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This book is a theoretical study of word criticism and a reflective exploration of the relationship between "literature" and "history." The first part expounds the theoretical connotation of "Critical Study of Ci History", and the second part shows the practice of criticism of Song Ci texts of different natures. The traditional theory of "ci history" touches on the essential power of "literature" - a unique existence that is divorced from real social relations. It is intertwined with the "realm" theory of modern literary criticism, and has inspired the latter from the perspective of academic history. The criticism of "ci history" continues the tradition of "Xing Ji" in Chinese literature. In addition to the principles of "micro-statement of great meaning" and "mutual verification of poetry and history", it has the characteristics of "re-creation" that integrates readers' personal knowledge structure and life experiences.

"Moby-Dick" is a novel by the American novelist Herman Melville. It is known as the first truly "great American novel" in the history of American literature. The novel describes Captain Ahab's pursuit of revenge against Moby Dick, the white whale, but ultimately his own destruction. This book studies the reflections of metaphors, symbols, and allegories in novels from three perspectives: ecological, sociopolitical, and queer theory. It organically combines readers, texts, and social and cultural contexts to provide a reference paradigm for the meaning construction of works. It also evaluates the effectiveness of reading through factors such as the coherence of metaphors, the systematicity of symbols, and the consistency of allegories.

"Frontiers of Literary Theory" (biannual) was founded in 2004. As the journal of the Chinese and Foreign Literary Theory Society and the only Chinese publication of the International Society of Literary Theory, it is currently one of the largest circulation journals in the humanities and social sciences in my country. This issue has four columns: "Exploration of cutting-edge theoretical trends", "Marxism and world literature research", "Two-way exchanges of Chinese and foreign literature" and "Interdisciplinary critical theory research", with a total of nine articles. Standing at the forefront of international literary theory and cultural research, we pay attention to and study hot topics that are generally of concern to the academic community today, and make new interpretations.

This book is a comprehensive and in-depth study of the red version of "A Dream of Red Mansions" (also known as the old version collected by Xi'an and the original version collected by Zheng). This book is also the first monograph in the field of Red Mansions at home and abroad to study the original version of "Dream of Red Mansions". This book points out for the first time that Chapter 23 of the book contains the text of the first draft of "A Dream of Red Mansions" written by the author Cao Xueqin. This is a new discovery by the author, and his argument is persuasive.

Abdulhu Hale is a famous contemporary Saudi novelist. This book conducts textual analysis of Abdulhu Khalil's novels based on literary theories such as narratology, modernism, postmodernism and new historicism. By exploring issues such as narrative themes, narrative techniques, historical cognition and humanistic ideas in Khalil's novels, it reveals Harle's literary aesthetics and considerations of historical and realistic issues, explores the spiritual world of a group of middle-class intellectuals with secular tendencies represented by Abdulhu Khalil, and pays full attention to the deep-seated issues in Saudi society.

"Literary Criticism Methods and Case Studies" is a textbook that introduces literary criticism methods and practical cases. This textbook focuses on the combination of theory and practice, emphasizing practicality: each chapter first introduces a literary criticism method so that learners can master the basic theoretical viewpoints and ideas of that literary criticism method; then, two or three papers that use this literary criticism method to interpret literary works, literary phenomena, or cultural phenomena are cited as cases for learners to refer to.

This book is the result of the seminar "Liu Cixin's Science Fiction Novels and the Cultural Conditions of Contemporary China". The whole book discusses the cultural politics of "The Three-Body Problem", the literary and cultural consciousness of Liu Cixin's novels, the "writing method" of science fiction novels, the "literary" possibilities of science fiction novels, the political philosophy of science fiction literature, the 20th century tradition of contemporary science fiction, science fiction literature and the current Chinese cultural situation.

"Ming and Qing Literature and Documents" is a professional academic journal sponsored by the Ming and Qing Literature and Culture Research Center of Heilongjiang University. The book focuses on the research results of Ming and Qing literature, documents and culture, and strives to present the cutting-edge trends and latest results of Ming and Qing literature research, reflecting the characteristics of this discipline.

This book is divided into six volumes according to thematic types. The main aspect of this book lies in the multi-dimensional application of the concepts and methods of modern literary philology, such as compilation, annotation, textual research, etc.; At the same time, it is committed to applying the knowledge concept of philology as a normal state, that is, in general research and based on documents. It uses various types of documents extensively and carefully, combined with precise text analysis and necessary literary history perspectives, to achieve a comprehensive understanding of writers, texts, eras and literary history. In short, philology is also an effective method of literary history research and literary criticism. It explores and establishes the philology system of modern Chinese literature and involves a series of issues in the construction and development of modern literary disciplines.

This book is the result of the author's many years of research on the poetry of the Wei, Jin, Southern and Northern Dynasties. The poetry of the era covered includes Jian'an poetry, Zhengshi poetry, poetry of the Two Jin Dynasties, poetry of the Southern Dynasties, and Yuefu poetry of the Wei, Jin, Southern and Northern Dynasties, etc. The research perspective includes the study of poetry creation from the perspective of family and regional culture, as well as the discussion of the cultural connotation, aesthetic imagery, and emotional trends of poetry. There is also a detailed analysis of the characteristics of poetry styles such as landscape poetry, metaphysical poetry, palace style poetry, and Yongming style. While paying attention to literati poetry, it also touches on the poetry mode and nature of music and songs in Yuefu poetry.

This book studies the dissemination, acceptance and canonization of Chinese new poetry. It not only combs the history of the dissemination and acceptance of Chinese new poetry, uses documents to present the characteristics of the dissemination and acceptance of new poetry, but also in-depth demonstrates the relationship between dissemination, acceptance and canonization. It not only studies the characteristics of new poetry criticism and anthology in shaping the classics, but also sorts out and demonstrates the historical process of narrating the history of new poetry and identifying new poetry classics, thereby summarizing the characteristics and rules of the canonization of new poetry, and reflecting on the creation of new poetry. This book combines historical analysis with theoretical thinking and is an important monograph in this field.

This book provides a platform for the textual research of Chinese popular literature. The book takes the study of ancient operas and popular literature as its main object, features empirical research, attaches great importance to the discovery and utilization of first-hand documentary materials, and emphasizes the investigation, cataloging, and textual research of basic literature. It especially emphasizes the research of textual research on literature and materials, that is, it focuses on author research, important event research, edition literature research, collection of catalogs for collectors at home and abroad, research on rare documents, and collection and interpretation of new literature materials. Opera, popular literature, literature, and empirical evidence are the key words that distinguish this book from other similar publications.

In 2013, General Secretary Xi Jinping proposed the "Belt and Road" major initiative. The Institute of Literature of the Chinese Academy of Social Sciences tried to use this major initiative to promote the study of Silk Road culture and participate in the cultural construction of contemporary China through specific research. Therefore, on August 20, 2015, a seminar on "Silk Road and Chinese Literature" was held in Yiwu County, Hami City, Xinjiang Uygur Autonomous Region. The papers included in this collection of papers were selected from more than 30 papers submitted by participants. These papers cover many aspects such as literature, history, religion, music, art, exploration, cultural exchanges between China and foreign countries, etc., Showing the richness of Silk Road culture.

"Research on Historical Materials Issues in the Biographies of Modern and Contemporary Chinese Poets" starts from the historical material issues in the biographies of modern and contemporary poets, and is supplemented by various methods such as literary historiography to conduct research. It is mainly composed of seven parts, specifically including the definition of biographies of modern and contemporary poets and the issues of historical materials, the value of historical materials in biographies of modern and contemporary poets, the division of historical materials in biographies of modern and contemporary poets, the practice and application of historical materials in biographies of modern and contemporary poets, the relationship between the quality of biographers and the issues of biographical materials, other factors that affect the biographical materials of modern and contemporary poets, and the construction and historical prospects of biographical materials of modern and contemporary poets.

"Chinese Poetry Research" is an academic journal sponsored by the Chinese Poetry Research Center of Capital Normal University, covering the study of poetry at home and abroad in ancient and modern times. The columns include research on ancient Chinese poetry, research on modern and contemporary Chinese poetry, research on Chinese poetry theory, research on Chinese ethnic minority poetry, research on contemporary overseas Chinese poetry, research on Chinese and Western comparative poetry, research on the history of poetics and poetic literature, and youth forums. It has a good reputation in academic circles at home and abroad and is an important reference book for poetry lovers and teachers and students.

This book is based on comparative literature and mainly studies the influence of the Bible on modern Chinese literature. The first part of the book mainly discusses the translation and acceptance of the Bible in China in the 20th century; the second part mainly studies the influence of the Bible on modern literature, such as Zhou Zuoren, Haizi, Bing Xin, Mao Dun, Gu Cheng, Wang Meng and other literary creations were influenced by the Bible; the third part mainly discusses how Han Suyin, Zhang Xiaofeng, Rongzi, Xia Yu and Si Ren were influenced by the Bible and created literature. Through this book, readers can have a more detailed understanding of the translation and acceptance of the Bible in China and its impact on modern Chinese literature.

This book mainly focuses on literary texts of various genres since the Ming and Qing Dynasties. It aims to study the scenes of Guangfu depicted in literary texts from various aspects, including the commercial customs, food culture, etiquette and customs, annual festivals, folk beliefs, entertainment customs, garden architecture, etc. In the Guangfu area, and reveal the cultural spirit contained in them. There have been many works on the study of Cantonese customs in the past, but they lacked the perspective of caring about Cantonese customs from a literary perspective. This book uses this as an entry point to comprehensively introduce Cantonese customs, which has certain academic value.

This book provides a platform for the textual research of Chinese popular literature. The book takes the study of ancient operas and popular literature as its main object, features empirical research, attaches great importance to the discovery and utilization of first-hand documentary materials, and emphasizes the investigation, cataloging, and textual research of basic literature. It especially emphasizes the research of textual research on literature and materials, that is, it focuses on author research, important event research, edition literature research, collection of catalogs for collectors at home and abroad, research on rare documents, and collection and interpretation of new literature materials. Opera, popular literature, literature, and empirical evidence are the key words that distinguish this book from other similar publications.

"Ming and Qing Literature and Documents" is a professional academic journal sponsored by the Ming and Qing Literature and Culture Research Center of Heilongjiang University. The book focuses on the research results of Ming and Qing literature, documents and culture, and strives to present the cutting-edge trends and latest results of Ming and Qing literature research, reflecting the characteristics of this discipline.

"Frontiers of Literary Theory" (biannual) was founded in 2004. As the journal of the Chinese and Foreign Literary Theory Society and the only Chinese publication of the International Society of Literary Theory, it is currently one of the largest circulation journals in the humanities and social sciences in my country. This volume has five columns: "Exploration of cutting-edge theoretical trends", "Marxism and world literature research", "Theoretical interpretation and construction of Asian and African literature", "Literary reading and theoretical interpretation", and "Critical theory and debate", with a total of eleven articles. Standing at the forefront of international literary theory and cultural research, we pay attention to and study hot topics that are generally concerned by today's academic circles, and make new interpretations.

This book provides an in-depth analysis of the mechanism of "narrativeness" in modern lyric poetry from the aspects of translation, language, poetic style, and concepts, and specifically presents the diverse and complex aspects of modern lyric poets in the practice of narrative poetics. On this basis, from the perspective of the narrative discourse and emotional interaction of the lyric subject, a theoretical analysis of the narrative poetic form - situational aesthetics is carried out. By tracing the historical evolution of "narrativeness", it redraws the changes in the ideographic landscape of modern lyric poetry, highlights the poetic significance of "narrativeness" in modern lyric poetry, and further clarifies the status and value of "narrativeness" in literary history.

This book focuses on elaborating on the practical characteristics of literary theory, and further explores the functions, values, and theoretical mechanisms of literary theory from a practical perspective. It puts forward important ideas for the development of the practical perspective of literary theory in terms of practical trends, category exploration, principle reflection, and theoretical evolution. Based on the subject system, teaching status, literary reality, and local local literary and cultural resources, it conducts a detailed analysis of the possible deviations of literary theory in solving practical problems, and explores the possibility of opening the closed literary theory system and promoting the construction of literary theory at the practical level.

This book is the first monograph on the study of Guizhou ecological literature. This book analyzes and evaluates the development origin and main achievements of Guizhou ecological literature, conducts an in-depth discussion of the characteristics of ecological literature, and conducts a systematic study of the ideological connotation of ecological literature. Through the interpretation of the ecological consciousness of Guizhou folk literature, the book explores the enlightenment effect of the profound ecological ideological resources in Guizhou folk literature on the creation of Guizhou ecological literature; by analyzing the ecological literature works of Guizhou writers, it reveals the rich connotation of Guizhou ecological literature; in the current increasingly serious ecological crisis, it explores the concern and responsibility of Guizhou ecological literature creation for reality.

Since the new century, the tremendous development vitality and astonishing scale of literary practice have exerted an unavoidable pressure on the conceptual and epistemological literary theories that are still dominant in the country. Literature is not just a text, nor is it only an object of knowledge, it is also a practical object, and it is the practical process itself. The main point of this book's research is to reveal the practical relationship between literary theory and literary research objects. In this relationship, we study the practical attributes of literary theory, the practical logic of literary theory, the appreciation and criticism activities of literary practice, the practical textology of literary theory, and the practical research methods of literary theory.

This book studies the development of contemporary European and American inter-art poetics. It first sorts out the development process of European and American inter-art poetics, classifies and analyzes representative schools, and makes a comparative study of Chinese and Western inter-art poetics. Then it uses relevant theories to interpret representative European and American poems. Finally, it elucidates important existing translations and excerpts important inter-art poetics discussions for translation.

This book takes Shakespeare criticism in Chinese academic journals as the research object. It interprets the current situation of contemporary Chinese Shakespeare criticism in the multiple contexts of different genres, periods and journals, and the intertextuality of various material cultural materials. It also pays attention to the guiding and constructive role of academic journals as a "cultural power body" in literary criticism. By analyzing the "Seventeen Years" period, the early stage of the new era (1978-1981), the 1980s and 1990s, and the 21st century, foreign literature, drama and film The characteristics and rules of Shakespeare criticism discourse in film journals, as well as the political, economic, cultural and publishing factors behind these "changes" and "unchanges", discuss the overall characteristics and paradigm shifts of contemporary Shakespeare research in China, present the process of Shakespeare criticism in Chinese academic journals from single to pluralistic, from closed to open, and construct the subjectivity of Chinese Shakespeare research since the founding of the People's Republic of China 70 years ago. Suggestions and thoughts on future research trends and directions are also put forward.

This book is divided into four parts: "Designated Book", "Collation and Correction", "New Confucianism", "Confucianism and Tibetan Talks·Young Scholars Forum", and includes articles such as "Collection of Shen Qin and Han Relics", "On the Unified Meaning of the Three Subjects and Nine Purposes", "Between the Orthodox and the Customary - Talking about the Relationship between Common Chinese Characters and the Collection of Ancient Books".

This book mainly studies Shelley's translation and reception in different periods of modern Chinese literature. Starting from the portrait of Shelley published in "New Novel" in 1905 hosted by Liang Qichao, it discusses Shelley's outstanding characteristics and views presented by translators with different identities in different periods, in order to examine its relationship with the occurrence and development of modern Chinese literature.

This book uses a combination of literary history and specific case analysis to explore the origins and development trajectory of British fantasy novels. It sorts out the formal evolution of British fantasy novels and their close relationship with reality according to five stages: the Victorian period, the Edwardian period, the postwar period, the Cold War period, and the globalization period, helping readers understand the overall picture of British fantasy novels.

This book takes 39 different collections and collections of poems by Song monks as a whole, collects and investigates the various existing editions in Japan, and retrieves more than 300 editions. It studies their publication and circulation in Japan, adds new content and new understanding to the study of Chinese ancient book editions, and is an important supplement to the study of ancient book editions.

This book takes the original reading of Woolf's text as the starting point to study Woolf's impersonal poetics in novel creation, analyze its key elements and their interrelationships, explore the inheritance and innovation of Woolf's impersonal poetics on the impersonal poetics of writers such as Shakespeare, explore the difference between Woolf's impersonal poetics and that of contemporary writers such as Eliot, explore the practice of Woolf's impersonal creative concept in her novels, and analyze its profound impact on contemporary Chinese female writers such as Chen Ran.

This book focuses on the historical context of the production, presentation, consumption, dissemination, and evolution of literary images, explores the narrative function of images, and sorts out the communication and interaction of literary images in different cultural contexts, thereby laying the foundation for the construction of a new disciplinary branch "Literary Image Theory."

Based on many key issues of decadence, this book conducts systematic research on the levels of discourse construction, paradigm methods, theoretical horizons, etc., And points out that as a product of the historical process of modernity in Western society that suddenly accelerated after the industrial revolution, it is not only a reflection of this social and historical process, but also a reaction to the great social changes; it is not only an artistic expression of the social historical process, but also a spiritual-psychological compensation for the great social changes.

This book conducts an in-depth study of symbolism both vertically and horizontally. The first four chapters diachronically sort out the history of the emergence, evolution, and decline of the Symbolism genre, and describe the influence of Symbolism in Europe and the United States. The last four chapters focus on synchronic and comprehensive research, mainly exploring the mysticism, musical aesthetics, free verse theory and cultural background of symbolism.

The book is divided into two parts, a total of fifteen chapters, including: pioneers; hundreds of schools; "fictitious" and "constructed"; strange works; self-talk - Barthes' "Barthes Autobiography"; autobiography in the age of doubt - Salote's "Childhood"; "terrorist actions" in autobiographical writing - Robbeglier's "Play" trilogy, etc.

This book explores the context of the emergence of aestheticism from the perspectives of philosophy, aesthetics, art history, changes in social life, and cultural exchanges between the East and the West, combs its development pedigree in major European and American countries in the 19th century, and refines its poetic concept of "art for art's sake" into levels such as "art is higher than life," "artistic self-discipline," and "art saves life" and provides in-depth explanations. It points out that aestheticist poetic theory and literary creation have mutual correspondences and misalignments.

This book focuses on the literary Chinese practice of ten "axis writers" from the late Qing Dynasty to the May 4th Movement: Huang Zunxian, Yan Fu, Liang Qichao, Lin Shu, Wang Guowei, Zhang Taiyan, Wu Zhihui, Hu Shi, Lu Xun and Zhou Zuoren. It returns to the language standard and discusses literary Chinese along the dimensions of Chinese modeling, subject consciousness and literary form, presenting the history of modern literature at the linguistic level.

The content of this book covers the theoretical research of ancient literature, the compilation and research of handed down documents, the research of ancient characters and unearthed documents, the study of overseas Chinese books and sinology, and other related fields such as the study of ancient Chinese documents. The whole book is divided into four parts according to Jing, Shi, Zi and Ji, which are reflected in blank lines in the table of contents. The papers may be the latest research on a specific issue in a related field, or they may be an examination of the lives and travels of famous ancient Chinese scholars, or they may be an exchange and discussion of overseas sinology.

This book is composed of upper and lower parts. The first part is a brief history of poetry, starting from the formation of the original concept of poetry, the Book of Songs and the Songs of Chu, and discusses ethnic minority poets and foreign Chinese poetry; the second part is a brief history of ci and music, which examines the transition from poetry to ci, and from ci to music, and compares the similarities and differences in form, content and style of poetry, ci and music, and outlines the development of the history of ci and music.

With a keen academic vision, this book captures the semantic logic issues that are often ignored by researchers of Poe's novels. After determining the basic framework of Poe's novels' logical poetics, this book reinterprets Poe's novels around seven levels: "literature and cybernetics," "parallax and surface reading," "genre energy and evolution," "language games and semantic proliferation," "new media and secret writing," "literature and ritual," and "double binds and double structures." This book highlights the logical mechanism on which its meaning depends.

This book focuses on the French literature debate in modern Chinese literary journals from 1917 to 1937, and uses key words in the debate to reconstruct the reception context of French literature in China from 1917 to 1937.

Starting from various aspects such as poetic concepts, creative methods and text composition, this book provides an innovative interpretation of the naturalistic literary trend, revealing its "leading" position in the literary space that interacts with and co-exists with the contemporary symbolism and aestheticism literary trends, and points out its important influence on the emergence and development of modernism in the 20th century.

This book takes Chinese novels from 1898 to 1927 as the main research object. It borrows Western narrative theory to explore how the writers of the late Qing Dynasty and the "May 4th" generation completed the transition from ancient novels to modern novels from two perspectives: the enlightenment of Western novels and the transformation of the narrative mode of Chinese novels, and the role of traditional literature in the transformation of the narrative mode of Chinese novels. The author draws on Todorov's narrative theory and "combines purely formal narratology research with sociological research on novels that pay attention to cultural background" from three aspects: narrative time, narrative perspective, and narrative structure. This not only fills the gap in stylistic research, but also advances the study of literary form and achieves epoch-making achievements.

This book aims to trace the origins of the "Western Transmission of Confucianism", starting from the cataloging and compilation of Chinese and foreign Confucian translations by missionaries who came to China in the late Ming and early Qing dynasties. It mainly focuses on the Confucian translations of the three religious orders, the Jesuits, the Dominicans, and the Franciscans, who played an important role in the "Chinese Rituals Controversy." On this basis, based on their different attitudes towards Confucian culture, the missionary groups to China were refined into three factions: "supporting cultural adaptation policy", "opposing cultural adaptation policy" and "cultural reconciliation faction". With the help of the research path of "conceptual history", "Heaven", "God", "Tai Chi", "Ghosts and Gods", etc. This article sorts out the different understandings of the highly controversial Confucian concepts among missionaries in China, and explores how they separate the original "name" and "reality" of Confucian concepts in a cross-cultural context, artificially reconstruct them, and assign them new contextual meanings to realize their own arguments and arguments.

This book attempts to sort out the historical process of daily objects appearing on the surface of literature, and through classic texts, it brings to light those descriptions of daily objects that were originally regarded as scattered, trivial, and lacking independent value, so that they can re-enter the horizons of readers and researchers, thereby stimulating the perception and understanding of the new aesthetic style and creative concepts of Ming and Qing daily narratives, as well as the material life and culture of Ming and Qing Dynasties.

Starting from the dichotomy between theory and practice, this book attempts to define the stylistic extension of French children's literature, and analyzes the common characteristics of this genre with the help of representative literary practices to emphasize the special attributes of children's literature as "the most important carrier of children's culture."

This book consists of twelve chapters, analyzing the narrative art of McEwan's novels and the ethical issues immersed in the works, and exploring the ethical demands that have been ignored by the academic community.

The content of this book covers the theoretical research of ancient literature, the compilation and research of handed down documents, the research of ancient characters and unearthed documents, the study of overseas Chinese books and sinology, and other related fields such as the study of ancient Chinese documents. It includes articles such as "Examination of Xia Yu's Sword", "Examination of Hong Rukui's Book Engraving and Related Document Collection Activities", "An Examination of the Collection of Poems of Jiangxi Poetry School in Song Dynasty", etc.

The content of this book covers the theoretical research of ancient literature, the compilation and research of handed down documents, the research of ancient characters and unearthed documents, the study of overseas Chinese books and sinology, and other related fields such as the study of ancient Chinese documents. It includes articles such as "The Inner Theory of the Yan-Li School of Confucianism - An Investigation Centered on the Book of Changes", "New Collection of Epitaphs and New Insights on Tang People's Writings", "On the Linji Sect's Buddhist Dharma System and Its Influence at Daxingshan Temple in Xi'an during the Kangxi Period of Shunzhi", and "A Study of the Sources of the Collection of Ming Zhi Dun's Poems".

"The Origin of Chinese New Literature" is a systematic summary of Zhou Zuoren's theory on the May 4th New Literature Movement and the entire history of Chinese literature. It has thorough reasoning and exquisite writing. As a Chinese scholar, you must read it carefully. The origin, course, and significance of the Chinese New Literature Movement will be explained based on what Zhou Zuoren knows and has seen. "Literature is something that conveys the author's unique thoughts and feelings in a beautiful form, so that people who read it can get pleasure from it."