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This book includes two volumes: "The Journey of Taro" and "The Remaining Person of Lonely Life". "Titaluo Xing" is like a letter home written by Yu Dafu to Mrs. Sun Quan. Different from reading other novels, reading Yu Dafu's novel is like a close friend confiding his resentment and pain in your ear, making you empathize with the protagonist's plight. When reading "Titaluo Xing", it is difficult for us to regard ourselves as a bystander listening to a story that has nothing to do with ourselves. Instead, we are pulled into "my" life by "me" from the beginning, and are surging with the ups and downs of "my" emotions. "With the Remaining Persons of Lonely Life" collects Yu Dafu's letters and conveys to readers the soul-stirring poetic sentiment permeated by Yu Dafu's prose. This book unabashedly expresses the depressed mood of a talented intellectual in a turbulent society, showing a series of sentimental, melancholy, beautiful and meaningful pictures.

Yu Dafu is a literary giant in the history of modern Chinese literature, a famous novelist, essayist and poet in modern my country. His prose is without exception "self-expression", and it is an "autobiographical" self-expression. In his prose, he unabashedly revealed his life experience, thoughts, feelings, and hobbies, and exposed his beliefs, habits, and personality to the world. With his own life experience and feelings, he concentrated on the spiritual depression of the young generation under the oppression and suffocation of the old society, thus forming his own unique prose characteristics. This book collects Yu Dafu's most wonderful prose, conveying to readers the soul-stirring poetic mood permeated in Yu Dafu's prose. This book unabashedly expresses the depressed mood of a talented intellectual in a turbulent society, showing a series of sentimental, melancholy, beautiful and meaningful pictures.

His childhood and adolescence were spent in the unforgettable places of Fuyang and Hangzhou. The green and blue Fuchun landscape and the unique scenery of Xizi nourished and cultivated Yu Dafu's talents and feelings. An extremely important part of his fresh, fluent and passionate prose is the description of the mountains, waters and secular scenery of his hometown, leaving for future generations a colorful and thought-provoking picture.

"Prosperity Wanders into Autumn for Love" collects the most classic, purest and most exquisite works written by Yu Dafu, including novels and essays. Most of the novels in the book have the color of "autobiography". Some focus on the description of inner disputes and depression, and some focus on reflecting the suffering of the people at the bottom of society. The prose in the book, whether it is travel notes or scene descriptions, is deeply embedded in the author's thoughts, feelings, personality and life experiences. The content of the book is colorful and melancholy, and the language is sentimental and candid. To a certain extent, it reflects the author's ideological outlook, creative style and strong romantic tendency.

"Xianshu" is Yu Dafu's last collection of essays before his death. It contains 40 articles, including essays, books, reviews, travel notes, etc. These include "Biographic Literature", "August in Hangzhou", "Lonely Spring Dynasty", "Spring Sorrow", "Autumn in the Old Capital", "Winter Scenery in Jiangnan", "Meiyu Diary" and other famous works. His prose is full of poetic charm, with fresh language, delicate brushwork, and sincere emotions. It is natural and elegant like flowing clouds and flowing water, and is highly personalized, emitting the voice of a talented intellectual.

"Yu Dafu's Prose Collection" collects Mr. Yu Dafu's prose works from various periods. "Yu Dafu's Prose Collection" includes "Autumn in the Old Capital", "Lonely Spring Dynasty", "Odds", etc., And selects and compiles Mr. Yu Dafu's poems such as "Wood in the Night" and other works. These excellent articles are not only a feast of words, but also the embodiment of Mr. Yu Dafu's unique personality. He expressed his dissatisfaction with the society at that time in his writing. The content is extremely rich and worthy of repeated reading.

"Yu Dafu's Prose" is divided into three volumes. The first volume, "A Different Kind of Loneliness", mainly includes Yu Dafu's autobiography and self-narrative prose, as well as commemorative articles in memory of old friends. Yu Dafu is world-famous for his "leftover" image. The prose selected in this collection delicately expresses Yu Dafu's wandering mentality and loneliness, and we can also see Yu Dafu's life trajectory. The second volume, "Handprints Everywhere," mainly includes Yu Dafu's travel notes and descriptions of scenes. Yu Dafu's travel notes play an important role in the creation of modern vernacular travel notes. The prose selected in this collection vividly shows what Yu Dafu saw, heard and felt while traveling in the South, North and even Southeast Asia. The third series of "Xianshu" mainly collects Yu Dafu's miscellaneous thoughts and essays discussing cultural or social issues. Yu Dafu was not only a writer, but also a scholar, a social activist, and a patriot. The essays selected in this collection reflect Yu Dafu's humorous, knowledgeable, and hateful side.

A selection of novels and essays such as Yu Dafu's "The Evening with the Spring Breeze". Readers can learn about the society and the master's thoughts at that time through these articles, and learn about the master's life in the articles.

"Selected Prose by Yu Dafu" selects more than a dozen of Yu Dafu's fine prose, mainly including Silver Gray Death, Vast Night, Caishiji, Intoxicated Spring Breeze Evening, Lover, My Insomnia Will Make You Cry, etc.

"Qianyu Collection" is one of the selected works of Yu Dafu, which mainly includes articles such as Yangmei Shaojiu, Dongziguan, Late Night, and Nostalgia Sick.

This book selects nearly forty prose works by Yu Dafu and is a collection of his prose works. It includes not only his autobiographical series of works, but also his landscape travel essays. Most of these essays are about his own life experiences, written into words, giving his articles an "autobiographical" quality. In addition, Yu Dafu's life, creation and artistic achievements are also listed after the works, so that readers can appreciate the source of his works' ideas.

"Selected Works of Yu Dafu" is a collection of Yu Dafu's most representative works, including his most representative novels such as "The Fall", "The Intoxicating Spring Breeze Evening", "Chi Osmanthus" and the prose "Autumn in the Old Capital", "Remembering Lu Xun", etc. Yu Dafu's novels are full of sentimental sentiments and conform to the social and psychological atmosphere of the youthful era of the "May Fourth Movement". They are an important harvest in the founding period of new literature. Yu Dafu's prose has broad themes, free writing, smooth and fresh writing, and has both the beauty of painting and music, and has a unique charm.

The more than ten travel notes in "The Marks of Clogs Everywhere" were written in 1933-1934. During this period, Yu Dafu lived a secluded life of traveling around mountains and rivers, with little to do with politics. "I just wanted to carry my umbrella on my back and go to a deserted place to breathe a sigh of relief." He wrote a large number of landscape travel notes and poems.

Yu Dafu, the author of "Sentimental Travels: Essays of Yu Dafu", writes like a person. His works full of romantic sentimentality truly express his sincere thoughts and dissect himself in a pure lyrical way.

His childhood and adolescence were spent in the unforgettable places of Fuyang and Hangzhou. The green and blue Fuchun landscape and the unique scenery of Xizi nourished and cultivated Yu Dafu's talents and feelings. An extremely important part of his fresh, fluent and passionate prose is the description of the mountains, waters and secular scenery of his hometown, leaving for future generations a colorful and thought-provoking picture.

"You are the end of the world, and I am not afraid of the desolation of the world" - a collection of Yu Dafu's classic novels, essays, essays and autobiography. Whether it is about love, the country, or the understanding of self and others, Yu Dafu's writings candidly express the full picture of his life's thoughts and art between the lines, and candidly reveal all his inner monologue. Reading Yu Dafu's words is like having a conversation about life with a fearless and unique scholar in Chicheng, which is unforgettable for a long time.

"Watery Spring Sorrow/Classic Reading" selects some articles suitable for young students to read from Yu Dafu's prose works, mainly focusing on the customs of his hometown, Hangzhou and Fujian. It tries to retain the original appearance of the works. However, because these articles were written roughly in the 1930s, the usage of some words and punctuation has changed. In order to avoid causing misunderstandings among readers, a small amount of text and punctuation have been slightly modified in accordance with modern Chinese standards.

The contents of this book include "A Man on the Road", "Words about the Residence", "The Night of the Beginning of Autumn", "A Letter", "A Public Statement to a Literary Youth", "Reminiscences of Lu Xun", "Miscellaneous Talks in July", etc.

In the history of modern Chinese literature, Yu Dafu's creative style can be said to be unique. He is full of romantic sentimentality, his writing style is free and natural, his language is fresh and beautiful, and he has a strong subjective lyricism. He advocates that "literary works are all autobiographies of writers". He often uses personal life experiences as material for the creation of novels and essays, dissects himself, and expresses the depression and suffocation of a talented intellectual in a turbulent society without any concealment. He is frank, free and informal. He dwells on the pain of his family and country, and laments his loneliness in life, so his writing always reveals a strong sense of sadness.

This book includes prose selections such as "The Jump of Paper Money", "Yangmei Shojiu", "Micro Sound of the North Country", "An Evening Intoxicated by the Spring Breeze".

This book brings together 31 short stories and 7 novellas by Yu Dafu. Yu Dafu is a famous novelist in modern China and plays an important role in the New Literature Movement. He advocated that literary works are "autobiographies" of the author. In his works, he unabashedly outlines his thoughts, feelings and life experiences. He also boldly describes the relationship between the sexes, reflecting the devastated fate of women and the deep pain of the lower class intellectuals. Literature transcends time and space. The author's sincere psychological descriptions and bold gender themes, his melancholy and sad writing style, prose-like writing and infatuated descriptions not only resonated with many young people at the time, but are also impressive today. The book is appended with a selection of letters written by Yu Dafu to Wang Yingxia, who was known as the most beautiful woman in Hangzhou at that time. The love words are sad and sincere, and have very high literary and artistic value, allowing people today to travel through more than half a century of time and space and experience the true love that they could die for her.

The ideological tendency of Yu Dafu's prose indeed shows his unique personality. He is full of strong resentment towards the dark and moldy life in old China, and loudly denounces and exposes it with a mentality of extreme hatred and complete breakup.

Yu Dafu's work style is unique in the New Culture Movement. The "sadness" and "decadent" in his works quickly touched the hearts of those young people who had just escaped from the shackles of feudal ethics and yet fell into hesitation. "Sink" has almost become a synonym for the depression and melancholy of young people in war-torn times. This book not only includes Yu Dafu's most representative works in the past: novels "Sinking", "Spring Breeze Evening", "Late Osmanthus", essays "Autumn in the Old Capital", "A Man on the Road", popular ancient poems, heartfelt diaries, etc., It also includes some important letters between Yu Dafu and his relatives, lovers and friends. In addition, in terms of classification, the editor did not classify according to the previous broad concept of prose, but arranged travel notes and autobiographies separately, in order to let readers appreciate the charm of Yu Dafu's prose from a clearer perspective.

"Chi Osmanthus" is a short story published by Yu Dafu in 1932. The book tells the story of Weng Zesheng, who came from a scholarly family and studied in Japan and was very ambitious. Later, his family fell into decline, he fell ill and dropped out of school, and his marriage suffered a setback. From then on, he quietly recuperated in his hometown. After recovering from health, he became a primary school teacher, and later agreed to marry a wife to reassure his mother. Because of his marriage, he remembered his old friend Lao Yu, whom he had not seen for more than ten years, and invited him to attend his wedding. Lao Yu was invited to come, and was attracted by the beautiful scenery of Wengjia Mountain, and was deeply touched by the pure, lovely and kind-hearted nature of Weng Zesheng's sister Weng Lian, who was as beautiful as the late sweet-scented osmanthus in the mountains.

Yu Dafu is known for his melancholy and sad autobiographical prose, but he is not only the most direct representative of the spiritual world, but his prose is also often clear and frank. This collection is based on "The Complete Works of Dafu", "Selected Works of Dafu" and "Collected Works of Dafu" compiled by Yu Dafu. It also refers to "The Complete Works of Yu Dafu" compiled by Yu Dafu's eldest daughter-in-law Lu Feicheng, and selects 53 representative works of prose by the author in various periods, including "Return" and "Sentimental Journey" "Return to Hometown", "Return to Hometown", "Miscellaneous Rain in Suzhou", "Watery Spring Sorrow" and other melancholic autobiographical masterpieces, as well as bright and sincere works such as "Half-day Journey", "Plum Blossoms on the Super Mountain", "Eating and Drinking Men and Women in Fuzhou", "Miscellaneous Talks in July", and "Japanese Cultural Life". By reading this book, you can fully understand Yu Dafu's prose style, life thoughts, and even the style of the times.

This book collects Yu Dafu's classic novels "The Sinking", "The Night Intoxicated by the Spring Breeze", "Colorful Rocks", "She is a Weak Woman", "Chi Osmanthus", etc. With his amazing material selection and bold description, Yu Dafu created a new subject area of ​​self-exposure and a precedent for Chinese romantic lyric novels. His writing style is novel, with strong artistic personality and modern spirit.

"Autumn, no matter where it is, is always good; however, autumn in the North is especially clear, quiet, and sad." Nearly a hundred years ago, Yu Dafu was obsessed with this autumn in the North in "Autumn in the Old Capital". Based on this famous article, this book collects the most well-known classic prose works such as "A Public Statement to a Literary Youth", "Reflecting on Lu Xun", and "Zhimo in Memories". It also selects previously rare works such as "Return to the Voyage", "Eating Men and Women in Fuzhou", "Japanese Cultural Life" and "Reminiscences of Lu Xun", and compiled it into a book, totaling 26 articles. As a representative figure among the writers of the Republic of China whom a generation of people heard about in elementary school. Yu Dafu is like the enthusiastic senior and sincere colleague around you. He seems careless, but in fact he is sensitive and melancholy. Each prose takes no more than ten minutes to read, but like a movie, it presents Yu Dafu's life from a literary youth to a sincere middle-aged man...

The book "Yu Dafu's Selected Works: An Evening Intoxicated by the Spring Breeze" contains Yu Dafu's most classic masterpieces. Among them, "First Volume: Growth? My Dream, My Youth" contains 8 autobiographical articles written by Yu Dafu from 1934 to 1936, which basically records the author's own growth process; "Second Volume: Wandering? Alone on the Road" contains Yu Dafu's famous prose pieces ; "The Third Series: Best Friends? Old Friends in Storms" includes Yu Dafu's articles recalling Xu Zhimo, Lu Xun, Xu Zhimo and other friends; "The Fourth Series: Novels? An Evening Intoxicated by the Spring Breeze" includes Yu Dafu's most famous novels, such as "An Evening Intoxicated by the Spring Breeze", "Sinking" and so on.

"Everyone can discover themselves from his works." - Shen Congwen. Mr. Y who anesthetizes himself with wine and sex, the timid and crying "I", Yu Zhifu who is full of uneasiness every day, Li Bai who is wavering in love, Wang Jiecheng who is crazy about love, Chen Jun who chases the dream shadow, Chen Yiqun who gets out of the emotional dilemma, Zheng Xiuyue who lives without self, Li E who talks to the moon... The protagonists in the book have different experiences, but they have similar lonely souls. A collection of Yu Dafu's classic short stories, the soul book of a lonely novelist. This book contains a complete collection of 44 classic short stories and short stories published by Yu Dafu from 1921 to 1935, such as "The Sinking", "The Night Intoxicated by the Spring Breeze", "The Past", "The Lost Sheep", "She is a Weak Woman" and "Chi Osmanthus". His novels are delicate and true, reflecting the loneliness and desires deep in people's hearts in modern society. Can loneliness really destroy a person?

Yu Dafu's prose has unique personality characteristics. In his works, he describes his personal thoughts, life, and even trivial and intimate details in detail without any scruples. His autobiographical writings are frank and passionate, showing himself transparently and openly to readers. The autobiographical color is rich and strong. His prose also has a strong melancholy and sentimental mood, which increases the artistic appeal of the work. Yu Dafu is a poet, and his prose also has the style of a soul-stirring poem. The informal and indulgent lyrical style, the rhythm and mood of the soul-stirring poem, unabashedly express the role of a talented intellectual in society. The depression, sentimentality, melancholy, and fragility in the meeting are blended with the beautiful and meaningful landscapes in the work. The emotion is used to express the pen and the emotion is embedded in the scenery, forming a slightly morbid melancholy beauty, which also shows the author's profound knowledge and artistic skills. It can be said that Yu Dafu's creations are in response to the nerves of the times and represent the thoughts, emotions and inner feelings of some intellectuals at that time.

The author Yu Dafu writes like a person. His works full of romantic sentimentality are sincere and candid, and he dissects himself in a pure lyrical way. His writing is full of ups and downs, like flowing clouds and flowing water, which reflects his own bumpy life and the characteristics of that era, and is full of strong artistic charm.