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"Research on Image Documents of Chu Ci in Past Dynasties" is the first to conduct a systematic study on the generation, development, evolution, value and influence of the image documents of "Chu Ci" in ancient China. The "General Catalog of Images of Chu Songs in the Past Dynasties" has been sorted out, including 311 items of "Chu Songs" images, which is the largest number of similar studies in existence. It focuses on showing the overall appearance of "Chu Songs" images collected at home and abroad. It has compiled more than 490 poems and articles related to "Chu Songs" images in past dynasties, including For the first time, more than 60 lines are copied directly from the images; the development process of the emergence, prosperity, and transformation of the ancient Chinese "Chu Ci" images is sorted out, and its schema types, characteristics, causes, literary and artistic values, etc. Are explored, providing an important research foundation for successors.

This book takes the Fan family in Tongzhou as the subject, adheres to diversified research based on literature, explores the evolutionary trajectory, cultural spirit and social status of "literary family" and "family literature", forming an overall concept of the trinity of "individual-family-society", and comprehensively brings the Fan family literature and culture into the field of investigation. The main results of the research are as follows: First, from the perspective of topic selection, we paid attention to the commoner literary family. The majority of the family members are commoners, and it has lasted for 13 generations over more than 450 years. More than 30 writers have been born, and members have written an average of nearly 10 kinds of works. Second, from the literature, a large amount of original information has been disclosed. Many writings of family members have been handed down in manuscripts and banknotes, such as "Shishan Lou Poetry Year", "Wolf Five Poems Preserved", and "Shishan Book Engraving Preface" collected by the Chinese Academy of Sciences Library. These are all disclosed for the first time. Third, from a structural perspective, macro and micro are organically combined. It not only analyzes and refines the internal rules of Fan family inheritance, member characteristics and family commonalities, sort out the family pedigree and family context, but also reveals the influence of the politics, economy and culture of the times on the family. Fourth, from a perspective, it puts forward innovative insights. Through careful examination and debate, the true face of Fan Fengyi Fei as a "Donglin figure" was clarified, the social activities and objects of Li Yu's trip to northern Jiangsu in the ten years of Shunzhi were examined, and the biased understanding of the academic circle was corrected.

Based on texts and historical materials, this book systematically and comprehensively explains Jiang Jingai's novel creation and the trajectory of the writer's life and activities in Northeast China from aspects such as theme, gender consciousness, Chinese image, narrative mode, metaphorical structure, scene description, and aesthetic connotation. It then looks into the literary creation of Korean immigrant writers in Northeast China in the 1930s, and grasps the impact of multicultural context on the writer's creation and the perception of China's image in the specific era of the Japanese occupation of Northeast China.

The content of this book is mainly composed of three dimensions of interrelated and mutually supporting basic propositions or opinions and their examination and argumentation: First, the "style" of traditional Chinese literature is a metonymy and symbol of "ritual style", while the verse style is its gestalt, which deeply involves the "literati"'s choice of language, behavior and construction of ideal personality. Secondly, the linguistic foundation of traditional Chinese literary styles is "Classical Chinese"; the Chinese language with its subjective unity is actually "Classical Chinese", and "Classical Chinese" was formed in the process of the transformation of Chinese prehistoric society from the form of "ritual and ritual culture" to the institutional form of "ritual and music civilization". It is a normative language that is not a natural language and has a natural connection with political ideology. Third, the structural contradictions of "classical Chinese", which are integrated and heterogeneous in "language and text", constitute the internal driving force for the development of "classical Chinese". Its historical development contains the internal logic of the trend of traditional Chinese literary style towards parallelism, poetry towards rhythmic style, and its transformation in response to the current situation. The whole book regards the stylistic construction of rhythmic poetry as an aspect of the generation and evolution of the vital Chinese ritual and music cultural tradition, and examines it as a whole, and then unfolds the presentation and revelation of the history and logic of the stylistic construction of rhythmic poetry.

Why can we always read the lament about the passing of youth from Li Qingzhao's "Know or not, know or not, it should be green, fat, red and thin"? From Xin Qiji's "Young people don't know the taste of sorrow, they forcefully talk about sorrow in order to write new words", do you think of the ignorant and fearless youth? From Qin Guan's "If the love lasts for a long time, how can it last day and night", we can read the deep-rooted lovesickness? And why can we always read the rich nostalgia of traveling far away from Li Shangyin's "Why should we cut the candles from the west window together, but talk about the rainy night in Bashan"? That's because these first-class poets and first-class poems have spanned thousands of years and told the joys and sorrows of each of us. Professor Yang Yu of Central South University has been deeply involved in Tang and Song poetry for more than 20 years. From more than 50,000 poems, he selected 40 poems. While interpreting the words, sentences, artistic conception, and creative background, he also took us to experience the "beautiful thousands of years" Chinese classical poetry from the perspective of applying the past to the present and combining Chinese and Western styles.

This book is mainly about what the author saw and heard when he participated in charity activities such as poverty alleviation and education support, as well as some of his own insights through education support. It reflects the changes in his mental process and inner growth in this series of charity activities. Through the frequent contact with some people who come to Beijing to work and start up businesses around the living radius, the author feels that these people who serve Beijingers (such as door-to-door scrap collectors, SF Express guys, take-out guys, etc.) Have their own enthusiasm for Beijing, the changes in understanding brought about by coming to a big city, and the difficulty of struggling in the process of pursuing dreams and yearning for a better life. By describing the growth stories of three generations of family members and some of their empathic thoughts about what they saw, heard and felt during the period of material scarcity in the past, it reflects the changes in life in the new era and the importance of poverty alleviation. At the same time, through contact with children in poor mountain villages, they feel the importance of education and show the pursuit of life dreams by people in different situations.

"Pitching to Him" ​​is an early prose work by Mr. Mu Tao, the author of the 6th Lu Xun Literature Prize.

History is the wine of literati, the hair of girls, the work of farmers and merchants, and the imagination of artists... History is the cool moonlit night when the river surges, the orange peel scratched by green-white fingertips, the ruthless banter in official circles, and the sweet affection in the spring night tent... History is not stones and iron plates, history is love and hatred, frustration, grievance, regret, but also beauty, touching, persistence and courage.

The historical blank of innocence, the gray and dark seventies, love is hanging with a hook, the impetuous and charming night in the city, the art of simple living, the investigation of men and women in crisis, love and 11 freckles in the Internet age, I don't love men who are not astringent, and it is more difficult to marry a woman who buys a house.

This book is an early prose work by Mr. Mu Tao, the author of the 6th Lu Xun Literature Prize. Well worth a visit.

Who is the real author of "A Dream of Red Mansions"? What is the true meaning of Dream of Red Mansions? These issues have always been debated. This book is another masterpiece by the famous psychologist Zhu Jianjun. Some authors use dreams as a starting point, combined with psychological analysis, to sort out more than ten kinds of arguments about the author of Red Mansions, and finally reveal the true author of the Dream of Red Mansions - the historical figure Zhu Yunwen. The second part of the book analyzes the character and destiny of various characters in "A Dream of Red Mansions" from a psychological perspective, and elucidates the subtle meaning of "A Dream of Red Mansions". The book takes psychology as the starting point and provides a unique perspective for interpreting Red Mansions.

Prose cannot be written with water, but with ink, the thicker the better. In the author's opinion, there are two ways to study prose: one is taken by academics and literary theorists. This is the main way, which is to do academic research. The other path is taken by editors. Although it is somewhat distant from learning and scholarship, it is still a broad path. For example, prose is about grain, wheat, rice, or corn. Academicians and literary theorists study it in granaries and seed breeding centers. The editor did research in the fields, on the threshing floor, and even in the market. Therefore, the "grain" in the eyes of the editor may not have been dried thoroughly, may contain chaff, and may still retain the noise of the market, but one thing is more precious, this is first-hand information.

"Looking at the Literary World with the Naked Eye" is an early prose work written by Mr. Mu Tao, the author of the 6th Lu Xun Literature Prize, in which he criticized some literary and artistic phenomena of that year.

The content of this book is divided into two categories: one is emotional essays with story elements, and the other is gender commentary with unique viewpoints and humor. The content focuses on topics such as "love", "gender", "men and women" and "family", with a straightforward but charming interpretation. The author has a cautiously optimistic attitude towards love and marriage, but most of his views and tendencies fall behind the traditional understanding. Behind the rational and transparent words, there is a warm atmosphere.

This book is a collection of essays written mainly from the history and culture of the South, especially the Guangdong region. The author integrates his life experience into the scene, the depth of history, and the charm of culture, making the places, people and things he writes shine with brilliance. The language is poetic.

This book is a dialogue between art masters. The content is rich, thought-provoking and well worth watching.

The author traveled far and wide and wrote this collection of essays with the theme of wandering life with his true feelings that have never been extinguished. This is a work of personal writing, full of spirituality and intelligence.

This book is a collection of essays. The work uses a unique vision to carry out in-depth humanistic thinking on the scenery and objects seen while walking in Lingnan and Southwest China.

This book is a new prose book by writer Jiang Limin. His prose essays are characterized by freshness, naturalness, and unique insight. This is the result of his insistence on paying attention to reality, writing sincerely, and seeing people's true feelings. The "Yun", "Temperament", "Random Talk" and "Xingyin" articles selected in this book reveal the author's self and soul, chant his personality and special knowledge, are full of deep feelings and righteousness, and are readable and durable.

A good man is like a cup of hot coffee. I am interested in you, but you are not interested in me. Look at those purebred gentlemen. Their parents will not accept gifts this year... Fashion is like a pair of torn woolen pants. Internet writer, how much does your pig head cost per pound? There are bitches everywhere. When a man with a coquettish "lower body" is tender, the world becomes feverish. Don't borrow money from me. What kind of dish is "fainting"? In fact, I am very bad. I love "haha". I am not "55..." Brother, your brother didn't have money at that time. The girl who seduced me.

In the form of long documentary literature, combined with the national moral model selection activity initiated by the Central Civilization Office, this book comprehensively introduces the touching deeds of three national moral models, and explores the most outstanding moral shining points and noble qualities embodied in them. The book vividly depicts the splendid group portraits of moral models, uses the power of morality to influence and sublimate readers, and uses the power of role models to inspire and lead readers, thereby achieving a positive educational effect of promoting the traditional virtues of the Chinese nation and the core values of socialism among young people.

China's agricultural tax began with the "first tax mu" of Lu State in the Spring and Autumn Period. It was established in the early Han Dynasty and has a history of 2,600 years. From exploring ways to reform taxes and fees, gradually reducing the burden on farmers, and finally exempting agricultural taxes, it was a difficult, tortuous and long process. Many, many people did a lot of arduous work to promote the arrival of this historical moment. Looking back at the historical background of the time, Anhui's political courage and overall awareness are admirable. Anhui is "rising" from central China with a new attitude and becoming a new development highland.

"Women who read never grow old" is a collection of essays by Pan Xiaoping, a famous writer in our province. The whole book is divided into seven parts: "Modern Housewives", "Scholar's Rumblings", "The World Talks About Money", "Best-Seller Talk", "The Literary World" and "Outside the Circle". From the daily necessities of daily life to the elegance and customs of calligraphy and painting in studying and studying, the author picks them up and talks about them eloquently. Her profound academic background and humanistic reserve endow the author with a unique literati temperament and writing skills; while her straightforward "feminine" style of doing things makes her writing and thoughts full of personality.

In order to commemorate the 30th anniversary of China's reform and opening up policy and implement the spirit of the 17th National Congress, China Youth Press planned and published the "Heroic China" large-scale series of books. Through the development process of a group of cities over the past 30 years and the comparison of the old and the new, it reflects the great practice of China's reform and opening up in the past 30 years, summarizes the experience of building socialism with Chinese characteristics, examines the path of reform and opening up in the past 30 years with a scientific outlook on development, and provides experience for emancipating the mind and building a harmonious society.

This book is a collection of Woody Allen's drama works published in 2003, including three works: "Riverside", "Old Saybrook" and "Central Park West". These three stories revolve around the phenomenon of marital infidelity, written in a relaxed and humorous way, full of insight and highly readable. The characters are typical New Yorkers who appear innocent at first but then run into unexpected trouble or become embroiled in scandal. The work continues Woody Allen's enduring creative theme: the protagonist constantly makes excuses for himself, covering up what he has done, and then inevitably falls into infidelity and deception. All dramatic elements are cleverly presented with the help of Woody Allen's impromptu and concise dialogue, making people laugh and think deeply at the same time.

This book is Woody Allen's latest collection of short essays, including a total of eighteen articles, ten of which were originally published in The New Yorker and eight of which are new works. In the book, Woody Allen cuts into various cultural events from a unique perspective, such as popular movies being adapted into best-selling novels, a stuntman kidnapped by a mistaken star, Nietzsche's recipes and linear theory, and explores social news, such as the sale of prayers and conductive materials that can charge mobile phones. Fuhe Sotheby's auctions sky-high truffles, telling about trivial matters in life, such as nannies writing books to expose their employers, various ways to enter high-end kindergartens, gifted teenagers and false advertisements. In whimsical scenes, he uses extreme irony and banter to show the pitiful and ridiculous world in his eyes.

During Lu Xun's lifetime, there were not many research monographs on Lu Xun. Li Changzhi's "Criticism of Lu Xun" is a very distinctive monograph on Lu Xun. In addition to the preface, the book has five chapters. It starts from the relationship between "Lu Xun's ideological character and environment", analyzes Lu Xun's "several stages of spiritual development", then focuses on examining Lu Xun's achievements in literary creation, and finally boils down to "the essence of Lu Xun", forming a strict and complete system. This time, some new articles about Lu Xun written after the last century have been specially added, such as talking about Lu Xun's translation, a preliminary study of Lu Xun's aesthetic thought, literary historians Lu Xun, Lu Xun and Ji Kang, etc.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

Mr. Feng Zikai's writings and paintings are a masterpiece. This book is a derivative of the exchanges with his family during the editing process of Feng Zikai's collection. The manuscripts are a collection of prose chapters and wonderful paintings from Feng Zikai's travels, and are compiled into a book. The book touches on the great rivers and mountains of the motherland. Feng Zikai's writing is full of fun and unique flavor. It is accompanied by corresponding cartoons and has a far-reaching artistic conception. Write about Huangshan, old Shanghai, Jingdezhen, Lushan, Hangzhou, Yangzhou, the Forbidden City and other places. With a unique discernment, follow Feng Zikai's footsteps, travel all over the green mountains, and cultivate your mind. The writing explores history and uses close-range metaphors, often making a big difference out of the small, with an extravagant flavor; the painting is unique and witty, with subtle emotions and full of interesting writing. Painting people's feet are marked by clogs everywhere, carrying all the romances of the past and present on one shoulder. Well worth reading.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

Mr. Wu Mi has a special liking for "Dream of Red Mansions". He has held many lectures on Red Mansions at home and abroad. He is one of the first authoritative scholars to promote "Dream of Red Mansions" abroad. In the field of red learning, he is as famous as Hu Shi, Cai Yuanpei, Yu Pingbo, Zhou Ruchang and other red learning experts. His handed down articles on Red Mansions include "New Discussion of the Dream of Red Mansions", "Comments on the Story of the Stone", "The Literary Value of the Dream of Red Mansions", "A Dream of Red Mansions and World Literature", "Typical Characters of the Dream of Red Mansions", "Lessons from the Dream of Red Mansions", "Character of Jia Baoyu", "Character of Wang Xifeng" and "On Zicuckoo", etc., But they have not been collected and published so far. This topic intends to collect as many of his writings on Red Mansions as possible and compile them into a book. In addition to Mr. Wu Mi's own writings, this topic also collects the narratives of Wu Mi's dissemination of "Dream of Red Mansions" culture by Wu Mi's teachers and friends, and Wu Mi's comments on Hong Studies, in order to provide more comprehensive information for the study of Wu Mi's Hong Studies.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

Professor Li Yongdong's monograph "Literary Imagination and the Concept of the Nation-State in the City of the Republic of China" takes the literary imagination of the city in the Republic of China as the research object and explores the intrinsic relationship between the urban imagination and the concept of the nation-state. The main cities involved in the Republic of China are Nanjing, Chongqing, Beijing, Tianjin, Chengdu, etc. With a novel perspective and unique viewpoint, it expands the direction of urban imagination research. By grasping the identity of the city and the identity of the writer, we examine the literary imagination of the capitals (Beijing, Nanjing, Chongqing) and concession cities (Tianjin, Shanghai) of the Republic of China, and elucidate the mutual construction relationship between urban imagination and the concept of nation-state. It enriches the theory of urban imagination and nation-state, and uses the research method of urban inter-viewing to draw novel conclusions in the study of urban imagination such as Chongqing and Tianjin.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is compiled and annotated by Guo Yingde and Li Zhiyuan. It collects and compiles prefaces and postscripts of Ming and Qing opera literature, with more than 4,300 items, comprehensively presenting the complete appearance of Ming and Qing opera prefaces and postscripts. This book checks the source of the version as accurately as possible, selects an earlier and better version as the base, and adds collation and punctuation. It also provides detailed documentation on the time, people, events and other related matters related to the writing, publishing and dissemination of opera documents and their prefaces and postscripts. It examines the author's life story in depth and detail, and annotates the titles of relevant biographical documents. Providing rich and detailed literature to the academic community will help further explore the research on ancient Chinese opera literature, opera history and opera theory.

This book is a selection of Lu Xun's works specially selected for ordinary readers, especially young students, by Mr. Wen Rumin, a professor at Peking University and chief editor of Chinese textbooks compiled by the Ministry of Education. This book is divided into two volumes, both of which are representative and easy-to-read works of Lu Xun. The whole book is organized into genres and basically covers various types of Lu Xun's creations. There is a brief description in front of each genre, and an "inscription" in front of each work, which introduces the writing and publication of the work to help readers understand and appreciate the ideological content and artistic form of Lu Xun's works. Mr. Wen Rumin is a well-known expert on Lu Xun and has been devoted to the research of Chinese education in primary and secondary schools for many years. The concise and simplified version of Lu Xun's works that he compiled this time will surely meet the needs of most readers.

This book is first of all a semi-autobiographical work, using poetry to condense the author's life records of more than twenty years; in addition, the important spiritual essence of this book is the deep concern for "people". This is true whether you are writing about disadvantaged groups, writing about all aspects of society, or imagining history, thinking about philosophy and beliefs. The works are not sorted by time, but roughly by content. The language is relatively popular and fluent, and the reading has charm, depth and strength. Although it does not have advanced literary skills, it is quite rich in thought.

"Crescent Moon Collection" is a collection of poems written by Indian poet Rabindranath Tagore. It is mainly translated from the Bengali poetry collection "Children's Collection" published in 1903, as well as some English poems. The collection of poems focuses on depicting innocent and lovely children. The poet has created a number of angelic children's artistic images that are both spiritual and physical, sparkling. The mother in the poem has a holy radiance. The little poems describe the child's innocence, the mother's love for the child, and the child's attachment to the mother, full of true feelings and childishness. The translator's poem translation not only ensures accurate translation, but also adds a sense of rhythm to the poem, which is more in line with Chinese language habits and has the characteristics of Chinese poetry. Based on everyone's translation, this collection of poems has been re-translated using expressions that are more consistent with modern people's language habits for everyone to appreciate together.

Yuan Haowen was a famous poet and literary theory critic in the Jin Dynasty. He had unique insights into poetry, advocated nature and purity, opposed stacking and carving, and advocated the restoration of the fine tradition of poetry since Jian'an. His "Thirty Poems" is a famous group of poems following Du Fu that uses the form of quatrains to elucidate the theory of poetry more systematically. It comments on many famous writers and schools from the Han and Wei dynasties to the Song Dynasty, indicating the author's literary views and having an important influence on later generations.

Extracurricular readings during the Republic of China period. This book is a collection of Turkish fables. Each fable is short, concise, philosophical and educational.

The Jianghu is the original officialdom, and the officialdom is the upgraded version of the Jianghu. This book explains the social rules in the Water Margin world, interestingly talks about the human relations between heroes, analyzes the leadership wisdom in the copycat rankings, and interprets the unique and wonderful life of the little people. It can be called the "Encyclopedia of "Water Margin"". After reading this book, children's inability to read and unwillingness to read "Water Margin" will become a thing of the past.

This book is a collection of essays based on overseas historical events and reviews of literary and artistic poetry. Among them, the article "Love Mountain Lu Mengying" mainly describes the mountains. Ling Shuhua loves mountains. She said that she has been closer to mountains than others in her life. In her writings, mountains do have a unique flavor. To her, they are a confidant, an elder, a playmate, or a lover.

Extracurricular readings during the Republic of China period. This book is a collection of Indian fables. Each fable is short, concise, philosophical and educational.