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This book fully refers to various documents from past dynasties and previous research results, and provides detailed annotations and explanations for each work in the Book of Songs. The characteristics of this book lie in correcting the theme, analyzing the era of creation, striving to restore the original culture of the era when the Book of Songs was born, and outlining the spiritual outlook of the ritual and music civilization of the Zhou Dynasty and the development of Chinese culture. There are also several pictures related to the poems, which are elegant and exquisite and worth viewing.

This book selects Chu poems and traditional Chinese paintings from the Song and Yuan Dynasties, and the selected words can correspond to the content of the accompanying pictures. Chu Ci, also known as "Chu Ci", was created by Qu Yuan in the pre-Qin Dynasty on the basis of Chu folk songs. It is a poetic theme with strong Chu characteristics. During the peak period of Chinese painting in the Song and Yuan Dynasties, not only did the subject matter, content, and techniques of painting reach a high level in history, but it was also the unified stage of the three realms of object, situation, and artistic conception. The two are similar in temperament and spirituality. Readers can not only interpret the poems through the explanations, but also further understand the works through the accompanying pictures.

This book is specially written for children aged 4 to 12 years old. This edition of "Three Hundred Recitations of Tang Poems" is a collection of beautiful poems that can be recited, appreciated, and easy to understand. It has the following characteristics: 1. The phonetic version is accessible for reading. The ancients said\

The Book of Songs has been in existence for more than two thousand years. These life-rich verses tell us about our daily joys and sorrows. This edition of "The Book of Songs" is back\

This book contains nearly a hundred poetry works by Li Qingzhao. Each work is divided into several sections: original texts, annotations, translations, and comments. Some rare words are also phoneticized to facilitate readers to read them easily. In addition, the five articles collected in the appendix at the back of the book, including "On Ci" and "Da Ma Fu", also fully reflect her artistic achievements of "the most popular poems in the south of the Yangtze River and the best literary works in the north".

Bi

The ancients said that without reading poetry, it is not enough to know the history of the Spring and Autumn Period; without reading poetry, it is not enough to appreciate the essence of culture;

During the summer vacation of this year, Yaya, her cousin Le Qi, her aunt, and her uncle came to the beautiful countryside and lived in the house where their mother lived when she was a child. The beautiful rural scenery, a book of mother's notes left in the old house, and the strange-looking red crickets... All these are intertwined into a wonderful and beautiful summer rural life. Under the guidance of the Cricket Singer, the "spirit" of "The Book of Songs", Yaya had a preliminary understanding of the "Book of Songs", China's oldest poetry collection, and developed a strong interest in Chinese poetry. Series introduction: This series is a set of children's novels that are suitable for children to read, are close to children's language, integrate into daily life, and are created in accordance with the spirit of the original Chinese classics. The novel is ingeniously conceived and imaginatively imaginative. It tells the dialogue and story between an 8-year-old girl Yaya and the "spirit" (the essence is the ideological essence of a book) transformed from the classic Chinese classics. It popularly brings young readers into the broad thoughts and wisdom of "The Analects", "Zhuangzi" and "The Book of Songs". This book specially invited Zi Jin, a young illustrator who graduated from the Central Academy of Fine Arts, to illustrate the illustrations, adding a beautiful and lively Chinese flavor to the book.

This manuscript starts from four aspects: whether the diction is beautiful, whether the poetic conception is good, whether the phonological effect is harmonious, and whether it is original. Based on the "Complete Song Ci", it selects 300 poems that can reach a high level in these four aspects from many Song poems. It uses the editor's original data analysis method so that readers can more intuitively see the status of the poems in Song Dynasty. After each poem, a brief explanation is added to help readers understand the essence of the poem more accurately.

Focusing on the theme of metrical poetry writing, this book provides a comprehensive and systematic discussion of the basic common sense, basic abilities, expression methods, innovative methods, writing revision and personal cultivation, syntactic phenomena, etc. Of metrical poetry writing. The writing method focuses on starting from reality and focusing on the ability to actually apply metrical poetry writing, which will help enthusiasts understand and practice metrical poetry. The book is divided into six parts and 73 lectures.

"Huajian Collection" was compiled by Zhao Chongzuo of the Later Shu Dynasty. It is the earliest collection of literati's poems in my country. It includes a total of 500 poems by Wen Tingyun, Wei Zhuang and others. The commentator, Li Bingruo, is a disciple of Wu Mei, the master of poetry. He was impressed by his classmate Tang Guizhang's comments on "Three Hundred Song Ci Poems", so he traced the origin of poetry to the beginning of poetry and wrote notes for "Huajian". This book collects comments from famous writers such as Tang Xianzu and Chen Tingzhuo, as well as biographies of the poets and brief editing notes. The commentator even wrote 196 comments under the name "Xuzhuang Manji". These comments were all included in the later book "Ci of the Tang Dynasty and Five Dynasties", which shows its profound and thoroughness. This book is an important work in the study of "Huajian Collection" with its annotation and commentary, and is highly praised by lyricists Tang Guizhang and Ye Jiaying.

The rhythm of poetry is a summary of the long-term accumulated artistic experience of ancient Chinese poets and is an integral part of the art of poetry. Only by mastering the specific knowledge of the rhythm of old-style poetry can we better understand the artistic charm of the works of famous poets in the past dynasties, especially after the Tang Dynasty. To this end, Mr. Wang Li compiled a booklet aimed at popularizing the basic knowledge of poetry rhythm, which mainly includes "Ten Lectures on Poetry Rhythm", "Remaining Comments on Poetry Rhythm" and two appendices ("Explanation of Three Tang Poems" and "Explanation of Three Song Poems"). The main part is "Ten Lectures on Rhythm and Rhythm of Poetry", which includes ten parts: rhyme and rhythm, five-character quatrains, seven-character quatrains, five-character verses and long rhymes, seven-character verses, changes in rhythm, antitheses, antiquity, word cards and score, and the harmony and rhythm of words. This book does not cover overly complicated metrical knowledge, but only analyzes some key points and describes them in detail, which is more suitable for popularization.

In addition to selecting some common sense papers and handouts on ancient Chinese such as "Common Sense of Ancient Chinese", "Ancient Chinese Calendar" and "Study of Classical Chinese" by Mr. Wang Li, this book also adds some interesting essays related to ancient Chinese written by Mr. Wang Li. The content is easy to understand and aims at popularization, so that readers can have a preliminary understanding of ancient Chinese. Mr. Wang Li's research on ancient Chinese is extremely profound and has extraordinary insights, which can provide readers with a better reference.

This book selects 61 ancient Chinese poetry works that are widely circulated and influential, and reads and evaluates the works from the perspectives of aesthetics, philosophy, religion, anthropology, etc., From the perspective of cultural philosophy. Each appreciation article is about a thousand words, short and concise, with a brisk and agile writing style. It pays attention to cultural interpretation and personal experience, and has a unique perspective and originality. The readers of this book are mainly college and middle school students and poetry lovers, and it can also be used as a reference for poetry researchers.

Ancient poetry interprets the value of life and displays the charm of nature. It is a harmonious unity of content beauty and form beauty, and has high aesthetic value. There is no shortage of beauty in our lives. Maybe we just forget to feel and realize. Through the appreciation and singing of ancient poems, we can cultivate our mind, improve our humanistic accomplishments, appreciate the beauty of life, and appreciate the true meaning of life.

"The Gradual Change and Transformation of Poetry and Art in the Tang and Song Dynasties" treats the late Tang, Five Dynasties and the first hundred years of the Song Dynasty as "the same research unit", reorganizes and discusses many subjective and objective factors that restrict the "transformation of Tang and Song literature"; respectively examines the internal process of inheritance and transformation of various poetic styles such as "scholar", "qianjing", "qingli", "bitter chant", etc., And deeply analyzes the artistic development trajectory of "Four Six" parallel prose and Yisheng poetry from the "Tang" and "Song".

This book mainly consists of several parts: an introduction to the study of "Poetry" documents by three schools of Qing Dynasty, a study of the lost documents of "Poetry" of three schools of Qing Dynasty, an explanation of the general meaning of "Poetic Legacy Theory" of three schools of Qing Dynasty, and a research on the integration of documents of "Poetry" of three schools of Qing Dynasty. This book conducts a macroscopic inspection of the preliminary preparations and external characteristics of the literature research on "Poetry" by three schools of poetry in the Qing Dynasty. It conducts a detailed classification, summary of results, and in-depth research on the collection characteristics and concepts of collection and collection of the three schools of "Poetry" in the Qing Dynasty. The Qing Confucians' development of the great meanings of the "Poems" of the three schools of thought belongs to the interpretation theory of classics. There are two types of interpretations of poetic teachings that play on the "way of sages" and the application of the "small words and great meanings" in the "Poems" of the three schools of Shenfa to the world. The ultimate goal of the literature research on the "Book of Songs" by the three schools of poetry in the Qing Dynasty was to supplement and invent Mao's meaning. Therefore, the integration of the four schools of "Shi" in the end became an inevitable trend in the research on the "Book of Songs" in the Qing Dynasty.

The author re-examines the poetry of the Tang Dynasty by returning to the Tang Dynasty, especially the poetry of the prosperous Tang Dynasty. This book is not a comprehensive discussion of Tang poetry, but rather provides a writer's perspective on various problems existing in the reading of contemporary Tang poetry. It also hopes to provide a reference for the writing and reading of new poetry. Suitable for lovers of traditional Chinese culture and classical poetry.

"Huajian Collection" is a collection of ci written by Zhao Chongzuo during the Later Shu Dynasty in the Five Dynasties of my country. It contains 18 ci poems by Wen Danjun, Wei Zhuang, Ouyang Jiong, etc. In the late Tang and Five Dynasties periods, and is divided into ten volumes. This is the earliest extant Ci Zongxiu. During the Five Dynasties period, the Central Plains was in turmoil and the army was in chaos. Western Shu and the Southern Tang Dynasty were located in remote areas, so the kings could still live in peace and express their love. "Flower Room Collection" was produced under this background. The style is mainly graceful and soft, with rich language. This is how the "Huajian Ci School" with its fragrant style was formed. In terms of the development of Ci, these works occupy a certain pivotal position. They are the transformation of Yuefu in the Han and Wei dynasties and the development of the Tang poetry genre, and directly became the forerunners of Song Ci.

"Chu Ci" is one of the classics of Chinese classical literature. People often call it "Shi Sao" or "Feng Sao" together with "The Book of Songs". It is one of the sources of Chinese classical literary tradition. This book selects the six most important and representative chapters of "Chu Ci", namely Qu Yuan's "Nine Songs", "Heavenly Questions", "Li Sao", "Nine Chapters", "Calling the Soul" and Song Yu's "Nine Bian". It is first annotated and then translated in modern verse. The annotations are concise and concise, helping readers to accurately understand the original poem. The translation avoids mystery and the writing is vivid and smooth, which well conveys the charm of the classical poem. It is a very suitable book for modern readers to understand Chu Ci.

"The Book of Songs" is my country's earliest poetry collection, containing 305 poems, marking the first peak of my country's poetry creation. Because of its creative achievements, it has become a model for future generations of poets to learn from, and is praised as "real gold and jade". This book contains a selection of 152 poems, with detailed chanting and careful interpretation. It refers to the achievements of previous generations, accurately explains the meaning and theme of each poem, and clearly annotates each sentence of each chapter.

Su Dongpo has always been one of the Chinese people's favorite literati, and his wonderful lyrics have always been recited by people. This book selects more than a hundred of Dongpo's poems, allowing readers to once again appreciate the pride, meditation, joy, tranquility, sorrow and sigh of this "student and heavenly man". The book's word selection is comprehensive and thoughtful, the annotations are clear and easy to understand, the literature is rich and solid, and the interpretation is exquisite and appropriate; the preface briefly and concisely introduces Su Shi's basic life and poetry creation, allowing readers to have a concise understanding of Su Shi's poetry. This publication is in the form of a large-print version and is included in the "Selected Reading Series of Classics of Chinese Traditional Culture".

This book mainly takes "Heyue Yingling Collection", "Guoxiu Collection", "Zhongzhong Collection", "Zhongxing Jianqi Collection", "Yulan Poems", "Jixuan Collection", "Youxuan Collection" and "Cai Tiao Collection" as the research objects. It explores the academic connotation of "Tang poetry selected by the Tang Dynasty" from the social background, cultural trends of thought, selection, literary history significance, philology and other perspectives. This book has four parts: the introduction is a review of the research on "Tang Poems Selected by the Tang Dynasty"; the first part is a comprehensive review of "Tang Poems Selected by the Tang Dynasty", including "Comparison of "Tang Poems Selected by the Tang Dynasty" and previous generations", "The sense of the times in "Tang Poems Selected by the Tang Dynasty"", "Reception of Wang Wei's Poems by the "Tang Selected Tang Poems"", "Tang Selected Poems Selected by the Tang Dynasty" "The significance of the study of the history of Tang poetry"; the middle part is "Collection", including "On the Collection of Heyue Yingling", "On the Collection of Guoxiu", "On the Yulan Poems", "On the Collection of Zhongxing Jianqi", "On the Collection of Zhongxing", etc. The next part is "Comparison of Song and Shu Engraved Editions and "Tang Dynasty Selection of Tang Poems"".

Nalan Rongruo's words included in this book are a true portrayal of his life's emotions. The original text, notes, commentaries and other columns attached to the book comprehensively display the theme of the lyrics, the creative background, the poet's situation, and the artistic conception and emotion of the lyrics from multiple perspectives. At the same time, through the organic combination of various visual elements, the portraits, landscapes and scenes that match the emotion and context of the words achieve the artistic realm of "paintings within words, words within paintings". Opening this book gently, through the nearly 200 beautiful, clear and touching Xiaoling and long tunes, one seems to be able to see that person with peerless talent, outstanding appearance, and noble character standing there, exuding an independent, romantic and miserable atmosphere, extremely gorgeous, extremely sentimental, extremely deep, and extremely lonely. A talented man who died early because he wanted to serve the country, and a passionate man who fell into the vortex of love and struggled, are all buried in this book "My Favorite Nalan Ci".

"The Most Beautiful Book Series·Middle School Volume: The Most Beautiful Poems" selects and compiles many famous works from Qin and Han Dynasties to Ming and Qing Dynasties. Most of these celebrities are famous poets in Chinese history. The selected poems have concise language and profound meanings. They may eulogize nature, sing love, lament life, play in the countryside, inspire hope, or contemplate the hustle and bustle of the city, etc. Each of these poems will show us a rich world. They illuminate our lives and nourish our growth like sunshine.

Nalan Xingde, formerly known as Nalan Chengde, was born in the capital on the twelfth day of the twelfth lunar month of the Jiawu lunar calendar in the 11th year of Shunzhi, which was January 19, 1655 in the Gregorian calendar. In March of the same year, Xuanye, the holy ancestor of the Qing Dynasty, was born. If based on the old calendar, he would be the same age as Chengde. The close relationship between the two in the future seems to have been determined for a long time.

The "Comprehensive Interpretation of Human World Ci Hua (Essence)" compiled by Si Lu is divided into two parts. The first part contains 64 items of "Huan Jian Ci Hua" published in "Journal of Chinese Culture", approved by Wang Guowei, and the second part contains unpublished and deleted manuscripts. Each original text is followed by an appreciation text, which provides an appropriate explanation of the original text, explains the main theoretical viewpoints, and further expands the original text. In addition, we have selected more than 100 beautiful illustrations.

Li Qingzhao possesses outstanding talents, stunning beauty, and a beautiful heart. She has both graceful and gentle gentleness and the heroic spirit of a woman. Why is Li Qingzhao known as the most talented woman throughout the ages? How bright and beautiful is her poetry? In this book, the author gives a fresh and delicate interpretation of dozens of beautiful poems in Li Qingzhao's poems about Shu Yu, telling the ups and downs of the joys and sorrows of a generation of talented women, as well as their feelings about family and country, and revealing her life trajectory and mental journey through her poems.

How deep is the love: a biography of Nalan Rongruo, the most talented man in the Qing Dynasty. "Every family is singing drinking poems, but Nalan never knew what was on his mind." Nalan Rongruo was known as the most talented person in the Qing Dynasty. He was versatile, talented and beautiful, but he passed away in a hurry. What he left to people are those "flashy pens" and extremely beautiful words, which reached the depths of people's hearts, making him a lingering legend that has fascinated countless descendants for three hundred years. The author selects the most pure and beautiful poems in Nalan's poems that have been circulated in the world, and interprets the spiritual words with delicate brushwork, which makes people feel calm and have a sweet taste in their lips and teeth.

Nalan Rongruo's beautiful lyrics have been sung for more than 300 years, and the revised version has been a best-seller for 7 years! It contains 57 beautiful classical paintings, with words and paintings complementing each other, and the beautiful emotions written by a generation of elegant young masters are vividly written on the paper.

In addition to annotating, translating and appreciating Sun Zhu's selected works, this book also conducts "extended reading" of many works, either starting from the meter or interpreting them from the meaning, so that readers can not only understand deeply but also expand their reading, so that readers will not be biased when learning poetry.

The beauty of poetry is eternal, just like the sound of rain that has lasted for hundreds of millions of years. It is the drizzle on the sycamore trees, the intoxicating fragrance of the flower shade, the cool east wind in the small building, the shadow of magpies flashing under the moonlight, the croaking of frogs in the fragrance of rice flowers, the connection between cloud waves and dawn mist, the murmur of falling red and fragrant grass...

Wang Guowei said: "The poems of the Tang Dynasty, the lyrics of the Song Dynasty, and the music of the Yuan Dynasty are all so-called literature of a generation, and none of the later generations can match them." Ci is also called "melody lyrics" and "melody". Its emergence, development, creation and spread are closely related to music. Ci originated earlier and was mainly popular among the people at first. It drew nutrients from the Book of Songs, Songs of Chu and the poems of the Han, Wei and Six Dynasties. It was introduced into the literary world around the mid-Tang Dynasty and developed into a fixed literary style. It became popular in the late Tang Dynasty and the Five Dynasties, and entered its heyday in the Song Dynasty. During the late Tang Dynasty and the Five Dynasties, there were a group of writers who specialized in writing lyrics, and the genres, forms and expression techniques of lyrics also matured. The Collection of Flowers compiled by Zhao Chongzuo at the end of the Five Dynasties can be regarded as the masterpiece of lyrics in this period. These works were basically created for the brothel girls and the musicians in the workshops. Love, lovesickness, separation and sorrow have almost become the themes of the lyrics.

Regarding this era, the literati of the Yuan Dynasty talked about everything: the sadness of leaving their homeland, the unwillingness to say goodbye to the prosperous and prosperous days of the past; the uncontrollable sadness of separation while traveling abroad; the sadness of life and love; the resentment of being born at the wrong time; the dissatisfaction with the gloomy background of the entire era; and the poor people who were constantly struggling on the margins of society. There are many handsome people among them, but there are always many people who are full of complaints. For them, they spend their lives searching hard, grasping hard, pursuing hard, holding their indignation in their hands and staring at it all day long. They speak out about their dissatisfaction with the rulers, but they are not punished for it. Since the Yuan Dynasty was not as authoritarian as the Ming and Qing dynasties, especially in terms of cultural policies, the Mongols unintentionally destroyed the cultural achievements before the Song Dynasty, and their unconscious tolerance made the literati dare to express their dissatisfaction, which also indirectly contributed to the prosperity of Yuan Qu culture.

The freedom of the literati in the Song Dynasty cultivated the fine wine of high-quality culture. However, it was also because of too much freedom that it appeared messy and undisciplined. Every time they tried hard to govern, they ended up in vain. If we had to find a matching specimen for the history of the Song Dynasty, it should be Zeng Zhuo's poem, "A Tree on the Edge of a Cliff." She was blown to the edge of the cliff by the wind of history, and became a green crown because of the evening sunlight, clear sky, lush green grass, and rushing creek. Because of this nourishment, the big trees in the Song Dynasty grew more and more abundantly. Unfortunately, when the branches are luxuriant, she is also in danger. She always seemed to be about to spread her wings and fly, but also seemed to be about to fall into a deep valley. "Everything must be reversed when it reaches its extreme", this is probably the truth. If you can clearly distinguish this layer, you will have a different understanding of the glory of the Song Dynasty.

The Tang Dynasty succeeded the Sui Dynasty and lasted for nearly three hundred years. In terms of civil and martial arts, social economy, culture and other aspects, it can be said to be the pinnacle of China's thousands of years of feudal society. There were the "Reign of Zhenguan" and the "Kaiyuan Prosperity" in the heyday of feudal society, and there were also the "Anshi Rebellion" and "Jingyuan Mutiny" and other tragic situations where the people were in dire straits. From a literary perspective alone, China is a country of poetry. The Tang Dynasty was the pinnacle of Chinese poetry and a golden age for the development of Chinese poetry, with flourishing clouds and the emergence of famous writers in large numbers. Poetry was the highest representative of literature at that time and became a solid and important part of traditional Chinese literature. It was also the bright and beautiful landscape of Chinese literature. Tang poetry, together with Song lyrics and Yuan music, has a wide range of themes, a variety of styles, and an elegant style. It is a miracle in the development of Chinese poetry and has a profound impact on Chinese literature. Literati of all dynasties regarded Tang poetry as their model and regarded Tang people as their model.

"Feng Zikai's Comics and Ancient Poems" is divided into six parts in order of the chronology of the poems. It compiles and selects more than 140 classical poems and cartoons by Mr. Feng Zikai, and briefly comments on these ancient poems, so that readers can understand the complete classical poems behind them while appreciating Mr. Feng Zikai's paintings. Classical feelings, realistic observation. Interesting, interesting, emotional and sexual. I hope that every plant, every tree, every frown, every smile, the poetry and painting, and the childlike innocence in this book will turn into a spring of beauty, purifying the dirt in your and my heart.

Recreating the landscape and people in a specific time and space, reliving the encounters of the literati and poets, and understanding the origins of the charm of every word. This book uses the form of historical romance and humorous writing style to corroborate the stories and works of the poets of the Song Dynasty. It takes readers back to the birthplace of the most beautiful Song poetry and feels the boldness, freeness, elegance and affection of the most beautiful Chinese language. The author is like a guide, carrying a map, accompanying and pointing out the path, allowing readers to return to the Song Dynasty, witness with their own eyes the birthplace of the most beautiful poems that shine like stars, and understand the political, economic, humanistic, and especially the individual experiences and emotions of the poets, and many other external and internal reasons for the creation of such masterpieces. The author also provides concise explanations and annotations of important words, which only point out the path without elaborating personal views, which helps readers to make personal understanding and insights. This is respect for readers, trust in readers, and an invitation to readers.

This book examines and sorts out the basic situation of the Chinese literary creation of ethnic minorities in the Yuan and Ming dynasties, and understands the current distribution status of existing poetry collections, laying a solid documentary foundation for an in-depth investigation of the poetry creation of ethnic minority writers in the Yuan and Ming dynasties. This book is divided into two parts. The first part is "A Narrative of Chinese Poems and Prose of Ethnic Minorities in the Yuan Dynasty", which records 153 ethnic minority writers according to four ethnic categories: Mongolian, Semu people, Khitan and Jurchen. The second part is "A Narrative of Poetry and Prose of Chinese Ethnic Minorities in the Ming Dynasty", which records the works of 73 ethnic minority writers who are engaged in Chinese literary creation according to eight ethnic classifications: Hui, Mongolian, Zhuang, Tujia, Naxi, Yi, Bai and Miao.

Haofang Ci is a cultural treasure in Chinese classical poetry. It has a broad vision and magnificent momentum. It likes to use poetic techniques, syntax and calligraphy to write lyrics. Especially the works written during the period of great changes in the times are tragic, generous and heroic, allowing people to experience all kinds of life from the heroic and tragic, and to find the true meaning of life in the ups and downs. "A Complete Guide to Hao Fang Ci" selects outstanding Hao Fang Ci from past dynasties and annotates, translates and appreciates them, making it easy to understand and clear. This book is not only a collection of words, but also a heroic and inspirational book that inspires emotions, inspires people, and expands the mind.

"Collection of Yuefu Poems" is the earliest collection of poetry and the most complete collection of ancient Chinese Yuefu poems. Due to the large number of chapters in the "Collection of Yuefu Poems", in order to allow readers to not only have a glimpse of the whole picture of Yuefu Poetry, but also appreciate its core essence, the editor of this book is based on Guo Maoqian's "Collection of Yuefu Poems" and has carefully selected and compiled eleven representative categories of famous poems, and compiled them into the book "Collection of Yuefu Poems". In addition, this book also adds annotations and appreciation to the text to facilitate readers' reading and understanding and experience the wonderful beauty of Yuefu poetry.

This book selects 112 classic works from Du Fu's poetry, each of which consists of four sections: 1. A brief introduction to the relevant background and allusions. 2. The original text of the poem. 3. Clear and easy-to-understand vernacular translation, which corresponds to the original text sentence by sentence, making it easy to understand. 4. Notes on key words. At the same time, there is a long introduction written by experts at the front of the book, which comprehensively introduces Du Fu's life and achievements, so that readers can get a macro and comprehensive understanding. At the back of the book is a compendium of Du Fu's chronology for easy searching. The book explains the profound things in simple terms and can be appreciated by both refined and popular people. It is a good introductory book for learning and appreciating Du Fu's poetry.

Only by understanding the emotions of the characters can you truly understand the work. Li Qingzhao, as a representative poet of the Wanyue School, has few surviving works. This book carefully selects 45 poems and 14 poems by Li Qingzhao, with analysis, modern translation and annotations. It also includes five articles by Li Qingzhao and a chronology of major events. Combining annotations and appreciation, blending into the background of the times, and restoring the emotions of the characters, you can understand Li Qingzhao's poetry and life in one book.

This book selects ninety-eight classic works from Nalan Xingde's lyrics, each of which is composed of four sections: 1. A brief introduction to the relevant background and allusions. 2. The original text of the poem. 3. Clear and easy-to-understand vernacular translation, which corresponds to the original text sentence by sentence, making it easy to understand. 4. Notes on key words. At the same time, there is a long introduction written by experts at the front of the book, which comprehensively introduces Nalan Xingde's life and achievements, so that readers can get a macro and comprehensive understanding. The whole book explains the profound things in simple terms and can be appreciated by both refined and popular people. It is a good introductory book for learning and appreciating Nalan Xingde's lyrics.

This book selects sixty-six classic works from Li He's poetry. Each poem is composed of four sections: 1. A brief introduction to the relevant background and allusions. 2. Original text of the poem. 3. Clear and easy-to-understand vernacular translation, which corresponds to the original text sentence by sentence, making it easy to understand. 4. Notes on key words. At the same time, there is a long introduction written by experts at the front of the book, which comprehensively introduces Li He's life and achievements, so that readers can get a macro and comprehensive understanding. The book explains profound things in simple terms and can be enjoyed by both refined and popular people. It is a good introductory book for learning and appreciating Li He's poetry.

This book selects 131 classic works from Li Shangyin's poems. Each poem is composed of four sections: 1. A brief introduction to the relevant background and allusions. 2. Original text of the poem. 3. Clear and easy-to-understand vernacular translation, which corresponds to the original text sentence by sentence, making it easy to understand. 4. Notes on key words. At the same time, there is a long introduction written by experts at the front of the book, which comprehensively introduces Li Shangyin's life and achievements, so that readers can get a macro and comprehensive understanding. At the back of the book is a compendium of Li Shangyin's chronology for easy searching. The book explains profound things in simple terms and can be enjoyed by both refined and popular people. It is a good introductory book for learning and appreciating Li Shangyin's poetry.

One is a great poet in the Qing Dynasty, who wrote about the beauty and sorrow of life; the other is a reincarnated living Buddha, but countless beautiful love poems have been handed down. They have almost everything in the world, but they have no happiness; they are "the most beautiful lovers in the world" and they are also frustrated people who have been teased by nature.

Tang poetry and Song poetry have always been regarded as two masterpieces. They are two wonderful flowers in the ancient Chinese literature. From ancient times to the present, Tang poetry and Song poetry contain profound thoughts, upright character, graceful sentiments, and honest quality. They have always exuded endless charm. With their good ideological and artistic qualities, they have become two shining pearls in the treasure house of Chinese literature, and have also created the glory of ancient Chinese literary history.

"Common Knowledge of Tang Poetry and Song Ci" selects parts of Mr. Hu Yunyi's "Research on Tang Poetry" and "Research on Song Ci", and collects the classic parts of the two books together. The first volume is about Tang poetry, the main contents include ancient and modern misunderstandings of Tang poetry, the meaning and characteristics of Tang poetry, the basic concepts of studying Tang poetry, the origin of Tang poetry and its different styles in various periods, biographies of poets in the Tang Dynasty, etc. The second volume is about Song poetry, the main content includes the origin and rise and fall of Song poetry, the pioneers of Song poetry, the causes, overview, pros and cons of the development of Song poetry, and the genres and classifications of Song poetry. This book explains the meaning and characteristics of Tang poetry and Song poetry, covering all aspects of the study of Tang poetry and Song poetry. It is an essential reading for appreciating and studying Tang poetry and Song poetry.

In "Poetry and Calligraphy in the Belly: A Brief History of Ci Poetry in the Tang, Five Dynasties and Song Dynasties", the author studies the development of Ci poetry starting from the Yuefu Ci of the Han and Tang Dynasties. Taking Ci from the Middle and Late Tang Dynasty, Ci from the Five Dynasties, Ci and Bianwen found in Dunhuang scrolls, Northern Song Ci, and Southern Song Ci as the context, the process of the emergence, development, peak, and final formation of a fixed style of Ci as a literary form is sorted out. Every time he talks about an era, the author will quote a large number of Ci works, use vivid and detailed language to explain the differences in Ci style in each period, as well as what new developments Ci poetry has achieved at that time, and what opportunities there are for development, presenting readers with a brief history of Chinese classical poetry.