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This book is Professor Yu Qiuyu's most important work after "Cultural Journey", and it is also one of the important works in the field of contemporary Chinese literature and history. Professor Yu Qiuyu lamented that at present, "the cultural context is hidden, and the hills are called peaks; the healthy wings are far away, and the broken feathers are called peng." Therefore, this important and pioneering work is used to remind and compensate. Chinese context refers to the highest level of life undercurrent and aesthetic undercurrent in the development of Chinese literature over thousands of years. This book takes the origin of Chinese characters as an introduction, starting from the "Book of Songs", to the "Hundred Schools of Thought" and Chu Ci in the Spring and Autumn Period and the Warring States Period, to the great unification and the influence of the same text on literature in the Qin and Han Dynasties, Han Fu and "Unrhyme Li Sao" "Historical Records", Wei and Jin Dynasties The poems and literary talents of literati such as San Cao and the "Seven Sages of the Bamboo Grove", to Tang and Song poems, Yuan operas and Ming and Qing novels are all integrated in one go, connecting history and reality, blending literature and images, and interpreting the evolution of Chinese culture for readers.

This book is the first novel in Yu Qiuyu's writing career. It tells a love legend born in a desperate situation in life. The story takes place in ancient times. Meng He and Jin He, two men and women who have an incredible connection from the beginning of their names, met each other due to a dangerous encounter on the glacier, and became more and more popular. In that era, how men rebelled against their identity, and how women rebelled against their gender, a road to "breaking the ice" slowly unfolded. The ups and downs, interlocking tense plots, witty humor, and Yu Qiuyu's elegant and exquisite language style make the novel both easy to read and full of oriental beauty.

Yu Qiuyu is both famous and criticized. But when you follow him to the thousand-year courtyard and touch the thousand-year context of the ancient Chinese country; when you follow him to the vast desert, you point your finger at the Taoist priests and shed tears in Dunhuang; when you follow him to the depths of Su Dongpo's heart, lamenting that great talents fell at the hands of villains; when you follow him to walk the back of a dynasty and meditate on the rights and wrongs of three hundred years... You will suddenly realize: Yu Qiuyu's fame is justified! It embodies history in long talks and culture in beautiful articles. The vicissitudes of life are fully revealed in the writing, and the emotions in the article are rushing. Reading it will make you feel, make you think, make you sigh, make you burst into tears, and make your blood boil. Only Yu Qiuyu in today's literary world has this level of cultural and historical prose! Yu Qiuyu is both famous and criticized. But when you follow him to the thousand-year courtyard and touch the thousand-year context of the ancient Chinese country; when you follow him to the vast desert, you point your finger at the Taoist priests and shed tears in Dunhuang; when you follow him to the depths of Su Dongpo's heart, lamenting that great talents fell at the hands of villains; when you follow him to walk the back of a dynasty and meditate on the rights and wrongs of three hundred years... You will suddenly realize: Yu Qiuyu's fame is justified! It embodies history in long talks and culture in beautiful articles. The vicissitudes of life are fully revealed in the writing, and the emotions in the article are rushing. Reading it will make you feel, make you think, make you sigh, make you burst into tears, and make your blood boil. Only Yu Qiuyu in today's literary world has this level of cultural and historical prose!

Only after writing it down did I realize that truth is more literary than literature. From classical to absurd, from calm to climax, there is everything you need. But what is "reality"? I repeatedly fell into the distress described by everyone from Zhuangzi to modern Western philosophers. Does this world need reality? If so, to what extent? I don't know much about these issues. After many layers of screening, I can be sure of only one truth: many people related to me are dead. I wanted to talk to them, whether they could hear me or not. Hence the book in front of me... To this day, I have never used a computer, and this manuscript is still written word for word with a pen. I don't know how many people will maintain this way of writing in the future, so I cherish this book as "purely handwritten memory literature."

This book is a series of readings edited by the famous writer Yu Qiuyu. It contains many classic ideological, humanistic and social science articles and has strong reading and collection value. There is great stability in the realm of soul and spirit. There are also flying clouds and unpredictable changes, but you can see the deep starry sky every night. Flowers will bloom and fall there, and time will not stand, but it cannot change the mountains and rivers of the ages. Those Nordic heroes saw the deep starry sky and ancient mountains and rivers in this field and rewrote their lives.

The author of this book uses wise language and popular stories to artificially construct a rich and profound humanistic picture. Then he enters into a direct chant, and then spreads all kinds of reveries and discussions about Chinese culture with a sweeping momentum. In this publication, a large number of pictures from China National Geographic magazine have been added, making the book rich in pictures and text, colorful, and more readable and visually impactful.

This book collects Yu Qiuyu's representative works created over more than thirty years, accumulating the author's twenty years of cultural investigation around the world, thirty years of academic research, forty years of continuous creation, and fifty years of classical cultural cultivation. It can be called the perfect crystallization of Yu Qiuyu's thirty years of cultural thinking. Chapters such as "Taoist Tower", "Ashamed of Shanxi", "Wind and Rainy Pavilion" and "Chinese Context" have all become contemporary classics. "Chinese Culture" explores the main spiritual vein of the Chinese people, "Taoist Tower" reproduces the historical vicissitudes of Dunhuang culture, "Wind and Rain in a Pavilion" understands the spiritual core of Chinese culture, "Huangzhou Breakout" explores the personality ideals of Chinese literati... Interpret Chinese culture and pursue human civilization.

"Yu Qiuyu's Calligraphy (Volume 6): Translation and Writing of the Heart Sutra" contains three types of editions: the Putuo Mountain edition, the Baohua Mountain edition and the Yachang edition. Among them, the author is more satisfied with the cursive text engraved on Baohua Mountain. Putuo Mountain and Baohua Mountain are both famous Buddhist holy places. It is a great event to have a copy of the Heart Sutra engraved in such a holy place. The book also collects the Heart Sutra works of seven calligraphers from past dynasties for readers to compare and appreciate. As Yu Qiuyu himself said: "I cooked a table of dishes with all my heart. I just wanted to let my neighbors, relatives and friends taste it. What is home-cooked food like if it is not made by a professional chef."

Ignorance - barbarism - civilization, this is really an old and old topic. Anthropologists often regard them as the three major stages of early human evolution. So of course we have already entered civilization, and over tens of millions of years, we have already entered a fully mature civilization. Everything we do seems to have some tacitly recognized preconditions.

This book consists of: "World Theater", "History of Chinese Theater", "Artistic Creation", and "Audience Psychology". "World Theater" is the starting point of Yu Qiuyu's lifelong academic journey. It is a comprehensive review of the theater history of more than a dozen cultural countries in the world. It is still the only textbook on this subject, and no other book can replace its status. "History of Chinese Drama" is the first work to study the history of Chinese drama from the standpoint of cultural anthropology, and reminds readers from a beautiful perspective: who we are. "Art Creationology" spent seven years in the lovely 1980s, carefully studying the aesthetics and art of fourteen countries, and finally discovered that all great works of art have two secrets of success. "Audience Psychology" Traditional art is accustomed to teaching from a high platform, announcing from top to bottom what art should be. In fact, we should do the opposite, from bottom to top, and fundamentally detect the audience's psychology when accepting. His life was rich, but he never left academia. For this I am deeply honored. I am a ship traveling far away, forever in the mist, and academia is a magical harbor that pulls me, protects me, comforts me, and stabilizes me with a series of invisible cables.

"Sky Island", to borrow what Mr. Yu Qiuyu wrote in the inscription: "I wrote a suspense mystery novel in a historical documentary style." It seems that two expressions that are far apart, but they present us with a perfect fusion.

"Extreme Beauty" mainly selects three cultures that are unique to our country in the world: calligraphy, Kun Opera, and Pu'er tea. The so-called "cultural aesthetics" refer to those specific works that are irreplaceable by other cultures and have reached an excellent level and have always been recognized and shared. Calligraphy, Kun Opera, and Pu'er tea are neither weird nor uncommon, but they cannot be completely grasped by a foreigner from afar. Any culture will have a large number of external declarations and signs, but in the secret places, there are several "fate points" and several "birthmarks" hidden. These three items are the "fate points" and "birthmarks" hidden in Chinese culture.

"The Way of the Gentleman": The core secret of all cultures is collective personality, and the personality ideal of Chinese culture is the way of the gentleman. Gentleman's Way is to China what chivalry is to Europe and Bushido is to Japan. "Not knowing the way of a gentleman is like a Chinese who cannot clearly explain who he is!" "Lectures at Peking University": the most intelligent classroom discussion, the most sincere response to life, and the most unforgettable 47 lessons that shocked both sides of the Taiwan Strait. The first book purchased by Ma Ying-jeou during his inspection of the Taipei Book Market is a definitive history of Chinese culture that every Chinese should read. Newly updated book, enter Peking University, follow Yu Qiuyu, and start an exciting journey of Chinese culture. "Glacier": Yu Qiuyu's first novel. Meng He, a stunningly beautiful woman, won the first place in a "Lady Provincial Examination" and attracted a large number of suitors. However, she secretly disguised herself as a man and took a boat to the capital to find her biological father. On the way, the ship suddenly encounters ice and snow, and everyone encounters a life-or-death test of survival, triggering a series of confusing accidents and tribulations, and leaving behind an agarwood-like love legend.

This book starts from my country's three unique cultures (calligraphy, Kun Opera, and Pu'er tea), and systematically studies the origin, formation, development, and maturity of calligraphy, Kun Opera, and Pu'er tea in the long history of Chinese cultural development. The whole book uses the form of "historical narrative" to freely select history and conduct aesthetic discussions. It is a unique example of the elaboration of Chinese culture and oriental aesthetics. It is both vivid and thoughtful.

This book is the complete record of the "History of Chinese Culture" course taught by Yu Qiuyu at Peking University. The first part is a lightning-fast "flash question" and "flash answer" between students from Peking University, National Taiwan University and Mr. Yu Qiuyu, covering a large number of difficult topics in contemporary society. But from time to time, it seems so crisp, cheerful, humorous, and full of pleasure to read. It has been praised by critics as "a cultural philosophy struck in a state of high-speed movement." The second part uses forty-eight lessons to connect the development of Chinese culture from the Hongmeng stage to the May 4th Movement. The dialogue between Mr. Yu Qiuyu and the students is the essence of speculation and is also a re-selection and discovery of history and culture. Enter Peking University, follow Yu Qiuyu, and begin an exciting journey of Chinese culture. The final version was personally authorized by Yu Qiuyu, who re-edited all articles.

This book mainly selects three cultures that are unique to our country in the world: calligraphy, Kun Opera, and Pu'er tea. The so-called "cultural aesthetics" refer to those specific works that are irreplaceable by other cultures and have reached an excellent level and have always been recognized and shared. Calligraphy, Kun Opera, and Pu'er tea are neither weird nor uncommon, but they cannot be completely grasped by a foreigner from afar. Any culture will have a large number of external declarations and signs, but in the secret places, there are several "fate points" and several "birthmarks" hidden. These three items are the "fate points" and "birthmarks" hidden in Chinese culture.

This book contains the works of Yu Qiuyu, one of the eight major contemporary Chinese prose writers. These proses are rich in content, including the beautiful scenery of the south of the Yangtze River with beautiful scenery, small bridges and flowing water, and scenes of the capital such as small courtyards and small alleys. From the perspective of childhood, he writes about ordinary people's trivial matters, records nostalgia and folk customs, talks about flowers, birds, insects and fish, examines poems and allusions, and improvises his occasional thoughts and narrations. The spiritual temperament and artistic charm of the work exert a strong influence on readers, and they can feel a unique joy of being a little person from Zhongyou.

"A Brief History of My Family" tells the many unknown experiences of Yu Qiuyu and his family, from his predecessors to himself, picking up a pen at the bedside of his father's death bed, and writing a eulogy for his mother. This book uses brand-new content to describe the ups and downs of an ordinary family in modern China over a century, as well as Yu Qiuyu's spiritual growth. The book involves many unknown experiences of Yu Qiuyu and his family, from his predecessors to himself, picking up a pen at his father's death bedside, and writing a eulogy for his mother. Yu Qiuyu's long-criticized Cultural Revolution experience, the whole story of the "Fraudulent Donation Sect", her "divorce" with Ma Lan, and even her first marriage and her adopted daughter, which she did not respond to positively at all, will also be given a complete and solemn account in this book.

Recommended by famous writers such as Bai Xianyong, Yu Guangzhong, Jin Yong, and Jia Pingwa, it is a book of cultural enlightenment that has influenced the cultural values ​​of three generations of Chinese. "Cultural Journey": First published in 1992, it is a work written by Mr. Yu Qiuyu during his lectures and inspections at home and abroad in the 1980s. It is his first collection of cultural essays. The whole book mainly consists of two parts, one is historical and cultural essays, and the other is memory essays. This book is loved by thousands of readers for its brilliant literary talent, rich knowledge and unique insights. This created a generation of "historical prose" style of writing, allowing the world to regain the value of Chinese culture. "Chinese Context": The core chapters of this book, "Chinese Context" and "History of Pen and Ink", vividly reveal the spiritual main thread of three thousand years of Chinese literature, as well as the three thousand years of Chinese calligraphy history as the carrier of context. It is a brand-new work of Professor Yu Qiuyu, which has never been published before. After these two core chapters, there is a detailed discussion of the cultural context of each era. Through the reading of the life course and works of 23 Chinese literati, the spiritual context of the Chinese people is deeply analyzed, revealing the hidden worries and concerns about the long-term decline of the Chinese literary world, forming a rare "History of Chinese Cultural Personality" and "History of the Evolution of Aesthetic Spirit". "What is Culture": In this book, after in-depth observation, the author uses personal experience and vivid feelings to interpret the fundamental question "What is culture?" From the four levels of academic theory, life, earth and classics, we analyze what is missing in a culturally powerful country, from the elite to the public psychology. This book can be said to be a very valuable crystallization of ideas after a civilized tour. "Book of Mountains and Rivers": This book is an expanded and renamed version of "Notes on Mountain Dwelling". Many of Professor Yu Qiuyu's classic articles are included in this book. The core chapter of this book, "My Cultural Mountains and Rivers", provides a macro overview of the spatial significance of China's mountains and rivers, which is extremely shocking to read. After the core chapter, there are the footprints of Professor Yu Qiuyu's more than 20 years of inspection of the Chinese cultural scene.

Yu Qiuyu spent more than ten years exploring. In the study of Chinese and Western cultures, he dissected the collective personality of the Chinese nation from the accumulation of thousands of years of Chinese culture. The core secret of all cultures is collective personality, and the personality ideal of Chinese culture is the way of a gentleman. The whole book systematically introduces the outline of the gentleman's way, explores how a gentleman deals with the relationship between being a human being, conduct in the world, reputation, and freedom; it elaborates on the spiritual insights gained from Buddhism when facing life problems; at the same time, it provides contemporary young people with a more adequate international perspective, understanding how wise men from all over the world view life, years, and death, and explores the way of life with the way of a gentleman. The Way of a Gentleman is the key to understanding Chinese culture. "To be a gentleman is to be a qualified and ideal Chinese. I have always believed that the reason why Chinese culture has not declined is that the gentleman has not died and his personality has not collapsed." Based on the twenty-four famous sayings in this treatise, the final version adds 36 new famous sayings to form the "Sixty Famous Sayings about the Way of a Gentleman", which explains the gentleman's style and wisdom one by one. Pursue the way of a gentleman and lock in the right path of life.

This book collects Mr. Yu Qiuyu's essays about his life story and life insights, revealing his mental journey and revealing the destiny of China's new generation of intellectuals. This series not only presents the above-mentioned works, but also includes more than a thousand exquisite pictures. The purpose is to allow readers to have an immersive and elegant feeling when following Mr. Yu Qiuyu's footsteps.

"The Book of Mountains and Rivers" hardcover edition. The first revised edition of Yu Qiuyu's masterpiece "Notes on Mountain Dwelling" was published 15 years ago. Professor Yu Qiuyu spent five years specially revising and adding to the book, and reorganized it in chronological order to make the book more systematic and perfect. The core chapter of this book, "My Cultural Mountains and Rivers", provides a macro overview of the spatial significance of China's mountains and rivers, which is shocking to read. Never published before. After the core chapters, there are the most essential chapters such as Professor Yu Qiuyu's more than 20 years of inspection of the Chinese cultural scene - "Cultural Journey" and "Notes on Mountain Dwelling".

This book is Yu Qiuyu's latest collection of prose essays, which uses "the way of a gentleman" as an entry point to tell the story of Chinese culture. Analyze the gentleman, praise the gentleman, and praise the tradition.

"Journey to Europe" is one of the series "Following the Footsteps of Yu Qiuyu". The background of this series was that Mr. Yu Qiuyu walked out of his study 15 years ago because he was confused by "the serious disconnect between his study writings and the actual cultural phenomena." After traveling through most of China, I set foot on the Eurasian continent, visiting the birthplaces of ancient civilizations such as Mesopotamia, Egypt, Israel, the Arabian Peninsula, Greece, Rome, Iran, and India, as well as many European countries. Gain insights while walking, comprehend while touching, think while crossing, and narrate through candlelight...

"A History of Chinese Drama Culture" is the work of writer Yu Qiuyu. This book is a monograph that studies the history of the development of Chinese drama. This book is a monograph that studies the development history of Chinese drama. The text consists of six chapters. The author believes that, like other birthplaces of ancient civilizations in the world, the elements of beauty in Chinese drama must also be found in primitive singing, dancing and witchcraft etiquette. The ancients came to the door of drama through mimetic performances of singing and dancing. Even at this initial stage, Chinese culture has developed a subjective artistic tendency and a "gentle and honest" style that are completely different from Greek tragedy.

This book is a newly revised edition of "Notes on Mountain Dwelling". Many of Professor Yu Qiuyu's classic articles are included in this book. The core chapter of this book, "My Cultural Mountains and Rivers", provides a macro overview of the spatial significance of China's mountains and rivers, which is extremely shocking to read. After the core chapter, there are the footprints of Professor Yu Qiuyu's more than 20 years of inspection of the Chinese cultural scene. Professor Yu Qiuyu often said: "The road is the book, and there are no books outside the road." In this book, Professor Yu believes that Chinese culture has the three largest lines between heaven and earth, which can also be said to be the basic latitude and longitude of Chinese culture. In order of importance, the first line is the Yellow River; the second line is the Yangtze River; and the third line is more complicated. To the north of the first two is the dividing line of 400 millimeters of rainfall, which is the line between heaven and earth that distinguishes agricultural civilization from nomadic civilization. His cultural investigation was mainly a long journey on these three lines between heaven and earth.

The selection criteria for content selection in "Yu Qiuyu Reader" mainly focus on the way of expression rather than the content of expression. When authors write articles, sometimes they want readers to pay attention to their own topics, and sometimes they want readers to pay attention to the "article" itself. This choice should focus on the latter. Among the topics, only the most superficial division is made: the first volume is about life experience, the middle volume is about domestic travel, and the second volume is about overseas travel.

The book "Cultural Journey" was first published in 1992. It is a work written by Mr. Yu Qiuyu during his lectures and inspections at home and abroad since 1989. It is his first collection of cultural essays. The whole book mainly consists of two parts, one is historical and cultural essays, and the other is memory essays. His prose is unique, seeing things that ordinary people have never seen, and thinking that ordinary people have never thought of. He is good at taking readers step by step into the long river of history and culture in his beautiful words, enlightening philosophical thinking and arousing emotions. It has extremely high aesthetic value, historical and cultural value. However, due to the great influence of this book, while it has brought countless halo and fans to Mr. Yu Qiuyu, it has also brought countless troubles and piracy. His fame spreads all over the world, but his "slander" also goes with him. Exhausted both physically and mentally, Mr. Yu Qiuyu decided to personally revise and re-edit this book. "Cultural Journey (Revised Edition)" is a revised self-selected collection of Mr. Yu Qiuyu's 30 years of historical and cultural prose, with 18 new articles. Among them, the classics such as "Taoist Tower", "Mogao Grottoes" and "Dujiangyan" that were selected as textbooks have all been rewritten and revised. Compared with the old version, the new version contains more than two-thirds of the new and rewritten chapters, which is a brand new reading experience and humanistic enjoyment for both new and old readers. It can be called the perfect crystallization of Yu Qiuyu's 30 years of unremitting cultural investigation and life thinking.

This book changes the usual way of writing traditional drama history. It is not limited to low-level academic work such as historical data review and repertoire collection. It gets rid of the shortcomings of replacing "historical knowledge" with "historical data". From the perspective of cultural anthropology, it connects the history of Chinese drama with the history of Chinese people's spiritual dynamics, and examines the psychology of a nation and an era group. Basically ask: Why do humans need drama? Why can't China produce dramas for so long? Why did the Yuan Dynasty become the golden age of Chinese drama? Why did the Ming Dynasty have performances that brought joy to the people again and again?

The history of Chinese culture and world culture in the minds of contemporary people, with first-class beauty and depth. The new edition of "The Complete Book of Cultural Journey" is divided into six volumes. Two of the volumes are about China, two are about the world, and two are about ourselves. This launch is about the world, and dozens of articles are published for the first time.

This book is a selected collection of Yu Qiuyu's cultural prose. It is the representative work of Yu Qiuyu's many years of creation, and it is also a selection recognized by Yu Qiuyu himself. The selected articles include classics such as "Dujiangyan", "Taoist Tower", "Yangguan Snow", "Sorry for Shanxi", "Wind and Rainy Sky Pavilion", etc. It also includes Yu Qiuyu's works with excellent literary style such as thinking about life, discussing aesthetics and recalling old friends. Yu Qiuyu personally visited cultural sites, measured the Chinese cultural context with his steps, took the responsibility of protecting and inheriting Chinese culture, and explored Chinese civilization. His articles were filled with eternal worries, soul-stirring, enlightening, and influenced a generation of readers. Some of his works have been included in Chinese language textbooks for primary and secondary schools.

This book is Mr. Yu Qiuyu's latest collection of prose works in recent years. It is also a twilight scholar's concluding thoughts on life and culture. It can be said that the founder of "cultural prose" has dedicated a "little cultural prose" to explore the ultimate meaning of life and the supreme quality of culture with noble conciseness. The book is divided into three parts: the first part, "The Fulcrum of Life", presents the author's life beliefs and philosophy of life; the second part, "Thousands of Miles into the Heart", awakens various discoveries and feelings in the journey of life; the third part, "Searching for Souls in Literature and History," reveals the basic appearance of high-level culture and sorts out a series of highlights of Chinese cultural context.

This book contains more than 40 essays, including "Ashamed of Shanxi", "Three Gorges", "Xinke", etc.

This book collects a small number of articles written by the author during his fifteen years of investigating Chinese culture and world culture. Although the author's investigation took many steps, he was mainly looking for the "meridian systems" and related "acupoints" of major civilizations. Therefore, the difficulties encountered along the way were twofold: the difficulty of traveling and the difficulty of thinking. No matter how relaxed and free-spirited these articles readers see on the surface, every word is accompanied by the all-round suffering of life. There are many chapters that examine Chinese culture and are edited and reprinted. This time, the selection is mainly focused on the author's examination of world culture.

"The Frost-Cold River" is divided into four volumes, with the main content being: Volume One: Warriors, Mid-Autumn Festival, Glass, Fishing, Teachers, Elders; Volume Two: About Friendship, About Reputation, About Rumors, About Jealousy, About Kindness, About Age, and the Last Lesson; Volume Three: The Kidnapper's Paper Tasks, Intelligent Nightmares, Cultural Sensitive Zones, Such Men, The Fable of the Bridge, The Reality of Regret, Components of the Hydrogen Bomb, Wandering Women in Troubled Times, Colorful Questions, Expanding Snowballs, The Wolf in the Heart, Reducing Oneself; Series 4: Replying to Letters under the Lamp, Covering the Book and Meditating, and Swing Frame.

This book is an inscription that the author was invited to write for various major cultural sites, and the calligraphy was also done by the author, so it is called an inscription. These include the "Stele of Emperor Yan", "The Stele of Famen Temple", "The Stele of Caishiji", "The Stele of Zhongshan", "The Stele of the Great Holy Pagoda", "The Stele of the Golden Bell Tower", etc. It has never happened before that so many top cultural sites have invited a cultural figure without official position to write inscriptions. The inscriptions written by the author look back at history with modern concepts and are written in a classical style that can be read smoothly by most contemporary travelers.

This book is a collection of Yu Qiuyu's essays, including "Young People's Reading", "Searching for Cultural Scenes", "The Back of a Dynasty", "Distant Death", "The Last Lesson", "The Last Wisdom of Life" and other articles. This is a book compiled for students. Young students read some literature and learn some writing, not mainly to become writers in the future. When literature is seen as a non-professional life quality, and when writing is seen as an inter-professional social training, they will become truly important. Only in this way can excellent professional writers have a broader acceptance platform.

Yu Qiuyu's calligraphy is gentle and elegant, but the elegant calligraphy style reveals strong writing power and rich rhythm. In addition, the content written is highly literary and there are many classic masterpieces. It can be said that this is the vane of contemporary literati calligraphy. It will definitely lead an artistic trend and I believe it will be very popular among calligraphy enthusiasts. This book is a calligraphy work by Yu Qiuyu. It writes the full text of Zhuangzi's "Xiaoyaoyou". Another wonderful feature is his "modern translation". He uses the form of modern prose and a clean and warm writing style to explain "Xiaoyaoyou", allowing modern readers to appreciate ancient classics through "contemporary beautiful prose".

This book is an essay by Mr. Yu Qiuyu that explains the art of drama from the perspective of audience psychology through the analysis of dramas such as "The Orphan of Zhao" and "Othello" and the interpretation of creative examples of performing artists (Mei Lanfang, etc.) And playwrights (Shakespeare, Molière, etc.). It also provides a vivid interpretation of dramatology and even psychology in a prose style, which is very attractive. Since its publication in the 1980s, it has been widely praised and has basically established the popular writing characteristics of Yu Qiuyu's academic works. It has become an important reference book for art performance candidates and a must-read for university performance majors.

This book is Mr. Yu Qiuyu's masterpiece of artistic essays. It was published in the late 1980s and has been reprinted many times over the past 20 years, winning Yu Qiuyu great reputation. The writing is very smooth and as enjoyable as a cultural prose. This book is a brief tutorial suitable for the practice of artistic creation. The author uses international aesthetic thinking and his own aesthetic experience as standards to construct a concise, lightweight and rich theoretical framework, allowing readers to understand the deep mysteries of artistic creation without knowing it.

This book is a selection of Yu Qiuyu's works. Fifty-eight articles were selected from Yu Qiuyu's masterpieces "A Sigh for a Thousand Years" and "Walker Without Borders", and were divided into the following volumes according to the themes of the articles: Banks of the Nile, Lament of the Ganges, Solomon's Pillars, Babylonian Pathos, West Wind Sunset, Temple Inscriptions, Rise and Fall of Ivory, Old Doors in Alleys, Pursuit of Germany, Oxford Fairy Tales, and Slamming Doors. This book almost collects the essence of Yu Qiuyu's historical prose on foreign themes, and it can be called an excellent work in the collection.

Yu Qiuyu is both famous and criticized. But when you follow him into the millennium courtyard and touch the millennium context of the ancient Chinese country; when you follow him into the vast desert and point your fingers at the Taoist priests who shed tears in Dunhuang; when you follow him into the depths of Su Dongpo's heart, lamenting that great talents fell at the hands of villains; when you follow him into the back of a dynasty and meditate on the rights and wrongs of three hundred years... You will suddenly realize: Yu Qiuyu's fame is justified!

This book is a selection from all the works of Mr. Yu Qiuyu. The whole book is divided into sixteen chapters, which are about the taste of life, personal dignity, etc. All revolve around the theme of "life". Yu Qiuyu added a lot of new content to this book, which is the first time he has published it since he "closed the pen". His writing style and ideological accumulation are obviously different from his previous works. The entire selection of quotations strives to reflect the unique "Yu Qiuyu characteristics".

This book is a collection of works by cultural scholar Yu Qiuyu. It contains seven volumes: "The Book of Mountains and Rivers", "Chinese Context", "Lectures at Peking University", "The Way of a Gentleman", "Purity of Culture", "Aesthetics of Taste", and "Stele Writing and Translation". It systematically analyzes the mysteries of Chinese culture in time, space, personality and aesthetics, and opens up a high-level way to "read China". The writing is beautiful and rich in history, culture, era and national spirit, so it is widely praised and read by many readers.

"Stage Philosophy" condenses Yu Qiuyu's academic masterpieces on drama theory. Yu Qiuyu's academic monographs "History of Drama Theory" and "Aesthetic Psychology of Drama" are both masterpieces in the mainland drama theory circle. Open this volume. Yu Qiuyu will take you to Guichi Nuo and Kun Opera, to Guan Hanqing and Tang Xianzu, to Li Yu and Hegel... Read "Autumn Rain Culture" and once again feel the cultural feast and cultural shock brought by Yu Qiuyu. Read "Autumn Rain Culture" and calmly take a panoramic view of Yu Qiuyu's decades of cultural cultivation and development.

The authors who have high evaluations of pre-Qin literature are Zhuangzi and Qu Yuan. Many people have done modern translations of Qu Yuan's "Li Sao" in modern times, and some have even tried to use modern poetic styles to translate it, but the results have been bumpy. The modern translation of this book is based on rigorous research and revision, eliminating academic traces and retaining the poetic sentiment of the original work across time and space with transparent modern prose. The author once read this modern translation aloud when teaching at Peking University, and it was well received by contemporary young students. The author's self-expectation for this modern translation is to leave a contemporary text as beautiful as possible for "Li Sao".

This is a collection of essays, with the theme of slow life, more than 20 articles selected from the author's old articles, totaling about 130,000 words, divided into four groups, namely "Slowly Walking in China", "Slowly Viewing the World", "Slowly Enjoying the Beauty", and "Slowly Savoring the Floating Life". "Slowly Walking in China" is a cultural essay about Yu Qiuyu's personal inspection of the key sites of Chinese culture; "Slowly Viewing the World" is a travel essay about Yu Qiuyu's exploration of ancient civilization sites in the world such as Rome, Egypt, and Iraq; "Slowly Enjoying the Beauty" is Yu Qiuyu's appreciation of China's three unique cultural masterpieces: Kun Opera, calligraphy and Pu'er tea.

Yu Qiuyu's calligraphy is gentle and elegant, but the elegant calligraphy style reveals strong writing power and rich rhythm. In addition, the content written is highly literary and there are many classic masterpieces. It can be said that this is the vane of contemporary literati calligraphy. It will definitely lead an artistic trend and I believe it will be very popular among calligraphy enthusiasts. This book is a calligraphy work by Yu Qiuyu. The so-called "inscription" means that he inscribed the names of the monuments and engraved them on the prominent "facades" everywhere. Each inscription has an explanation, and the combination of text and calligraphy expresses Yu Qiuyu's historical concepts and cultural and artistic experience.

"Drama Aesthetic Psychology" is the first time in my country that it starts from the aesthetic psychology of the audience, systematically studies how dramatists understand the audience, adapts to the audience, conquers the audience, and improves the audience. It integrates drama theory, aesthetics, and psychology. In terms of writing, it pays attention to the combination of academic and popularization, explains the profound things in simple terms, and is lively. It is currently a relatively new and systematic book on audience psychology in my country. It is a useful reference book for drama workers, drama aesthetic researchers, and drama lovers.

This book is a record of Yu Qiuyu's personal visits to the world's four major ancient civilizations, the birthplaces of the five major civilizations, and the birthplaces of major religions. He faced the human culture that has traveled through thousands of years, and described the past and present, the glory and decline of ancient civilizations with calm and clear strokes. This trip spanned three continents: Asia, Europe, and Africa. He, Chen Luyu, Xu Gehui, Wu Xiaoli, Zeng Chengyi and others traveled to many foreign countries such as Greece, Egypt, Israel, Jordan, Iraq, Iran, Pakistan, India, Nepal, etc. Finally, they returned to their homeland of China, where they devoutly visited the snow-covered plateaus and ancient capitals of the Central Plains, and listened to the ancient voices of history.