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In the eyes of ordinary people, poetry makes reality unreal, or because reality cannot be found in life, people turn to poetry. In the eyes of those who write and read poetry, poetry is the greatest truth in people's hearts. When life cannot satisfy people's wishes, people can still settle their souls in poetry. As Brodsky once said: "Poetry is a way of resisting imperfect reality and an attempt to create an alternative reality." "Whose Thoughts" is Wang Yonghao's first modern poetry collection, and it is also his attempt to write about the truth in his heart. Over the years, Wang Yonghao has traveled all over Europe, and the 140 poems included in this book were all written during his travels. This collection of poems covers European history, geography, music, painting, etc. The poet looks at the ancient miracles on the European land with the eyes of others, and uses foreign languages ​​to weave a delicate Western picture. Wang Yonghao specializes in Chinese classical literature and has in-depth research on Western poetics and literary theory. He is well aware of the similarities and differences between Chinese and Western poetry. His sensitivity and appreciation of the two cultures are also reflected in the lines of the poems. This collection of poems is also a collection of his many years of thinking and exploring poetics.

"The Sea, Roaring Like Pig Iron" is a collection of six poets, Shaishanren, Gugang, Xiyakou, Xuanyuan Shike, Zhuyu, and Erut Shandan (Mongolian). Their poems were all award-winning works of the third Beijing Literature and Art Network. They have different styles. Some take modern spiritual life as the theme and look for their own modern genes originating from tradition; others are sincere and emotional, with a touch of the vicissitudes of the world. Classical and modern elements cleverly intersect to create a heterogeneous poetic beauty.

After a minute, the bike is old. Do you think Yun wearing pants is faster on a bicycle than on foot? Do you think Yu in a skirt is a middle school teacher? One minute is enough to finish elementary school. One minute at Peking University, two minutes at elementary school. One minute of English class, two minutes of Chinese speaking. One minute for contemporary history, two minutes for ancient times. A semi-feudal minute. A semi-colonial minute. Kong Zhongni or socialist minute. Is one minute enough for you to finish your PhD? An hour, a semester, a year or a hundred years are all in this minute. Not even a gold Rolex watch can stop the minute. In one minute of spring, it's autumn. If Sichun's Chinese studies professor didn't wear a Swiss watch but a domestic watch, would he be in a fuzzy state? A minute later, the taxi was old. One minute on the bus, half a minute in traffic jam for a thousand years.

This book is co-edited by 10 literary newspaper editors, including Yang Zhixue and Yanan, and contains more than 200 outstanding domestic prose poems in 2015, all selected from publicly published newspapers and periodicals across the country. These works express the author's love for life, express his feelings about social life, and have certain explorations in art. The style is healthy. With one volume in hand, you can have a comprehensive overview of the country's prose poetry creation style this year. It has been published by our company for many years.

This book contains nearly a thousand old-style poems written by the author in recent years. These works either describe his own life experiences or write about current affairs. A large number of them are about the author's scenery and landscapes, and some are poems and gifts among poet friends. They reflect the author's noble feelings of loving the motherland's rivers, mountains and natural scenery, and also reflect the author's concern for social progress and his praise for advanced figures.

"\u003C The Book of Songs\u003E and Pre-Qin Philosophy" centers on the relationship between "The Book of Songs", one of the classic resources of the Zixue era, and Pre-Qin philosophy. It examines the influence of the "Book of Songs" on Confucius, the Simeng School, Taoism and other pre-Qin schools of thought from the perspective of the style and scope of poems cited in the Pre-Qin Zishu and the methodological issues of philosophizing poems.

"Research on Qin Music and Song Ci" tells: "Yuefu Poetry Collection" is a collection of music and ballads from ancient times to the Tang and Five Dynasties. It includes most of the songs and poems before the Zhao and Song Dynasties, except for the "Book of Songs" and "Chu Song". Its value is completely comparable to the "Book of Songs", "Chu Song" and other classics. For example, when Mao Jin of the Ming Dynasty reprinted the "Collection of Yuefu Poems", he said that the collection "picks up ballads and lyrics from Tao and Tang to Li and Tang, with no trace of anecdote. It can be said to resist the elegance of Zhou and admire the poems of Chu for a long time. It should be immortalized together with the three hundred poems." However, the research on "Book of Songs" and "Chu Ci" has been very in-depth and has long become a specialized study. Only the study of "Yuefu Poems" has not received enough attention from scholars, let alone become a specialized study. This situation shows that people are still not clear about the concept of Yuefu Studies. The author is not superficial, but is willing to contribute his thoughts on the construction of Yuefu Studies to everyone, and calls on more scholars to join the research ranks of Yuefu Studies.

"A Brief History of Chinese New Poetry in One Hundred Years" has ten chapters in total. The first eight chapters divide the development of Chinese new poetry in the 20th century into eight decades (1920s-1990s) for description and analysis. The last two chapters are respectively a review of theory and historical data. The special feature of "A Brief History of Chinese New Poetry" is that each chapter is independently written by scholars who are good at this field. Starting from the general preface, the authors of each part are Xie Mian, Jiang Tao, Sun Yushi, Wu Xiaodong, Hong Zicheng, Cheng Guangwei, Wang Guangming, Zhang Taozhou, Wu Sijing, and Liu Fuchun. Their respective ideas and styles are different, and they approach the problem from different angles. Some even conflict with each other, but on the whole they form a perfect "chorus" of new poetic history.

"\u003C Masterpiece Appreciation\u003E Essence Reader: Appreciation of Chinese Modern and Contemporary Poetry Masterpieces" selects 28 appreciation articles, involving modern and contemporary poets and famous poems with great influence, and tries to accommodate various views and viewpoints in different eras and different cultural backgrounds as much as possible to provide more information. The collected articles are selected from more than 20,000 articles. They are written by famous writers, have clear views, profound knowledge, vivid language, eclectic, strong reading and appreciation, and are worth collecting.

"Essence of Chinese Ancient Poetry" mainly introduces ancient Chinese poetry. Chinese ancient poetry was formed and developed in ancient Chinese history. Therefore, the use of ancient poetry in the teaching of ancient Chinese history is not only the development of ancient Chinese history teaching resources, but also the integration of history disciplines and surrounding disciplines, which is fully in line with the concept of the new curriculum and the needs of students to learn ancient Chinese history.

New poetry has been accompanied by multiple pressures since its creation. In addition to aesthetic disputes, there is also a complex relationship that is both alienating and entangled between poetry writing and the surrounding history. "Bakunin's Hand" contains a series of articles that discuss several poets, works, and phenomena. Introducing a certain social and cultural perspective into microscopic formal analysis to see through the dilemmas and possibilities of poetry is the method attempted in "Bakunin's Hands". How to break the claustrophobia of writing and research. The cultural position of important poetry, struggling to stretch out an imaginary hand from various visible and invisible fences, is the anxiety behind the method.

Five thousand years of Chinese literature is like a stretch of mountains, with strange peaks rising up during the Tang and Song Dynasties, forming the two peaks of Tang poetry and Song poetry. Because of their achievements, China is deservedly known as the "Country of Poetry", and poetry has become a glorious part of Chinese literature. Tang poetry, Song poetry plus "Dream of Red Mansions" are the main capital for Chinese literature to "compete with the Western Regions". "Appreciation of Tang and Song Poetry" provides an appreciation of Tang and Song poetry, which can be used by college students to improve their literary literacy, and can also be used as a teaching material for college Chinese.

The author of "The Poetic Heart of the 20th Century: An Anthology of Chinese New Poetry" understands the study of poetry as the exploration of "literariness", the nostalgia for the poet's spirit, and the understanding of the "poetic heart" of thousands of years. In the careful reading of the masterpieces of poetic art and the in-depth analysis of the poet's spiritual world, he strives to capture and convey the inner poetic nature, and attempts to show the poetic trajectory and spiritual profile of the century-old course of Chinese new poetry.

"Thinking about the Tapestry: A Collection of Poetic Concepts and Style" discusses poetry, essays, novels and even translation, which is quite messy, but it still has one center and two basic points. For example, discussing Eliot's "self-dramatization" technique, Bian Zhilin's classicism spirit, or analyzing the dilemma between Wen Yiduo's poetry and reality, and Frost's dilemma between birth and human life, are studies at the conceptual level, which are called "thinking"; as for analyzing Jiang Baishi's words, poems by Dai Wangshu and others, prose by Hu Lancheng and Dong Qiao, and Babel's novels, they are studies at the stylistic level, which is called "weaving tapestry." They all run through a poetic purpose.

In 'Research on East Slope Poetry', the author uses the poetry of East Slope as a lens to explore the rich inner world of the poet's life. The book is divided into two parts, with the journey from the first to the second part being a pursuit from poetry to the poet. The first part focuses on the innovative aspects of East Slope's poetry, including his unique approach to poetry and word choice, his use of different poetic forms, and his wide range of topics. Through these aspects, the author explores East Slope's attitude towards poetry and re-evaluates the value of his poetry. The second part delves into East Slope's life philosophy, selecting prominent aspects of his character, such as 'purity', 'magnificence', and 'ease', to illustrate his life's journey. The author's goal is to understand East Slope through his poetry, believing that the poet's attitude towards any form of art is consistent and that his pursuit of art is rooted in the highest pursuit of the way.

This is a collection of poetry and photography. The delicate and emotional verses contain the author's insights on life.

"Human Words" is a literary criticism work written by the famous Chinese studies master Wang Guowei. It is also one of the most influential works since the late Qing Dynasty. Its writing is beautiful, but because its explanation method is traditional Chinese sentimental image criticism, it is not easy for ordinary readers to understand. The author of this book uses simple and elegant words to help you understand the stories and aesthetic qualities of words told by Wang Guowei and "Human Words".

Since the 20th century, the Sichuan poetry circle has undertaken the reform of Chinese ideology and culture with the opening up of poetry, and evolved its self-pursuit into the basis for promoting Chinese art to achieve new creations in the new era. These eye-catching Sichuan poets have inherited the tradition of Chinese new poetry for more than half a century. They have also explored artistic innovations without scruples, created many new qualities for Sichuan poetry and Chinese poetry in the new era, and built a splendid and unique modern "new mood" landscape.

This book is the first part of the second-grade "Experimental School-based Textbook on Building a Socialist Core Value System" compiled by Renmin University of China. It uses the interpretation and explanation of traditional Chinese classics as the main means, combined with typical examples that children may encounter in their daily lives, to introduce the essence of traditional Chinese culture to primary school students in simple and easy-to-understand terms, and to subtly infiltrate the traditional virtues into the spiritual world of children. It can be used as a teaching material for primary school students' ideological and political courses, and is also suitable as an extracurricular reading material for primary school students.

Miyamoto Mori was physically handicapped but strong-willed, with a wide range of interests, including extensive research on poetry, literature, calligraphy, painting, paper-cutting, archeology, abacus, and flower cultivation. With perseverance that is unimaginable to ordinary people, he created one poem after another with positive content and excellent paper-cut works. His paper-cut works won the third prize in the Second Chinese Peasant Artists Works Exhibition, the Bronze Prize in the Chinese Folk Customs Paper-cut Exhibition, the Excellence Award in the Eighth China Art Festival, and many other honors; his poetry works were selected into bookcases or magazines such as "Qilu Centennial Poetry Selection".

This book is a compilation of Ye Jiaying's lecture in Nankai for CCTV's China University Open Course in 2012. The original open class is divided into six lectures, and the compiled manuscript is divided into seven lectures. The content of the original video is: Lecture 1: The location of the cultivation realm of Xiaoci. Lecture 2: Confucian cultivation in Zhang Hui's words. Lecture 3: Comparison of Zhang Huiyan's and Wang Guowei's Ci theory. Lecture 4: Wang Guowei's three-level realm theory and reception aesthetics. Lecture 5: Microscopic structure and dual characteristics of Ci. Lecture 6: Potential of Ci and reader response.

"No matter how bright the lights in the city are, can they be brighter than the star in the night sky in the countryside?" "No matter how beautiful it is, it's just nostalgia, no matter how close it is, it's just hometown." These are the cries and sighs of Yao Jiangping in his collection of poems "Earth, Earth". Strong nostalgia and eternal nostalgia are the themes of this collection of poems. The poet's chants and laments about his hometown and his deep affection for the farmers are all reflected in every line of poetry. The more than one hundred short poems in the collection are the author's painstaking work in recent years.

"Purple Dew and Autumn Yellow" is the poetry volume of the second series of the Jin Army's New Phalanx. The book is divided into four parts: Part 1, flickering shadows; Part 2, the taste of sunshine; Part 3, fourteen lines; Part 4, Eyi River. There are descriptions of scenery, longing for family affection, praise of friendship, and songs of love. The author puts his feelings about life and life in loving poems, forgetting the noise and ugliness, immersing himself in the world of ink fragrance, maintaining simplicity, maintaining a state of mind, pursuing the beauty in the poem, and expressing the deep affection for life in the poem...

As a famous contemporary sinologist, Serebryakov has worked in the Oriental Department of St. Petersburg University since the 1950s. He has extremely high attainments in the study of Chinese classical poetry. He is famous for his research on Du Fu and Lu You. He also has long-term contacts and deep friendship with Cao Jinghua, Ge Baoquan and others in the Chinese Russian-Soviet literary translation circle. He is actively engaged in the study of Lu Xun and the dissemination of his works in Russia. He is the author of "Critical Biography of Du Fu" (1958), "The Life and Creation of Lu You" (1973), "Chinese Poetry in the 10th Century" (1979), etc. Translations include Lu You's "Entering Shu" (1968), Mao Dun's "Shake" (1956), etc. This book collects and translates his representative articles and comments in the above aspects, showing the Russian Sinological community's multi-faceted understanding of Chinese poetry and classical philosophy, as well as its evaluation of modern and contemporary Sino-Russian literary exchanges.

Sonnet is an important lyrical metrical poetry style in the West with a long history. China has been importing new poetry since its emergence, and it has continued for nearly a hundred years. This book takes the sinicization of the sonnet as a basic clue and the exploration of the rules of poetic style transplantation as a potential theoretical perspective. It clearly proposes four periods in the sinicization process of the sonnet: "early input", "normative creation", "exploration of variations" and "prosperity and diversity". With detailed materials, systematic sorting and essential analysis, it truly presents the occurrence and development process of the Chinese sonnet, profoundly reveals the development rules of the Chinese sonnet, and is an important supplement to the development context of modern Chinese poetry.

This result sorted out the research and inheritance of Yan Ou's three Ci poems in the Qing Dynasty. The three Yan Ou people were outstanding figures in the development of Ci in the Song Dynasty, especially Yan Shu and Ouyang Xiu. This manuscript explains and discusses the dynamic process of research and inheritance of this group of Song Ci masters in the Qing Dynasty when Ci studies were resurgent for nearly three hundred years. It focuses on the status and influence of Yan Ou's three Ci Ci groups and schools in the competition between Ci studies in the Qing Dynasty, as well as the Qing people's research and acceptance style and characteristics, rules and reasons for their Ci. From this perspective, we can not only see the dynamic and three-dimensional process of research and inheritance of Yan Ou's Ci in the Qing Dynasty, but also get a glimpse of the development process of the Qing Dynasty's Ci study continuing and surpassing the previous generation's Ci study, and the process trajectory of the end of the evolution of traditional Chinese Ci study and the eve of modern Ci study, which has certain theoretical understanding significance.

The famous poet and literary critic He Qifang once said: "Poetry is a literary style that most intensively reflects social life. It is saturated with rich imagination and emotion, and is often expressed in a direct lyrical way. Its language is different from the language of prose in terms of refinement and harmony, especially in the distinctness of rhythm."

Some people say that people who write poems just like to chant the wind and the moon. I think that the reason why poets chant is probably out of sensitive and thoughtful emotions. Just like this, they have more feelings for everything in the world.

This book is a collection of more than a hundred poems written by the author over the years, with the theme of praising the beautiful rivers and mountains of the motherland and the four-season landscape, such as, "When a group of free-range cows slowly turned into the dark cedar forest, and the pasture became shorter in vain..." Etc., The author uses a unique perspective to reproduce the development of society, its tracks and the water, color and mountains of nature.

This book is compiled based on the class recordings of the "Chinese Fu Studies" course taught by the author to graduate students. There are ten lectures in total: Fu rhyme, Fu method, Fu Ci, Fu Yi, Fu family, Fu preface, Fu annotations, Fu categories, Fu test, and Fu study. Based on the principles of stylistic theory, the author conducts an in-depth and detailed exploration and description of the rhythm, grammatical techniques, rhetorical style and spatial art of Fu in order to demonstrate the basic characteristics and spiritual outlook of Fu literature. An academic perspective highlighted in the book is the emergence of the Chu-Han Fu family as the first generation of signed scribes and their connection with the cultural construction of the Han Empire. This book also opens up new horizons for peripheral research on some fu texts, such as prefaces, annotations, and the "generalization" of fu dynasty-like books and fu creations. As for the relationship between literature and institutions involved in the examination of Fu, Xi Fu's requirements for creative techniques are not only the guidance of today's writing of Fu, but also integrated into the narrator's academic theory and taste, giving people a pleasant reading mood.

This book is carefully compiled and selected by Chinese poetry selectors from nearly a hundred literary publications across the country. It has a broad perspective and aims to present a panoramic view of the performance of poetry creation in 2018, and strives to select representative and influential works fairly and objectively.

This book selects 131 poems to share with you. The author read and studied the poems and experienced Gu Cheng's innocence, Li Qingzhao's poignancy, Xi Murong's elegance, Li Bai's free and easy, Shu Ting's sincerity, Xu Zhimo's infatuation and Lin Huiyin's warmth. Through continuous learning, constantly surpassing oneself, and embracing those outstanding poets with the heart of writing poetry, I hope that more people can feel the charm of poetry.

Most of the poems in this collection strive to express the poetic beauty of the objects in the world. The author uses the form of vernacular poems to present the poetry in the objects to everyone who reads her. This collection of poems originated from the material world, and strives to break away from the shackles of the material world, concentrating on expressing the poetic spirit in objects.

The main content of "General Lecture Series of Famous Scholars: Fifteen Lectures on Tang Poetry and Song Ci (2nd Edition)" is that Tang poetry and Song Ci are outstanding representatives of Chinese classical poetry, marking the heyday of the two poetic styles of poetry and poetry. "Famous General Lecture Series: Fifteen Lectures on Tang Poetry and Song Ci (2nd Edition)" takes the magnificent Tang poetry and Song Ci in China's three-thousand-year poetry history as representatives. Through the description of its own development and evolution, the analysis of the evolution of its poetry trends, and the analysis of the works of outstanding poets and poets such as Li Bai, Du Fu, Su Shi, and Li Qingzhao, it comprehensively displays the style and evolution of Tang poetry and Song Ci. This revised edition has corrected the errors in the first edition and added new research results in recent years. In particular, the interpretation of the poetic text is more detailed and in-depth, making it more attractive to read.

This book brings together the poet Xi Chuan's important thoughts on poetry writing, poetry and civilization, poetry and the times, poetry and society for more than 20 years, especially in recent years. It demonstrates to a large extent the "poetry thought" that the author has always emphasized, allowing poetry issues to be dealt with in the context of culture and history. In this era when the river seems to be turning a big bend, the author faces poetry with his broad vision, deep awareness of problems, and keen intuition; in the author's view, the problem of Chinese poetry is actually the problem of the entire Chinese culture. The author strives to find possible starting points and breakthroughs for the creative presentation of contemporary Chinese poetry through repeated comparisons of ancient and modern Chinese and foreign poetry, as well as poetry and other arts.

"History of Chinese Poetry" provides a detailed explanation of the poems of poets from the Tang to the Qing Dynasties. It has a broad vision and can start from history, philosophy, psychology, sociology, religious knowledge, world phenomena and human attitudes. It also has understanding and sympathy for people and things. Its viewpoints, perspectives and research methods are worth learning from.

Because of love, we choose love, because of love, we gave birth to life, because of love, we experienced the joys and hardships of being parents, because of love, we understand the sacredness and responsibility of parenting, and from the moment a child's life begins, our lives become vivid and interesting.

This book is part of the "Jingzhe Poetry Series" series, which consists of four poetry collections and contains the outstanding poems of four Shanxi poets in recent years. It is an extremely rare self-selected poetry collection.

Poetry is first of all written to oneself, a person's inner monologue, the resonance between the subjective mind and the objective world, and secondly, it is faced with readers. This is the author's first collection of poems, which has been brewing for a long time and is finally released. The book is divided into four volumes: Keeping the Original Innocence, Perseverance, Above the World, and Whispering Life. It spans twenty years and collects 249 poems written by the author in his youth and middle-aged years. At a time when economic leverage measures everything, he still sticks to his original intention and leaves only the simplicity of literature.

This book is a collection of Qi Nianzeng's poems, among which "Yan'an, I Pursue You" was selected into the unified primary school Chinese textbook. Most of Qi Nianzeng's poems are full of fiery, sincere and high-style passion, which are quite contagious. This selection of poems is clear, powerful, and soul-stirring, and is suitable for students to recite and study.

"New Hupan Poetry Selection (II)" has opened up columns such as "Hupan Voice" and "Hupan Translation Society", focusing on the construction of theory and translation. Of course, this poetry anthology not only contains landscape works, we also harvested several young poets who tried to plant small trees of poetry by the lake. "New Lakeside, do you dare to move from modernity to postmodernity?" The question asked by Professor Hainan of Fudan University is also an encouragement and warning to us. Since "the wind of freedom is opening up", we look forward to more voices gathering at the lakeside, where chorus and solo singing blend with each other.

This collection of poems truly records the author's decades. Her love, hate, sensitivity, inferiority, and confusion are all sorted out like a journey through life. The lack of father's love since childhood, the mother's remarriage, and the lack of self-confidence that always lack a sense of security. These ordinary and extraordinary life growth experiences make her often long to find herself in her heart, but she often loses herself. But luckily there are poems to accompany it. I hope everyone can live abundantly and live stronger and more affectionate than the words in the poem.

This book is a collection of selected poems written by the author in recent years. The themes include love, family affection, difficulties and insights in life, and the meaning of moments in life.

With the passage of time, we walked out of our hometown town, experienced the prosperity of big cities, and experienced the warmth and warmth of human relationships; we had young love and a warm family. Some of the little poems and articles that record time were hidden without a trace, and some were lost in the migration from one city to another. Looking through old poem manuscripts, I found that they had grown to a certain number barbarically. So, I began to sort out these random poems little by little, and finally they became four volumes in the small book "Peck, Peck, In Spring". They are: "Peck Peck, In Spring", "The Past Is Going to Sleep" and "Broken Time".

The poet integrated half his life's emotions into these poems, and lived with all his strength regardless of gains and losses. This collection of poems is divided into: the poet's lyrical feelings and imagination, appreciation of Song poetry, description of scenery, feelings and insights from traveling around the world, occasional leisure poetry creation, film viewing and other critical works. When I listen to Qiu Yu feeling sad alone at night, I may realize that not only the youthful spirit has disappeared, but also the starlight I saw along the way.

Looking back at the past years, sometimes I feel enthusiastic and sometimes depressed. When I am enthusiastic, I feel that life is infinitely beautiful, and when I am depressed, I feel deeply depressed and worried. I have been stumbling and stumbling all the way to this day. I occasionally have some time to find old manuscripts and compile them into a collection in chronological order. I would like to dedicate this collection of poems to the memory of the educated youth's life fifty years ago, and to the years of youth that have passed away.

"Cherry Town" starts with time and selects Jing Danying's outstanding poems from 2011 to 2014, which are very representative. The short, meaningful and profound artistic conception of his poems have played a role in promoting the diversified development of poetry. This book integrates the essence of his poetry and is a high-quality collection of poetry works. To a certain extent, it enriches the connotation of poetry, expands his horizons, and has high artistic aesthetic value.

"Oncoming Dujiangyan" is a collection of poems created by poet Wen Jiajun based on elements of Dujiangyan. It is divided into three series and contains a total of more than 70 poems. The entire collection of poems is full of eulogies and nostalgia for homeland and family, showing the memory of the past years and the longing for the future. The emotional aspect is relatively strong. Qingcheng Mountain, Wulonggou, Longchi Lake, Sanxing Village... These place name elements are all over the place, which has the meaning of local cultural exploration.

"Walking Forest" is one of the "Shu Lai Poetry Collection". It is a large collection of poet Li Ziguo's poems about forests in recent years. It is also the continuation and innovation of the poet's thoughts on nature. The whole book is divided into four series: "Crowds Running on Broad Leaves", "Sigh of Bird Wings Scratching the Sky", "I Wrote Poems in the Closed Mountains for Forestry Area", and "Snowy Rain of Flowers or Passing Horseshoes". The entire collection of poems expresses the poet's attachment to his hometown and all natural creatures through reminiscing, praising and questioning the image of the forest. There are many emotional and witty sentences in it, especially the personification of the forest, which is impressive at a time when urbanization and commercialization have increasingly separated us from the earth.

When Shen Congwen started writing, poetry was an important entity. He does new poetry criticism, brings new poetry research into university classrooms, and writes a series of new poetry theories. He edited "Ta Kung Pao Literary Weekly" and "Yi Shi Bao Literary Weekly", and worked particularly hard to promote modern poetry. His relationship with new poetry is that of a creator, a critic, and a boosting editor. Every aspect has room for discussion; taken together, it is a rich existence in the history of new poetry. This poetry collection is carefully compiled and selected by Professor Zhang Xinxin, the author of "The Second Half of Shen Congwen's Life". It is divided into six volumes and contains 73 new poems and old-style poems from 1925 to 1980. Among them, "Songs of Zhenyun" is a poem written in Fenghuang dialect, which retains many vivid and lively scenery of western Hunan; "Melancholy Appreciation", "Xu Xu" and "Relief" are three series, which either reflect on current events, relieve love, or mourn friends. They are the mature works of Shen Congwen's new poetry; "Movement" Written at the turning point of Shen Congwen's mental crisis, the situation of struggling in the collapse is heartbreaking; "Old Style Miscellany" was written by Shen Congwen after he recovered from the collapse. He tried to write "history" with "poetry", use "poetry" as "learning", and use old-style poetry to show the development of history and culture.