Library

This is a complete set that has never been published; this is a literary master who feels both strange and familiar. Dai Wangshu-a poet and writer with outstanding creative personality and achievements in the history of modern Chinese literature!

Collection of poetry. As simple as cabbage and radish, it can be incorporated into poetry and is full of poetic flavor; as ethereal as Zen philosophy, it has hidden writing but no dryness.

Qian Zhonglian is a famous poet, lyricist, expert in classical literature, and a master of Chinese studies. His attainments in Qing poetry are particularly profound. The "Chronicles of Qing Poetry" compiled by him in his later years has become a classic. There is almost no one who can compare with him in this field. This is a manuscript explaining Qing poetry by a famous writer. The manuscript is a lecture manuscript given by Qian Zhonglian when he was a doctoral student at Suzhou University, and was compiled by his disciple Wei Zhonglin. There are eight chapters in the manuscript. Because Qian has a profound knowledge of Qing poetry and has already known all the poems by heart, there is no textbook when teaching. He teaches them all the way from the early Qing Dynasty to the late Qing Dynasty; whether tracing the origins, uncovering hidden treasures , express secrets, analyze and comment, all are eloquently told, and quoted from other sources, erudite and comprehensive, and new thoughts and ideas. The description is not limited to one poem, person, or event. This kind of skill is beyond the ability of ordinary scholars or historical books.

Based on historical facts and text interpretation, this book boldly explores and carefully verifies, and proposes the "four schools" (the Yimin Ci School in the early Ming Dynasty, the Wumen Ci School in the early Ming Dynasty, the Yan Ci School in the late Ming Dynasty, and the Liuzhou Ci School in the late Ming Dynasty), and the "two styles" (Taige style and Neo-Confucian style) in the history of Ming Dynasty Ci. ) Theory, outlining the time and space boundaries and basic outlines of each group or genre, making the Ming Dynasty Ci Circle, which originally seemed chaotic, reveal a pattern of clear priorities and clear communities, providing a new coordinate pedigree for further detailed research.

Collection of poetry. The works describe local customs, urban scenery, beautiful seasons, and sentimental scenery.

"Cultural wage earners" are no different from ordinary wage earners in the essential meaning of their work. The difficulty of survival, the fatigue of work, and the wandering of the soul make their understanding and experience of the survival and living conditions of the wage earners more direct and profound. Therefore, in addition to the satisfaction and needs of survival, "cultural wage earners" also have a pursuit of spiritual yearning and ideals.

This book is divided into two volumes, the upper and lower volumes, which respectively select poems, lyrics, tunes, essays, and poems from the pre-Qin to the Qing Dynasties. There are 67 chapters in total, which are suitable for students of Xiang Middle School to read. Ancient Chinese poetry and prose are rich in imagery and music. Memorizing these handed down works can enhance students' ability to learn ancient poetry and prose, and improve their ability to appreciate cultural and artistic works. This book has different learning links to help students understand the profound meaning of ancient poems and articles, understand the cultural sentiments contained in them, and consolidate what they have learned to meet the needs of daily assessment: Introduction: Quoting real-life examples to reflect on the relationship between the content of the work, ideas, and personal and social situations. Introduction to the author\u002F Classics: Introduce the author's life or the source of the classics and his literary and historical status. Notes: Explain difficult-to-understand and pronounce words in the work, and mark the Cantonese and Mandarin pronunciations. Interpretation: Analyze the theme and characteristics of the work to help reading and understanding. Cultural knowledge: Extract cultural concepts or literary images worthy of discussion in the works, extend learning, and improve the level of culture, morality, and affection. Practice: Various types of questions are included to consolidate the understanding of the content of ancient poetry and improve the analysis ability of classical Chinese; special open-ended questions are designed to reflect on the relationship between ancient poetry and today's society.

The emotional world in Xu Zhimo's writing, that is, his poetry, is timeless and occupies an important place in the history of modern literature. He made extraordinary contributions to the innovation of new poetry forms and the creation of patterns. In his short life, he left behind four collections of poems: "Zhimo's Poems", "A Night in the Green Green", "Collection of Tigers" and "Yunyou". Among them, there are many masterpieces handed down from generation to generation. This book contains many wonderful works from his collection of poems, such as "Farewell to Cambridge", "Accidental", etc. In addition to the selected poems by Xu Zhimo, there are also well-known first-line teachers who have carefully compiled a guidance plan for developing reading ability, including special topic exploration, side comments, testing and evaluation, etc., To guide students to methodically carry out in-depth reading of the entire book.

"The Stele Does Not Say" selects 132 poems written by the poet Hongxue in the past two years and published in major domestic newspapers. The five volumes of "The Wind is Blowing", "The Monument is Silent", "Tie Shuhua", "In the World" and "Mid-aged Ci" are intertwined, exciting and full of poetry. The poet asked about his hometown, wrote the original flavor, and laid out the original sound. The thunder and lightning of thoughts resounded between the lines. The golden sound and jade vibration, the ancient posture, and endless twists and turns. It is a rare sample of modern poetry.

Hope is in the distance and happiness is around you. The moonlight of life is scattered on the earth and floating in the flowing water. I would like to imagine myself as a humble reed, drifting under the dim moonlight, swaying with the wind, stopping at its roots, floating or stopping, or being there or not.

This book is divided into two parts. The first part explores the theory of image essence, image function, image generation and image appreciation. The second part excerpts Wen Yiduo, Xu Zhimo, Dai Wangshu, Bian Zhilin, Shizhi and Shu Ting. The poems of more than ten poets such as Yu Jian, Gome, Chang Yao and Yu Guangzhong are systematically interpreted with imagery, and the poetic phenomena and poets' poems such as the July Poetry School and the Nine-leaf Poets, Gu Cheng and Haizi are compared and analyzed. It includes both theoretical integration and analysis, as well as practical text interpretation. While inheriting the inner spirit and context of classical image poetics and image criticism, it also embodies the sense of the times and realistic character of literary theory and literary criticism.

As an important part of Song culture, Song poetry embodies the unique qualities of Song culture and has become a unique existence in the history of traditional Chinese poetry. Song poetry is distinguished by meaning, strong in spirit, and has a plain and lean style, forming characteristics that are different from Tang poetry. Its breakthroughs in subject matter, artistic expression, and aesthetic style have established its role as a model in the history of Chinese poetry, standing alongside the twin peaks of Tang poetry. This book combs the development of Song poetry, examines the works of important poets, and shows the poetic styles and schools of poetry in different periods. It has important reference value for poetry research.

This is Zhu Xiang's second collection of poems, "Cao Mang Ji" (1927). It has neat form, soft tone and clear style.

This volume collects the author's representative works of poetry in recent years. The themes tend to be international and universal in world culture, showing the poet's broad mind and benevolent feelings.

This is the poetry volume "Songs of the Yi People" in the "Collected Works of Jidi Maga", which contains more than 300 poems. They are all exquisite poems created by the author based on the people, things, and customs of the Yi people in his hometown. For example, the distinctive ancient poetry of the Yi people Copper-colored skin, the favorite colors of black, yellow and red of the Yi people, the unique tile houses of the Yi people, Daliang Mountain, Lugu Lake, Duoluohe dance, etc., Have profound meanings, vivid images, beautiful language, and distinct ethnic characteristics.

This book is the latest poetry anthology by the famous poet and film director Xiao Xiao. It contains more than 100 masterpieces and is divided into 7 volumes. The whole book presents an emotional thread of poetry: love and return to hometown. The author writes down his emotional ups and downs all the way from his hometown to a foreign country, including bright singing, the sadness of nostalgia, and the joy and pain of love and separation. This book can be regarded as a true personal emotional poetry history. The poet Xiao Xiao confirms what the philosopher Heidegger said through this book: "The poet's vocation is to return home."

This book is an anthology of poetry genres, focusing on the construction of poetic texts. The Anti-Ke Poetry School was founded in 2009. It is a regional writing group with Fujian poets as its main members and is committed to exploring contemporary avant-garde poetry writing. "Anti-gram" has no meaning as far as the word is concerned. It is just a combination of sounds and words. It is just a meaningless combination of two Chinese characters, a poetic and artistic symbol. This book focuses on the important poetry works of fifteen anti-Kremlin poets in the past ten years since the establishment of the Anti-Kremlin Poetry School. It is an important collection of works for a comprehensive understanding of the anti-Kremlin poets and their creations.

The book is divided into four series, with 28 songs in each series, totaling 112 songs. The first volume of "Nostalgia: Can't Leave Hometown" tends to start from the village of Hengnan, where the poet was born, and write about rural scenery and nostalgia. The poems have specific mirror images and artistic conceptions, forming an individual's unique experience narration of his hometown; the second volume of "Walking: In front of the Great Waterfall" focuses on Using the displacement of the poet's spatial position as if he had a picture of the distant sky, the author shows the contradictory and dialectical thinking of a certain side of the tense urban development and the rural people who cannot go back, and expresses a subtle feeling of the changes in the urban scenery he has arrived at. The poetic feeling left by the interaction between people and scenery; the third volume of "Season: Waiting for a Lover" mainly describes the twenty-four solar terms of the lunar calendar such as the beginning of spring, the autumnal equinox, and heavy snow with highly accurate conception and keen and careful observation. The language has a broad artistic conception, and the poem is full of recording life. The fourth volume of "The Past: The Other Half of Myself" is a vivid and concentrated expression of the author's philosophical worldview that emerges from his rooted thoughts in life, based on lingering topics in life such as nostalgia, city, family affection, and seasons. The expression is profound, far-reaching, and thought-provoking.

This is another Changsha poetry reader edited and published by Hunan Erliban Poetry Group. The book is divided into five volumes: New Coordinates, New Discovery, New Dictionary, New Style, and New Interpretation. It includes the works of some poets who are active in the contemporary poetry circle. They use the unique art form of poetry to write Changsha stories, Changsha characters, and Changsha sounds that reflect Changsha's urban spirit, urban landscape, urban humanities and other themes.

"The Sun Shines on Everything" selects more than 200 newly created works by the famous Jiangxi poet Yin Hong, who returned after a break of 20 years. The collection of poems is divided into six volumes: "Moonlight falls on the roof", "The temptation of dark blue", "There are many things", "We dare not mention", "Looking at you across a river", "Every cloud has its own hometown", "A jar of old wine" and "Still burnt by the years". After experiencing the ups and downs of life, his poems have faded away from the prosperity, leaving only sincerity and simplicity. This is a warm poem written in warm language. What the poet wants to do is to let the sun shine on everything.

"The Road Paved with Flowers" is a collection of original poems that records the author's mental journey over thirty or forty years. The book includes more than 120 poems, most of which are descriptions of various plants in the botanical garden. People's gratitude to plants and even the natural world is revealed between the lines. After reading the whole article, a simple emotion flows through it, which is simple and touching.

This is a collection of modern poems published by Deng Jianzhong, a teacher from Yongzhou Middle School in Hunan. "Poems I Think" is divided into six volumes, including Thousand Miles of Incense, Dreamland, Gone Valentine's Day, Moon in the Mountains, Beautiful Encounter, and Night Rain in Xiaoxiang. These works include a series of themes such as dreams, love, hometown, and time, and are all faithful records of reality and life.

This book contains 260 excellent poems written by Gong Baiyun from 2009 to 2018. It is a collection of poems with themes involving life, society, nature, aesthetics and other aspects of experience, as well as daily life. It reflects the poet's thinking about life, all things, and the reality of existence, and expresses the author's exploration of the good and evil of human nature, his gaze on the soul, his examination of the soul, his emotions and nostalgia for family, friendship, love, hometown, etc. Pursue the uniqueness, creativity and freshness of poetry in the art of poetry. The field of vision it focuses on is broad, and people's spiritual world and destiny are both the scope and direction of thinking.

The book "Giant" collects poems written by Tietou from 2017 to 2018. In addition to imagination and childishness, these poems also begin to focus on one's own growth, the joy and distress of growing up, and the contradictions, conflicts, and mutual adaptation that growth brings with family and the whole world. "Giant" is a collection of original poems that records the growth experience of the young poet Tietou as he approaches his early youth.

This manuscript is a collection of poetry works, one of the series "Sunshine Library". The manuscript is divided into four series, each containing more than a dozen poems, mainly praising the country and describing love. The first volume is Ukiyo-e, which mainly depicts autumn scenery and city lights; the second volume is Looking at Hometown, expressing the author's homesickness; the third volume is Song Travel, which describes the author's feelings when visiting Jiayuguan and Qinghai; the fourth volume is Ode to Fengya, which reflects the author's feelings when reading the Book of Songs on a daily basis.

In addition to poetry reviews, this book also contains accurate and vivid anecdotes about friendships and anecdotes, providing first-hand material for studying the works and creations of writers during the Qianlong period. It also records the major events in social and political life at that time, providing useful information for studying the political, economic and culture of that time. It contains materials that have been lost in historical records and can be used to fill in the gaps.

This book takes the compilation of "San Guan Ying Ling Ji" as the research object, uses classical literature, ancient poetics, and ancient academic research as the theoretical basis, and studies the compilation background, document sources, compilation content, poetic history construction, and compilation value of "San Guan Ying Ling Ji" as the research path, and systematically analyzes the compilation value, poetic value, literary value, and cultural value of "Three Guan Ying Ling Ji".

This book contains 64 poems written by poet and poetry critic Shen Qi over a period of 6 years, along with 16 short essays and long reviews and dozens of quintessential comments, which will help readers comprehensively and deeply understand Shen Qi's poetic style and creative ideas.

This manuscript is a collection of poems, one of the series "Sunshine Library". The manuscript includes 200 poems written by the author in the past 15 years from 2005 to 2019 and published in various literary journals and newspaper supplements across the country. Most of the works focus on describing the mountains, rivers, land and customs of the hometown, while the rest are works about family affection and hometown complex.

In the history of the development of contemporary Chinese poetry, the naming of genres and literary history of emerging poet groups has always been an interesting poetic phenomenon. Since the genre naming of the "Misty Poetry Group" has gained conventional recognition and spread in the poetry world, the genre and generational naming of poetry groups such as "Third Generation Poets", "Post-Misty Poetry Group", "Intellectual Poet", "Folk Poet", "Post-60s Poets" (also often called "Middle Generation Poets"), "Post-70s Poets", "Post-80s Poets", "Post-90s Poets" and other poetry groups have successively appeared in people's field of vision. If we delve a little deeper, it is not difficult to find that behind the naming of these poetry genres and generations, it reflects the attempts of later poets to get rid of the "anxiety of influence" mentality of the predecessor poets, and to a greater extent, their desire to enter literary history.

The works collected in this book mainly include: Silence, Making a Fire, The Man in the Sheepskin Coat Backward, Mother Taking a Mid-Day Break on the Sofa, Tears, Noise, I Can Only Point to You the Milky Way - To My Daughter, Farewell, I Always Spend My Time Here, I Can't Tell You How Much Pain I Am, etc.

In the current development of contemporary Chinese poetry, the naming of genres and literary history of groups of emerging poets has always been an interesting poetic phenomenon. Since the genre naming of the "Misty Poetry" group has gained conventional recognition and spread in the poetry world, the genre and generational naming of poetry groups such as "Third Generation Poets", "Post-Misty Poetry Group", "Intellectual Poet", "Folk Poet", "Post-60s Poets" (also often called "Middle Generation Poets"), "Post-70s Poets", "Post-80s Poets", "Post-90s Poets" and other poetry groups have successively appeared in people's field of vision. If we delve a little deeper, it is not difficult to find that behind the naming of these poetry genres and generations, it reflects the attempts of later poets to get rid of the "anxiety of influence" mentality of the predecessor poets, and to a greater extent, their desire to enter literary history.

"The Hermit of Tianma Mountain" is a collection of modern poetry published by Ningxia People's Publishing House.

This book is a collection of poetry works, which has selected 176 poems by employees, including 158 modern poems and 18 ancient poems. It is one of the important achievements of employee cultural creation of State Grid Guyuan Power Supply Company in recent years. The manuscript mainly eulogizes the love and dedication of front-line power workers who are not afraid of hardships and fight on the front line, and uses poetic language to give it a romantic color. There are also some poems that express love for country and family, which are catchy to read. The content of the manuscript is healthy and does not comply with publishing regulations.

This book includes: Flying Geese on a Rainy Night, Sentimental Teacher Yorita on a Cold Night, Dancing Yangko on the Streets of Beijing, Peach Blossoms in March, Replying to Old Classmates, Suiye City, the birthplace of Li Bai in Kyrgyzstan, Returning to Sanqing Mountain, Happy Lahu Tribe, Feeling the Success of my country's First Manned Space Flight, Visiting the Poverty Alleviation and Huanghuang Project, and Looking at General Taibao Monument to the Red Army Reunion, praising the anti-Japanese hero Ma Benzhai, visiting Fuxi Temple, returning to Pingluo Yuhuang Pavilion, small trees, chanting in the Plum Bookstore, lotus chant collection, Mother's Day to commemorate the fifth anniversary of the mother's death, a sentimental poem for being named "Outstanding Retired Cadre and Party Member in the District", Qinyuan Chun·Ode to Nanjing, etc.

In the current development of contemporary Chinese poetry, the naming of genres and literary history of groups of emerging poets has always been an interesting poetic phenomenon. Since the genre naming of the "Misty Poetry" group has gained conventional recognition and spread in the poetry world, the genre and generational naming of poetry groups such as "Third Generation Poets", "Post-Misty Poetry Group", "Intellectual Poet", "Folk Poet", "Post-60s Poets" (also often called "Middle Generation Poets"), "Post-70s Poets", "Post-80s Poets", "Post-90s Poets" and other poetry groups have successively appeared in people's field of vision. If we delve a little deeper, it is not difficult to find that behind the naming of these poetry genres and generations, it reflects the attempts of later poets to get rid of the "anxiety of influence" mentality of the predecessor poets, and to a greater extent, their desire to enter literary history.

This book sorts out emotional poems on love, family, friendship, etc. From the Pre-Qin Dynasty to the Han and Wei dynasties, and believes that Hongdu sects, character criticism, the gradual application of paper, the Three Orders for Talents, and Cao Pi's advocacy of equality are the direct reasons for the expansion of Cao Zhi's emotional world and the era foundation for the development of poems and poems. This book reproduces Cao Zhi's family world with the focus on "capturing the clan", and discusses the characteristics of Cao Zhi's family expression from four aspects: the construction of the family world, the combination of virtual and real, metaphorical characteristics, and genre selection. At the same time, this book conducts an in-depth analysis of Cao Zhi's world of friendship, the emotional characteristics of friendship poems, and the emotional characteristics of Cao Zhi's poems.

This book is the third volume of "Nankai Poetics". It is divided into five columns: "Perspective on Poetry Trends", "Poetics and Buddhism", "Poet's Interpretation", "Comparative Poetics" and "Poetic Literature". The topics cover many aspects such as the evolution of new poetry over the past century, ancient Chinese poetics, comparison of Chinese and Western poetics, and the connection between poetics and Buddhism. It not only explores the connection between Chinese avant-garde poetry in the 20th century and the marginalized living conditions, but also discusses its related characteristics in depth at the poetry scene. It not only elaborates on the poetic pursuit of "emotional nature" and the interoperability of Zen mind and poetic thinking, but also focuses on the comparison of Chinese and British romantic poetics and the acceptance of symbolism by modern poets.

The research focus of this book is the issue of "ambiguity of words" in modern Chinese poetry. Taking the "word" in the language of modern Chinese poetry as the foothold, taking the ancient and modern changes in the discourse paradigm of Chinese poetry as the starting point for research, taking the differences between classical Chinese poetry and modern Chinese poetry as the major premise, taking classical Chinese poetry as the frame of reference, taking the existence of modern Chinese poetry as the research foothold, and based on the combination of the elaboration of poetic concepts and the close reading of poetic texts. Starting from the "word" of modern Chinese poetry, it systematically discusses the connotation, characteristics, functions, necessity and rationality of existence, reasons for generation, operating mechanism, expression strategies, meaning and influence of "ambiguity of words" from two dimensions: vertical (history and changes) and horizontal (specific poetic texts), macro and micro dimensions.

This manuscript is a collection of poetry works, one of the series "Sunshine Library". The works included in the manuscript are the author's outstanding works in recent years, most of which are relatively short, and are divided into four parts: Part 1, Songs on the Wall; Part 2, The Rhythm of Life; Part 3, Rain in the Countryside; Part 4, Dew in the World. These works are like strings of elm money, simple and honest, even a little rustic, but when chewed, they are fresh and natural, with sincere emotions and full of philosophical thoughts. It makes people imagine the author's true emotional journey, candid attitude towards life and serious thinking about life.

This book selects outstanding poems from the 9th National Middle School Poetry Competition, divided into three chapters: You Feng Lai Yi, Sai Shang Chun Yin, and Helan Song. It aims to promote the poetry culture, praise spring, praise the enterprising new era, nourish students' souls, pursue poetic life, use beautiful poems to illuminate the spiritual world of teenagers, and cultivate students' healthy growth.

This book explores the interactive relationship between the Confucian school and poetry schools in the Yuan Dynasty. The book is divided into two parts. The first part is the general part. It provides a macro-level discussion of the academic changes and faction differentiation, the linkage between academia and poetry, the inheritance of Neo-Confucianism and the formation of poetry schools in the Southern Song, Jin and Yuan Dynasties. It also focuses on the Confucian inheritance and literary creation of Xu Heng and the Zhongzhou Literary School of the Yuan Dynasty, Liu Yin and the Northern Literary School of the Yuan Dynasty, Xu Qian and the Jinhua Literary School of the Yuan Dynasty, Li Qixian and the Goryeo Literary School of the Yuan Dynasty. The lower part is the textual research part, which compiles the research materials of Li Qixian, a Korean scholar in the Yuan Dynasty, and compiles the "Chronology of Literary Activities in China, Korea, Vietnam and Japan in the Yuan Dynasty".

"Collected Poems of Mingzhou Lang" is a collection of creative writings mainly composed of poems, which records the author's reflections on every detail of life. The content of this book is exquisitely conceived and full of pictures. There are a large number of interesting "acrostic poems" expressing feelings and praising the things around you that are worth recording and praising. The language of the manuscript alternates between ancient and new rhymes, reflecting modernity and fully expressing the feelings of family and country. Among them, the love and longing for hometown and family, the understanding and praise of work and colleagues all express a strong meaning. The lines of the manuscript are full of the author's righteousness and positive attitude towards life. They are catchy, full of passion and reveal positive energy.

Wang Wei's "Compilation of Scattered Materials on the Songs of Chu in the Past Dynasties" is divided into three parts. It compiles comments and annotations on the Songs of Chu in the past dynasties from hundreds of classics such as Confucian classics, history books, Leishu, primary school books, notes, etc. It is a comprehensive collection of comments in addition to research monographs and collations on the Songs of Chu. The collected works are sorted in chronological order, and the sources are marked with the page numbers of the original text and the current edition of the works for easy review. The complete sentences of the words and phrases related to Chu Ci are also listed to facilitate readers' comparison and correction.

"Poetry China·MOOK" is co-sponsored by Zhonghua Book Company and the Chinese Poetry Research Institute and is published and distributed to the whole society. It aims to "collect the most moving contemporary poetry, collect the most authoritative poetic techniques, and share the most interesting poetic words." It mainly focuses on discussing writing skills, exchanging writing experiences, and appreciating pictures, texts, and poems, and strives to become a spiritual home for experts to communicate. This issue is a regular offseason column. This issue summarizes the opinions of consultants and judges and revise the column. The "Ancient Poetry Appreciation" and "Viewpoint" columns were deleted, and the "Finding Touch", "Meeting Friends with Poetry" and "Poetic Picks" were added, and the "Famous Poetry Notes" were changed to "Famous Poetry Notes". The main content is as follows: [Free Talk] The theme is "Contemporary Poetry Entering History", and Zhou Xiaotian, Zhong Zhenzhen, Qian Zhixi, etc. Were invited to discuss it. [Famous Masters Say Poems] includes Lin Xiu's "Good Poems on Wall Graffiti" and Xing Han's "Three Don'ts in Poetry Creation". [The finishing touch] includes Tao Wenpeng's "Philosophy Integrated into Situations". [Famous Poetry Notes] contains Feng Zikai's poetry works. Newsletters related to the launch of the fifth competition and call for submissions will be added to the second cover, third cover or [Poetry News] column, to be added.

This collection of poems is composed of poems written by military poet Shi Yuanchun in the past ten years. It is divided into six parts: Military Drum Highlands, Troop Epigrams, Jialing Cutting Scales, Love Rock, Bingga Military Saucer, and Iron Kite, with more than 100 poems. The content reflects national self-esteem and praises the people and the army of the motherland. The content is healthy, positive and upward. Tie Yi, president of the Chinese Writers Association, wrote a preface of more than 10,000 words.

This book systematically organizes the original materials about Li Bai's reading and acceptance in the Ming Dynasty, and conducts a more detailed sorting and analysis of Li Bai's acceptance activities in the Ming Dynasty. Against the background that scholars have focused too much on the general history of reception in recent years, this book takes specific and detailed textual data as the starting point for research, combines historical periodization and the evolution of social thought, and fully supplements the study of Li Bai's chronological reception since the Tang Dynasty. On the basis of similar studies such as the history of Li Bai's acceptance in the Tang Dynasty and the history of Li Bai's acceptance in the Song Dynasty, we strive to outline the general appearance of the history of Li Bai's acceptance in the Ming Dynasty, and use this as an opportunity to promote further refinement and in-depth research on Li Bai.

The selection of this book covers the development process of Chinese poetry from the pre-Qin Dynasty to the late Qing Dynasty. With a comprehensive overview in one volume, you can grasp the history of poetry. Among them, Tang and Song poems are the main body (about two-thirds of the total), taking into account Yuan opera and famous poems since the Book of Songs. There are three parts at the end of each poem: the first is "Introduction to the Author", which plays a necessary supporting role for readers to understand the author and appreciate the poem; the second is "Annotation", which provides appropriate explanations for unfamiliar words; the third is "Appreciation", which is a brief introduction to the main content, writing techniques, artistic features, etc. Of the work to facilitate readers' understanding, appreciation and reference. The annotations, especially the appreciation, in this book highlight individuality, draw on the strengths of others, and strive to create something new based on the facts.

This collection of poems expresses the author's aesthetic perception of the existence of nature and the accumulation of human feelings; it shows the simple and beautiful collective image of the first generation of female workers, and expresses the author's admiration for women of that generation; it embodies the author's understanding of modern society, and expresses the author's thoughts and feelings about life. It can be described as "the poetry version of youth".

The field of research on Ci and Fu has always focused on the great Fu of the Han Dynasty and the Tang and Song Dynasties. Although there was attention paid to Ci and Fu in the Ming and Qing Dynasties, it could not be compared with the previous generations. This book focuses on Fu studies in the Qing Dynasty, with a view to promoting the deepening of research in this field. This book discusses from five aspects: First, the cultural policy and the revival of Fu studies in the early Qing Dynasty, especially the Bo Xue Hong Ci examination held in the 18th year of Kangxi's reign, in order to attract Han scholars to become officials and use poems to compose propositions. This move stimulated the flourishing of fu-study creation and theory. Second, in the Qing Dynasty, Fu was emphasized in Guange Hanyuan, and Fu was tested in court examinations, official classes, loose examinations, and major examinations. Therefore, the study of Fu was an important lesson for people at that time. For this reason, various collections of poems from museums and pavilions emerged, and the style of Hanyuan poems led the trend in the literary world. Third, due to Hanyuan's examination of Fu, the discussion of Fu studies became the focus of Fu theory in the Qing Dynasty, and the selection of Fu paid special attention to the revelation of Fu methods. Fourthly, compared with previous generations, Fu studies in the Qing Dynasty were not only popular in palaces and pavilions, but also highlighted a strong regional flavor. Fifth, the relationship between Fu studies and other art forms in the Qing Dynasty was extremely close. The phenomenon of calligraphy Fu, painting Fu and writing novels using Fu was relatively popular, and Fu style branched into various art categories. This book combines literature research with theoretical explanation, reveals the development patterns of Fu studies in the Qing Dynasty through case studies, and strives to make up for the shortcomings of Fu studies.