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This book is a collection of cultural essays about "The Classic of Mountains and Seas" written by freelance writer Liu Chaofei. This book focuses on the issue of famous objects in "The Classic of Mountains and Seas", especially the "Classic of Mountains and Seas". The focus is on the plain content in this work that talks a lot about monsters. It connects the magical objects in the classics with common objects in life. It refers to Taoist documents such as "Zhuangzi" and other classical literary works to explore the cultural significance and aesthetic connotation of famous objects in "The Classic of Mountains and Seas". It analyzes the connections and differences between China's native natural history, natural history imported from the West and Japanese "monsterology", and puts forward the perspective of building natural history with Chinese characteristics.

Wu Jingzi used his outstanding artistic talent to express the life and experiences of intellectuals in the late ancient Chinese society in "The Scholars", and based on this, he extensively reflected the situation of the cultural and educational circles at that time. The author selects representative characters, basically conducts "individual" analysis, and conducts comprehensive research on a certain type of character "group" in the novel. This book comprehensively reveals the social significance and cognitive value contained in the characters in "The Scholars", and at the same time, it also deeply describes Wu Jingzi's aesthetic vision and creative talent.

This book is divided into six themes, presenting rich details of Shen Zhou's life, art, and soul through in-depth interpretation of six aspects: residence, travel, viewing, friends, hiding, and worries. Through the remaining poems and paintings, this article restores the sights, thoughts, and feelings of a scribe who lived in the countryside of Suzhou in the mid-Ming Dynasty and never traveled far throughout his life, and shows how Shen Zhou obtained artistic inspiration and spiritual power in dealing with life: the exploration of pleasures and the openness to worries. The six writers of this book are all young scholars who have been working hard in the field of Shen Zhou research. As far as the division of today's subject system is concerned, three are from the field of art history and three are from the field of literary history. For the six writers, the writing of this book is not only a breakthrough in the scope and writing methods of daily academic writing, but also a journey and dialogue that goes deep into Shen Zhou's soul.

The content of this book includes thoughts and philosophy, "Laozi", "The Analects of Confucius", "Mencius", "Mozi", "Book of Changes", "Great Learning", "Huainanzi", "Hanfeizi", "Lu's Spring and Autumn Annals", "The Inheritance of Chinese Studies in the Kingdom of China" "Records", "Xiangshan Collection", "Zhu Xi Yu Lei", "Lun Heng", "Ming Yi Waiting Records", "Guo Gu Lun Heng", "Er Cheng Collection", "Shang Shu Yin Yi", "Lotus Sutra", "Huayan Sutra", "Sixth Patriarch Altar Sutra" and other contents.

The characteristics of this series of books are panoramic display, vertical and horizontal, and the content is narrated in the form of storytelling. The language is popular and clear, with pictures and texts, intuitive images, ancient charm, and elegant style. It has strong readability, appreciation, knowledge, and extension. It can allow readers to fully touch and feel the rich connotation of Chinese culture, enhance the national self-esteem and cultural pride of the Chinese people, and can well inherit and carry forward Chinese culture and create an advanced national culture with Chinese characteristics in the future.

The characteristics of this series of books are panoramic display, vertical and horizontal, and the content is narrated in the form of storytelling. The language is popular and clear, with pictures and texts, intuitive images, ancient charm, and elegant style. It has strong readability, appreciation, knowledge, and extension. It can allow readers to fully touch and feel the rich connotation of Chinese culture, enhance the national self-esteem and cultural pride of the Chinese people, and can well inherit and carry forward Chinese culture and create an advanced national culture with Chinese characteristics in the future.

The characteristics of this series of books are panoramic display, vertical and horizontal, and the content is narrated in the form of storytelling. The language is popular and clear, with pictures and texts, intuitive images, ancient charm, and elegant style. It has strong readability, appreciation, knowledge, and extension. It can allow readers to fully touch and feel the rich connotation of Chinese culture, enhance the national self-esteem and cultural pride of the Chinese people, and can well inherit and carry forward Chinese culture and create an advanced national culture with Chinese characteristics in the future.

It was one summer three years ago. I was in the library of the First Campus of Peking University, browsing "Luoyang Jialan Ji" boredly, and accidentally saw the following paragraph: Liu Bai was good at making wine, and the drink was so delicious that he did not wake up during menstruation. Mao Hongbin, the governor of Qingzhou, drank wine from his vassal. He encountered thieves on the road and became drunk after drinking. They were all captured. A knight-errant said: "I am not afraid of bowing and drawing swords, but I am afraid of falling into the spring mash."

The content of this series of books is comprehensive and specific, with strong information and systematicity. It is a good reading material for readers to learn and understand world literature, and it is also a good edition for libraries to collect.

The content of this series of books is comprehensive and specific, with strong information and systematicity. It is a good reading material for readers to learn and understand world literature, and it is also a good edition for libraries to collect.

The content of this series of books is comprehensive and specific, with strong information and systematicity. It is a good reading material for readers to learn and understand world literature, and it is also a good edition for libraries to collect.

To study world literature, you must study world-famous literary masters, famous literary works and the history of literary development in order to grasp the overview of world literature. To this end, we have compiled the "World Literature Knowledge Classroom" series of books based on the research results of world literature and the general situation of literary development at home and abroad. The content of this series of books is comprehensive and specific, with strong information and systematicity. It is a good reading material for readers to learn and understand world literature, and it is also a good edition for libraries to collect.

To study world literature, you must study world-famous literary masters, famous literary works and the history of literary development in order to grasp the overview of world literature. To this end, we have compiled the "World Literature Knowledge Classroom" series of books based on the research results of world literature and the general situation of literary development at home and abroad. The content of this series of books is comprehensive and specific, with strong information and systematicity. It is a good reading material for readers to learn and understand world literature, and it is also a good edition for libraries to collect.

To study world literature, you must study world-famous literary masters, famous literary works and the history of literary development in order to grasp the overview of world literature. To this end, we have compiled the "World Literature Knowledge Classroom" series of books based on the research results of world literature and the general situation of literary development at home and abroad. The content of this series of books is comprehensive and specific, with strong information and systematicity. It is a good reading material for readers to learn and understand world literature, and it is also a good edition for libraries to collect.

The content of this series of books is comprehensive and specific, with strong information and systematicity. It is a good reading material for readers to learn and understand world literature, and it is also a good edition for libraries to collect.

The content of this series of books is comprehensive and specific, with strong information and systematicity. It is a good reading material for readers to learn and understand world literature, and it is also a good edition for libraries to collect.

The content of this series of books is comprehensive and specific, with strong information and systematicity. It is a good reading material for readers to learn and understand world literature, and it is also a good edition for libraries to collect.

Chinese characters, words, poetry, drama, reading, writing... How can we fall in love with learning such rigid knowledge? If there is such a book, which is as easy to read as a novel and allows you to learn a wealth of knowledge from an interesting story, it will definitely be very popular. This book is the culmination of many years of Chinese teaching experience by two masters of the Chinese language, Xia Jianzun and Ye Shengtao. By connecting abstract knowledge with concrete learning and life scenes, integrating knowledge into stories, and conveying knowledge through stories, it is vivid and thoughtful, and explains the profound things in simple terms. It has influenced generations of teachers and students, and has been hailed as a classic in Chinese teaching by readers.

Writing is a technical job. How to accumulate materials? How to draw up an outline? How to lay out the text? After writing the document, how to modify the content... If you don't understand these, you will only get half the result with half the effort if you start blindly. This book condenses Mr. Ye Shengtao's decades of article writing experience. Through 21 articles focusing on various aspects of writing, the book uses examples, comparisons and other methods to clarify the key points of writing in an all-round and multi-angle manner and analyze the secrets of expression, allowing you to quickly improve your writing skills and become a good writer as soon as possible.

When we talk about writing, what are we talking about? How to tell a story well? How to explain a truth clearly? How to write touching words? How to write thrilling copy? This book summarizes the lifelong writing experience of two Chinese masters, Mr. Xia Chuzun and Ye Shengtao. Through 72 easy-to-understand courses, using the system as the outline, articles as examples, and genre as the entry point, supplemented by after-class exercises, it helps you master the inherent laws and training methods of writing step by step, and truly achieve high-level advancement in writing.

"Aspects of Novel" is a must-read classic for those engaged in novel writing, literary criticism and appreciation to understand the mysteries of the art of novels. After "A Passage to India", Forster turned his focus to lecturing and literary criticism. In 1927, he was invited to give lectures at Cambridge University, and a series of lectures became the basis of "Aspects of the Novel". The book is divided into nine chapters, covering seven aspects of the novel: story, character, plot, fantasy, prophecy, pattern, and rhythm. Forster believes that the task of the novelist is to master these aspects skillfully and achieve "everything is covered". "Aspects of the Novel" is Forster's only literary criticism monograph and is recognized as the most important classic of novel aesthetics in the 20th century.

This book contains most of the essays, reviews and miscellany (twenty-six articles) on literary issues written by the author from 1919 to before his death. The content involves literary theoretical issues such as literary definition, literary mission, and literary classification, as well as special issues such as poetry, literary writers, movies, and publications.

Zhu Xiang (1904-1933.12.5), Also known as Ziyuan, was originally from Taihu, Anhui. He was born in Yuanling, Hunan. His parents died young. In 1925, he published his first collection of poems, "Summer". In 1926, he founded his own publication "Xinwen", which only published his own poems and translated poems and published them himself. Due to economic constraints, only two issues were issued. In 1927, his second collection of poems, "Cao Mang", was published. From September 1927 to September 1929, he studied in the United States. After returning to China, his life was turbulent. He traveled around to find a career, and family conflicts gradually intensified. During this period, he taught in the Foreign Languages ​​Department of National Anhui University (now Anhui Normal University), but he was at odds with the school. On December 5, 1933, on a passenger ship from Shanghai to Nanjing, he jumped into Qingbo and committed suicide.

There are currently a vast number of books on red studies. The author of this book has a new idea. From a modern perspective, he uses his own unique vision and life experience to interpret the main characters in "A Dream of Red Mansions" one by one. It has a youthful and fashionable atmosphere and the author's unique personal sensitivity. The self-proclaimed "misreading" is actually a characteristic, which gives the study of "Dream of Red Mansions" another direction and possibility of interpretation.

This book collects Jidi Maga's speeches and comments from the 1980s to the present, including the author's speeches and speeches at important conferences across the country and around the world. For example, the author's speech "My poetry comes from the culture I am familiar with" at the National Youth Entrepreneurship Conference in 1986 shows the origin of the author's literary path and his determination to continue on. His speech at the 2018 "Tadeusz Michinsky Phoenix Prize for Expressionism" award ceremony, "The Responsibility of Poetry is Not Just Self-Discovery," and his speech at the opening ceremony of the 2018 "One Belt, One Road" Poetry Lamp Lights Up the World International Poetry Week in Zigong, China, "Another Temple of Humanity Built by the Salt and Light of Words," etc. It comprehensively displays Jidi Maga's academic pedigree, mental journey, and poetic achievements, allowing readers to appreciate the poet's surging passion, soaring reverie, and his "rich lyrical temperament, deep and soft language", as well as his broad international vision, profound human consciousness, and profound cultural heritage.

This book collects Wang Jiren's literary criticism written after 2011. The idea throughout the book is that "the origin of Chinese literary theory is Tao, realm and rhyme. These three constitute the meta-structure of Chinese literary theory. By grasping it, we will find the value of Chinese literature and art, and also regain the right to speak with Western literary theory and the integration of China and the West."

"The One Hundred and Eight Generals Written by Jin Yong" (enhanced edition) is a collection of commentaries on Jin Yong's characters written by Dr. Cao Zhengwen, Mishu. Short in length and concise in language, Chat About a Thousand Words brings the representative characters in Jin Yong's works to life one by one. The well-known painter Xie Chunyan specially drew 30 figures of Jin Yong for this book, which has become a highlight of the book. For martial arts lovers, it is a good introductory book to read.

This book is one of the Ningxia Blue Book series, which is the research result of the Institute of Rural Economics of the Ningxia Academy of Social Sciences on the ecological situation of Ningxia as a whole in 2018. The main content is a review, special topics, research and major events, etc. It is an overall study of Ningxia's ecological policies, conditions, technology and current situation in 2018.

Gao Yang, an influential master of historical novels in the field of Red Mansions, put forward his own unique views on issues that have always been controversial in the study of Red Mansions. For example, are there any correspondence between the characters in "A Dream of Red Mansions" and Cao Xueqin's family? What is the reason for the decline of the Cao family revealed in "Concubine Yuan's marriage"? Gao Yang picked up various theories from the historical context, repeatedly compared the "Gengchen version" and the "Cheng Yi version" to lead us to explore the little-known creative inside story of "A Dream of Red Mansions" and lead us into the sentient world of the Grand View Garden. This book can be said to be a rare work that subverts the red scholarship in mainland China. It also contains 60 illustrations from the collection of the Palace Museum.

Historian Gao Yang is a master at describing characters. He used his rich and keen novel creation experience to read "A Dream of Red Mansions" and figure out Cao Xueqin's creative psychology. In particular, he used his extraordinary textual research vision and extensive knowledge of the Qing Dynasty's Eight Banners system and personnel and cultural relics to systematically summarize and sort out Cao Xueqin's life. During the ups and downs of the Tao, it gives insight into the subtleties of people's hearts, vividly restores the flesh-and-blood image of a down-and-out young man from a noble family, and shows Cao Xueqin's compassionate feelings and rough life. This is a masterpiece by Gao Yang, the master of historical novels. The book contains 56 illustrations from the collection of the Palace Museum.

Zou Taofen is a famous news reporter, newspaper editor, and publisher in modern my country. He is also an outstanding news critic in the history of modern newspapers in my country. He has edited "Life Weekly", "Popular Life Weekly", etc. Since he edited "Life Weekly", he has published 500,000 to 600,000 words of news comments in various forms, which has a great influence among readers. Among them, the "little remarks" in "Life Weekly" are the most representative. Each issue of "Little Comments" is written by Zou Taofen, focusing on matters closely related to the people in a hundred words, short and concise, and the language is easy to understand. He said that this is "the most laborious article every week. Every time I try my best to express my opinion on the things that the general readers think should be said in a few words." To sum up, "little remarks" have the following distinctive characteristics: 1. Relying on the origin and relevant to people's livelihood; 2. Short and concise, explaining the profound things in a simple way; 3. Colloquial and popular discourse; 4. The title is novel and attractive. In short, Zou Taofen's small remarks are always written with the reader in mind, and they are all manifestations of the concept of readers first. He always comments based on what he says and never sits back and talks, which is very in line with the audience's acceptance psychology and acceptance level.

The Ming and Qing Dynasties were a period when the Hui people continued to grow and develop, and it was also a period when Hui literature gradually prospered. During the Ming and Qing Dynasties, a considerable number of Hui writers emerged in Yunnan, and they showed the geographical distribution characteristics of "large dispersion" and "small settlement", which is consistent with the geographical distribution pattern of the Hui people in my country. Against this background, this book takes ancient Hui literature as the research object, takes regional culture as the perspective, uses literary geography, ethnology and other academic theories, and is based on case studies to observe and interpret the relationship between regional culture and ancient Hui literature, in order to enrich the research on minority literature.

This book is a collection of works by Mr. He Gu, a national first-class writer, with a total of 14 volumes. It contains the author's important works published in different periods and is divided into several volumes of prose, poetry, documentary, biography, novel, play and literary theory. These include "The Wilderness Collection", "Mayor Zhang Tiemin", "Selected Poems of Hegu", "1983 Ankang Flood" originally published by Shaanxi People's Publishing House, "The Biography of Liu Gongquan" and "Returning Hometown" by Writers Publishing House, "The Traveler's Monologue" and "National Style" by People's Literature Publishing House, "Worry-Free Tree" by Shanghai Literature and Art Publishing House, "Wild Land" by Baihua Literature and Art Publishing House, etc., Reflecting the author's achievements in literary writing in more than forty years.

This book is a collection of works by Mr. He Gu, a national first-class writer, with a total of 14 volumes. It contains the author's important works published in different periods and is divided into several volumes of prose, poetry, documentary, biography, novel, play and literary theory. These include "The Wilderness Collection", "Mayor Zhang Tiemin", "Selected Poems of Hegu", "1983 Ankang Flood" originally published by Shaanxi People's Publishing House, "The Biography of Liu Gongquan" and "Returning Hometown" by Writers Publishing House, "The Traveler's Monologue" and "National Style" by People's Literature Publishing House, "Worry-Free Tree" by Shanghai Literature and Art Publishing House, "Wild Land" by Baihua Literature and Art Publishing House, etc., Reflecting the author's achievements in literary writing in more than forty years.

"A paper full of absurd words, a handful of bitter tears. It is said that the author is crazy, who can understand the meaning?" This is the first title poem of "Dream of Red Mansions". Although the title poem written by Cao Xueqin has only twenty words, it is placed as the first title poem in the book, which shows the good intentions of the author and editor and the importance of this poem. Here, the author has clarified six questions from this poem, and invites everyone to analyze and discuss them together: First, is this poem written by Cao Xueqin addressed to himself, to "Stone", or to the readers? Secondly, why do you have to use "paper full of absurd words" when writing a book? What exactly is absurd about "absurd words"? Third, since it is a "ridiculous statement", why do you still shed "a handful of bitter tears"? Who shed these tears? Fourthly, are these "a handful of bitter tears" shed for love? If they were shed for love, how could Zhi Yanzhai call them "tears of blood"? Fifth, who is this "crazy author" who is said to be a "crazy author"? What is he obsessed with? Sixth, what is the "flavor" of "who can understand the flavor"? Who tasted this flavor first? In order to solve these six mysteries, the author spent ten chapters on research and verification, and wanted to answer these questions. This was the author's original intention in writing "The Truth". Studying "Dream of Red Mansions" is full of hardships in research. Due to the age and lack of data, some flaws are inevitable. "The Truth" is just one family's opinion. We sincerely invite criticism and advice from teachers and readers.

"Moisturizing Things and Embodying Feelings - A Detailed Explanation of One Hundred Five-character Rhythm Poems of the Tang Dynasty" introduces 103 five-character rhyme poems of the Tang Dynasty, focusing on the works of poets such as Li Bai, Du Fu, Wang Wei, and Meng Haoran. The introduction of each poem includes the original text of the poem, introduction to the author, explanation of the title, writing background, notes on words and sentences, vernacular translation, content analysis, relevant meter, etc. For a few poems, introduce their writing characteristics and related anecdotes. Different from previous Tang poetry appreciation books, this book is characterized by introducing the relevant rhythm of each poem, aiming to provide help for readers who study Tang poetry, so that they can accept the influence of Tang Dynasty poetry, cultivate their artistic appreciation ability, and have a reference when practicing writing five rhymes.

"The Tutoring in Red Mansions" conducts a new study on family education in "A Dream of Red Mansions" from the perspective of a senior teacher. The book is divided into fifteen chapters, covering aspects such as doting, equality, example, preference, domestic violence, treating others, self-reliance, puppy love, supervision, single parenthood, reading, speaking, gratitude, marriage, wealth, etc., And selects relevant content or fragments of "Dream of Red Mansions" for analysis. The beginning of the chapter is set up with "Tutoring Golden Admonitions" and "Tutoring Sayings", using famous quotes or aphorisms to reveal the theme; At the end of the article, there are "related links", which include classic poems or warnings for readers to refer to.

Bao Pengshan is knowledgeable, thoughtful and passionate. He interpreted "Water Margin" from the perspectives of culture, system, and human nature, focusing less on plot and more on details; less on what it is and more on why. Starting from Lin Chong, Wu Song, Li Kui, Lu Zhishen, Song Jiang and others, he broke through the simple retelling of the storyline of "Water Margin" and read out the extremely rich human connotation, cultural connotation and ideological connotation hidden behind the story. This book is a major breakthrough in the criticism of "Water Margin" by Jin Shengtan, Li Zhi and others.

China's literary world has been dominated by men for a long time. Female writers are very rare. Countless women have been imprisoned in boudoir and no one knows about them. At the end of the Ming Dynasty and the beginning of the Qing Dynasty, some bold women came out of their boudoirs and formed groups to recite poems to express their inner rich emotions. Gu Taiqing was one of them. She once formed the Qiuhong Yin Society with the talented Manchu and Han women in the capital at that time, and jointly recited poems, leaving a bright scene in the history of Chinese female literature. Gu Taiqing was good at poetry, calligraphy and painting, and was known as a talented woman of her generation. Her literary creation involves poetry, lyrics, novels, and paintings, especially the title of her poems, Shilin. Her high attainment in poetry is reflected in her natural precision in cooking words and refining sentences, without any trace of intentional carving, and she is good at constructing artistic conception. In the later years of the Taiqing Dynasty, she also signed herself as "Yuncha Waishi" and wrote the novel "A Dream of Red Mansions", becoming the first female novelist in the history of Chinese novels. His literary talent and insight are extraordinary. I believe that Gu Taiqing, the "female poet of the Qing Dynasty", will be famous forever!

"Save the Cat 2: Analysis of Classic Movie Scripts" is the second volume in script mentor Blake Snyder's "Save the Cat" series. This book continues the efficient, practical, and humorous writing style of the first volume. By reviewing various classic films in film history, it thoroughly and meticulously introduces the types and structural elements necessary for successful films. The book divides mainstream commercial films into 10 types, and lists 50 representative films, including masterpieces such as "Saving Private Ryan" and "Alien", as well as film history gems such as "Little League" and "The Dark Knight." The author skillfully analyzes the structure and story rhythm of these films, clarifying their commonalities and originality, helping screenwriters find genre boundaries for their own stories, and make breakthroughs and innovations. For novice screenwriters, this is a special training course to quickly learn from previous experience; and for movie fans, this is a rich and interesting movie list to add color to your movie journey.

Reading the "Four Books" first, and then reading the classics and history, is a compulsory outline for emperors throughout the ages. "The Direct Interpretation of the Four Books" is a palace reading book tailor-made for Emperor Wanli by Zhang Juzheng, the imperial advisor of the two dynasties of the Ming Dynasty and the first assistant (prime minister) of Wanli, and the lecturer of the Hanlin Academy. Emperor Wanli was only ten years old when he came to the throne, and his speeches were written in the vernacular of the Ming Dynasty. Zhang Juzheng used the "Four Books" to educate the emperor and wanted Emperor Wanli to be an enlightened monarch like Emperor Taizong of the Tang Dynasty.

Reading the "Four Books" first, and then reading the classics and history, is a compulsory outline for emperors throughout the ages. "The Direct Interpretation of the Four Books" is a palace reading book tailor-made for Emperor Wanli by Zhang Juzheng, the imperial advisor of the two dynasties of the Ming Dynasty and the first assistant (prime minister) of Wanli, and the lecturer of the Hanlin Academy. Emperor Wanli was only ten years old when he came to the throne, and his speeches were written in the vernacular of the Ming Dynasty. Zhang Juzheng used the "Four Books" to educate the emperor and wanted Emperor Wanli to be an enlightened monarch like Emperor Taizong of the Tang Dynasty.

Originality is always the vitality and style of literary creation. The reviewer used a variety of criticism methods and multiple perspectives to conduct an in-depth and detailed study of Zhong Ming's poetry, prose and other texts. He proposed the characteristics of Zhong Ming's creation, such as the complexity of imagery, the interlacing of time and space, the correction of love and hate, and the deformation of words, and revealed Zhong Ming's passionate, tenacious, obscure, and uneasy life and mentality. The process highlights Zhong Ming's unique, novel, loose, erudite, sharp, and complementary creative style, explains Zhong Ming's set of vocabulary features that contain the characteristics of Sichuan dialect, and reflects the inherent aesthetic value of Zhong Ming's literary creation.

Duoduo is one of the few early "Today School" poets who are difficult to classify into the "Misty School". If "hazy" also implies a state of translucency, then many poems show absolute opacity from the beginning due to the lack of the reverie of light. His black lyric tentacles often come back to dig into his own internal organs when reality invades him. This creates a sharp conflict with the outward-stretching singing style of his poetry (or the singing impulse in his nature). As a result, Duoduo has adopted a method of categorical denial within himself in many of his poems in recent years, using words that erase desire to accuse, and using lyrical expressions of defeat to cry. In a poem with a lengthy title, "In such weather, there is no meaning from the weather," Duoduo expresses the crisis of "meaning" in a language of self-disassembly.

This book is the fourth volume of the series "The Hidden Light of Chinese·Research Collection of Contemporary Chinese Poets", which contains important and latest research results on the poet Zhang Zao. These results have been selected and organized into monographs, readings, narratives, interviews, etc., Which systematically and in-depthly sort out and explore the overview of the poet's works and the changes in the research perspective on the poet and his works, thereby capturing the poet's contribution to Chinese writing and, in other words, to the Chinese language itself. As an important poet in the genealogy of new poetry discourse, Zhang Zao has a rich accumulation of research in both quantity and quality. This book makes up for the shortcoming of Zhang Zao's research results but no summary, provides a model for the teaching activities of university literary criticism majors, and provides high-quality and necessary materials for poetry teachers, students of related majors, and poetry lovers.

This book is divided into four parts. The first part mainly discusses the author's understanding of some basic issues in literature, focusing on specific issues such as the generation of literary classics, the general atmosphere and essential writing of novels, and the breadth and breadth of prose. The second part mainly discusses the author's ideological resources for literary criticism, including the author's own reading and understanding of left-wing literature. The third and fourth parts are a summary of the author's bird's-eye observations and creative achievements on literary writing in Guangdong and the Greater Bay Area in recent years.

Reading the "Four Books" first, and then reading the classics and history, is a compulsory outline for emperors throughout the ages. "The Direct Interpretation of the Four Books" is a palace reading book tailor-made for Emperor Wanli by Zhang Juzheng, the imperial advisor of the two dynasties of the Ming Dynasty and the first assistant (prime minister) of Wanli, and the lecturer of the Hanlin Academy. Emperor Wanli was only ten years old when he came to the throne, and his speeches were written in the vernacular of the Ming Dynasty. Zhang Juzheng used the "Four Books" to educate the emperor and wanted Emperor Wanli to be an enlightened monarch like Emperor Taizong of the Tang Dynasty.

This set of books includes Paul's "Liushahe Lectures on the Book of Songs (2020 Edition)", "Shuyu Knows the Small", "White Fish Interpretation of Chinese Characters: Liushahe Lectures on Chinese Characters", "Awakenings from the Book of Songs", "Liushahe Lectures on Nineteen Ancient Poems", and "Zhuangzi Modern Edition".

This book is a milestone new work by Mr. Yu Qiuyu in his interpretation of ancient classics. It is also an introductory reading of the Tao Te Ching for contemporary people. The book comprehensively describes the entire content of the 81 chapters of the Tao Te Ching, analyzes the internal logic of each chapter and section, looks at the similarities and differences in thinking over more than two thousand years, feels the literary charm between the original text and the translated version, discusses the consensus and disagreements of researchers in the past generations, and examines the flaws and corrections in various versions. On the whole, it is written in accessible prose, and the interpretation and translation are both rigorous and poetic, enough to allow contemporary life and thousand-year-old texts to nourish each other.

One of the "Chinese Translation Research Library" of the China Translation Institute. It is divided into macro and micro levels. The macro level mainly discusses the construction of translation studies of "Red Mansions", including the research fields and research models of "Red Mansions" translation studies, the current situation and prospects of "Red Mansions" translation studies in the new century, reviews of translated books on "A Dream of Red Mansions", etc.; The micro level mainly focuses on specific topics of "Red Mansions" translation studies, such as Huo's translation of "A Dream of Red Mansions". Descriptive rhetoric, additional questions in Huo's translation of "A Dream of Red Mansions", poetry rhyming strategies, research on the English translation of "love" in "A Dream of Red Mansions", research on the English translation of "Laughing Road", research on the English translation of the titles of the retrospective books, research on the sensitivity of the English translators of "A Dream of Red Mansions" to Chinese dead metaphors, research on the logic expression in the English translation of "A Dream of Red Mansions", basic awareness in the translation reviews of "A Dream of Red Mansions", etc.