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This book aims at readers' pain points of "lack of systematic methods, no reference in writing, and inability to understand deep connotations" in literary learning. It uses the horizontal and vertical coordinate system based on time and classification as the core method to build a clear cognitive map of literary history. The book focuses on many classic texts from different historical stages such as "Zuo Zhuan", "The Analects of Confucius" and "Warring States Policy". On the one hand, it deeply analyzes their artistic characteristics such as narrative techniques and characterization, and sorts out the evolution of literary genres and characteristics of the times, helping readers gain insight into the social background and deeper meaning of the works and improve their reading comprehension. On the other hand, it refines the writing wisdom of ancient writers, such as the conciseness and implicitness of "Zuo Zhuan" and the exaggerated elaboration of "Warring States Policy", providing readers with writing skills that can be directly used for reference.

This book uses cultural and literary theories such as cultural communication and comparative literature, and based on the detailed historical data on the relationship between Western culture and East Asian modern literature, and discusses the historical evolution and characteristics of Western culture from the broad perspective of world history, society and culture.

"Etymology" is a monograph on word theory written by Zhang Yan in the late Song Dynasty and early Yuan Dynasty. At that time, the Song Dynasty died, and Zhang Yan's life experience was ups and downs, so he wrote this book while wandering. The book analyzes the five tones and twelve temperaments, the rhythm and the sound, and the palace tone and color, and analyzes the essence and principles, covering chapters such as composition, syntax, and clearing. It is a classic in the field of Ci poetry and has a profound influence on later generations.

Susan Sontag is a famous American literary critic and novelist. She has a great influence on the American cultural world. To a certain extent, it also reflects the changes and debates in American cultural trends. This book takes the American cultural radicalism in the 1960s as the research background, and based on Sontag's own experience and her "Aesthetics of Silence", "Against Interpretation", "Style of Radical Will" and her literary colleagues of the same period or writers and scholars who had a significant impact on her ideological formation.

Eliza Marianne Barthes was a famous British critic in the 20th century. "Greek Tyranny over Germany" is her masterpiece and her most influential work. By describing and analyzing the entanglement between Winckelmann, Lessing, Goethe, Schiller, Heine and other German writers in the fields of art and poetry with ancient Greece, this book studies the influence of Greek art and poetry on great German writers since the 18th century, revealing an extremely strange, subtle, and decisive process of the German national soul.

"Canglang Poetry" is a poetry theory work written by Yan Yu in the Southern Song Dynasty. Using Zen as a metaphor for poetry, he put forward poetic viewpoints such as "wonderful enlightenment" and "interest", and discussed the system, rhythm, and creation of poetry, which influenced the creation and theoretical development of poetry in later generations.

This book is the second in the "Literature Museum·Academic Youth" series. It is compiled and selected by the Museum of Modern Literature in China. It includes five award-winning essays from the 12th Tang Tao Youth Literature Research Award. It focuses on the research results of a group of young scholars with both practical concerns and historical awareness on modern and contemporary Chinese literature and literary criticism, and promotes the cutting-edge force of modern and contemporary Chinese literature research to the academic community.

This book is one of the "General History of Chinese Literature Series". This series is hosted by the Institute of Literature of the Chinese Academy of Social Sciences and co-edited by Peking University and Nanjing Normal University. Those who participated in the writing are all domestic first-class experts. This literary history series has rich and detailed materials, accurate and sufficient narratives. Based on a comprehensive and scientific analysis and evaluation of writers and works, it summarizes the achievements and shortcomings of literary creation, clarifies the historical process of the formation of various literary phenomena and the relationship between their inheritance and development, describes the trajectory of literary development in different periods, and reveals the macro trend of Chinese literary history. This book introduces the literary history of the Tang Dynasty to readers. The first volume is edited by Qiao Xiangzhong and Chen Tiemin, and the second volume is edited by Wu Gengshun and Dong Naibin. It is hereby dedicated to the majority of classical literature research scholars and lovers.

"History of Song Dynasty Literature", compiled by the Institute of Literature of the Chinese Academy of Social Sciences and edited by Sun Wang and Chang Guowu, is one of the "General History of Chinese Literature Series". The executive editors are Chang Guowu, Liu Naichang, Zhong Ling, and Cao Jiping. The authors include Chang Guowu, Liu Naichang, Zhong Ling, Cao Jiping, Zhou Huiquan, Wang Zhaopeng, Yu Beishan and other academic celebrities. The book is comprehensive in content, rich in material, and fair in evaluation. It explains the basic aspects of the literary history of the Song Dynasty in a relatively comprehensive way. It has been widely praised since its publication.

This book starts with the relationship between officials in the Ming Dynasty and literary power. On the basis of existing research results, it aims at the existing problems and deficiencies in current research, guided by Bourdieu's field theory, and comprehensively uses a variety of research methods, from the aspects of cultural legitimacy, strategy implementation, literary classics, publishing and communication, and combines mainstream academic research. By taking factors such as the turning point, the Hanlin complex, and the literary tradition of Lang Shu, it deeply reveals the relationship between Lang Shu officials and literary power in the Ming Dynasty and its implications, and systematically examines the trajectory and dynamics of the development and evolution of literature in the Ming Dynasty, so as to enrich the connotation of literary research in the Ming Dynasty, in the hope of providing a relatively new theoretical support and research perspective for the study of ancient literature.

This book uses the theories and methods of Chinese rhetoric to show the style of Su Shi's prose rhetoric, explores the motivations of Su Shi's prose rhetoric, and sorts out the inheritance and innovation of Su Shi's prose rhetoric on predecessors and its influence on later generations. The introduction part outlines the current situation of research on Su Shi's prose rhetoric and introduces the research methods of this topic. The first three chapters examine the style, causes and achievements of Su Shi's prose rhetoric from multiple angles and levels, including phonetic rhetoric, lexical rhetoric, syntactic rhetoric, rhetoric use and discourse rhetoric. The last four chapters, in connection with the subject matter and genre of Su Shi's prose, explore the inheritance and innovation of Su Shi's prose from previous generations in terms of rhetorical techniques and genre styles, and do a special study on the impact of Su Shi's prose rhetoric on later generations. The conclusion briefly describes the status, contribution and influence of Su Shi's prose rhetoric in the history of ancient prose rhetoric.

This book is a work of literary theory and an interpretation of Ba Jin's "Random Thoughts" by young writer Jin Xiaoan. It uses popular language to explain the literary connotation and contemporary significance contained in Ba Jin's classic work. Ba Jin's "Random Thoughts" has five episodes in total, namely "Random Thoughts", "Exploration Collection", "Sickness Collection", "Truth Collection" and "Untitled Collection". The author excerpts and interprets the golden sentences in Ba Jin's original text, reveals the background of the times, and leads readers to approach and understand Ba Jin in simple and profound terms.

"Shi Pin" is the first Chinese poetry theory work, written by Zhong Rong during the Qi and Liang Dynasties. "Shipin" evaluates more than 120 poets from the Han Dynasty to the Qi and Liang Dynasties, divided into upper, middle and lower grades. The poets, their origins and systems are traced back to the six arts, so they are profound and far-reaching. Among them, the historical view of poetry, the theory of poetry's origin, the theory of poetry's essence, the theory of poetic style, the theory of creation, the aesthetics of poetry, as well as the historical criticism, comparative criticism, judgment criticism, excerpt criticism, and material criticism of "Shi Pin" have been passed down to generations and have influenced future generations. They have had a significant impact on the development of Chinese literary theory, poetry theory, and Japanese waka theory, and have the significance of laying the foundation for poetics. "Shi Pin Notes" is based on the earliest extant Yuan Dynasty journal "Shi Pin" written by Song Zhang Ruyu's "Research on Mr. Shantang's Qun Shu". It consults more than 50 editions at home and abroad after the Ming Dynasty and Zhengde, corrects errors in words, annotates allusions and quotes, and provides precise and detailed explanations. This book is both a book of commentary and a book of research.

Duanmu Hongliang said: "If there is a so-called 'Encyclopedia School' in China, then Mr. Xidi (Zheng Zhenduo) is the most outstanding one." Indeed, Mr. Zheng Zhenduo made pioneering contributions to the collection, compilation and academic research of historical materials such as Chinese classical literature, folk literature, and opera. The content of this book starts from the mid-Shang Dynasty in the 4th century BC and ends with the New Literature Movement in the early 20th century. It not only involves literature, but also history, ancient books, texts, paintings, etc. It provides a systematic review of Chinese literature in the past dynasties. It is a classic work that has been circulated for nearly a hundred years and has an enduring influence. The book not only contains Mr. Zheng Zhenduo's vivid oral expressions, but also contains many magical touches. It is an ideal reading to enrich the reserve of literary knowledge and improve literary accomplishment.

This book is a cultural reading that interprets the chivalrous poems of the Tang Dynasty and is suitable for readers who are interested in Tang poetry and chivalrous culture. Chivalrous poems in the Tang Dynasty take the chivalrous spirit as the theme and are important texts for understanding the social style and aesthetic taste of the Tang Dynasty. In the poems, knights travel around the world and guard frontier fortresses. They are either graceful or suave, or powerful and tragic. They are the embodiment of the martial arts culture of the Tang Dynasty and the literati's ideals of meritorious service. They also had a profound impact on the creation of martial arts literature in later generations. This book starts from the origin of the chivalrous spirit, from the chivalrous biographies of the pre-Qin and Han Dynasties to the chivalrous poems of the Wei, Jin and Six Dynasties, and then reaches its peak in the Tang Dynasty. The styles of chivalrous poems also vary in different periods, from the heroic and unrestrained in the early Tang Dynasty to The sadness and desolation of the late Tang Dynasty, these changes echoed the rise and fall of social politics; in addition, the rich types of knights - ancient knights, dandies, unruly prodigals, heroines and barbarians, etc., Further demonstrated the diverse vitality of the Tang Dynasty society. Open this book to appreciate the charm of chivalrous poems in the Tang Dynasty and explore the inheritance of chivalrous spirit.

Abai Kunanbayev (1845-1904), a great Kazakh thinker, writer, composer, philosopher, and educator. He is a representative figure in Kazakh literature. Because Abai's political ideals and thoughts on promoting human spiritual civilization and social development are mainly expressed by his artistically charming poems, Abai is respected as a poet by the Kazakh people. It was based on this that UNESCO listed Abai among the world's celebrities in 1995 and called him a great poet. This book combs through early Abay studies and briefly introduces the works of Mukhtar Auezov, the founder of Abay studies, and the author's own exploration results. This book helps readers gain a more comprehensive understanding of Abai and his poetry of various genres, the role his creative activities played in promoting the development of Kazakh literature in our country, and his influence around the world.

This book takes as the research object the method, characteristics, content and significance of the "Novelist Category" academic criticism in the "Sikuquanshu General Catalog". From the aspects of traditional bibliographic thought and the political and religious intentions of the Qing Dynasty, based on the theory of document value distinction and bibliographic control, we analyze the compilation situation, ideological form, knowledge pedigree, operating mechanism and value destination of the "novelist category" academic criticism in the "Sikuquanshu General Catalog", and explore the reading history value and historical significance of the "novelist category" academic criticism in the "Sikuquanshu General Catalog".

This book mainly focuses on the study of Six Dynasties studies in the late Qing Dynasty and the early Republic of China, including the study of the historical culture and academic culture of the Six Dynasties during this period, with a special focus on the study of Six Dynasties literature. Based on the academic perspective of "modernity", starting from the pioneering research on modern Six Dynasties studies by Zhang Taiyan, Liu Shipei and others, it gradually displays the research achievements of Six Dynasties Studies from the late Qing Dynasty and the early Republic of China until the founding of the People's Republic of China. For the convenience and completeness of writing, this book adopts a vertical and horizontal research method. On the one hand, the theme discussion is used as the outline, and on the other hand, the discussion of the same theme is slightly chronological. It not only discusses the academic historical achievements of the scholars who studied Six Dynasties Studies, but also provides an overall grasp of the theme research of Six Dynasties Studies.

This book takes the writers' collections as the starting point. By sorting out and analyzing the collections of Hu Shi, Lu Xun, Yu Dafu, Zhu Ziqing, Ba Jin, Zhang Tianyi, and Sun Li, it studies their personalities, attitudes toward collecting books, aesthetic tastes, literary creations, cultural visions, and literary interactions. It examines where the writers' artistic ideas come from, and hopes to present the writers' knowledge structure and ideological pedigree.

This is a story class training system specially developed for local creators. In the practice of front-line screenwriting and writing teaching for many years, teacher Liu Liduo is well versed in the rules and needs of China's story industry, as well as the bottlenecks and confusions of domestic creators. Through this book, she aims to use the insights of insiders to draw novices into the story gate and push it to the public consumers. This set of quite hard-core courses will "straight to the heart" like Zen, pulling ordinary people into the door of stories in one fell swoop - 7 main courses are linked together, and original story creation plans that adapt to Chinese people's thinking are proposed; 14 assignments surround the main course, like meticulous needlework With your feet, you sew the theory into the end of your pen. As long as you complete it carefully, you will be able to witness the birth of the first story in your life. In addition, there are a large number of practical materials such as book lists, questionnaires, tips, etc. To help you find your style, find your positioning, determine your track, and plan a writing path with clear prospects. All of this will help you create a story that excites the market-maybe it's the next talked-about story IP!

This is a work of literary theory. Taking twenty classic literary works as examples, the author leads readers from BC epics to contemporary novels, revealing the amazing innovations that make classics classics: How does Homer's "Iliad" inspire readers with courage during the reading process? How did Shakespeare, who was deeply grieved by the loss of his son, use "Hamlet" to create a new healing model and help the audience overcome the nightmare of avoidance and guilt? The author attempts to explain through this book that the invention of literature can trigger readers' new thinking patterns, and also provides corresponding reading suggestions based on different themes. Young readers can learn about the author's latest research results from this book, which has certain publication value.

This book takes ancient classical Chinese novels as the research scope, and takes writings in troubled times as the center of interpretation. Starting from a macro perspective that combines history, culture, and literature, this book conducts systematic, organized, and comprehensive research on many classical Chinese novels in the past dynasties around the historical phenomenon of "troubled times". It not only comprehensively sorts out the overall appearance of troubled times. , It also reveals the social factors that caused human tragedies, and explores people's life desires and survival ideals in troubled times, and extracts the theme connotation, artistic expression characteristics and literary value of ancient novels written in troubled times, so that the basic content and spiritual connotation of ancient novels written in troubled times can be fully explained and rigorously demonstrated.

The late Qing Dynasty and the early Republic of China was a period of great social change and an important turning point in literary history. The author of this book divides the literature at that time into two categories: one is ancient literature, represented by Wang Kaiyun, Zhang Taiyan, Liu Shipei, Chen Yan, Wang Guowei, Wu Meicun, etc.; One is new literature, represented by Kang Youwei, Liang Qichao, Yan Fu, Zhang Shizhao, and Hu Shi. This book is a masterpiece of the chronological literary history that takes the literature of this period as its content. The author has an in-depth exploration of the historical background and ideological roots of these representative figures. This book's "Compilation" describes ancient times, medieval times, modern times, and modern times, followed by modern literature. This is precisely to understand the changes between ancient and modern times. What is discussed in the book, "beginning with Wang Kaiyun and ending with Hu Shizhi," is mainly about modern literature and the so-called "old literature" after entering the twentieth century.

"History of Vernacular Literature" is the history of vernacular literature discussed by Hu Shi, and it also has a pioneering and milestone status in the history of Chinese literature. The author uses a brand-new idea and structural framework to reveal the laws and characteristics of the development of Chinese literature. His breakthrough achievements are specifically reflected in: breaking the narrow limits of previous humanistic history research, extending his horizons to a broad field beyond the works of classic writers, and greatly broadening the connotation of Chinese literary history; in terms of research methods, he pays attention to vertical examination and horizontal comparison; he jumps out of traditional thinking prejudices and evaluates ancient Chinese literature with new aesthetics and values.

"Yuanbai Poems and Notes" takes the poems of Yuan Zhen and Bai Juyi as the research object, and respectively discusses Bai Juyi's "Song of Everlasting Sorrow" and "Pipa Xing", Yuan Zhen's "Lianchang Palace Ci" and "Erotic Poems and Mourning Poems", as well as the largest "New Yuefu" and "Ancient Yuefu" among the "Yuanbai Poems", with a total of six chapters and five appendices, totaling 250,000 words. Chen Yinke believes that Tang poetry is closely related to the author's social class and political life, and "Yuanbai poetry" has historical data characteristics that other Tang poetry does not have. This is not only related to the Mid-Tang Dynasty where Bai Juyi and Yuan Zhen lived, but also related to the content and quantity of "Yuanbai poetry". The author uses textual research to verify the most important poetic works of Yuan Zhen and Bai Juyi, and uses Tang poetry to examine Tang history, while also covering many issues such as the system, utensils, customs, and literary trends of the Tang Dynasty. It has a profound impact on the study of Tang Dynasty literature.

The book "General Theory of Ci" has nine chapters. The first five chapters discuss the style, rhythm and practice of Ci. The last four chapters describe the history and poets of Ci from the Tang, Song, Yuan, Ming and Qing Dynasties, and make detailed comments on the works of representative poets from the Tang, Five Dynasties to the Ming and Qing Dynasties. Whether it is for beginners or researchers, this book is a rare masterpiece and has great research value.

"A Brief History of Chinese Novels" is China's first monograph on the history of novels. The book provides an incisive discussion of Chinese novels from ancient mythology to condemnation novels in the late Qing Dynasty. It summarizes the historical development and achievements of Chinese novels. It is a landmark academic work. Even Mr. Hu Shi gave it a high evaluation, saying that it "is a pioneering creation, with diligent collection, excellent materials, and rigorous editing" (Hu Shi's "History of Vernacular Literature"); Mr. Guo Moruo even compiled "A Brief History of Chinese Novels" and Wang Guowei's "History of Opera in the Song and Yuan Dynasties" was hailed as "a pair of gems in the study of Chinese literature and art history" and believed that what the two engaged in was "not only pioneering work, unprecedented, but also an authoritative achievement that has been leading millions of later students."

"Literary Research Methods" is the only monograph by Tongcheng School writers to systematically expound the Tongcheng School's literary theory at the time when old learning and new learning are alternating. It has made a new arrangement and explanation of the Tongcheng School's literary theory. The style of the book imitates "The Literary Mind and the Carving of Dragons", and the content emphasizes the combination of literature and linguistics, emphasizing that literary style exists in works and creative subjects, integrating Tongcheng literary theory with the times, and pioneering the transformation of traditional Chinese literary theory into modern literary theory. His literary materials are rich, his writing is rigorous, his words are elegant and clean, and he has a Tongcheng style. He is of great reference value for the study of ancient Chinese literature and linguistics, and has contributed to the construction of the literary system.

In the cultural life of the Chinese people, classical novels are a special existence. They retain the cultural imprint accumulated over generations, and also retain the most details of the daily life of ancient Chinese people, as well as their concepts and logic when thinking about the meaning of life and facing choices and actions. On the one hand, Chinese classical novels are a literary reflection of ancient Chinese social culture; on the other hand, they also deeply influence all aspects of ancient Chinese social culture. They have shaped the classical cultural images and cultural symbols with the highest emotional density among Chinese people. If you want to have a profound understanding of ancient Chinese society, classical novels are a very charming key. This book invites 11 young and middle-aged scholars who have made outstanding achievements in the field of classical novel research to conduct innovative research around the theme of "novel and society". They use a core aspect of Chinese culture and society to interpret a novel or a type of novel thematically, revealing the rich social and cultural connotations behind these works, so as to re-understand classical China. Classics never go out of style. The rich exploration of human nature and profound social insights in classical novels, as a unique Chinese experience, resonate deeply with the current social thinking and emotional experience of Chinese people. The enduring themes in classical novels are also social and life issues that everyone must face in their lives. Classical novels, like those timeless philosophical classics of mankind, not only raise the most challenging questions but also provide the most revealing answers.

This book takes the translation and creation of detective novels during the Republic of China (1912-1949) as the main research object. It uses the detective novels published in newspapers, magazines and single volumes at that time as the basis for its argumentation. It takes the development history of detective novels during the Republic of China as its research focus, and also examines the urban origins, koan tradition, foreign translations, representative writers' works, formal characteristics (including narrative modes) and ideological value of detective novels in the late Qing Dynasty and the Republic of China. On the one hand, we strive to sort out the genre evolution trajectory and literary historical development framework of the detective novels of the Republic of China, which is the description of "history"; on the other hand, we try to extract the modern value connotation and formal stipulations of the detective novels of the Republic of China, which is the interpretation of "theory", combining historical belt theory and historical theory.

In the ancient civilized world, China, Greece and India each created unique poetics and became the three major sources of world literary theory. Indian Sanskrit poetics has a development history of more than a thousand years and is rich in resources. This book brings together ten classic works on Sanskrit poetry, including the Sanskrit theater works "Dance Theory", "Ten Colors" and "Dance Theory Notes"/Sanskrit poetic works "Poetry Solemnity Theory", "Poetry Mirror", "Rhyme Light", "Poetry Exploration", "Quyu Life Theory", "Poetry Light" and "Literary Mirror", all of which are must-read classics for understanding and studying ancient Indian poetics.

This book takes the period from 2001 to 2005 as a boundary, and makes a detailed arrangement of the translation and research of Chinese literature in France during this period, giving a panoramic view of the research on Chinese literature in France. Specifically, it includes a catalog of translated versions of Chinese literary works published during this period, as well as a catalog of monographs, doctoral theses, and journal articles on Chinese literary studies. At the same time, it has selected and translated several journal articles, and compiled abstracts of important monographs and doctoral theses. In addition, this book collects brief information on Chinese literature seminars held in France during this period, organizes information on institutions and journal catalogs engaged in or involved in Chinese literature research, and also includes a comparison table of translated names and original names by French sinologists.

The issue of identifying the validity of contemporary Western literary theory has been a focus of discussion in contemporary Chinese literature and art research in recent years. It is also an important issue affecting the development and theoretical construction of contemporary Chinese literary criticism. This book conducts research on several issues of discourse reflection in Western literary theory and contemporary Chinese literary theory from the perspectives of theory and reality. The main contents include the issue of the Sinicization and modernization of Marxist classic literary thought, the epistemological path and methodological stance of the reflection research of contemporary Western literary theory, the "aphasia" of literary theory and the revaluation of contemporary Chinese literary theory, the promotion of originality, the issue of postmodernist discourse criticism in contemporary Chinese literary theory, the issue of "Chinese experience" and the construction of the discourse system of contemporary Chinese literary theory, etc. Relevant research and discussion have had great repercussions in the academic community and have certain inspiration for the study of the construction of contemporary Chinese literary theory discourse system.

Paul Eichenbaum is an important representative of the Russian formalism school in the 20th century. Starting from the historical context of the development of Russian society, this book not only horizontally compares the commonalities and differences between Eichenbaum and formalist scholars such as Shklovsky and Tyanov from a synchronic perspective, and explores his unique contribution to formalist poetics, but also longitudinally combs the literary theories expounded by Eichenbaum in different periods from a diachronic perspective, and explores the inner logic of his late realization of transcendental formalist poetics. This book not only points out that the Russian Formalist School does not advertise the so-called "formalism only", but also comments on the influence of Eichenbaum's literary thoughts on contemporary literary theory.

This book is the 20th volume of "New Horizons in the Humanities", which mainly includes three columns: French literature research, poetics research, and interdisciplinary and cross-cultural research. It includes discussions on the current controversial issues of modernity and postmodernity in the field of literature and art, artistic analysis and cultural interpretation of foreign literary works, and the reception of domestic translations, as well as papers exploring the philosophical issues of "problemology". The content is rich and academic, and they are all at the forefront of theoretical research on literature and art.

Based on the "view of time" presented in modern poetry texts, this book identifies the multiple orientations of "time expression" in Chinese new poetry, and on this basis explains the internal logic and motivations of the historical development of new poetry. Based on the author's extensive knowledge of theories and poetic texts, this book extracts several themes of time in new poetry, explains the time imagery in new poetry in detail, and conducts in-depth analysis of individual cases such as He Qifang, Mu Dan, Luofu, and Ouyang Jianghe. This book aims to elucidate the deep interactive relationship between Chinese new poetry and the modern concept of time, as well as the new poetry's recognition and expression of the current situation of existence and its poetic insight into the dilemma of survival in this process. It provides new vision and methods for investigating the history of Chinese new poetry, and then summarizes inspiring historical experience and artistic rules.

"History of the Road" written by Luo Mi of the Southern Song Dynasty is a mythology work that contains extremely rich collection of lost materials. This book is the first to comprehensively and systematically examine Luo Mi's family background and the philological and mythological value of "History of the Road". During the investigation, this book is based on a comprehensive and meticulous combing of the document composition of "History of the Road", which not only reveals the richness of the documentary sources of "History of the Road" and its unique value in compilation, but also highlights that when Luo Mi collected mythological and legendary materials to construct the genealogy of ancient emperors, he fell into a "mixed and incoherent" dilemma. This was not intentional, but was caused by the influence of "mythological history" thinking.

"Japanese pirate literature" is a unique subject type that writes the historical event of "Japanese pirates" in the Ming Dynasty in literature. It is quite large in both Chinese and Japanese literature. The completely different stances and perspectives held by the writers of the two countries determine the completely different observations and descriptions of the "Japanese pirate literature" in the two countries, thus forming the "Sino-Japanese parallax". By analyzing the "Japanese pirate literature" of the two countries, this book deeply examines the differences and even misalignments between historical truth and literary imagination, between historical records and historical annotations, and between countries and regions, thereby helping to gain a concrete and profound understanding of the Japanese nation's historical concepts and cultural psychology.

Based on the study of historical materials and close reading of texts, this book uses relevant theories of comparative literature and reception aesthetics to take the relationship between Junichiro Tanizaki and modern Chinese literary societies as the research object. It conducts a relatively comprehensive and systematic study of the research object from five aspects: Junichiro Tanizaki's interactions with modern Chinese literati, Junichiro Tanizaki's translation and introduction in the modern Chinese literary world, Junichiro Tanizaki and Creation Society, Junichiro Tanizaki and Lion's Roar Society, and Junichiro Tanizaki and Nanguo Society. It will be placed in the specific reception context of China in the 1920s and 1930s to explore the formation, development and specific manifestations of this relationship, and examine the absorption and selection of Tanizaki literature by modern Chinese writers. It will not only recognize the specific impact of Tanizaki literature on modern Chinese literary societies, but also analyze the selectivity and subjectivity of society writers in the process of literary reception, and provide corresponding academic basis for a reasonable and scientific understanding of the literary relationship between the two.

Overseas Chinese literature is essentially an academic space arising from "cross-border". The occurrence of overseas Chinese literature comes from the cross-border "travel" of writers, and the momentum for the expansion and development of overseas Chinese literature also comes from the spontaneous and conscious repeated "cross-border" of writers. Through concentrated research on "cross-border" phenomena, this book seeks out new trends in the development of overseas Chinese literature, grasps the cutting-edge academic propositions of overseas Chinese literature research, and explores, sorts out, and studies important "cross-border" phenomena that are trendy, impactful, sustainable, and directional from cross-cultural, cross-language, cross-media, cross-ethnic, and cross-disciplinary perspectives.

From the perspective of Chinese classical poetry, this book conducts a comprehensive and systematic investigation and research on the Huai'an Poetry Society, which created old-style poetry in the Yan'an period. It is the first monograph on the Huai'an Poetry Society in the academic world. On the basis of defining the concept of Huai'an poetry, this book conducts a more detailed analysis of the Huai'an Poetry Society's research status, social background and cultural context, member composition and activity history, poetic theory claims and creative achievements, status influence and success and failure. It also focuses on the creative achievements of two Huai'an poets, Li Mu'an and Xie Juezai, and three categories of famous Huai'an poems, including "Travel to Nanniwan", "Ode to Yan'an" and "Red Cloud Song". In short, the Huai'an Poetry Society has a relatively special literary status in the history of literature and art in Yan'an, and also played a unique historical role in the political stage of the Yan'an period.

This book first proposes the concept of "abnormal character narrator", which specifically refers to a special kind of narrator, which is mainly played by one or more relatively specific and figurative characters who are significantly different from normal people in many aspects such as intelligence, spirit, psychology, morality, shape, appearance, etc., And who have participated in the process of the story. This book mainly conducts a special discussion and in-depth analysis of the four unconventional character narrator types that have attracted attention in Chinese literature in the 20th century: madness, dementia, ghost and metaphor. This is a phased achievement achieved by continuing to think and explore based on the research theories of narrators, unreliable narrators, narrative communication, and unnatural narratives in domestic and foreign academic circles. It can provide a novel and unique way of thinking, perspective, and method for people to analyze, interpret, and even examine and understand the charming and creative 20th-century Chinese literature.

Within the framework of novel narrative theory, this book borrows social and historical criticism, selects the late works of modern American writer William Faulkner (1942-1962) as the research object, analyzes the theme of southern family changes and the formal characteristics of romance, and identifies the symbolic meaning and historical metaphor behind the character's national identity mechanism. Faulkner's creations during this period placed social ideals in the middle zone between southern history and real life, profoundly revealed the heterogeneity of southern families, and used an optimistic tone to describe the positive significance of mixed race to the family's vitality. This book breaks through the binary interpretation paradigm of black and white races and rich and poor classes. Through the integration of the characters' time perspective, it explores the ideal social vision vaguely constructed by the writer through his persistent look back on the past of the South, and explores the utopian color implicit in the work.

This book is the 17th series of "New Horizons in the Humanities" research papers edited by famous domestic scholars Shi Zhongyi and Luan Dong. The manuscripts mainly include several columns such as poetics research, French literature research, British and American literature research, Japanese literature research, linguistics and pragmatics research, translation research, and comparative literature. Rich in content and highly academic, it is at the forefront of theoretical research on literature and art.

Based on documents and oral materials, combined with multidisciplinary methods such as folklore, modern and contemporary literature, literature and art, anthropology, ethnology, etc., This book reviews the field of knowledge production of folk literature from 1949 to 1966, introduces "national discourse", analyzes and explains the construction of folk literature theory, the construction of folk literature criticism system, the development of ethnic minority folk literature, folk literature and socialist new literature and art during this period, correcting the previous academic bias against the insufficient theoretical construction of folk literature from 1949 to 1966. This book mainly examines the research on folk literature and art from 1949 to 1966 from the aspects of building new socialist literature and art, strengthening the identity of the Chinese nation, writing the history of minority literature, and cultivating new socialist people. It provides a new elucidation of the oral nature and people's nature of folk literature. In dialogue with the history of literature, thought, and culture, it provides historical experience that can be used for reference in the current writing of the academic history of Chinese folk literature and the construction of folk literature theory. It also provides a new perspective and new dimension for the construction of the folk literature discipline in the new era.

Tan Xian is a famous writer in the late Qing Dynasty. This book examines Tan Xian's literary creation, literary thoughts and literary status from the perspective of the dual changes of the late Qing Dynasty and the literary world. Link the study of Tan Xian's literature with the literary schools, academic trends, literary and artistic trends of the late Qing Dynasty, and examine Tan Xian's literary ideas such as his views on poetry, poetry, and parallel prose criticism theory from the perspective of the "Controversy between Northern and Southern Song Ci," "Controversy between Tang and Song Poems," and "Controversy in Parallel Prose" in the literary world of the late Qing Dynasty. This book starts from the phenomenon of the mutual integration of Tan Xian's art and literature, and analyzes Tan Xian's critical theory of poetry from the perspective of the relationship between calligraphy and poetry, poetry and poetry, so as to deeply explore the academic trends and literary style of the late Qing Dynasty.

The current trend of interdisciplinary development and knowledge integration in various fields is increasingly strengthening. It is on this basis that the study of the creative relationship between Qin Opera and contemporary northwest writers takes place. Qin Opera is the lifeblood of Qin people and is known as the "linguistic symbol" of the northwest. Qin Opera has given writers a cultural influence that penetrates their bones and brings together contemporary northwest writers' emotions and memories of their hometown. Its aesthetic characteristics of generosity, sadness, warmth and sadness have directly influenced the creations of contemporary northwest writers. This book explores the traces of the influence of Qin Opera in the works of contemporary northwest writers, and makes useful explorations of the functions of these opera qualities in the plot structure, character creation, and theme expression of novels, and studies the important status and significance of the "traditional voice" dominated by Qin Opera in the creation of contemporary novels. The cross-integration study of Qin Opera and the creations of contemporary northwest writers has opened up the horizons of literature and drama research. When the classic plays of Qin Opera are integrated into the works like water and milk, they are consistent with the strong sense of history and the pragmatic spirit of northwest culture, showing different regional customs and aesthetic styles, which to a certain extent expands and deepens this subject field. This book's study of the narrative intertext, structural intertext, and aesthetic style intertext of Qin Opera and contemporary northwest writers' texts has accumulated experience for the construction of a system of opera and literary intertextual criticism, highlighted the value and significance of local culture for writers' writing, and opened up new ideas and new paradigms for the study of contemporary Chinese literature.

Demetrius was an important scholar in the Hellenistic period. His poetics not only inherited the traditions of Plato and Aristotle, but also created and developed theories in areas such as correspondence, discourse, grammar, rhetoric, form, style, style, and writing, laying a theoretical foundation for the development of various disciplines thereafter. Through the investigation of the origin of Dmitry's poetics and its philosophical foundation, the material point and growth point of his poetics are highlighted; the investigation of his poetic system reveals the connection between literary form and aesthetic response, solving the contradiction of structuralist criticism that is good at discovering the inner order and pattern of the text but unable to explain the effect, and impression criticism that can introspect the intuitive effect but cannot establish the connection between the text structure and effect. It finds the possibility of the embodied combination of impression criticism and scientific criticism, perceptual effect and discourse form, and provides theoretical resources for poetic research.

This book is divided into two parts: writers and works. The first part is the writer part, which mainly conducts detailed research on the suspenseful issues of six representative writers including Jiangzuo Qiaozi, Lu Xiong, Wang Youding, Wang Wei, Yan Shousheng, and He Yisun on their dates of birth and death, identity of the survivors, and whether they were the authors of novels. At the same time, this book also simplifies the chronology of two writers, Wang Youding and Wang Wei. The lower part is the works section, which mainly discusses the representative works such as "The Popular Romance of the Woodcutter", "The Leisure Commentary on the Taoshu", "The Foreign History of the Female Immortal", "Nuo Gao Guangzhi", "The Interpretation" and Li Chuang's novels, etc. In terms of creative features, consciousness of the survivors, characters, laws of evolution, communication and acceptance. They form a system of their own, showing the overall appearance of the early Qing Dynasty survivor novels in the form of individual cases.

From the theoretical perspective of ghost criticism, this book explains the narrative characteristics of contemporary British neo-Victorian novels from four aspects. First, in terms of language, neo-Victorian novels employ ventriloquism, appropriate words and objects from the Victorian era, and strive to reproduce historical truth in dialogues and negotiations with the ghosts of their predecessors. Secondly, in terms of text, neo-Victorian novels break the linear narrative and make the text a spatial place where ghosts wander, in order to represent the paradox of ghosts transcending presence and absence. Thirdly, thematically, neo-Victorian novels focus on reproducing the trauma of the "other kind of Victorians", revealing how these traumas continue to haunt future generations in the form of ghosts. Finally, it discusses how neo-Victorian novels follow and develop the "female Gothic" theme in Victorian novels, analyzes the reasons for the return of mad women, ghosts, female mediums, etc. In the contemporary context, and reveals the significance of ghost writing in reconstructing the female literary tradition.