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"Zhuangzi" is an important pre-Qin classic. It has always been loved and valued by people for its rich content, profound philosophy, and unbridled writing style. This book selects representative articles from "Zhuangzi" and annotates them for easy reading. For the selected articles, there are explanations, cultural history expansion, literary history links, collection reviews, etc., Which are of great help in grasping the thoughts of "Zhuangzi".

What kind of writers are French modern classics? What defines a modern classic? Sartre, Beauvoir, Camus, Duras, Roland Barthes, Sagan, Robbe-Grillet, Le Clézio, and Milan Kundera, this group of writers born in the 20th century, inherited the French novel tradition in a breakthrough way, and also used their own way to perfectly interpret the modern French novel tradition established by Flaubert, Proust, and Gide. They opened an important era in the history of French literature and even in the history of thought, the so-called era of Sartre. It was in this era that words showed their final dazzling power, continuing a French literary myth that pitted sensuality against the sense of death. They established a modern written legend.

This book is a reading guidance book for junior high school students. Using classics as reading materials, students can deepen their understanding of classics, improve their interest in reading, and practice their writing and expression skills through fill-in-the-blanks, reading comprehension, and writing with pictures. The text is equipped with illustrations, which are exquisite and lively, and can train students' associative ability.

Keigo Higashino's novels can resonate with people in contemporary times because his novels unbiasedly address people's various inner confusions. The author of "What are we talking about when we talk about Keigo Higashino" pointed out that Keigo Higashino's mystery novels express an ideal, which is to comfort the hearts of the humble who are threatened by death. This ideal belongs to all human beings who truly feel the plight of life. The humble people in his works are in opposition to modern society, resisting technological rationality and the surveillance system that accompanies it. "What Are We Talking About When We Talk about Keigo Higashino" is a book that uses Keigo Higashino's novels to find answers for us, telling people how to realize their own value and achieve happiness in life.

"Human Words" is a work of literary criticism written by the famous Chinese studies master Wang Guowei. It was written in 1908-1909. It is Wang Guowei's review of old Chinese literature from a new perspective after receiving the baptism of Western aesthetic ideas. Published in "Journal of Chinese Culture", it is a famous work on poetry in modern China. "Appreciation of the Complete Works of Human Words" is a landmark work in Chinese classical literary criticism. As an epoch-making work in the history of China's development, the book has novel views, incisive arguments, and a self-contained system, embodying the literary and aesthetic thoughts of the famous scholar Wang Guowei. Each article is full of witty words and unique insights. It not only comments on the poetry works, but also comments on the life circumstances, gains and losses of the poets of the past generations. It can be described as a rare classic of Chinese studies and a masterpiece of aesthetics. The author Wang Guowei is even known as "the end of Chinese academics in the past three hundred years and the founder of academics in the past eighty years."

"The paintings of Liang Chun are all covered with fragrance" is Cao Xueqin's hint to Qin Keqing's fate in "A Dream of Red Mansions". Starting from the study of Qin Keqing, Liu Xinwu discussed the causes of death of Qin Keqing, Jia Yuanchun, and Miaoyu, and also included the unexplained insights from the research on "Redology" for more than a hundred years, including Qin Keqing's origin and last words, the foretellings of the four fairies in Taixu Illusion, etc. He also wrote his research results into three novels about Qin Keqing, Jia Yuanchun, and Miaoyu. These academic novels are based on solid textual research, with flesh-and-blood characters, ups and downs of plots, and rich and vivid details. Experts can understand the rules, and laymen can watch the excitement. This book also contains many "Red Studies" treatises and essays. The writing style is lively and lively. Reading is like sucking an olive, with rich aftertaste and far-reaching implications. This is a monograph on "Red Studies" and a leisurely book that is refreshing and enjoyable.

This book is a synopsis of the Song and Yuan Dynasty notes, including one type from the Five Dynasties, 140 types from the Song Dynasty, and 15 types from the Yuan Dynasty. The important ones from the Song and Yuan Dynasties are basically covered. There are also four types of notes from the Ming Dynasty and related compilation notes and textual examinations are attached at the end. It not only involves many common and well-known notes, but also introduces and analyzes rare notes and lost notes, giving people a glimpse of the original work. It not only introduces the author and content of the notes, but also excavates and verifies the writing process and documentary value of the notes, and interprets their complete authenticity.

This book was published by Higher Education Press in 1996 and reprinted by Tianjin Education Press in 2005. It has been edited by the author and included in "Collected Works of Sun Changwu". This book is divided into twelve chapters, describing in detail the various manifestations of Avalokitesvara and Vimalakīrti in Chinese literature, and preliminary discussion of the significance of these manifestations. The scope is mainly before the Song Dynasty.

The Book of Songs, as a classic, was produced during the period of "the coming of human culture" and constructed the cultural traditions and national character of the Chinese people. This book talks about "The Book of Songs" in detail in the form of special topics. It stands at the height of how ancient civilization came into being and reproduces the great beauty of Chinese ritual and music civilization from the Western Zhou Dynasty to the Spring and Autumn Period. It pays attention to the hearts and destiny of ordinary people, and describes the psychology of women's marriage and love in detail, with a deep sense of reality and humanity. The whole book is printed in color, and the text is accompanied by 42 hand-drawn pictures by modern people, which can help you learn more about the names of birds, animals, and plants, making the reading journey enjoyable.

This book is a lecture notes on Su Dongpo's poetry written by Professor Chen Zhanquan when he was giving lectures at Xuehai Library in Hong Kong. The whole book expounds the life story of Su Dongpo, selects and chronologically selects his poems, and adds notes and corrections. In addition to collecting the opinions of various scholars, the book also contains annotations within the annotations and sparse within the annotations. The explanations are extremely detailed. It is indeed a masterpiece that provides an in-depth understanding of Su Dongpo as a person and his poems.

This book is a general work on the interpretation of Chinese myths. It explains four modes of interpreting myths and shows the characteristics of various myth theories. This book explains four modes of interpreting myths through a large number of vivid and interesting mythological stories, helping readers easily grasp the inner logic of different interpretation methods. Relevant original texts are attached next to the text for reference. Many pictures of mythological characters are inserted throughout the book to enhance the pleasure of reading. It is a must-read general introduction to the interpretation of Chinese mythology.

"Thirty Poems" is the work of Yuan Haowen (Yishan), a writer of the Jin Dynasty. It embodies his poetic views and is an important work in the history of literary theory and criticism. This book is Professor Chen Zhanquan's annotation and elucidation of "Thirty Poems" and Yuan's other thirteen poems. The content is well-quoted, the exposition is rigorous, the research is detailed, and there are sometimes precise case studies. It is the best reference book for studying the poems and quatrains of Yuan Yishan.

This book provides in-depth and detailed analysis and evaluation of these works with a broad vision and objective attitude. Although the authors such as Liang Qichao and Huang Shizhong are familiar to people, their contributions to Cantonese writing are rarely known; while Zheng Guangong, Liao Entao, Chen Ronggon, etc., Although they have important positions in Cantonese writing or mother tongue education, have rarely attracted the attention of researchers. This book just fills this academic gap.

"Who is the best martial artist in the world in Jin Yong's novels?" "The martial arts masters in Jin Yong's novels are not as good as each generation?" "Which one is better, the Dugu Nine Swords or the Epee Sword Technique?" "Do you know that the top martial arts masters can hit many with one palm? How far, how high can you jump with one jump, how fast can you run, how many kilograms can you hit with one punch? ""Which one is more skilled in martial arts, the sweeping monk, Dugu Qiubai or Dongfang Bubai? Guo Jing, Yang Guo or Zhang Wuji, who has stronger martial arts?"

There are more than thirty articles in the book, ranging from Yao, Shun, and Yu to the late Qing Dynasty, and the style is arranged in chronological order. Qian Mu measured literature by the standards of "history" and "people". In his lectures, he put forward many new ideas on specific dynasties and literary changes, and also examined and explained some major differences and misunderstandings in the history of ancient Chinese literature. Ye Long, who has studied under Qian Mu for many years, compiled the class notes from 60 years ago, searched for omissions and added annotations, and compiled this book.

A Dream of Red Mansions is not only one of the "Four Great Classics", but also a rich treasure house of knowledge. Its content and writing form reflect the author's profound life experience and knowledge accumulation, as well as the author's exquisite and superb creative ability. In the face of this treasure house, the author of this book starts from the text and traces the roots of various issues in current redology research, trying to provide a more authentic world of redology for fans of redology.

Tang poetry and Song lyrics are the pinnacle of the beauty of Chinese characters. What is the story behind each famous piece? How can each of the big shots be so happy and happy? If you read poetry from a different angle, you will find a different poetic meaning. The super angry young man Luo Binwang, the eternal love sage Du Fu, the great counterattack Gao Shi, the perfect male god Wang Wei, the literary uncle Meng Haoran, the prodigal son Wen Tingyun, the heroine Li Qingzhao, the all-round genius Xin Qiji... Thirty poetry masters, involving nearly three hundred poetry classics. The book is meticulously researched, integrating poetry and history, linking up the dazzling moments in the literary world of the Tang and Song Dynasties, from which we can glimpse a passionate history with ups and downs. This "poetry novel" is very enjoyable to read, and it is a literary arena that has never been seen before. This is a tribute work by "Young Angry Horse", a hardcore lover of Tang poetry and Song lyrics and a popular WeChat public account. Just turn the page and read it.

"Literary archeology" and "hidden structure" are two academic concepts proposed in this book, which are unprecedented. In fact, conscious transplantation is common in literary creation, and pure transplantation is not worthy of praise. However, Jin Yong transplanted the prototypes, plots, and story structures and props from Chinese and Western novels in his martial arts novels, and modified them to a great extent and created them. Even the same character and the same plot have many variations, which is dizzying and breathtaking.

This book is the sixth and last book in the "Xiao Tian Poems" series. This book mainly appreciates the poetry of the Song, Yuan, Ming and Qing dynasties, and modern times. Jiang Kui, Yuan Haowen, Ma Zhiyuan, Wang Mian, Tang Yin... Whether they are poets recognized as having great achievements or poems that have been selected into various collections countless times, this book shows a different beauty one by one. The author Zhou Xiaotian is a professor at the School of Liberal Arts of Sichuan University. He has been devoted to classical literature for a long time and has won the "Lu Xun Literature Award" Poetry Award. With a broad education and an eye for discovering beauty, the author selects very representative poets and their works from the vast sea of ​​poets and poems in the Tang Dynasty, and introduces classical beauty into modern life. Zhou Xiaotian's explanation is simple and easy to understand, and he quotes from classics. The appreciation of poetry in this article is well-written and unique.

From the ancient "Gilgamesh" to Haruki Murakami's "1Q84", from Huxley's "Brave New World" to J. K. Rowling's "Harry Potter and the Philosopher's Stone", there are countless fictional imaginary worlds in the long history of human literature. In "The Great Fiction", American professional book critic Laura Miller leads us across the four thousand years of human literary creation, visiting 96 fantasy worlds created by 96 outstanding writers, deeply analyzing the birth process of these extraordinary ideas, and also showing the fascinating charm of the fictional literary world across time and space.

In the final analysis, the collapse of the Rongguo Mansion is actually the collapse of the economy. The unfolding of the story of "A Dream of Red Mansions" is closely related to economic issues. However, economic issues are only a hidden existence in the novel, which is the background of the novel. Of course, when the plot requires it, it emerges and becomes the content of the novel's story. "Economic Issues in the Rongguo Mansion" analyzes eight issues including Lin Daiyu's obsession with family property, why Li Wan was not a family member, Wang Xifeng and monthly money management, and the stewardship class in the Jia Mansion. The author handles the case like a detective, with novel angles, strict logic, and penetrating analysis, which makes the case amazing.

The book is divided into ten units. Each unit begins with a short story derived from unearthed bamboo slips and silk documents, which restores the specific scenes of life in the Han Dynasty. It is followed by a short popular science text that provides a more detailed and vivid explanation of the social life and material culture of the Han Dynasty. The author imitates Mr. Shi Jingqian's attitude towards history and Mr. Yasushi Inoue's novel techniques, and builds a bridge between the academic and the popular through the use of pictures and texts, so that readers can not only appreciate the wonderful stories hidden in the bamboo slips, but also gain knowledge about the basic necessities, food, housing and transportation of the Han Dynasty society.

This book is a collection of various texts in which Gide recommended Dostoevsky as "the greatest writer" and is a representative work of his literary criticism. As a traitor, Gide took Tuoji as his confidant, because he not only questioned the existence of God, but also used the power of the "devil" to achieve the purpose of exposing the devil, ugliness, and sin. Gide even concluded that "Dostedt is as great as Ibsen and Nietzsche, perhaps more important than them." Although Doskovsky was self-contradictory from his thoughts to his actions, and his efforts to directly clarify his thoughts from the perspectives of ethics, sociology, politics, psychology, and literary theory all failed, his exploration of revealing the secrets of the soul was comparable to Freud's research on the psychology of mental patients, and his novels "achieved a miracle."

Cai Huaiting (1557-1621), named Chengzhi, courtesy name Yiren, and nickname Huaiting, was a native of You County, Hunan. Cai Huaiting once served as the magistrate of Jiaxing Prefecture in Zhejiang Province and the Minister of Dapu Temple in Nanjing. He was indifferent and honest, and was known as the "Four Gentlemen". He was a devout Buddhist believer who had been under the disciples of Master Lianchi. His deeds are recorded in Buddhist classics such as Peng Shaosheng's "The Biography of Lay Scholars" and Peng Xisu's "Records of Pure Land Sages". The story of Cai Huaiting was once widely circulated in You County and its surrounding counties and cities, and had a great influence. However, with the popularity of modern media, its spread scope has become smaller and smaller. Documents such as Cai's genealogy and "The Legend of Cai Huaiting" (internally published) compiled in recent years have included and used his story, but they are very incomplete and there is no relevant research at all. With the goal of preserving and studying Cai Huaiting's story, this book is divided into three parts: upper, middle and lower. The first volume contains about 40 more exciting stories so that people can have a specific and clear impression of Cai Huaiting's story. The middle editor examines Cai Huaiting's life experience and personal beliefs, and studies the development, evolution, subject matter sources and morphological characteristics of Cai Huaiting's stories. The second part collects and sorts out the classical literature related to Cai Huaiting and Cai Huaiting's story, so that people can have a more comprehensive understanding of Cai Huaiting's story. This research form that brings together specific stories and legends, systematic research on stories and legends, and relevant historical materials of stories and legends is a new way of organizing and researching folk literature.

This series of books embodies the essence of the two generations of scholars, Taolph and Zhuge Yibing. The lyrical function of Ci has the ultimate expression and diverse presentation in their writings. It not only reveals the staged development process of Song Ci from a diachronic direction, but also displays the rich and diverse aesthetic forms of each stage of Ci from a synchronic perspective. It advances the research level of the history of Song Ci in depth and expands the research field of Song Ci history in breadth. The book's advantages of natural diversity, complementarity, and complexity and openness enable readers to feel the timeless artistic charm of Northern and Southern Song Dynasty poetry. For professionals and enthusiasts who study ancient literature, it is a culturally accumulated work worth collecting.

This book is an academic work. Taking literary style as the starting point, the author systematically combs the occurrence, development and specific evolution of modern Chinese literary style, and then explores the reasons for the change of literary style in modern times from both the internal and external aspects of literature, thereby exploring the style conversion mechanism and internal cultural logic of modern Chinese literature, which is of certain significance for correctly evaluating and assessing the establishment of style in modern Chinese literature. The author's argumentation is rigorous, the exposition is clear, original, and the arguments are sufficient and reasonable. On this basis, there are many wonderful insights. It has high reading and reference value for professional researchers and literature students.

Xiao Hong, with landmark works such as "The Field of Life and Death" and "The Story of Hulan River", has left a shining footprint in the history of modern Chinese literature. Xiao Hong only lived for thirty-one years in the world, but with her blazing fire of life, she created nearly a million vivid, clear and beautiful words full of national spirit. Whether it is novels, essays, poems, or dramas, Xiao Hong's writing always shines with realism. This has won her a high reputation among readers at home and abroad. This book narrates Xiao Hong's lamentable and legendary life. The writing is delicate and refined, and the author's psychological understanding of different periods is subtle and subtle. At the same time, the author of this book has comprehensive possession of a large number of detailed historical materials and rich research results, and based on good academic training, he has examined it with a unique perspective and clarified many errors in previous research on Xiao Hong.

Liu Yazi, a native of Lili Town, Wujiang District, Suzhou City, Jiangsu Province, is a famous poet in my country and the founder of Nanshe. Liu Yazi wrote a large number of passionate and high-spirited poems throughout his life, totaling more than 7,000 poems and 200 lyrics. Liu Yazi attaches great importance to the ideological nature of literature. He opposes the chanting of personal themes that lament the old and humble, and the poems that criticize the wind and the moon. In the history of the development of modern Chinese poetry, his poems have epoch-making significance. This book selects more than 100 ancient poems by Liu Yazi, and annotates each poem. It also introduces the source and creative background of the poems, so that readers can have a deeper understanding of these poems, and at the same time, they can also understand the author of the poems and the era in which he lived through these works.

This book combines points and aspects and runs through it with lines. It not only reveals the staged development process of the history of Southern Song Ci from a diachronic direction, but also shows the rich and diverse aesthetic forms of each stage of the Ci world from a synchronic perspective. It not only advances the research level of the history of Southern Song Ci from a depth, but also expands the research field of the history of Southern Song Ci from a breadth.

There is no separation between literature and history. Literary creation is the image expression of real society. By reading literary works of a certain era, you can understand many historical phenomena of that era from one perspective. "Ci is Yanke". Song Ci is famous for being good at describing the personal relationships between men and women, and reflects a relatively narrow aspect of social life. With the development of social life and the evolution of historical background, Song poetry has somewhat stepped out of the narrow circle of flowers in front of the moon and expressed a more open historical style of the Song Dynasty. This book selects 16 Song poems and works with similar themes to explain the historical environment and related historical facts of the production of the works. It hopes to bring a new reading perspective to readers and bring them a new reading experience, so as to deepen their impression and understanding of Song poems and Song history.

This book contains the works reviewed and edited by Wu Jianren. Considering that the works reviewed by Wu Jianren are difficult to see, and in order to help interpret Wu Jianren's comments, this book retains all the original texts, revised them from "New Novels" and "Yueyue Novels", and adds new punctuation. These works include the detective novel "Snake Circle", twenty-three chapters; "Xin'an Translations" with 90 titles and 94 translations; the tanci novel "Jia Fu's Western Drum Ci"; the romantic novel "Love in Love", five chapters, unfinished; "Xin'an Harmonious Translations" Volumes 1 and 2. The first volume contains two articles "One Thousand and One Nights" and "The Fisherman", and the second volume contains 15 articles including "The Marriage of Cat and Mouse" and "The Revenge of the Wolf and Sheep".

Su Manshu is a famous writer, poet, and translator in modern my country. He was good at poetry and painting throughout his life. He was proficient in Chinese, Japanese, English, Sanskrit and other languages. He was versatile and made achievements in various fields such as poetry and novels, especially in poetry. His poetic style was "clear, bright and beautiful" and unique. It had a great influence at the time and has been passed down to this day. This book selects more than 100 ancient poems by Su Manshu, and annotates each poem. It also introduces the source and creative background of the poems, so that readers can have a deeper understanding of these poems, and at the same time, they can also understand the author of the poems and the era in which he lived through these works.

The author of this book is Yu Biyun, a scholar during the Guangxu period of the Qing Dynasty. The book contains hundreds of famous works by Wang Bo, Luo Binwang, Li Bai, Du Fu, Wang Wei, Meng Haoran, Bai Juyi, Lu Lun, Liu Zongyuan, Liu Yuxi, Li Shangyin, etc. It specializes in the practice of Tang Dynasty rhymed poetry and quatrains, starting with tone, meter, meaning, syntax, and calligraphy to explain its subtleties. As an entry-level book for masters of Chinese studies, readers can be satisfied whether they want to learn and progress or appreciate research. In this reprint, in addition to re-editing and integrating the content, the title of the classic book has also been boldly rewritten, making the classic work more relevant to life and closer to readers.

The author of this book is Long Yusheng, one of the most famous ci masters in the 20th century. This book is divided into two parts, covering everything from the development of lyrics and music to the arrangement and usage of lyrics and music, as well as the expression of thoughts and feelings. This book has reference value and guiding significance for the study of the history of lyrics and music, phonics, and writing of lyrics and music. The examples cited in the book are mostly popular masterpieces. Through introduction and analysis, they can help improve readers' appreciation. As an entry-level book for masters of Chinese studies, readers can be satisfied whether they want to learn and progress or appreciate research. In addition to re-editing and integrating the content, this reprint also boldly re-drafts the title of the classic book, making the classic work closer to life and closer to readers.

The book selection includes the book review articles published by the author in relevant publications in the past three years, divided into five volumes: "Reviews on Poetry Works", "Reviews on Prose Works", "Reviews on Novels", "Reviews on Reportage", and "Reviews on Academic Monographs", with a total of 43 articles. This book selection comprehensively deconstructs the high-quality new books published by each author, and explores the value and influence of his works from multiple angles and levels. The swaying and colorful brushwork and unconventional forms make this collection of book reviews full of strong artistic charm. Except for a few reviews of the works included in this book review, which focus on books published by writers and poets from outside the province, most of the reviews focus on books published by local writers and poets. And one of the most important features is that these book reviews do not focus on works by famous writers. Most of them are books published by writers and poets who are not yet famous.

This book is an expanded version of "The Indescribable Jin Ping Mei" published by the author in the late 1980s. On the basis of theoretical speculation and understanding of the evolution of the history of Chinese novels, the author strives to clarify the long-standing confusion surrounding "Jin Xue". The author is not confused by the ambivalent comments, nor is he fascinated by the intertwined connotations of the text, but always maintains a sense of historical depth. With a methodology that combines macroscopic vision and microscopic precision, it provides readers with a speculative and transcendent consciousness for reading classic texts! This book runs through the author's concept of returning "Jin Ping Mei" with dignity. It is emphasized that when our national culture goes to the world and when we call for the prosperity of literature and art, we should follow the pace and trend of the new era and strive for a lofty position in the palace of literature and art for the great "Jin Ping Mei".

"Writing in Relativity" is a collection of essays, criticisms and essays on contemporary poetry written by the author since the 1990s. The content covers the relationship between new poetry and classical poetry tradition, modern Western poetry, the relationship between poetry and history and reality, politics, moral concerns and artistic ethics in contemporary poetry, etc. It not only includes the author's experience review of his poetry writing process, but also discusses the value of contemporary poetry and the problems it faces from the perspectives of real politics, social conditions, language changes, etc.

This book was written by Ye Jiaying when she was at Harvard University. It was also a major turning point in the author's academic research. Mr. Wang Guowei, a modern Chinese academic master, ended his life by sinking himself into a lake. This shocking move left many doubts to future generations. Why did he suddenly commit suicide at the height of his academic research at the age of fifty-one? Why did he, who devoted himself to the study of Western philosophy and literature in the early days, turn to the textual research of ancient characters, ancient artifacts, and ancient history and places in the later stages of his academic career? This book provides convincing answers to these two puzzling questions. At the same time, this book also makes an appropriate evaluation of its literary criticism represented by "Human Words".

"War of the Worlds", "Foundation", "The Three-Body Problem", "The Legend of the Galactic Heroes"..., What scientific knowledge is hidden behind these classic science fiction works? Which works of hard science fiction are worth watching? Which works are pseudo-science fiction disguised as science fiction? Quantum, black hole, light speed, wormhole, sophon, dichotomy foil, water droplet, which of these science fiction knowledge is true and which is false? Will the sci-fi world come true? From the classical era to the golden age of science fiction, from alien invasions, future epics, space operas, cyberpunks, superheroes, time travel to dystopia, Mr. Wang Jie will take you into the world of science fiction to fully understand the entire process of how science fiction moved from the classical era to the golden age and then to the new wave, and review the most classic science fiction works in these eras.

"Scar Literature Research Materials" is a type of large-scale academic reference book "Chinese Contemporary Literature History Materials Series". This book uses the main selected articles and data index as the layout style. It selects published papers on scar literature research to reflect the development of scar literature and show the outstanding results of research in this field. The index part collects research papers and academic monographs in this field to provide a wealth of information for general readers and researchers.

"Research Materials on Novels of the 1990s" is one of the large-scale academic reference books "Chinese Contemporary Literary History Materials Series". This book is organized based on the combination of main selected articles and data index. Selects representative papers on the study of novels in the 1990s to reflect the development overview of novels in the 1990s and show the highest level of research in this field; the index section collects research papers, academic monographs, etc. In this field, providing a wealth of information for general readers and researchers.

"Cultural Prose Research Materials" is a type of large-scale academic reference book "Chinese Contemporary Literary History Materials Series". This book uses the main selected articles and data index as the layout style. It selects published papers on cultural prose research to reflect the development of cultural prose and show the outstanding results of research in this field. The index part collects research papers and academic monographs in this field to provide a wealth of information for general readers and researchers.

"New Realistic Novels Research Materials" is a type of large-scale academic reference book "Chinese Contemporary Literary History Materials Series". This book is organized using the main articles and data index, and selects published papers on the research on new realistic novels to reflect the development of new realistic novels and show the outstanding results of research in this field. The index part collects research papers and academic monographs in this field, providing a wealth of information for general readers and researchers.

"Pioneer Novels Research Materials" is a type of large-scale academic reference book "Chinese Contemporary Literary History Materials Series". This book is organized based on the combination of main selected articles and data index. Selects representative papers on the study of avant-garde novels to reflect the development context of avant-garde novels and demonstrate outstanding research results in this field; the index section collects research papers, academic monographs, etc. In this field to provide general readers and researchers with rich information.

"Root-seeking Literature Research Materials" is a type of large-scale academic reference book "Chinese Contemporary Literature History Materials Series". This book is organized based on the combination of main selected articles and data index. Selects representative papers on root-seeking literature research to reflect the development profile of root-seeking literature and show the highest level of research in this field; the index section collects research papers, academic monographs, etc. In this field, providing a wealth of information for general readers and researchers.

"Pioneer Drama Research Materials" is a type of large-scale academic reference book "Chinese Contemporary Literary History Materials Series". This book is organized based on the combination of main selected articles and data index. Selects representative papers on avant-garde drama research to reflect the development profile of avant-garde drama and show the highest level of research in this field; the index section collects research papers, academic monographs, etc. In this field to provide general readers and researchers with rich information.

"New Historical Novel Research Materials" is a type of large-scale academic reference book "Chinese Contemporary Literary History Materials Series". This book is organized using the main articles and data index, and selects published papers on the study of new historical novels to reflect the development of new historical novels and show the outstanding results of research in this field. The index part collects research papers and academic monographs in this field, providing a wealth of information for general readers and researchers.

"Research Materials on Translation and Introduction of Foreign Literature" is a type of large-scale academic reference book "Chinese Contemporary Literature History Materials Series". This book is organized using the main articles and data index, and selects published papers on the study of foreign literature translation and introduction, reflecting the development trend of foreign literature translation and introduction, and showing the outstanding research results in this field. The index part collects research papers and academic monographs in this field, providing a wealth of information for general readers and researchers.

"Double Literature: Folk Literature + Writer's Literature" is a volume in the Gou Shen Series of the Museum of Modern Literature in China. This book consists of two groups of articles: first, about the folk literature views of several writers who have made important expositions on folk literature, mythology, and ballads in the history of modern Chinese literature; second, the author uses the principles and methods of literature and art to explore and study folk literature, and to elaborate on his own views on folk literature.

This book is a history of India's image, a history of Chinese literati's acceptance of Indian culture, and a history of Sino-Indian cultural exchanges from a new perspective. Using research methods such as mutual corroboration of literature and history, and iconography, we systematically excavated, organized, and studied the materials related to the image of India in Chinese classics, so that the fragmented and incoherent image of India that originally existed in a recessive state can be clearly and clearly displayed. While providing a vertical outline and panoramic view of Indian culture, it also highlights the characteristics of Chinese culture itself. This article provides a historical review of the two thousand years of friendly exchanges between China and India, two big Eastern countries, and provides inspiration and thinking for China-India relations in the new era.