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"Chinese Studies Collection Series: Three Hundred Tang Poems" was written during the Qianlong period of the Qing Dynasty. It was compiled and selected by Wuxi Jinshi Sun Zhu (also known as Hengtang retired scholar). It is the most widely circulated, most influential and deeply loved Tang poetry book by the people. As the saying goes: "If you read 300 Tang poems well, you can recite them even if you don't know how to compose them." "Three Hundred Tang Poems" selects more than 310 Tang poems, and its naming follows the saying of "Three Hundred Tang Poems". The selected Tang poems not only do not omit the works of everyone who express the atmosphere of the prosperous Tang Dynasty, but also take into account the representative works of famous poets from the early Tang Dynasty, the middle and late Tang Dynasty. It does not ignore the masterpieces of unknown poets, and indeed achieves its purpose of gathering famous works.

This book is composed of six parts, which can be divided into two categories: one is the study of "Poetry" in the Western Han Dynasty, and the other is the study of the poetry creation form in the Western Han Dynasty, including the creation of Chu Sao, the "Three Major Groups of Poems" and the poems of "Yilin", etc. Different from monographs that are generally written according to procedures, each article embodies a strong "problem awareness" and is highly generalizable. When these articles are gathered together, the poetic style and poetry creation style explained by the Western Han Dynasty's "Poetry" theory are generally presented.

Yu Biyun is the grandson of Yu Yue, a writer and educator in the late Qing Dynasty, and the father of Yu Pingbo, a famous modern writer. He inherited his family education at a young age and has high attainments in literature and calligraphy, especially poetry. This book is an enlightenment book specially compiled by Mr. Yu Biyun for his grandchildren to learn poetry. It analyzes and appreciates the tones, rhythms, meanings, syntax, and calligraphy in detail. It not only inspires the way to get started with Tang poetry, but also provides a taste of the aesthetic effect of Tang poetry. It is actually an excellent book for learning and appreciating Tang poetry. This book combines "A Brief Introduction to the Poetry Realm" and "A Continuation of a Brief Introduction to the Poetic Realm" into one volume. "A Brief Introduction to the Poetic Realm" is about rhymed poetry, while "A Brief Introduction to the Poetic Realm - A Continuation" is devoted to quatrains.

The Book of Songs, the source of Chinese poetry. What has it been saying for 2,500 years? "There are plums, but they are actually beautiful! Please help me, a common man, to bring good luck to them." This is a girl's song hoping that her lover will marry her as soon as possible: the ripe plums will fall down, and only 60 to 70% of them will remain on the branches. The ripe plums fell down, leaving only 20 to 30% of the branches. The ripe plums fell down and no one was left on the branches. If you propose marriage, come quickly, don't wait until you are too late... (Translated by Yi Zhongtian) Confucius said that the Book of Songs means "thinking without evil". The Book of Songs is a folk song, a song for ordinary people, a voice that echoed in our hearts 2,500 years ago. "The Book of Songs" was painted by the painter Hu Yongkai and translated by Yi Zhongtian. This time, two young children, who are a combined 150 years old, will use light, shadow and words to recreate for us the innocent memories of the Chinese people 2,500 years ago.

The author of this book is Wu Mei, a modern opera theorist and master of quxue. This book is a lecture note given by Wu Mei when he was teaching at the university. It is also one of his masterpieces. It mainly discusses the relationship between ci and music, the practice of ci, the history of the development of ci, and the evaluation of famous ci writers and their masterpieces. As an introductory book for masters of Chinese studies, readers can be satisfied whether they want to learn and progress or appreciate research. This is a book that can bring great inspiration to beginners or researchers. In addition to re-editing and integrating the content, this reprint also boldly re-drafts the title of the classic book, making the classic work closer to life and closer to readers.

The grass is long and the orioles are flying, the green locust trees are tall and the willows are tall, the oranges are green and the oranges are yellow, the jade trees are blooming... With a childish heart, you can enjoy the poetry and painting of spring, soak up the vitality of summer, feel the richness of autumn, and taste the quiet beauty of winter.

Qian Qianyi (1582～1664) was an essayist and poet in the late Ming and early Qing dynasties. The courtesy name was Shouzhi, his nickname was Muzhai, and his later nicknames were Mengsou and Dongjian Yilao. Changshu people. In the thirty-eighth year of Wanli (1610), he was a Jinshi. In the first year of Chongzhen (1628), he was appointed as the Minister of Rites and a Bachelor of the Imperial Academy. In the Hongguang Dynasty of the Southern Ming Dynasty, he was the Minister of the Ministry of Rites. After becoming an official in the Qing Dynasty, he took charge of the secretarial affairs as the Minister of Rites and served as the vice president of the "History of the Ming Dynasty". He first studied poetry in the prosperous Tang Dynasty, and later studied extensively from famous writers in the Tang and Song Dynasties. The poems written after the fall of the Ming Dynasty express the feelings of the vicissitudes of life, the sadness of the stubborn beauty and the desolation of Chu. The interpretation of poetry in this book is academic, paying particular attention to the specific background of poetry creation and its connection with other poems. The allusions used in Qian's poetry are both complex and clever, and the annotator notes the sources of the allusions one by one, concisely and accurately. It is not only of great benefit to lovers of Qian Qianyi's poetry, but also of great value to researchers.

Wang Shizhen, nicknamed Yuyangshanren, advocated the theory of Shen Yun which has been popular for more than a hundred years, with influence at home and abroad. He is known as the founder of poetry. This book selects more than 250 of his poems, with meticulous annotations and wonderful comments. He can be said to be a great "interpreter" of Yuyang after Hui Dong and Jin Rong. In previous annotations, there were many omissions and arbitrariness that were not noted or misunderstood, but this book has many corrections and clarifications. It is a work of "the previous revision was not secret, but the later revision is refined".

This tutorial is compiled based on the talent training objectives of higher science and engineering colleges and combined with the editor's many years of work and teaching experience. The whole book includes limits, calculus of functions of one variable and its applications, differential equations, etc. This tutorial is rich in content and diverse in form, focusing on the combination of theory and practice, and on the cultivation of students' abilities. This tutorial can be used as a supporting exercise for students in science and engineering colleges, and can also be used as a teaching reference book for relevant teachers.

"Selected Poems of Li Panlong" annotated by Professor Li Boqi is an important annotation of the poems of Li Panlong, a representative figure of the "Later Seven Sons" in the Ming Dynasty. A total of more than 250 poems by Li Panlong have been selected and annotated, taking into account Li Panlong's works in various styles and periods. Each poem is accompanied by detailed and accurate annotations, which explain the usage and uncommon words in the poem. This is a better selection to understand the characteristics and artistic achievements of Li Panlong's poetry.

He Jingming (1483-1521), named Zhongmo, also known as Baipo, also known as Dafushan, was from Xinyang. In the fifteenth year of Hongzhi in the Ming Dynasty (1502), he became a Jinshi. He was appointed deputy envoy to Shaanxi Province to study. He is one of the "First Seven Sons" and is known as a leader in the literary world together with Li Mengyang. He has "Da Fu Ji". There are more than 1,600 of his poems extant today, which are rich in inspiration from the Han and Tang Dynasties. Some of the poems have quite realistic content, while others are about pleasant landscapes, which are suitable for the true nature. This editor selects mostly poems that are highly artistic, can reflect his creative ideas, and can reflect important communication activities in his life. The annotations are mainly to clear up the words and sentences, explain the classics and elucidate the poetic skills. They are concise and rigorous, concise and easy to understand.

The famous scholar Wang Guowei said that "one generation has its own literature." As one of the literary styles, the Tang and Song dynasties were the most prosperous times for the creation of lyrics. This book is a selection of classic poems from the Tang and Song Dynasties, with a total of 312 poems from the Tang and Song Dynasties, 56 poems from the Tang and Five Dynasties, 89 poems from the Northern Song Dynasty, and 167 poems from the Southern Song Dynasty. When selecting works, we first focus on works with good ideological content, high artistic achievements, and basically healthy moods, and take into account representative works of various schools and styles, so that readers can have a more comprehensive understanding of the lyrics of this period.

Sanqu is the last vital classical poetry style in my country. It was once famous and achieved a status that is on par with poetry and Ci. This book is an anthology that comprehensively displays the style of Sanqu. The editor-in-chief is Wang Jisi (Wang Qi), a master of music studies of the generation. In addition to detailed annotations, each article also has a unique and exquisite interpretation. It is a good teacher and helpful friend for readers, beginners and researchers. As one of the "Selected Books of Famous Masters", this book further reflects the charm of the classics and is a masterpiece that readers can enjoy for a long time.

"Xiaoxiang Poetry Draft", written by Han Yongwen. This is a collection of poems written by the author during the ten years he worked in Hunan. It not only praises the scenic spots of Xiaoxiang, but also recalls the history and culture of Hunan and Chu. It also expresses feelings about current events and records life. The genres include metrical poetry, ancient poetry, lyrics, etc. It is rich and colorful and expresses the author's love for the land of Hunan and his yearning for the culture of Xiaoxiang.

"Introduction to the Recitation of Ancient Poems and Words" consists of a manuscript, which includes chapters such as "Introduction", "Recitation of Poetry", "Recitation of Words", "Recitation of Prose", "Reciting Requirements", "Reciting Techniques", "Reciting Tone", "Reciting Examples", etc. This book was first published in 1995 and went through three editions in 2002, with a total of 8,000 copies printed. It has long been out of print on the market. In order to meet the requirements of teachers, students, and parents, and taking advantage of the promotion of the Chanting Society, we contacted the author to prepare a new and comprehensive revision.

This book is a carefully prepared gift for poetry lovers. Opening this book allows us who are busy in modern life to enter the world of aesthetic and romantic poetry, appreciate the love and beauty of classical poetry, and improve our aesthetic taste and spiritual cultivation in the beautiful poetry. The author spent many years carefully screening and selecting hundreds of beautiful ancient poems suitable for the general public to read from the vast sea of ​​ancient poems, annotating and appreciating them. At the same time, he used multiple perspectives to explain the creation era and author's background of each poem in simple and detailed terms, integrating knowledge and appreciation. By reading these ancient poems, one can appreciate the tones, sentiments and sustenance of family and country of the predecessors, and also gain a more direct understanding of the entire ancient Chinese poetry. The book is beautifully printed in four colors, and is equipped with dozens of fresh and beautiful antique photography illustrations, which complement each other with the beautiful text, awakening every sleeping poetic heart, and making ordinary days a little more fragrant.

"Understanding the richness and breadth of Chinese culture and absorbing the wisdom of national culture" and "cultivating a love for the language and characters of the motherland" are one of the overall goals of the Chinese subject in primary schools in my country. "130 Ancient Poems and Essays for Primary School Students" is a reading book that is close to the requirements of primary school Chinese learning, but also expanded to help students improve their ability to learn ancient poems and essays. It compiles all the ancient poems and classical Chinese essays required for primary school students in grades one to six to learn Chinese, a total of 130 essays. It mainly includes five columns: "Looking up the dictionary", "Understanding the meaning of poetry (words and texts)", "Understanding the author", "Communicating insights" and "Expanding horizons". It not only provides learning content for young readers, but also reminds the general rules of learning ancient poetry and prose, helping students better understand ancient poetry and prose, while cultivating self-learning ability and improving the literacy of traditional culture. For students of different grades and reading this book at different times, they have different requirements and will get different gains.

This book is an anthology of old-style poems created by the author over the years. According to the content, it is divided into five series: "The Traces of Time", "The Rover of Green Poplars", "Sentimental Sentiments", "The Remaining Fragrance of Flowers and Grass" and "Memory of the Journey". The first four series are arranged in the order of "Poetry Department" and "Chapter Department", and the fifth series is arranged according to the tour itinerary. The themes are diverse, including landscapes, flowers and plants, chants of objects, or feelings. They express the praise of nature, the care of animals, the sustenance of emotions, the intoxication of mountains and rivers, the emotion of journeys, and the praise of construction achievements from many aspects. At the same time, they also reflect the author's pursuit and exploration of the art of poetry.

This book is not only the crystallization of the wisdom of generations of descendants of the Yan and Huang Dynasties, but also the essence of the excellent traditional culture of the Chinese nation. It is also an indispensable bible for every Chinese to deal with matters, hold office and politics, govern the family and encourage education, speak and behave, treat others, and cultivate their moral character. This book is compiled after "Zengguang Xianwen" and classified according to rhyme according to "Chinese Rhythm Code". It keeps in mind the people-oriented, builds a harmonious society, inherits excellent culture, and encourages the world to do good and encourage learning. This book collects traditional wisdom. Readers are allowed to read it anytime and anywhere and receive the "Awakening Warnings". In the intersection of time and space, they can truly appreciate the implication of five thousand years of Chinese civilization and cultural classics, and at the same time, they can also gain infinite insights into life through rational reading.

This book has compiled more than 100 representative writers in my country from the pre-Qin Dynasty to modern times, and contains more than 400 poems, lyrics, and music. Each work is followed by "author introduction", "notes", "literal translation", "appreciation" and other contents. It provides a relatively in-depth and comprehensive interpretation of the selected works. It is suitable for students majoring in Chinese language education, Chinese language and literature in higher vocational colleges to study the "Selected Readings of Ancient Chinese Literary Works" course.

"The Book of Songs" is the earliest collection of poems in my country. The content is divided into three parts: "Wind", "Elegance" and "Song". The "Book of Songs" shows the great artistic achievements of my country's earliest poetic works in terms of language skills, artistic images and expression techniques. This book combines the growth and cognitive characteristics of today's teenagers, and is divided into contents such as reciting classics, reading annotations, and reading translations, etc., Striving to make the annotations and translations easier for students to understand. This book is suitable for middle school students, their teachers, and parents to read.

"Master's Beautiful Painting of Thousands of Poems" selects representative ancient poems from the Han Dynasty to the Tang Dynasty, such as "Viewing the Sea", "Returning to the Garden and Fields", "Moonlight Night on the Spring River", "Spring Dawn", "Passing the Old Friend's Village", etc.

"Poems of a Thousand Families" was widely circulated in the Ming and Qing dynasties and was a popular book for children who taught poetry in private schools. Its main characteristics are: there are many famous writers and many famous articles; it is superficial and uses few allusions; it has more joy and less irony. Although it is a textbook for elementary school students, it is not a "children's poem". Most of the poems selected are works by famous writers of the Tang and Song Dynasties, and we just selected those that are "easy to recite". Moreover, the poets selected are not limited to famous poets, including emperors, generals, ministers, hermits, female authors and even unknown authors. In terms of subject matter, various forms reflect the social reality of the Tang and Song Dynasties. This book is based on the lithographic version of "Annotation of Qianjia Poems on Drawing" published by Shanghai Jinzhang Book Company, and is fully annotated and readable.

The famous contemporary essayist Wang Chonglu selected more than 180 philosophical poems from pre-Qin to modern times. With the help of these philosophical poems, the author interprets his understanding of history, life and other aspects of life. It is an innovative new prose work. The author has rich knowledge in Chinese and Western philosophy, history and literature. In the process of interpretation, he studied from multiple angles and levels, expanded the poetic artistic space, and made accurate and warning advice. This book is a selected version of the author's "Articles Beyond Poetry", which selects the best poems of the best poets and gives them exquisite interpretations. Several ancient Chinese landscape and figure paintings were selected as illustrations, printed in black and white, with both pictures and text.

This book is compiled by Professor Chen Yinchi from the Chinese Department of Fudan University. It is based on the selected works of Shangqiang villagers in the late Qing Dynasty. It has newly screened and selected all the Song Dynasty poems and added 17 beautiful and touching Song poems, supplementing 300 Song poems. It has streamlined annotations and beautiful appreciation. It coexists gracefulness and boldness, and competes with freshness and richness.

This book is compiled by Professor Chen Yinchi from the Chinese Department of Fudan University and is based on the anthology of retired scholars from Hengtang in the Qing Dynasty. It has newly screened and selected all Tang poems and added 22 excellent Tang poems with beautiful diction and touching people's hearts. 307 Poems are fully presented with concise annotations and beautiful appreciation, so as to jointly understand the touching parts of the poems.

"Poetry Rhythm and Creation" is a practical textbook for poetry writing. The book is concisely divided into three chapters: "Poetry Rhythm", "Citric Rhythm" and "Poetry Creation". It explains the metrical rules of poetry in an orderly manner from many aspects such as poetry's rhyme, equivalence, antithesis, word tone, word cards, word score, etc. It also conducts quantitative comparative analysis between ancient poetry and modern poetry, and more comprehensively introduces the classification and composition of poetry. The book also includes appreciation of famous works, introduces the techniques and techniques of poetry creation, and provides incisive and detailed explanations, bringing inspiration and artistic enjoyment to readers when learning poetry.

This book is comprehensively introduced, annotated, and appreciated by teacher Zhang Yinan, who is highly sought after by Peking University students. The opening chapter is the biography of Bai Juyi as an introduction. Let you understand the poetry and the warmth behind the poetry through the poet's story. One hundred and fifty of the poet's best works handed down from generation to generation are selected and sorted based on the chronology of his life. Each poem is supplemented by a brief analysis and annotations, and rare words have phonetic notation. The combination of biographical introduction and brief poetry analysis helps readers better understand the poetry and the poet's life.

This book is comprehensively introduced, annotated, and appreciated by teacher Zhang Yinan, who is highly sought after by Peking University students. The opening chapter is a biography of Li Bai as an introduction. Let you understand the poetry and the warmth behind the poetry through the poet's story. One hundred and fifty of the poet's best works handed down from generation to generation are selected and sorted based on the chronology of his life. Each poem is supplemented by a brief analysis and annotations, and rare words have phonetic notation. The combination of biographical introduction and brief analysis of poetry helps readers better understand the poetry and the poet's life.

This book is comprehensively introduced, annotated, and appreciated by teacher Zhang Yinan, who is highly sought after by Peking University students. The beginning is Su Shi's biography as an introduction. Let you understand the poetry and the warmth behind the poetry through the poet's story. One hundred and fifty of the poet's best works handed down from generation to generation are selected and sorted based on the chronology of his life. Each poem is supplemented by a brief analysis and annotations, and rare words have phonetic notations. The combination of biographical introduction and brief analysis of poetry helps readers better understand the poetry and the poet's life.

This book is comprehensively introduced, annotated, and appreciated by teacher Zhang Yinan, who is highly sought after by Peking University students. The opening chapter is the biography of Li Qingzhao as an introduction. Let you understand the poetry and the warmth behind the poetry through the poet's story. One hundred and fifty of the poet's best works handed down from generation to generation are selected and sorted based on the chronology of his life. Each poem is supplemented by a brief analysis and annotations, and rare words have phonetic notations. The combination of biographical introduction and brief analysis of poetry helps readers better understand the poetry and the poet's life.

"Three Hundred Tang Poems" is one of the important enlightenment readings. This book changes the "split" of the original edition to help the ancients figure out the ideas of learning according to the style, and adopts a classification and arrangement method to facilitate learning according to the content. Each category is arranged according to the poet's era; in the text and its interpretation, dozens of errors in the original and popular versions are corrected. Compile the poet's biography, strive to be accurate and interesting, and capture the poet's main characteristics. The annotations are brief, referring to ancient sayings and the latest research results; the comments strive to explain the profound things in simple terms and are enlightening. This book can be regarded as a rigorous, credible, simple and refreshing read.

"Master's Beautiful Painting of Thousands of Poems Three" selects representative ancient poems of the Tang Dynasty, such as "Ode to the Willows", "Joyful Rain on a Spring Night", "Quatrains", "Looking at the Mountains", "Night Mooring on the Maple Bridge", "Chuzhou West Stream", etc.

"Fifth Poems of Masters Beautifully Painting Thousands of Families" selects representative ancient poems from the late Tang and Song Dynasties, such as "Morning Journey to Shangshan", "Fisherman on the River", "Tian Family", "Mooring Boats at Guazhou", "Visiting Shanxi Village", etc.

The book "New Odes of Yutai and Southern Dynasties Literature" adopts a combination of macro research and micro analysis, and is divided into two parts. Starting from the inherent laws of literary development, the first part systematically discusses the reasons and processes for the formation of the erotic style of writing in the Southern Dynasties. On this basis, it explores the logical relationship between the compilation of "New Odes of Yutai" and the evolution of literary styles in the Southern Dynasties. It clearly outlines the development trajectory of the literary style of the Southern Dynasties, reveals the literary value and documentary value of "New Odes of Yutai", and also carefully combs the history of research on "New Odes of Yutai". This book's research on the version of "New Odes of Yutai" is in-depth and comprehensive, with precise judgments and extremely high academic value. This book is compiled as "Yutai New Ode Collector's Notes", which is also the only "Yutai New Ode" compiled collation available so far. The author has widely cited and carefully revised many editions. He has combined the collation notes of various schools into one place, and is able to extract the true and eliminate the complex, and to express his own opinions. The whole book is meticulously collated and well-explained, making it a model work for ancient book collation.

The "Three Hundred Song Ci Poems" compiled by Zhu Zumou has been widely circulated. The first draft was published in 1924, and 87 Song Ci poets were selected and composed of 300 poems. Soon, Zhu Zumou revised the first draft, deleting 28 works and adding 11 more, bringing the total number of selected works to 283. In the third draft, Zhu Zumou added 2 more songs, totaling 285 songs. This book uses the second draft as the basis, and includes the works selected from the first draft and the third draft one by one. The deletion of specific works is briefly explained in the "Comments" to see the changes in Zhu Zumou's conception and aesthetic taste before and after he selected the works.

"Master's Beautiful Painting of Thousands of Poems IV" selects representative ancient poems from the Tang Dynasty, such as "Spring Tour at Qiantang Lake", "Bamboo Branch Poetry", "Snow on the River", "Chrysanthemum", "Qingming", etc.

Festival poems combine folk customs and literati interests, which well reflect the long-standing and rich and colorful characteristics of Chinese culture, and are good teaching materials for learning traditional culture. The content includes related ancient poems, annotations of ancient poems, modern translations and appreciation, etc. Through such a relatively comprehensive study, readers not only learn the outstanding poems of the past dynasties, but also gain a deeper understanding of these most famous festivals in China. In turn, combining traditional festivals with poetry can deepen readers' understanding of ancient poetry. In addition, at the end of each festival, there is a related poem and story to increase readers' interest.

Festival poems combine folk customs and literati interests, which well reflect the long-standing and rich and colorful characteristics of Chinese culture, and are good teaching materials for learning traditional culture. The content includes related ancient poems, annotations of ancient poems, modern translations and appreciation, etc. Through such a relatively comprehensive study, readers not only learn the outstanding poems of the past dynasties, but also gain a deeper understanding of these most famous festivals in China. In turn, combining traditional festivals with poetry can deepen readers' understanding of ancient poetry. In addition, at the end of each festival, there is a related poem and story to increase readers' interest.

Festival poems combine folk customs and literati interests, which well reflect the long-standing and rich and colorful characteristics of Chinese culture, and are good teaching materials for learning traditional culture. The content includes related ancient poems, annotations of ancient poems, modern translations and appreciation, etc. Through such a relatively comprehensive study, readers not only learn the outstanding poems of the past dynasties, but also gain a deeper understanding of these most famous festivals in China. In turn, combining traditional festivals with poetry can deepen readers' understanding of ancient poetry. In addition, at the end of each festival, there is a related poem and story to increase readers' interest.

Festival poems combine folk customs and literati interests, which well reflect the long-standing and rich and colorful characteristics of Chinese culture, and are good teaching materials for learning traditional culture. The content includes related ancient poems, annotations of ancient poems, modern translations and appreciation, etc. Through such a relatively comprehensive study, readers not only learn the outstanding poems of the past dynasties, but also gain a deeper understanding of these most famous festivals in China. In turn, combining traditional festivals with poetry can deepen readers' understanding of ancient poetry. In addition, at the end of each festival, there is a related poem and story to increase readers' interest.

Cao Rong was a famous poet in the early Qing Dynasty and authored the volume "Jing Ti Tang Ci". The Complete Qing Ci Ci Compilation Committee of the Department of Chinese Language and Literature of Nanjing University compiled "Quan Qing Ci" (Shunkang Volume) and recorded 282 Cao Rong's poems based on the coexistence of "Jing Ti Tang Ci" and multiple anthologies. According to the existing research results and the author's search for lost textual research, this book shows that Cao Rong has at least three poems: "Thanks to the Emperor's Grace" (Pearls Falling into the Phoenix Pond), "Traveling on the Shasha Xisai Mountain", and "Pipa Immortal·Pipa Pavilion Zhihuai", so Cao Rong has at least 285 poems. This book chronicles Cao Rong's poems based on information about his works, the author's life experiences, friendships, etc., And makes notes, reviews, corrections, etc. Through detailed information and meticulous annotations of his works, it reveals Cao Rong's complex inner world of being a second minister but caring about his motherland.

This book is a comprehensive compilation and research result of the Tang Dynasty Li Yi's poetry collection "Li Shangshu Poetry Collection" compiled by Zhang Shu of the Qing Dynasty. It is also a comprehensive study of Li Yi and his poetry. It mainly includes eight aspects: investigation of the source of poems in Li Shangshu's Poetry Collection, collation, annotation, collection review, analysis, investigation of the borrowing and use of Li Yi's poems by later generations, chronology and appendices.

In the splendid garden of classical poetry, Song Ci is a bright and dazzling flower. As a new lyric poetry style that rivals Tang poetry, Song poetry has its own unique aesthetic value. From a broad perspective, the development of Song poetry can be divided into Northern Song poetry and Southern Song poetry. Ci poetry in the Northern Song Dynasty can be roughly divided into four creative periods: the prosperous period of Xiaoling, the rise of slow Ci, the creation of bold Ci, and the standardization of Ci rhythm. The creation of lyrics in the Southern Song Dynasty was affected by the environment of the times, and a genre of patriotic lyrics represented by Xin Qiji emerged. With the formation of the peaceful situation in the Southern Song Dynasty, the creative tendency of literati pursuing the "elegance" of poetry once again occupied the mainstream position in the poetry world. This book uses concise and easy-to-understand language to introduce the basic literary characteristics of Song Ci and the basic development process of Song Ci, serving as an introduction to the reading and appreciation of Song Ci.

The art of Du's poetry has many achievements. Regardless of ancient style, modern style, five-character style, or seven-character style, all have their own unique strengths. Qiu Zhaoao in the Qing Dynasty spent 20 years collecting annotations from various sources and compiled them into "Detailed Annotations on Du Poems". The information is extremely detailed and it is still an important reference book for reading Du Poems. This compilation is based on the post-printed supplement of the explanatory notes in the 52nd year of Kangxi (1713), and is collated with other editions to unify the format and contents, correct errors and punctuation, and compile an index to the appendix.

During the Han, Wei and Six Dynasties, literature flourished unprecedentedly, with many new styles, new ideas, and new styles emerging. From Jia Yi, whose talent is even more unethical, to Yu Xin, who is the master of the Six Dynasties, this book selects 50 famous writers and 72 articles, with detailed annotations and wonderful comments. The preface briefly summarizes and comments on the development and changes of Chinese literature in the Han, Wei and Six Dynasties and its artistic achievements.

The book "Daily Poems" is a collection of poems, divided into two volumes, with spring, summer, autumn and winter as chapters. It contains more than 200 poems by the author divided into twelve months. The order is spring, summer, autumn and winter, followed by month, day and hour. The collection of poems covers the agricultural seasons, rural customs, food, clothing, housing and transportation, worldly conditions and human sentiments, flowers, birds, fish and insects, and various aspects of life. It is also a faithful record of the author's life insights, daily life, and mental journey over the years, so it is named "Daily Poems". These poems are the result of the author's deep thinking, joyful discovery, graffiti, or romantic expressions. They avoid the difficulty of writing and are easy to understand. Their forms are novel and have a certain degree of literary quality.

"Twenty-Four Poems" (originally called "Twenty-Four Poems") is part of "A Finger of a Poet" written by Yu Ji, a famous scholar and poet in the Yuan Dynasty. It is also the core part of this poetic work that is not widely circulated. This book can be regarded as a wonderful article in the history of Chinese poetry. The words are beautiful, the pronunciation is harmonious, and the meaning is profound. This is a wonderful text that condenses the aesthetic characteristics of Chinese people (especially literati art) since the Tang and Song Dynasties. This book "The Red Stove and the Snow - Notes on the Twenty-Four Poems" mainly explains the contents of the Twenty-Four Poems, and connects it with other parts of "A Finger of Poets" and related content in the surviving documents of Yuji. Talk about its text source, chapter review, its original meaning, and its corroboration in the context of Yu Ji's overall thought; put it in the context of the development of literary and aesthetic thought, talk about the theoretical contribution of this wonderful article in the history of Chinese poetry, artistic concepts, and aesthetics; talk about the issues raised in this treatise on poetry and its value in today's aesthetic thinking, etc. After the decomposition of each article, there is an "extended discussion" session, which generally raises one or two important issues related to Chinese aesthetics and poetics for discussion, trying to help readers better understand the content of the article.

This book is compiled and polished based on the text scripts of Hebei TV Station's "Chinese Good Poetry" column. The book aims to vigorously promote the culture of traditional Chinese poetry. In terms of compilation style, it breaks through the general compilation method of existing traditional classic popular books. It integrates knowledge and entertainment. It uses a variety of expression methods such as puzzles and puzzles to create a popular cultural classic book that is understandable and accessible to the majority of readers in an entertaining and entertaining way. It is very suitable for parents and children to read together. In a relaxed and pleasant atmosphere, they can familiarize themselves with or relive my country's traditional classic poetry culture.

This book is divided into four chapters: a study of Han Yuefu titles, a study of Han Yuefu music and orchestration, a study of Han Yuefu styles, and a study of Han Yuefu themes. It cross-references unearthed documents and handed down documents from aspects such as titles, orchestration, styles, and themes. It studies Han Yuefu in the context of the development of poetry in the pre-Qin and Han Dynasties, and strives to reveal the quality of Han Yuefu in terms of music and literature, as well as its unique style of the times, and to reflect on its causes.