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Parallel prose in the Song Dynasty paid attention to the twists and turns of affairs and the clarity of narrative, and emphasized the molding and edification of knowledge and the grandeur and profoundness of the atmosphere. It not only demonstrated the talents and academic qualities of the scholar class with literary thoughts and talents, but also echoed the etiquette of the civil service system with style and appearance, and polished the grand plans of the imperial society. "The Beauty of Fu: The Application Fields and Writing Methods of Parallel Prose in the Song Dynasty" attempts to make a detailed observation and comprehensive grasp of the application fields and writing methods of Parallel Prose in the Song Dynasty. Focusing on the highlighting of etiquette attributes and identity consciousness, it outlines the accumulation, formation and flow changes of the writing paradigm. From this, it explores the transformation of the aesthetic temperament of Parallel Prose in the Song Dynasty, understands the way of thinking and survival of the Song Dynasty scholars in coping with the times, and enters into their spiritual world and literary world.

"Chinese Style Theory: Original Generation and Modern Evolution" uses methods such as contextual restoration, original classic analysis, historical integration, and comparison between China and Japan to deeply reflect on many issues in the original generation and modern evolution of Chinese stylistics. First, from the conceptual level, we examine the evolution process from the dominant "wen" and "article" concepts in the pre-Qin and Han dynasties to the "style" concept that emerged in the late Han and Wei dynasties, compare the different connotations of the "article" concept and the "style" concept, analyze the literary motivations and cultural context of the generation and development of ancient stylistic theory, and reveal the literary historical significance of the concept of "style" and the emergence of stylistic theory. It then traces the evolution of Chinese stylistics from tradition to modernity, and reveals the formation history of modern Chinese stylistics with "linguistic form" as its core connotation under the multiple historical and cultural backgrounds such as Sino-Japanese exchanges, changes in ancient and modern times, and the spread of Western learning to the east. The Japanese acceptance of traditional stylistic concepts and the different influences of modern Japanese stylistic concepts, Western genres and stylistics on the formation process of modern Chinese stylistic concepts, and an in-depth exploration of the internal dynamics, mechanisms and laws of the spread, influence, evolution and transformation of Chinese, Japanese and Western "style" concepts. "Chinese Style Theory: Primitive Generation and Modern Evolution" also uses the reinterpreted ancient stylistic theory as the academic basis to elucidate the origin and development of the seven-character poetry style as well as important literary theory categories such as "tongbian", "character" and "qizheng" in a more consistent with the historical context.

China's modern cultural transformation may have been like the development of Western modern culture, with a romantic cultural movement accompanying it. However, in China, the transforming modern culture has always been dominated by the urgent needs of social reality, and social reality has not given it a little room to breathe. As a result, such a cultural movement that was originally romanticism has turned into a high-profile realism movement. "History of Contemporary Chinese Literary Criticism" takes the theoretical criticism of realism as a main line, reveals its entire process of construction and movement, radicalization and transition, variation and diversity, and examines the difficult path that Chinese contemporary literary criticism has taken. Because of realism, Chinese literary criticism strictly limits itself and can only dance within the boundaries given by realism; also because of realism, Chinese literary criticism is deeply imprinted with its own history. All realistic desires, burdens, and escapes are related to this. Literary criticism and literary creation seem to bear and atone for reality. The history of literary criticism is not simply about political affirmation or negation. It is intense and pathos, crude and complex, direct yet changeable.

"Ideology and Literature: The History of Chinese Literature and Its Surroundings" starts from several important issues in the history of Chinese literature, in the form of special research, and strives to explore and unearth the real motivations and creative themes of literary development from the background of traditional Chinese thought and culture. It hopes to reveal and explain the different literary faces and characteristics formed at different stages of the development of literary history from multiple angles and at a higher level, and further promote the development of literary history research. The book has nineteen chapters in total, and the important issues discussed include: Qu Yuan's mental journey and the changes brought by his cultural background to the writing of "Li Sao"; the relationship between literature and images formed by the murals in the Chu ancestral temple and the creation of "Nine Songs"; and the "Nine Songs" and "Tianwen" together constitute a complete ancient history and the story of the gods. The system has also become an example of the cultural integration of northern and southern China in the early days; the origin of the Warring States strategists and Han Fu; the theory of talent in the Wei and Jin Dynasties and the theory of character in Liu Xie's "Wen Xin Diao Long"; the political ideals of scholars and the mentality of writing "Wen Xin Diao Long"; social changes in the prosperous Tang Dynasty and the evolution of poetry; military thinking and the "momentum" in the poetry of the Tang and Five Dynasties On; the purpose and reasons for the compilation of the "Four Big Books" in the early Song Dynasty; the Qingli party struggle and Mei Yaochen's poetry creation; the historical investigation of poor poetry and late completion; Ouyang Xiu's classics and literature; Su Shi's combination of Confucianism and Taoism and respect for nature in literary creation; the shortcomings in the implementation of the new law on work criticism involved in Su Shi's Wutai Poetry Case and the problems in Xi and Feng The important position in the poetry world; the struggle between the old and new parties in the Northern Song Dynasty and the creation of halal poetry; the cultural and historical significance of the Song Dynasty's southern migration, cultural Shaoxing, and the compilation of "He Qingzhen Ci" and "Song Wenjian" by three companies; the impact of Xin Qiji's change of mentality on the style of poetry after returning to the south; the relationship between important poetry selections of the Ming and Qing dynasties and the trends of the times, and the process of literary canonization.

"Reading New Poems" is one of the second batch of manuscripts in the general education textbook series bidding project of Nanjing University of the Arts. This textbook is based on the introduction of literary history and the teaching of the works of poets of different eras. Starting from the birth of new Chinese poetry during the literary revolution, the teaching content is divided into seven lectures according to different eras and characteristics. It will be roughly limited to ten years, and each thirty years of modern literature will be introduced and analyzed. For new poetry after 1949, it will be divided into three sections: 1949-1976, 1977-1990, and 1990 to the present. The purpose of this textbook is not to write a concise history of new Chinese poetry, but to focus on the analysis of the works. Combining the research results of new poetry in recent years and my teaching experience over the years, through the analysis of specific poems, I hope to achieve the purpose of giving readers a general understanding of the development process of new poetry over the past century.

The discussion in this book revolves around Terry Eagleton's "non-literary theory" writings, but the exploration of his "literary theory" is also one of the purposes of this small book. The author always believes that just as one can never be "behind theory," one cannot truly be "outside theory." On the contrary, when faced with practical problems in different historical situations, people can only constantly break through the language cages and conceptual shackles imposed by previous theories, relentlessly explore the ways of thinking and research methods provided by new theories, and try to make their own theoretical responses while adhering to their own theoretical positions.

Travel literature is one of the most readable and creative genres in all literature. It is both old and young. It can not only provide historical, geographical and humanistic knowledge, but also stimulate our thirst for knowledge and curiosity, and deepen our understanding of ourselves and the world. Travel literature writing is one of the most challenging categories of all literary writing. An excellent travel literature writer must have both meticulous observation and wild imagination. He must be able to write about the characteristics of the local customs and customs, and he must be able to express a unique style like his own fingerprints. "Ten Lectures on Travel Literature" focuses on travel literature. The first part starts from the broad perspective of history and adopts a point-to-point approach to detail the exemplary works of different types, styles and styles written by travel literature writers in different historical periods and countries and regions. The next part starts from the perspective of creative writing, with narrative techniques and techniques as the theme, and analyzes how travel literature writers of different types and styles use various possible means to move the real world encountered during travel into the possible world of the text. The author turns the scholar's keen thinking and profound knowledge into witty words. Just like a real journey, the author leads us through time and into the palace of travel literature, revisiting the possible worlds that have been pursued by different travelers, and then exploring the universal motivations and special psychology behind them, as well as the writing and rhetoric skills.

This book includes Fujian characters and their works from ancient to contemporary times, as well as Fujian folk literature, Fujian opera, Fujian literary schools, societies, publications, institutions, etc. The book details the characters' names, dates of birth and death, titles, aliases, place of origin, biographical information, major contributions, works or works, etc. The order is based on the date of birth. If the date of birth or death is unknown, the records will be arranged according to the time of their activities during their lifetime.

"A Study on the Qi-Liang Poetry Style in the Late Tang Dynasty" takes the Qi-Liang Poetry Style in the late Tang Dynasty as the research object, and explores the poetic phenomena of the Late Tang Dynasty related to Qi-Liang elements from different perspectives such as form, content, and rhetoric. It not only summarizes the main manifestations of the Qi-Liang poetry style in the late Tang Dynasty and its changes with the times, but also analyzes the origins, life experiences and different types of writers involved in the Qi-Liang poetry style in the late Tang Dynasty. It also analyzes the various possibilities of combining the Qi-Liang poetry style with the late Tang era based on the combination of genres and themes. From the perspective of genre, this article divides the genres involved in the Qi-Liang poetic style in the late Tang Dynasty into two categories, namely the typical Qi-Liang genre that originated in the Qi-Liang Dynasty and the atypical Qi-Liang genre that was finalized and flourished after the prosperous Tang Dynasty. It outlines the efforts of the late Tang poets to learn the former, and the efforts to integrate the latter with Qi-Liang elements. From the perspective of subject matter, this article summarizes eight major themes that are closely related to Qi and Liang poetry styles, thereby exploring the relationship between Qi and Liang poetry styles and Qi and Liang poetics in the late Tang Dynasty, and analyzing the different ways in which poets in the late Tang Dynasty dealt with Qi and Liang themes based on different genres in the Tang poetry system. Through the above research, I have made my own thoughts on the Tang poetry system and the evolution history of modern poetry.

"Modern" and "Unknown" - A Study of Late Qing Science Fiction" takes late Qing science fiction as the research object. Through a careful reading of several representative works, it examines how the late Qing intellectual elites worked hard to learn modern views of history, science and technology, and time and space, and applied them to explore unknown things such as the future, space, and the soul. From this, it was discovered that: they dreamed of absorbing new knowledge to innovate local culture, and at the same time used local wisdom to criticize and transcend colonialism. This effort to integrate China and the West leads them to the depiction of a harmonious world, and the various unexpected and bizarre plots in these depictions reveal their struggles and dilemmas between China and the West, the new and the old. The author is both a scholar and a writer of science fiction literature, and has a close understanding of science fiction. "Modern" and "Unknown" - A Study of Late Qing Science Fiction Novels attempts to clarify the origin of modern Chinese science fiction literature, combs through a large amount of historical data, and conducts an in-depth and detailed inspection and analysis of representative science fiction works of the late Qing Dynasty. It has a broad vision and solid academic foundation. The theory is based on history and well-founded, and it advances research in related fields. It is a high-quality academic monograph.

"History of Chinese Science Fiction in the 20th Century" is the final monograph of the National Social Science Fund key project "History of Chinese Science Fiction in the 20th Century". Chinese science fiction has experienced ups and downs in the 20th century, a historical process of origin, evolution, transformation and finally maturity. During this period, literary genres grew from scratch, the team of writers grew from small to large, works from scarce to inexhaustible, and social influence underwent complex changes. "History of Chinese Science Fiction in the 20th Century" sorts out five periods in the history of Chinese science fiction in the 20th century - the development of science fiction in the late Qing Dynasty, the development of science fiction in the Republic of China, the development of science fiction in the early Republic of China, the development of science fiction in the new era, and the development of science fiction at the turn of the century. It introduces the creative background, basic features and representative works of writers in each period, and more comprehensively reflects the development process of Chinese science fiction and the works of important writers and creative genres in the 20th century.

After Freud, there were many famous figures in the field of psychoanalysis, but the most outstanding one was Jacques Lacan, because Lacan revolutionized the psychoanalysis created by Freud. However, what is significant is that Lacan's guideline for implementing this revolutionary transformation is to "return to Freud." Of course, "returning to Freud" is not to repeat Freud, but to return to the correct direction prescribed by Freud for psychoanalysis. The use of literary criticism is one of the important means for Lacan to construct his psychoanalytic theory, but he does not use psychoanalysis to explain literary phenomena, nor does he use literary phenomena to support psychoanalytic theory, but uses literary criticism to develop psychoanalysis. Because of this, Lacan's psychoanalysis has opened up a broader realm for literary and cultural criticism.

"Research on Farewell Poems of the Six Dynasties" takes the farewell poems of the Six Dynasties as the research object. On the basis of defining farewell poems as poems related to the facts or feelings of farewell, it analyzes the farewell and farewell poems in the "Poems of Pre-Qin, Han, Wei, Jin, Southern and Northern Dynasties", and sorts out the official history of farewell poems. The historical facts of farewell poems are traced back to the origin of farewell poems in the Six Dynasties from the Book of Songs, Songs of Chu, "Poems of Su and Li", and Farewell Songs of the Qin and Han Dynasties. Adhere to the close reading method of the text and discover from the inside the new changes in the style of the farewell poems of the Six Dynasties, the evolution of writing elements, the rules of structural arrangement and the characteristics of the image setting; at the same time, it pays attention to the external research of examining the poetry ability, looking at the life of medieval literati from the perspective of farewell, and interpreting the cultural significance of time and space in the farewell poems of the Six Dynasties. It can explain the meaning of the chapter to clarify the research boundary, the original table and the end can present the type of poetic history, and the description and discussion can be combined to dig into the depth of research. "Research on Farewell Poems of the Six Dynasties" reveals that a number of mature farewell poems have emerged in the Six Dynasties, which was a prosperous period in the history of Chinese farewell poems.

This volume is "Comparative Literature Research". It mainly explains that in the field of comparative literature, "text close reading" is the basis for research, and "multicultural context" is the basic perspective for observing culture. It strives to finally reveal the nature of multiple types of culture in the civilized era in the channel of "incorrect understanding" of the flow and transmission of civilization, thereby elucidating the original basic theory of cultural "genetics" with cultural "variation" as the core.

"Studies on Western Literary Theory and British Romanticism in the Twentieth Century" critically cleans up the interaction between Western literary theory and British Romantic literary studies in the twentieth century. The basic point of "Research on Western Literary Theory and British Romanticism in the Twentieth Century": There is a close mutually reinforcing relationship between the reconstruction of British Romantic literary classics in the twentieth century and the development of Western literary theory in the twentieth century. On the one hand, British romantic literature provided rich soil for the growth of Western literary theory in the 20th century. On the other hand, literary theory in the 20th century further expanded the canonization of British romantic literature in theoretical exploration - there is a subtle interactive relationship between literary theory and literary classics. The study of British romantic literature by Western literary theory in the 20th century fully reflects the major issues of Western literary criticism: the strong exclusivity between critical paradigms, the internal research of The mutual exclusivity of research and external research, and the resulting "over-interpretation" problem; "Research on Western Literary Theory and British Romanticism in the Twentieth Century" attempts to use Mr. Chen Yinke's "Mutual Evidence of Literature and History" as a guide to tentatively explore how to combine aesthetic contemplation and historical textual research in literary criticism to construct the boundaries of literary interpretation, and use this as a starting point to further think about the importance of Chinese academic research methods to foreign literature research.

Fujian female literature is an important part of Fujian literature and even Fujian literature. The unique cultural traditions of Fujian have nurtured and formed the unique form of Fujian literature. In recent years, Fujianese people have been the first to understand the trend of the times, showing their keen insight and special wisdom in leading the new ideological trends of the times, and Fujianese female writers have shown a unique style.

In China, many ancient cities have layers of cultural, literary and historical accumulation. Together with the monuments, buildings, streets, residents and other landscapes and daily life, they constitute a city's unique spiritual characteristics and appearance features. "Nanjing Literary Map" narrates the historical evolution of Nanjing, depicts the figures of Yanziji, Stone City, Ming Palace Museum, Xuanwu Lake, Linggu Temple, Qinhuai River, Saoye Tower and other scenic spots left in literature, and presents to readers the history and present of Nanjing in literature.

This is a popular reading about poetry rhythm. It is organized in clear order, thoughtful and concise. It not only explains the basic common sense one by one, but also contains many experiences of writing poetry. It is very suitable for poetry students to refer to and use.

Although the ecological roots of literature in human civilization have a long history, the ecological literature genre with conscious ecological awareness roughly originated during the Enlightenment period in the 18th century in the West. It is a new literary product born of the emerging industrial and technological revolution in the West. As the global ecological situation continues to deteriorate, ecological literature, which has been unknown for a long time, has suddenly emerged, launching a more comprehensive, profound, and imaginative response to the mainstream social survival paradigm, and has become an important cultural force in promoting social ecological transformation. Today's world ecological literature is full of vitality, with diverse genres and changing writing styles, but overall it focuses on the non-human natural world and pursues the sustainable and harmonious symbiosis between humans and the non-human natural world. "Lectures on Ecological Literature" is an ecological literature work that integrates famous ecological literature writers in different cultural contexts in China. It provides a detailed and new presentation of 28 biographical ecological writers, ecological poets, ecological essayists and ecological novelists, and provides a wonderful interpretation of their representative works. "Ecological Literature Lectures and Readings" not only provides a unique understanding and definition of ecological literature, a concise summary of its evolution process, but also an in-depth and simple explanation of the creation and interpretation methods of ecological literature. Appreciating ecological works with diverse genres, different styles, and diverse ideas can help awaken people's dormant ecological conscience, cultivate their conscious ecological awareness, enhance their ecological aesthetic ability, shape their sound ecological personality, and then promote the construction of a beautiful, harmonious, inclusive, and sustainable world ecological community.

"Research on the Collection of Song Poems in the Past Dynasties" is the result of a later-stage project funded by the National Social Science Fund. The book is divided into three parts: upper, middle and lower. It comprehensively and systematically cleans up and studies the collection of Song poetry. The first part analyzes and summarizes the theoretical form, value, significance and compilation context of the Song Poetry Collection through the narration and examination of a large number of Song Poetry Collection; the middle part describes the historical process of the development and evolution of the Song Poetry Collection in five stages from formation, transition, prosperity, transformation to integration, and analyzes the main achievements and characteristics of the Song Poetry Collection in each period, as well as the politics, culture, education, imperial examinations, and poetics that led to the formation of the Song Poetry Collection. And other ecological backgrounds; by examining key collections of Song poetry, we explore the close relationship between the compilation of Song poetry collections and the formation of poetry societies, poetic schools, and the development of poetic trends of thought; through a series of case studies, the second part analyzes the origin, compilation purpose, compilation process, basic content, adoption of styles, poetic propositions, document limitations, engraving situations, communication and acceptance, etc. Of important Song poetry collections through a series of case studies to compare the similarities, differences, and gains and losses between different collections.

"Ten Lectures on Ci Study" is an introduction to Ci study methods by Professor Wang Zhaopeng, a contemporary Ci study expert. It is compiled into a book based on the author's classroom recordings. It introduces the literature of ancient Ci books and modern compiled editions, explains the research content and methods of Ci studies, and strives to construct a large framework for Ci study based on sorting out the academic history, and guide readers to find an introductory approach to Ci studies. Based on his own academic experience, Professor Wang Zhaopeng introduced in detail the research methods and introductory paths of Ci studies from aspects such as the reading methods of Ci books, catalogs, editions, collation, annotations, compilation, forgery identification, textual research on the poet's life, and the chronology of Ci works. It not only provides step-by-step guidance for word book reading, guidance on special research methods, but also analysis of specific cases and demonstrations of paper writing, which has strong operability and reference value. This book can be described as an introductory book for Chinese language students and those interested in ci studies.

The strong narratology craze is now sweeping across China. However, narratology is a theoretically difficult subject, and not many people in China are truly familiar with this subject. The original purpose of narratology is to help people better understand narrative phenomena, but some classic narratologists arrogantly claim that structural analysis is not the "handmaiden of interpretation" and that "the purpose of narratology is to classify and describe." This is nothing more than imprisoning narratology in a tall ivory tower. Each section of "Interesting Narratology" uses a question as its title. The text is fresh and easy to understand. It changes some readers' impression that narratology is boring and strives to complete an interesting narrative that is simple and engaging.

"Novel Theory Materials in the Late Qing Dynasty and the Early Republic of China" contains nearly 300 theoretical materials on novels from 1897 to 1916. The theory of novels in this period was both rich and poor. It was rich because it proposed many meaningful propositions, and it was poor because most of these new propositions were not well developed. However, these complex and superficial propositions contain infinite vitality. To some extent, they indicate the development direction of Chinese novels in the 20th century, and also indicate the difficulty of conceptual change. The editor took gold from the sand and selected a large number of historical materials, including essays, prefaces and postscripts, publication words, reviews, notes, advertisements, letters, and fragments and comments of individual works, to comprehensively and accurately reflect the overall picture of novel theory in this period.

This book starts from a close reading of the text, relies heavily on the original evidence, and uses a combination of overall observation and case analysis to study Qian Zhongshu's prose, short stories, novels and ancient poems, as well as his theories, concepts, methods and practices in translation. Sort out the characteristics of Qian Zhongshu's creation in terms of content, structure, style and rhetoric; explore the external background and internal rationale of his creation; examine his focus, creative concepts and expression paths; comment on the basic connotation, development trajectory and value significance of his translation theory and translation practice. Taking Qian Zhongshu's academic activities and the social and historical context of his life as the underlying background, this article examines Qian Zhongshu's academic ideas and concepts in literary criticism and his literary creation and translation activities, and uses the method of "explaining money with money" to give a relatively systematic and comprehensive explanation; and rethinks Qian Zhongshu's significance to modern Chinese literature, comparative literature, translation studies and even the entire humanities academic field.

This book explores the translation, performance and canonical dissemination of Shakespeare, that is, Shakespeare's plays, from the perspective of modern Chinese thought. It aims to explore the in-depth interaction between Shakespeare and Chinese politics and thought during the modern transformation period, and discuss the role of Western culture in modern China's national narrative and personal discourse, as well as the proposition of how Shakespeare, as a foreign ideological resource, takes root in China and serves the construction of Chinese thought and culture. This book examines Shakespeare's influence in modern China and China's acceptance of Shakespeare from the perspective of semiotics and communication from the perspective of modern Chinese thought. It explores Shakespeare and modern China from the translation and introduction of early Shakespeare plays in China, performances, literary history writing and curriculum, and the cultural choices of Chinese scholars. By exploring the connection between Western culture and modern Chinese national narratives and personal discourses, and through subtle insights into the modern transformation of Shakespeare's dramas and Chinese dramas, we will conduct an in-depth analysis of the process of how Shakespeare's plays sprouted, took root, and influenced China as foreign ideological resources. Starting from a review of the study of Shakespeare in China over the past century, it discusses the translation and introduction of early Shakespeare plays and the construction of the modern Chinese nation-state, the performance of early Shakespeare plays and the rise of modern thought, early Shakespeare reviews and the cultural tendencies of modern Chinese intellectual circles, and Shakespeare and the transformation of modern Chinese thought. It conducts in-depth and comprehensive demonstrations on several aspects such as the ideological connection between Shakespeare and individual artistic creation. It closely follows the internal relationship between Shakespeare's plays and the ideology, politics, and culture of Chinese society, and can conduct a comprehensive analysis of mutual understanding and mutual support in the translation, performance, and research of Shakespeare's plays.

At Beijing Normal University, Mr. Qi Gong has successively taught literary history courses focusing on the literature of the Tang Dynasty and poems of the Ming and Qing Dynasties, academic ideological history courses focusing on the Han Dynasty, Song Dynasty, and Qing Dynasty, basic ancient book compilation courses focusing on cultural knowledge and literature knowledge, and other courses. These constitute the four parts of this book: On Literature, On Academic Thought, On Collation of Ancient Books and Others. In each part, there are both macro generalizations and specific analytical examples; what is particularly valuable is that it can connect all generations and observe the development and changes of academic and literature in the past from a historical perspective. For example, when discussing academic thought, it starts from the culture of the early people and continues to the ancient Chinese classics of Hanology, Song Dynasty, and Qing Dynasty, which fully reflects Mr. Qi's overall observation of Chinese academic thought. Because it is compiled based on students' notes, the language of this book is lively and the viewpoints are novel, making it both educational and interesting to read.

"A Study of Space Issues in Four Novels of Thomas Pynchon" takes the four novels of postmodern representative writer Thomas Pynchon as "V.", "Auction Lot 49", "The Vineyard" and "Inherent Evil" as the research object. It combines narrative space research and spatial criticism theory to examine these four novels from the perspective of space in order to better understand Reveal the work's criticism of the character's way of thinking, gain a more comprehensive and in-depth understanding of Pynchon's cautious attitude towards postmodern diversity, the deep connection between the work's postmodern narrative techniques and social and political implications, and the novel's spatial thinking on post-World War II capitalist society, and revise the relevant problems existing in previous research and make up for their deficiencies.

This book discusses the stories that happened in the study of "style" and "style". There are seven chapters in the book. The first chapter discusses the overall issue of medieval style. The last six chapters discuss the naming of styles, expansion of styles, trichotomy of styles and the genealogy of medieval poets in the medieval period. Discuss those stories that happened in the study of "style" and "style".

The formation of the cultural classics "Six Classics" represented by "Poems", "Books", "Rites", "Music", "Yi" and "Spring and Autumn", led to the prosperity of philosophy and literature in the Chinese classical era, achieved ideological and artistic leaps in the classical era, and determined the historical development trend of Chinese culture. Therefore, the study of the "Six Classics" is an unavoidable topic in academic research. The author of "Literary Theory of the Six Classics" has been paying attention to and studying the relationship between literature and Confucian classics for decades. Under the modern academic background, from the ideological and literary breakthroughs of the "Six Classics" and the "Axial Age", the artistic form of ritual music and poetry and elegant poems in the Zhou Dynasty, the "changing style and elegance" and the spiritual turn of Spring and Autumn literature, rituals and the literary writing of the "Six Styles" in "Shangshu", the ideological significance of the "Yue Ling" model and Chinese literature It provides a comprehensive literary interpretation of the "Six Classics" in terms of its four-season structure, the systematic composition of "Music Classics" and the Zhou Dynasty music classics, the poetic structure and poetic wisdom of the "Book of Changes", the literary transcendence of "Zuo Zhuan" and "Spring and Autumn Brushwork". The book has solid documentation, smooth writing, and a grand structure. It is an excellent academic research work.

"Hamlet's Problem" is an explanation and interpretation of the Western classic "Hamlet". On the basis of careful reading of the original text, the author attempts to combine Chinese and Western classics in the form of notes and poems to examine the life issues such as sacrifice, self-understanding, revenge, life and death that Hamlet, the eternal mirror of mankind, faces from a dual cultural perspective, and deeply analyzes Hamlet's character and existential circumstances, as well as the individual destiny formed by the conflict between the two. The author's multi-dimensional interpretation of Hamlet's classic soliloquy "To be or not to be?" Not only refers to the philosophical proposition that Hamlet thinks about as a "frozen mirror" of human beings/human nature, but also covers the thinking of literary categories such as "tragedy". It can be said that what the title indicates to readers is not only a problem of Hamlet as a person, a problem of metaphysical "people", but also a problem of the play "Hamlet" itself. "Tobe, or not tobe" is not only the object of the author's interpretation, but also the clue and hub for the unfolding of the interpretation.

The "dual narrative process" composed of plot development and "hidden process" is the theoretical concept and research model pioneered by the author of this book at home and abroad. This is the world's most systematic theoretical discussion and practical analysis of the "dual narrative process". It breaks through the shackles of the narrative research tradition that has focused on plot development from ancient times to the present, broadens its horizons to the "hidden process" that advances parallel to the plot, and deeply explores the complex interactive relationship between the two. The first part of this book constructs its own innovative theoretical system from seven aspects. Although this theory can be applied to works containing dual narrative processes in different genres and different media, in order to systematically explain a genre, the next "work analysis" focuses on Western classic short stories, which not only reveals how different authors construct dual narrative processes, but also reveals how the same author uses different methods to create dual narrative processes.

This book combs the 180-year history of world mystery literature in a concise and clear way, and introduces the various stages and genres of the development of mystery literature, as well as the most representative creators and their works in each stage and genre. The author uses a relaxed and smooth writing style to build a framework of reasoning literary history for readers, which is systematic, professional and highly readable. The book is divided into a European and American chapter and a Japanese chapter, with ten chapters in total, and the appendix "Chinese Mystery Literature", an overview of world literary awards, and 200 recommendations for mystery novels.

"Quick Reading of Chinese Literary Masterpieces" takes the history of the development of Chinese literature as the vertical axis and the history of the development of Chinese literature and style as the horizontal axis. It introduces in detail many famous works that are both representative of the times and representative of style. The book consists of two volumes, divided into ancient parts and modern and contemporary parts, and contains nearly seventy works. The book has six sections: author introduction, work archives, content summary, main characters, literary achievements, and comments from famous writers. It can quickly understand the content, historical background, and author's writing style of literary masterpieces. It is a rare popular introductory book for understanding ancient and modern Chinese literary masterpieces and related literary schools and genres. While reading, readers can experience the lyrical, narrative and aesthetic qualities of ancient and modern Chinese literature, and improve their literary accomplishment and literary appreciation abilities.

This book conducts poetry criticism research based on Tang poetry anthologies, focusing on the relationship between Tang poetry anthologies and Ming Dynasty poetry criticism. Through the analysis and interpretation of the prefaces, postscripts, examples, comments, and annotations of many Tang poetry anthologies in the Ming Dynasty, through comparison of the selections, and combined with the development of Ming Dynasty poetics, the overall view of the Ming Dynasty Tang poetry anthologies is outlined, and the development context of the Ming Dynasty Tang poetry anthologies is outlined and followed. Many anthologies of Tang poetry have been excavated and extracted from Ming poetry criticism concepts such as "discrimination of style", "style" and "temperament", and the interdependence between Tang poetry anthologies and Ming poetry genres and their role in genre disputes, as well as the theoretical characteristics of Ming Dynasty Tang poetry anthologies, have been explored. This is of great significance for enriching the field of Tang poetry anthology and the research results in the field of Ming Dynasty poetry criticism.

This book uses humanistic economics as a theoretical tool and mainly takes the famous Qing Dynasty novels "The Scholars", "A Dream of Red Mansions", "Strange Stories from a Chinese Studio", "Notes from the Yuewei Cottage" and "Flowers in the Mirror" as research objects, and examines them from the perspectives of economic people and social people respectively. Starting from text interpretation, this paper analyzes the intricate economic relationships between people, the interaction between personal will and economic factors, and the intersection of economic and social impacts in Qing Dynasty novels, with a view to allowing humanistic economics to serve the in-depth interpretation of Qing Dynasty novels.

"Chinese Classics" emphasizes starting from classical Chinese and taking text examination as the core. Its research content includes three aspects: First, Chinese classical philology, which carries out basic training and systematic research on the characters, phonology, exegesis, grammar, meter and other aspects of ancient Chinese humanities classics; second, Chinese classical philology, including research on editions, catalogues, collations, and forgeries of ancient Chinese humanities classics; third, Chinese classical literature research, which mainly conducts artistic analysis and ideological interpretation of classical literary classics. "Chinese Classics" focuses on the above three aspects, aiming to promote the classical humanistic spirit and promote the development of Chinese classics. This book is the second volume of "Chinese Classics".

The vernacular newspapers and periodicals of the late Qing Dynasty were the forerunners of the May Fourth literary revolution. "Vernacular Newspapers and the Literary Revolution in the Late Qing Dynasty" comprehensively analyzes the connection between the vernacular newspapers and the literary revolution in the late Qing Dynasty, and re-understands the emergence and evolution of the May Fourth Literary Revolution in the late Qing Dynasty.

This is a book that teaches poetry writing methods. The author combines his many years of poetry writing experience to explain the basic knowledge, rhythm and techniques of poetry writing in a profound and clear way, which is very helpful for poetry writing and appreciation. It is not only an excellent teaching material for learning poetry writing, but also an essential reference book for poetry lovers.

This book conducts a systematic exploration of medieval Taoist immortal biographies from a literary perspective. First, on the basis of a comprehensive examination of the basic documents of medieval Taoist immortal biographies, systematically comb the evolution process of medieval Taoist immortal biographies from the formation of the Han Dynasty to the maturity of the Wei, Jin, Sui, and the Tang and Five Dynasties, and summarize the characteristics of each period of immortal biographies; second, combine religious studies, cultural anthropology, and narrative science and other related theories, conduct interdisciplinary research on medieval Taoist immortal biographies, involving the style of immortal biographies, story types, narrative themes, prototypes, motifs, etc.; Thirdly, summarize and extract the Taoist history and literary value of medieval Taoist immortal biographies, which has certain theoretical value for promoting the research on the relationship between Taoism and literature.

This book takes the "Book of Songs", an important cultural classic of my country's pre-Qin Dynasty, as the research object. Starting from the social structure of the Western Zhou and Spring and Autumn Period when the "Book of Songs" was created, it deeply explores the class of the author of the "Book of Songs", the relationship between "The Book of Songs" and the changes in aristocratic political thought and social thought in the Western Zhou Dynasty and the Spring and Autumn Period, the regional cultural characteristics of the Western Zhou and Spring and Autumn Period reflected in the "Book of Songs", etc. It not only interprets the reasons for the production of the works in the "Book of Songs" from a literary perspective, but also analyzes its characteristics from a historical perspective.

This book is one of the "Youxue" series. This book focuses on the study of the mental changes of scholars as the elite of the era in the historical transition period of the late Ming Dynasty. It is believed that the changes in the mentality of the scholars are closely related to the social and cultural changes in the late Ming Dynasty, and are also the result of the long-term development and evolution of the mentality of the scholars. As a group, the scholars of the late Ming Dynasty had a basic psychological trend, which was the disintegration of the ideal personality, striving for the unity of morality and political unity, the awakening of the self, and the promotion of individuality; as for individuals, each scholar had a different personality, and their mentality was also very different. While discussing the group mentality, a case analysis was also conducted on the mentality of four representative scholars who made achievements in literature or thought in the late Ming Dynasty.

Focusing on five issues such as image cognition, image structure, image narrative, image style, and image communication, this book summarizes the characteristics, rules, and paradigmatic significance of illustrations in the Ming and Qing Dynasties in many aspects such as meaning, narrative, conveying emotion, and representation. It analyzes the dual significance of illustrations in reproducing text stories and realizing the unique meaning of visual symbols; examines the illustrations' The allusion and restoration effect of pictures on social and historical features; and focusing on the comparison between novels and opera illustrations and other literary and sports publications, the interaction between magazine illustrations and traditional paintings, and the unique significance of each link in the communication chain of image production, consumption, appreciation, collection, etc., Trying to grasp and construct the pattern of visual culture as a whole. Yan Yan not only digs deeply into these issues, but also takes care of their connections and interactions with each other as much as possible, thus enriching the level of discussion.

The set includes "Water Margin", "Exploring the Kingdom of Gods and Demons", "Shen Liujie", "Thinking Not Far Away: A Narrative of the Lives of Poets and Lyricists of the Qing Dynasty", "Striving for Strangeness: Essays on Classics of Mountains and Seas", "The Scholars and Scholars", "Searching for Retreat: From Classical Poetry to Modern Scholars" and "Ming Dynasty Scholars". 14 Volumes of "Human Model: The Art of Life", "Little Notes on the Liyuan", "Eight Lectures on Historical Records", "Tanli: Interpretation of the Dream of Red Mansions from Writing and Retrospection", "Famous Scholars: The World of New Words", "From Bandits to Water Bandits: The Past and Present of the Water Margin", "Dreams on Mount Lingshan: Reading Journey to the West with Wise Words". It deeply restores the charming charm behind Chinese literary classics and helps you re-understand Chinese classics from a modern perspective. Breaking disciplinary barriers, taking into account both academics and art, with a unique perspective, it truly restores the timeless Chinese civilization. It displays the literary talents of the Qing Dynasty and the style of the Ming Dynasty; details the life interests of the artistic masters, and reproduces the peerless youth of world-famous actors. It also uses history as a mirror to make incisive comments on influential figures of the past; it also analyzes the vivid and true meanings in the stories of famous classics. Modern depictions of hundreds of schools of thought in a thousand-year culture, thousands of volumes of poems, are like pearls, shining brightly in the long river of history.

This book is a type of "youxue". On the premise of further examining the literary attributes of epitaph biographies, it provides a multi-faceted interpretation of the newly unearthed epitaphs of the Tang Dynasty from the perspective of biographical literature, which is a new material that has been less explored by predecessors but is related to the development and evolution of biographical literature in the Tang Dynasty. The whole book consists of three parts: the first part, the second part and the appendix: the first part focuses on a comprehensive explanation of the biographical literary value of epitaphs in the Tang Dynasty. The second part selects several more important epitaphs for special research. Some of the issues discussed in the first part are further strengthened and explained in the second part, which can further highlight the biographical literary value of Tang Dynasty epitaphs. Finally, the newly unearthed epitaphs and Tang biographies are appended in the form of examples for reference by relevant researchers.

This book is one of the Youxue series and is mainly composed of 16 essays, covering the characteristics, periodization and historical status of literature in the Qing Dynasty, the literary ecology of the Ming and Qing Dynasties in the shadow of the imperial examination, literature and regional culture in the Qing Dynasty, and the periodization of the history of poetry in the Qing Dynasty. The types, characteristics and documentary value of poetry collections in the Qing Dynasty, the writing methods and social functions of poetry talks in the Qing Dynasty, poetry talks and novel literature in the Qing Dynasty, research methods of poetics in the Qing Dynasty, a collection of Zou Zhimo's life stories, a review of Ye Xie's travels, Ye Xie's views on literary history, etc.

This book is one of the Youxue series and is a continuation of "Manuscripts on Literature of the Qing Dynasty". It is mainly composed of 14 articles, including Living Elsewhere - The Writing Dilemma of Qing Dynasty Poetry and Strategies to Deal with It, Textual Research on "Mei Ting Tujuan", the Modeling and Dissolution of the Seven Rhythm Structural Theory, the Birth of Yuan Meizhi, the Historical Significance of Weng Fanggang's Song Poetry Criticism, Qianlong Period Poetry The sophistication of singing rhythms and the goodness of French style: a typical case of the transformation of poetics during the Qiang-Jia period, the extreme tendency of the concept of self-expression in poetry during the Qian-Jia period-centered on Zhang Wentao's poetic theory, the echo of spiritual poetics in female poetics, the communication of poetics and literary discourse, and the systematization of Tongcheng School's poetic theory-the historical contribution of Fang Dongshu's poetics, etc.

This book is a collection of papers on ancient literary criticism written by Han Quanxin, a retired teacher from the School of Liberal Arts of Zhejiang University. The author discusses classic literary works from the Han, Wei and Six Dynasties such as Liu Xie's "Wen Xin Diao Long", Ge Hong's "Bao Pu Zi", Zhong Rong's "Poetry", and Lu Ji's "Wen Fu", as well as "the introduction of Buddhism in the medieval period and the evolution of literary concepts", "the relationship between form and spirit", "original Taoism, comprehensive scriptures, and Zhengsheng".

The teacher-instructor relationship is one of the most important interpersonal relationships in ancient China. There are many literary activities surrounding the teacher-instructor relationship, but the academic community rarely approaches literary research from this dimension. This book takes the mentoring activities and literary relationships of scholars in the Northern Song Dynasty as the research object, and makes a relatively full argument on topics such as the genealogy concept of scholars in the Northern Song Dynasty, the mentoring relationship, the flow of literati, daily friendships, and the memory of mentors.

The content of this book is revised based on the lecture notes used by Mr. Sun Changwu when he taught the "Taoist Literature Course" in the Department of Chinese Language and Literature of the Chinese University of Hong Kong in 2009. The book is divided into ten lectures, namely: the first lecture is "The Origin of Taoist Literature", the second lecture is "Immortal Biography - the Treasure of Biographical Literature", the third lecture is "Immortal Spirits, Monsters and Legends", the fourth lecture is "Female Immortals and Legends of Descending to Earth", the fifth lecture is "Immortal Songs", the sixth lecture is "Poems about Traveling to Immortals", the seventh lecture is "Taoist Poetry Creation", the eighth lecture is "Fairy Songs of Literati", the ninth lecture is "New Taoist Poems of Song and Jin Dynasties", and the tenth lecture is "The Taoist Drama of Immortals". This book was published jointly with Mr. Sun Changwu's "Ten Lectures on Buddhist Literature" by Zhonghua Book Company in 2014. This book is included in the revised and reprinted edition of "Collected Works of Sun Changwu".

"Journey to the West" is a classical masterpiece with long-lasting influence and unique style. On the one hand, it is popular and simple, and contains fairy tale elements that make it suitable for readers of all ages. On the other hand, since its publication, it has been controversial, especially its unique discourse status, which has led to various interpretations. There are two fundamental problems to be solved that are closely related to the interpretation of the work: one is the theme of the work. Readers have always understood "The Uprising in Heaven" as a rebellion against the obsessive rule of Heaven, and there is even a saying that it "reflects the peasant uprising". However, this creates a logical contradiction with the plot of Wukong's conversion later in the article, especially the plot of destroying other monsters after his conversion. Nowadays, the general way to interpret this contradiction is to "divide it into two parts" and let everyone talk about it in his own way. But interpreting a long masterpiece by bypassing contradictions in this way is not a rigorous and persuasive approach after all. The other is the contradiction between the discourse system and narrative attitude of the work. The work uses a lot of inner alchemy discourse in the narrative process, and even copies a lot of Quanzhen Taoist poems and articles. However, the plot of the novel contains many arrangements that are unfavorable or even hostile to Taoism. How to explain this contradictory phenomenon? "Thirteen Lectures on New Theory" was written to solve these two problems. In recent years, the author has published a series of articles on this topic in publications such as "Literary Heritage", "Research on Ming and Qing Novels", and "Journal of Nankai University". From a macro perspective and a micro perspective, based on the new materials discovered, on the basis of the above research results, he further integrated and improved this book.