intellectual groups in this period and the interweaving of "new poets and old talents", "new ideas and old morality", and "rationality and emotion" in the process of breaking away from traditional marriages. For the convenience of narrative and writing, this book selects five modern poets, including Hu Shizhi, Guo Moruo, Xu Zhimo, Yu Dafu, and Dai Wangshu, to conduct textual research and analysis on their female emotional states of mind.

Mao Zedong's poems are well-known to every household, but people know very little about Mao Zedong's couplets. This book selects 113 Mao Zedong couplets and conducts detailed analysis and research from many aspects such as writing time, historical background, writing techniques, etc. The information is informative, rich in content, interesting and highly readable, filling a gap in Mao Zedong research.

"Women's Literature Research Materials" is a type of large-scale academic reference book "Chinese Contemporary Literature History Materials Series". This book is organized based on the combination of main selected articles and data index. Selects representative papers on the study of women's literature to reflect the development profile of women's literature and show the highest level of research in this field; the index section collects research papers, academic monographs, etc. In this field, providing a wealth of information for general readers and researchers.

"Research Materials on Poetry in the 1990s" is a type of large-scale academic reference book "Chinese Contemporary Literary History Materials Series". This book is organized based on the combination of main selected articles and data index. Selects representative papers on poetry research in the 1990s to reflect the development of poetry in the 1990s and show the highest level of research in this field; the index section collects research papers, academic monographs, etc. In this field, providing a wealth of information for general readers and researchers.

Regarding calligraphy, Mr. Cai Lan said: What's wrong with being arty? It means that you are on the way to art appreciation. Perhaps, you begin to feel that you don't have enough time. If you sleep less for two hours without affecting your work, you can learn more. Then you can see things with a three-dimensional sense, sharpen your sense of sharpness, and gain a vision for your career. At the same time, using calligraphy to distract attention made me look down on the warmth and warmth of the world. "Cai Lam Talks about Calligraphy: Calm down and Write" is a brand-new essay by Mr. Chua Lam about calligraphy and seal cutting. It includes the experience and feelings of learning with his mentor Feng Kanghou, as well as stories between his fellow disciples. It is also accompanied by Mr. Chua Lam's personal calligraphy works and famous names of famous people in the past for the readers' enjoyment.

This book is mainly Mr. Zhou Guoping's essays and comments on Song poetry, Yuan music and ancient literati's works. The text continues the author's consistent writing style - aesthetic and philosophical. The first part is Song lyrics, which is the preface and lines written by the author for "Music Recital of Famous Chinese Tang and Song Songs: Song Songs". The second part, "Pin Yuan Qu", has titles selected by the author himself. The comments are not only focused on literature, but are mostly based on the subject in a capricious style, thus forming a collection. This book reflects Mr. Zhou's writings from another aspect. While commenting on ancient works, it also embodies the author's views on life, emotions, society, politics and other aspects.

Literary creation and literary criticism form a symbiotic relationship that is closely related to each other. With literary creation, literary criticism will appear. In turn, literary criticism can not only lead readers to understand the work in depth, but also pass on pertinent comments to the author, which will have an impact on the author's future creation.

Our past understanding of the literature of the Southern and Northern Dynasties generally believed that the literature of the Northern Dynasties was in "decline". It gradually turned to prosperity through "imitation" of the literature of the Southern Dynasties and the absorption of scholars from the South through military power. The achievements of the development of southern literature have promoted the development of northern literature and have always been regarded as one of the most important factors in the development of literature in the north. In fact, the historical development of the northern region followed its own path. The literary development situation in the Northern Dynasties formed in the historical changes was completely different from that in the Southern Dynasties. The special geographical \u002F cultural space of "rural society" brings characteristics to northern literature. It is still the most worthy of attention among all the factors that caused the development of northern literature, and it is also the one that needs to be re-examined.

This book "Qi Gong Tells You Song Ci" was compiled by Professor Lu Liren of the Institute of Ancient Books of China University of Political Science and Law based on the lecture notes compiled by Mr. Qi Gong in 1954. This handout was printed and distributed to third-year students in the Chinese Department of Beijing Normal University in 1956. After Lu Liren graduated from university, he went to Xinjiang to teach for decades and then transferred back to Beijing to work. This handout has always been with him and is treasured to this day. In 2012, in order to commemorate the 100th birthday of Mr. Qi Gong, Professor Lu Liren made a preliminary arrangement of this lecture note and submitted it to our bureau for editing and publication. 60 Years ago, Mr. Qi Gong was a young man with a profound foundation in literature and history. He had his own unique vision in selecting Song poetry works. He not only cited detailed historical materials, but also had concise annotations and accurate judgments. His lectures were lively and lively, and he was very popular among students. Therefore, this handout, which already has documentary value, is officially published today, hoping that it will still be loved by lovers of classical poetry.

This book focuses on the core soul of the "Tao Te Ching" - the first chapter, taking the form of a lecture, dismantling it word by word, and comprehensively interpreting the "normal way", "extraordinary way", "can be said", "undao", "often named", "very named", "can be named", "unnamed" and even "trance", "trance", "always there" and "often nothing". It explains what Tao is, corrects some misunderstandings in the study of "Tao", "name", "being" and "nothing", and how to use "Tao" and "Zen" in daily life of walking, living, sitting and lying down to solve problems in learning Tao and life, so as to truly achieve peace of mind.

The total volume of poems included in this "Appreciation of the Complete Poems of Mao Zedong" exceeds all the collections of Mao Zedong's poems currently in circulation; its annotations are based on the most authoritative "Selected Poems of Mao Zedong" and "Collection of Mao Zedong's Poems", and a considerable number of revisions and additions have been made on this basis; after the annotations, it is supplemented by a serious examination of the background, content and manuscripts of the author's poems; finally, it is accompanied by appreciation texts by more than 70 well-known scholars. The whole book presents readers with a three-dimensional and comprehensive view of Mao Zedong's poetry.

The author creates new ideas and interprets the characters in "A Dream of Red Mansions" from a modern perspective. During the interpretation process, the author is familiar with the opinions of experts in red studies and has his own unique insights. He can also conduct comparative interpretations with other literary texts other than "Red" to interpret the subtleties of the Taoist heart. The author's writing style is bold and fresh. Readers will gain unexpected benefits after reading this book.

Results of key social science planning projects of Zhejiang Province. Wang Duan, courtesy name Yunzhuang, was born in Qiantang. He is the author of "The Poems of Naturally Hao Xuezhai", "Selected Poems of Thirty Schools of Ming Dynasty", "Selected Poems of Three Schools of Poetry", "Yishi of Yuan and Ming Dynasties" (discarded after learning Taoism), and compiled various anthologies. She was praised by Liang Yizhen as "the most talented woman in the Qing Dynasty" and was the only woman included in "Portraits of Scholars in the Qing Dynasty". As a scholar-type literati, Wang Duan's richness and penetrating insights were unparalleled among boudoir literati at that time, and his creations also bear a profound imprint of the Qianjia period and women's awakening consciousness. This book is divided into five chapters: the first chapter examines the family background of Wang Duan Cai Xue from the three dimensions of father's line, mother's line, and husband's line; the second chapter discusses the theme orientation of Wang Duan's poetry under the cultural background of the Qing Dynasty, mainly discussing Wang Duan's scholars' poems, painting poems, Taoist poems, and poems chanting things; the third chapter appreciates the artistic characteristics of Wang Duan's poems, including Its changeable style, rich allusions, diverse images and various attainments; the fourth chapter explores Wang Duan's "pure, elegant and upright" poetic thoughts and critical views, the poetic purpose of preserving people through poetry and improving the status of women's literature; the fifth chapter explores the "talent and fate dilemma" of women in the Qing Dynasty, and makes a general comment on Wang Duan's poetic achievements. The appendix includes two parts: one is the calligraphy and painting works related to Wang Duan; the other is an examination of Wang Duan's female intercourse. This article cites a large number of Wang Duan's works and explores the depth of Wang Duan's poetry vertically. At the same time, with Wang Duan as the center, it radiates to Wu Zao, Li Peijin and other boudoir literati who were pursuing the same spirit at that time, and horizontally expands the breadth of boudoir literature research.

This book is one of the "Chinese Contemporary Literary Documents and Historical Materials Series" edited by Professor Wu Xiuming, and is one of the projects funded by the High Level Academic Fund for Liberal Arts of Zhejiang University. This volume is a collection of historical materials on awards and criticism literature. It includes historical materials on contemporary literature awards and reviews, starting from 1949 and ending in 2012. The above literature and historical materials on award evaluation strive to cover awards at multiple levels, including national awards, local awards, private awards, and international awards. The following part of the review literature and historical materials focuses on the timeliness of reviews and the development of contemporary literature.

One of the "Qianjiang Academic Collection". This manuscript takes the Tang and Song Dynasty narrative prose as the research object, starting from the two aspects of stylistics and cultural studies, sorting out the origin and evolution of the prose style "Ji" that emerged in the Tang and Song Dynasties, exploring its stylistic boundaries and classification, and then examining its evolution process in Chinese. The interactive relationship between genre development and the aesthetic choices of the times; sorting out the interpenetration and clutching relationship between narrative prose and other genres, and determining its position in the value sequence of prose prose in the Tang and Song Dynasties, in order to deeply explore the stylistic characteristics and cultural connotation of narrative prose.