Library

The editor carefully selected the prose and poetry works of more than a hundred modern and contemporary famous writers such as Lu Xun, Li Dazhao, Guo Moruo, Zhu Ziqing, Feng Xuefeng, Jia Pingwa, Zhao Lihong, Bi Shumin, Feng Jicai, etc. The book includes "old works" published in 1918 and "new works" published in the past two years, covering a time span of nearly a hundred years. Relevant reading tips are attached at the end of each work to increase the reader's interest in reading and appreciation, and to bring a deeper emotional experience to the reader's recitation and reading.

This book is An Yiru's return to her original intention after appreciating poems such as "The Book of Songs", Nalan Rongruo, and Huang Zhongze, and concentrated on writing her favorite Tang Dynasty and those poems she loved most. In this book, An Yirushun follows the flow of "Complete Poems of the Tang Dynasty", with his consistently delicate and graceful writing style and unique perspective of appreciation, starting from appreciating the poetry works of Li Shimin, Yang Guang, Wei Zheng and others... And ending with Wang Wei, Meng Haoran, Wang Changling, Li Bai and Du Fu.

"In the past, the sun became slower, and the cars, horses, and mails were all slower. There was only enough time to love one person in a lifetime..." Mu Xin's poetry collection "The Skylark Called All Day" was finalized based on Mu Xin's later years. The first volume includes "Big Mood", "Love Poems in the Train", "Nagai Lotus" "Japanese Wind", "We also had our youth", "Rest in Peace, Enemies", "Zhidang Shisulu", etc. (Especially the original poems from "Once Upon a Time Slow"), the second volume is included in the haiku collection, and is accompanied by the author's images, creative handwriting, etc. When the collection of poems was first published, Mu Xin was eighty-two years old. These more than 100 poems with profound artistic conceptions and rich golden sentences, as well as more than 100 lines of wonderful proverbs written in the style of Mu Xin, are still talked about by readers today. In Part A, the poet roams in time and space, roaming the Volga River, Sicily, Istanbul, Java, ancient Greece... Exotic people, Chinese landforms, vividly appear on the page. The second volume is all short sentences, mostly written by chance, and is full of brilliance. These sentences are like haiku and aphorisms, just as Mu Xin said: Haiku collected together have a great feeling of fire and silver flowers.

This collection of poems contains more than 170 poems written by the author from 2014 to 2018. More than 80 of them have been published in the Home Page of World Journal. The content is mainly about thoughts and feelings in daily life, and the topics involved revolve around family and friends. Through personal records, I share my life insights with readers. Lu Hongyang: Formerly secretary, professor, and master's tutor of the School of Design of Guangxi University of the Arts; now he is dean, professor, and master's tutor of the School of Art Education of Guangxi University of the Arts. He has written a variety of best-selling books on patterns and published more than 90 titles.

This manuscript is a collection of poems, divided into five series. The first volume is "Tongguan Song", the second volume is "Four Seasons Wind", the third volume is "Travel to the Qinling Mountains", the fourth volume is "Love of the Yellow River", and the fifth volume is "Looking at My Heart". The whole manuscript is basically a poem describing and praising the scenery. Tongguan Yin praises the majesty of the rivers and mountains, and also expresses the author's strong dream of mountains, rivers and Tongguan. The Four Seasons describes and praises the scenery of the four seasons throughout the year, with flowers and trees, vivid and clever. Traveling in the Qinling Mountains, every sentence is ethereal and green, and the momentum is extraordinary. The love of the Yellow River is expressed in words and deeds, and the love is deep and meaningful. The author's seemingly simple and casual words reveal his attitude and feelings of optimism, detachment, and love for life.

This book is the writing accumulation of the author's daily thoughts and experiences. Its creation is intended to express his personal life feelings, insights and experiences. Each poem is the author's thoughts and feelings based on his personal life and experience. It contains life insights, inner monologues, historical sighs, and social criticism. The content is rich and diverse, the emotions are sincere and delicate, full of poetry, the writing quality is good, and it has certain readability and appeal.

This book is a collection of essays by the famous poet Chen Dongdong about the creation and thinking of many outstanding contemporary poets in my country. The writing originated from the column "Bright Star" in Harvest magazine, and the column title came from a poem by John Keats. The author first tells about Zhang Zao, who died of illness in 2010, and then continues to write about Chang Yao, Guo Lusheng (index finger) and Luo Yihe. The author hopes that by talking about these contemporary Chinese poets he has chosen, he can provide an introductory guide to people who do not know much about contemporary poetry.

This manuscript collects Mr. Liu Zheng's old-style poems from 2014 to 2016, about 110 poems and 200 poems, and Li Shuxi's poems about Jixuan, about 20,000 words. These poems demonstrate the main achievements of Mr. Liu Zheng's old-style poems created between the ages of 89 and 91.

"Blooming Lips" is a collection of short poems written by Liang Ping, a veteran of the Chinese poetry circle and a famous poet, in recent years. The content involves natural landscapes, customs, emotions and life, and the grand and subtle arrival of the spiritual world. This book is a bilingual version in Chinese and English. The English part was translated by American poet and translator King Chong.

"Poems on the Left and Wine on the Right" is a collection of poems and essays by the poet Li Mingzheng. The manuscript consists of two parts: poems and articles. On the one hand, the collection of poems and essays has a complex system, transforming the virtual and the real, mostly starting from daily images, taking the subjective perception of the world as the emotional tone, reflecting the poet's strong observation ability of life, and presenting the poet's overall creative style in recent years; on the other hand, as an experiencer and witness of the development of Langjiu, the poet has written about it and condensed the glorious history of the history into a small space.

"Wild Grass" is a collection of prose poems that contains Mr. Lu Xun's entire philosophy of life. The work uses tortuous and obscure symbolic techniques to express his disappointment and resentment towards reality. Its writing style is profound and meaningful, and its imagery is mysterious and beautiful. It is a classic in modern Chinese poetry and an important material for studying Mr. Lu Xun's thoughts.

2017 marks the 100th anniversary of the New Culture Movement and the 100th anniversary of the birth of new Chinese poetry. A hundred years ago, under the influence of Western culture and the call of the New Culture Movement, new Chinese poetry came into being. In the past one hundred years, new Chinese poetry has gone through the process of starting from scratch, from childishness to maturity, from simplicity to becoming more and more exciting. In the past one hundred years, tens of thousands of new poems have been published, and the best works among them are like stars in the sky. Now we collect famous works just to present them wonderfully!

My father, Ji Changzhou (named Jieming), was born in 1926. His ancestral home is Wuwei County, Anhui. Later, my grandfather and his family moved to Xiangyangma Ferry, Xuancheng, southern Anhui during the famine years. He engaged in cultural and educational work until his retirement. He once served as a teacher, director of Xuancheng County Culture and Education Bureau, principal of Sunbu Primary School and principal of Sunbu Central Primary School District. My father spent more than 20 years of hard work, relying on his persistent pursuit of the art of root art, the will in his bones that has been tempered by years of hardships, and his true emotional sustenance for root art, to give these rough and invisible old tree roots living, flesh-and-blood life, and even allow us to feel the leisurely and agile life.

This book aims at the shortcomings of cultural research being greater than the study of literary ontology in current literary research, and proposes that literary research should adhere to the literary standard. First, we sort out the category of "literariness" in Chinese and Western literary theories, compare their similarities and differences, and explore the underlying reasons for the differences. By comparing Chinese and Western "literariness", the specific manifestations of Chinese and Western literariness are summarized, and the connotation of literariness is redefined. At the same time, through the practice of specific text analysis, it attempts to establish "literary (i. E. Poetic)" criticism, which has positive warning and guiding significance for current literature and art research.

This book is a selection of the lyrics of Mr. Xia Chengtao, a great master of poetry in the 20th century. The book contains 200 lyrics written by Mr. Xia during his lifetime, which is the essence of his life's lyrics. The lyrics in the book are arranged in the chronological order of creation, reflecting the main characteristics of the three stages of Mr. Throughout his lyrics, we can indeed take in the thinness and hardness of the valley, the clearness of the white stone, and the majesty and grandeur of the east slope and Jiaxuan. It shows the creative process and ideological changes of a giant in epithology. The selected poems all have annotations by Mr. Xia's disciples, famous scholars, poets, and Professor Zhou Duwen. Mr. Zhou Duwen has followed Mr. Xia for many years and has a very good understanding of Mr. Xia's life and poetry creation process. His interpretation is precise, clear and wonderful, creating a work that is called "classics by famous writers, interpretations by famous writers".

"The Happiness I Thought in Silence Bloomed into a Lotus" is a new collection of poems by female poet Wang Yanding. The author creates her poetic imagery between reality and fantasy, between concreteness and abstraction, expresses her aesthetic ideals, and thus enters the lofty philosophical realm of the unity of form and spirit. The collection of poems is full of strong romanticism and shows rich and beautiful imagination.

"Poetry Exploration 1" is edited by Lin Mang and Wu Sijing, and is divided into works volume and theory volume. The volumes of works include Poetry Summit, Exploration and Discovery, New Chinese Poems, New Poems with Pictures and Texts, etc. The theoretical volume includes commemoration of Shen Zeyi, research on the construction of new poetry forms, poetics research, review of the college student poetry movement in the 1980s, selected papers from Zhang Zhimin's poetry creation seminar, getting to know a poet, historical materials on new poetry, and a collection of translations of foreign poetry theory, etc.

"Selected Poems of Gomer" is one of the volumes of "Ivy Poetry Series Peking University Volume", embodying the efforts of a poet who lived and died for poetry. His poetry is strong, even stubborn.

This book selects a total of 100 poems by Jiang Xinhe and Jiang Erman. Based on the creativity of "sister poets", the design focuses on lightness and elegance, with fewer printed sheets, and is designed in a small 32-page format that is easy to read and carry. This book will also add the educational experience of the father of the two sisters, providing a reference sample for parents who want to improve the level of children's literature education.

"Go Across the Road" is the first collection of poems by the poet Xu Dian. It has six chapters: "No Wind", "Impermanence", "Inexplicable", "Aphasia", "Clouds Rising" and "Stop Speech". This collection of poems is the creative result of the poet Xu Dian from 2010 to early 2017. There are 206 poems in total, which reflect the changes in the poet's creative style and creative mood. Every line reveals the poet's attitude towards life that adheres to conscience and kindness, as well as his joyful, focused, loving and poetic expression of all things in the universe.

This is a collection of poems that the famous poet Zhou Sese spent several years sorting out and polishing. The poetry collection contains Zhou Sese's representative works over the years, and the selected works are all the author's proud works. The collection of poems is arranged in chronological flashback and is a summary of poet Zhou Sese's poetic works in the past 30 years. It has high literary value.

This book is one of the books commemorating the 100th anniversary of the Department of Chinese Language and Literature at Peking University. It selects a number of wonderful poems and essays by teachers and students of the Department of Chinese Language and Literature, showing each person's literary talents and talents in addition to being a teacher and a student.

This book regards the prefaces of Tang poems as an independent system, adopts the method of combining comprehensive discussion and case study, and provides a clear discussion from the aspects of the literary historical significance of the prefaces, its contribution to literary theory and the orientation of cultural implications. It provides a new perspective for the study of Tang Dynasty literature, especially Tang poetry, which can attract people's attention to the prefaces and is conducive to the in-depth development of research on Tang poetry. This book reflects the author's solid literature foundation, clear classification ideas, high macro-grasp ability, and high abstract analysis ability. This book uses the method of textual research and cross-research of poetry and prose to conduct a comprehensive investigation of the prefaces of poems in the Tang Dynasty for the first time, and the first comprehensive study of the prefaces of poems by Wang Bo, Chen Ziang, Tao Han, Li Hua, Pi Rixiu and others.

"Selected Chinese Contemporary Poems" is co-edited by the famous poet and poetry critic Zhou Sese and the famous translator and executive director of the Confucius Institute Latin American Center Sun Xintang. It includes poems by representative contemporary Chinese poets: Gu Cheng, Yu Jian, Yan Li, Xichuan, Yi Sha, Shen Haobo, Zhou Sesu, Zang Di, Han Dong, Xiao Kaiyu, Duoduo, Wang Yin, Lan Lan, An Qi, Li Chengen, Cai Tianxin, Zhao Lihong, Lu Ruodiqi, Qin Fei, Liu Chang, Xu Lizhi, Shu Chong, Gong Hangyu, Meier, Jian Rufeng, etc. From hazy poetry and third poetry to intellectual writing and folk oral writing since the 1990s, as well as the personalized writing of young poet groups such as those born in the 1980s, the trend of contemporary Chinese poetry is colorful and spectacular. Life consciousness and daily experience, language experimentation and pioneering spirit have made the modern writing of Chinese contemporary poetry possible.

"The State of Light and Shadow" is Yu Mingzhen's another masterpiece after "New Sweet Words". In the form of a symphonic music and painting, 57 poems are used to construct a whole story-like story. From meeting to missing, from body metaphor to self return. In this collection of poems, language is like musical notes, intertwined to present a unique melody, accompanied by travel photos to express the emotions of light and shadow. This book specially invites Professor Hu Bingshuang, the author of "Dialogue with Disease", to write a wonderful preface. Professor Hu Bingshuang is a doctor of medicine at West China University of Medical Sciences, a postdoctoral fellow in preventive medicine at Fudan University, and a psychology professor and master's tutor at Sichuan University. She said in the preface: "Today, Dayu's poems have traveled through thousands of years of vicissitudes, and are in harmony with those eternal poetic hearts: images of flying to the sky, chasing the sun, filling the sea, flying to the moon, the symphony of the stars and the moon, the hope of youth, flowers and leaves, mountains and fields, true love and others. Dayu uses all her vitality from the ancient times to sing like a thorn bird."

The author selected more than 230 poems (or poems) written by himself, and named this book of poems "The Sorrow of the General Dao in the World". Modern poetry itself has an irresistible charm. In the past few decades, many knowledgeable people in China have not given up the study and enhancement of the rhyme and its poetry, the treasures left by the ancients. They are persevering, creating, writing poems and lyrics according to the rhythms preserved by their ancestors, and reciting them. Their unremitting efforts have played a decisive and indelible role in preserving this precious historical heritage in a rapidly modernizing China. The author is also proud and gratified to be one of them. The author sincerely hopes that modern poetry (ci), the treasure of our Chinese culture, can enter thousands of households as soon as possible, endure for a long time, and regain its vitality. "

This book is a collection of the author's haiku. The whole book records the haiku written by the author in recent years. The content is humorous and full of positive energy. The author's haiku have grand imagination and prominent themes. They not only express his love for the current prosperous life, but also praise the great rivers and mountains of the motherland. The enthusiasm that permeates the author's words is very inspiring.

The collection of poems is divided into several parts. The first part is a love poem, named "Missing Her in the Scenery", which was the author's original motivation for writing poetry at Peking University, and is centered around the word love. The second part is the author's voice, named the Manifesto of Manliness. The third volume is a poem dedicated to my hometown and mother. As for the fourth and fifth series, they are a tribute to the loess land and the Qilian Mountains.

The main contents of "Sun Yuankai's Poetry Collection (Volume 2)" include: ancient styles, seven rhythms, five rhythms, seven unique styles, five unique styles, lyrics, music, etc.

This book describes the historical events related to the creation, publication, and activities of new poetry that took place from January 1917 to December 2000, covering the mainland, Taiwan, Hong Kong, and Macau.

The eight essays on poetry collected in the book truly record the author's solid footprints in the past thirty years of studying classical literature, from the appreciation of individual poets' works to the exploration of critical theory. Among the eight reviews, the author deliberately selected some works that were not sublime and imperfect, and used this to reverse the prejudices of the academic community. Writers with slight character flaws such as Yan Shu, Wu Wenying, and Wang Yisun, as well as their works with mixed reputations and reputations that are considered obscure and obscure by some, are all targeted for criticism. The two theoretical discussion articles make in-depth explorations into the Huajian Ci School and Wang Guowei's realm theory.

A "Collection of Landscapes and Pastoral" can never fully describe the beauty of landscapes and pastoral areas, nor can it sing enough about the lushness of spiritual pastoral areas. Let readers share the joy of their landscapes and countryside

This book collects the author's Chinese poems from the age of 12 to 17. It is the author's true confession as a child, girl, student, and thinker. In this book, readers can see how the author grows along the way and how she uses poetry to express her true heart, as well as her curiosity, anger, wonder and love for the world. There are no content-oriented issues in this book, and the ideological content is healthy.

This book condenses the author's five years of hard work and includes his works in 2015 and 2016. The author starts from daily life, combines what he sees, hears, and thinks based on daily moments, and expresses his feelings and insights through poetry from a unique perspective. The book is emotionally delicate and beautifully written, containing the author's true feelings and life experience.

"Li Ge" is Zhou Yan's posthumous work, with a total of more than 70 poems divided into four series. It is mainly collected from the "Li Ge" he customized during his lifetime and the four poetry manuscripts and scattered leaves he left behind that were divided into three series. It can be said that it includes most of his poetic works. Except for the first volume, which was compiled by the author himself and titled "Li Ge" during his lifetime, Professor Chen Tianen spent several months editing, sorting, and transcribing the other three volumes. They were proofread by Dr. Xu Na, and the preface was written by the famous poet, prose writer, and artist Mr. Plantago.

Your own poetry is your own totem, and your own thoughts are the color of your totem.

The "Chinese Culture Stories" series introduces the creation, evolution and methods of Chinese characters in a lively and lively style, humorous and smart writing style, explores the origins of words, appreciates the beauty of artistic conceptions of classical poems, interestingly talks about anecdotes and allusions behind ancient paintings, traces the origin and history of calligraphy, selects traditional objects and customs that carry rich cultural connotations, and presents readers with the brilliant and charming features of ancient Chinese culture and society. "The Story of Poetry" reads the beauty of the artistic conception of classical poetry and tells the common emotions throughout ancient and modern times. The famous writer Su Tong sincerely recommends it.

"Little Poet in the Mountains" is a collection of rural children's illustrated poems initiated by the public welfare organization "Shiguang Poetry" and edited and produced by Guomai Culture. The book contains a total of 120 children's handwritten poems, with 73 accompanying illustrations, and was completed by 31 painters from all over the world. The works in the collection of poems are all written by left-behind children or rural children aged 7 to 15. Some of these works are touching and make people cry, expressing children's longing and love for their parents and family; some are quirky and unconstrained, showing a world full of childishness in children's eyes. The story of "Poetry of Light" has gradually been understood and familiar to more people due to the recommendation of many media such as "People's Daily" and CCTV. Com. I believe that the poems in this book can arouse the purest and most primitive emotions in people's hearts, and at the same time call more people to pay attention to the emotional world of rural children.

Modern newspapers and periodicals are the base for the development of revolutionary movements in the poetry world. The academic circle has not paid enough attention to the original historical materials of newspaper and periodical poetry for a long time, which has become a bottleneck restricting research in this field. This book is based on the original historical documents of modern newspaper poetry and poetry. Through systematic research on the historical origins, core positions, original forms, geographical territory, innovative spirit, multi-layered connotations, poetic styles, evolution trajectories, poet teams, historical influences, etc. Of the poetic revolution, this book redraws the political, geographical, cultural, and political aspects of the revolutionary movement in the poetic world. The Poetics and Poets' Landscape reveals its complex forms with multiple meanings and its diverse explorations and experiments, and draws many original viewpoints. It solves some literary history issues that were previously unclear, inconclusive, biased, or erroneous in historical facts. In an overall sense, it has pushed the study of the revolution in late Qing poetry to a new level.

Zhu Ziqing said, "Only those who can analyze can truly appreciate; appreciation lies in a thorough understanding. The general opinion divides appreciation and understanding into two things, which is really inappropriate. Appreciation without a thorough understanding may lead to a misunderstanding, or at most a vague effect. Most people think that poetry can only be appreciated comprehensively. , Once you analyze poetry, it will be gone. In fact, poetry is the most complicated and meaningful, and you cannot grasp its meaning without careful analysis. If you read it in detail, you may only get the tone and words, and the whole poem will slip through your eyes." He analyzes poetry very thoroughly and does not avoid problems. This book collects Zhu Ziqing's articles on Chinese classical poetry, including "Nineteen Interpretations of Ancient Poems", "A Guide to Three Hundred Tang Poems", "Examples of Multiple Meanings of Poetry", "Understanding and Appreciation", "The Language of Poetry", "On the Path to Poetry", "The Book of Songs", "Poetry 12", etc.

In the form of ancient poetry, this book records the author's lifelong passion for oil in the stone industry. The author spent his life in the oil system, loves oil, and has a deep and sincere feeling for oil. This book covers the macro level, oil companies, regional profiles, and several sub-categories. Each sub-category is divided into several sub-categories. In the form of pictures and texts, it shows the love for oil.

Most of the themes of "Tibetan Contemporary Women's Literature Series: Grandma and the Kitchen (Tibetan)" are taken from Tibetan social life. We understand and record them in many aspects, listen to different voices, and understand different stories, especially in the new era, Tibetan people's attitudes towards life and views on marriage, their pursuit of the future, and people's awe of heaven and earth and environmental awareness reflected in traditional beliefs.

"Tibetan Contemporary Women's Literature Series: The World of the Soul (Tibetan)" is a collection of poems, the first collection of poems created by the author after many years of study and work. This book reflects the author's perception of life, awe and worship of nature, and thoughts on inheriting the traditional culture of the nation.

My hometown is in Yanqing District, Beijing, where there is the ancient Great Wall, the majestic Haituo Mountain, and the Gui River, which is full of personality and flows to the west. I have always thought that the Guihe River, full of personality, is very similar to my character. In spring, the flowing water is lingering; in summer, the waves are magnificent; in autumn, reed flowers are flying; in winter, it is crystal clear. I use my own poems to write about the mountains here, the wind here, the rain here, and the snow here. Also, the trees here, the leaves here, the flowers here, the grass here. Of course, for the sake of comparison between north and south, I also wrote about Hainan in the south. Most of the poems in this collection were written by me after 2016. These little poems express my understanding of the world, my feelings about the world, and my deep love for my hometown. It can also be said to be nostalgia. So I called this collection of poems "Guihe".

The book mainly selects some of the author's poetry works in the past ten years, including Chinese sonnets (210), free-style poems (19), and ancient-style poems (148). The content of poetry includes descriptions of natural scenery (such as spring, summer, autumn, winter, rain, snow, flowers, etc.) And expressions of personal emotions (such as nostalgia, friendship, love, etc.). The themes of the poems mainly involve natural scenery, personal travels, reading and watching movies, and feelings in daily life. The ancient style poems in this book mostly follow "Chinese New Rhythm" in terms of phonology and rhythm, and the word patterns refer to "Long Yusheng Ci Pu".

Writer Zhang Mingyou's ninth poetry collection. The book is divided into three parts: the first part is about parents' childhood; the second part is about nostalgia; the third part is about time. A total of 131 poems are included, including "Roots", "Mother", and "A Trip to Compassion for Farmers". They are mainly poems praising mother and hometown, and also describe the poet's homesickness and other complex emotions.

There are many kinds of folk songs in old Beijing. This book provides a detailed introduction to the types, presentation methods and content of old Beijing folk songs in the form of cross talk performances. Such as: Taiping lyrics, street drums, etc. It shows readers a picture of life in old Beijing, street singers, full of life, vivid and lively form, showing the author's literary skills.

It uses popular words and lively tones to describe more than 200 cute animals and more than 100 beautiful plants. Some little knowledge is added at the end of the nursery rhymes in order to broaden children's horizons and enrich children's knowledge. There are also some nursery rhymes that describe children's happy life and introduce some Chinese and mathematical knowledge suitable for young children to learn. The whole book is full of happy and lively children's interest. I believe this book will be loved by children readers and praised by parents.

This collection of poems is divided into two series: the first series is the hero spectrum; the second series is the journey. It adopts the form of different versions of the same title: one ancient poem, one modern poem; there are 222 poems in total. It mainly praises the touching deeds of the Shanghai Hundred Lecturers Group in moral education for building the Chinese dream and their passionate and dedicated spirit of not forgetting their original aspirations.

This book inherits the ten lectures on Northern Song Dynasty poetry given by Ye in the auditorium of the State Education Commission in 1987, and continues to tell about several important poets of the Southern Song Dynasty and their works. When introducing each author, Professor Ye Jiaying often combines his life story, emotional quality, artistic style of works and other aspects with a comprehensive grasp but with different emphasis; at the same time, he not only pays attention to the inheritance and development of the Northern Song Dynasty Ci, especially the "Fuhua Ci" pioneered by Zhou Bangyan, but also pays attention to the different emotional contents of the authors in different stages of the Southern Song Dynasty due to different era backgrounds. Combined with the general introduction to the development of Ci before the Southern Song Dynasty in the introduction, readers can gain a generally complete understanding of the development of Ci from the late Tang and Five Dynasties to the two Song Dynasties.