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Life is not easy, even difficult. You thought it was heaven, maybe it was hell. Misfortunes are where blessings depend, and blessings are where misfortunes lie. It was too difficult to get ashore.

Jiang Yu traveled through the fantasy world and became an outer disciple of the Tianyun Sect at the age of ten. However, he was about to be expelled from the sect because he had made no progress at the age of eighteen. Just as the sect's saint came to the outer sect for guidance, Jiang Yu accidentally activated the beast control system. [The best spiritual beast was detected, and the beast control system was successfully activated] Jiang Yu: "Isn't this a fantasy world? Why is it a beast control system? Where are the top spiritual beasts?" [Three hundred meters ahead, the ultimate spiritual beast: Phoenix] Isn't that our sect's saint, Su Wanqing, who possesses the Phoenix Holy Body? Jiang Yu looked at the novice gift bag in his hand, and then at Su Wanqing who was giving instructions in the center of the square. He knew that if he missed this opportunity, there would be no next time. ... [The contracted spiritual beast Phoenix is successful] [Reward: Fire Spirit Root] [Obtain beast control props: Holy Flame Fruit, Summoning Talisman (exclusively for Phoenix)] At this point, Jiang Yu has a variety of spiritual beasts around him. Su Wanqing, the holy body of the phoenix, the nine-tailed fox, the demon saint girl...

Historical generals gathered together, and countless heroes competed on the same stage. In a micro-supernormal world, watch the protagonist compete with the heroes from all over history.

Dad has a cough that has lasted for two weeks. When I got up in the morning, I heard my mother say to my sister, "Your dad is always coughing, and he won't go even if I ask him to go see him. You can buy him a bottle of cough syrup after get off work." My sister must have been putting on makeup in front of the mirror, and her voice was intermittent with the speed of her makeup movements. We no longer listen carefully to our mother since we were teenagers. What she says or not has little impact on us. "Just drinking syrup won't help, you have to get injections." This was my sister's impatient voice. "No fever, dry cough. I think it's mainly dryness of the lungs. Just drink some syrup." This was the mother's insistence without any idea. "You all take your own medicine like you, so why do you need a hospital?" My sister must have dressed herself up beautifully today, otherwise she wouldn't know who she is, and she wouldn't sound big or small. I opened the door.

Reading Yang Mu with Bai Yansong and Liang Wendao, life is not just about the present, but also poetry and the distance. Yang Mu's poetry creation is mainly accumulated in fourteen original poetry collections. Each collection collects dozens of short and long works in a specific stage, and organizes them into series to give a brief understanding of their eras and highlight the expressions and meanings of the external context. The theme and style may emerge at any time. In addition, the year of completion is separately noted, and the background is even more obvious. It is self-evident that the so-called poetry collection is a reflection on staged creation, or an outlook for the future.

Starting in the mid-1980s, Yang Mu continued to write three "Qi Lai Qi Shu" within ten years, focusing on his youth as a narrative reflection. In a sense, it also represented the end of that distant stage. After that, Yang Mu consciously started a new piece of writing, which was completed by Yi Liuhanshu before and after, namely "Qilai Hou Shu". "The Second Book of Qi Lai" is chronologically connected to the structure of "The First Book of Qi Lai" and also implies the flavor of literary autobiography. However, it was written after Yang Mu turned eighteen. He bid farewell to his teenage years, the mountains and oceans of his hometown of Hualien, and used his adult college years as the theme of exploration - Donghai, Iowa, Berkeley, Washington, Donghua and other universities... He was exposed to various human and intellectual environments, and felt the beliefs and doubts of academia, ethics, and religion. Even as his brushwork is repeated and literary genres cross boundaries, he still sticks to the theme of "poetry" and his persistence in poetry remains unchanged, pursuing the eternity of love and beauty amidst the ups and downs.

After Yi Xiaoxiao learned that Dr. Mai would live with them, there was a long silence. She looked at the wall and then at the window. The bright sunlight outside the window made her cry. Yi Xiaoxiao touched the corners of her eyes with her fingers in a very theatrical manner, arched her back, and walked into her room. Shihong knew that she would be cursed by her daughter for another hour or two. She would never come back after leaving home, and she would not care about Shihong until she died. This kind of curse has been going on for many years, and Shi Hong is satisfied that the words do not involve genitalia. The child she raises is at least more civilized than her father, which is enough to win against her ex-husband. Shi Hong said nothing.

He writes on the island, and his collection has been translated by the Nobel Prize judges. The final work of Taiwan Yang Mu's literary autobiography is finally here. Yang Mu began with "Mountain Wind and Sea Rain" (1987). In the 1980s, he continued with "Direction Returns to Zero" (1991) and "I'm Gone Again" (1997), thus completing the structure of early literary autobiography, exploring the sounds, colors, and mysterious themes of mountains, forests, countryside, and oceans. Meaning, experiencing the conflict of human feelings in the changing urban and rural society, feeling the inspiration of art, pursuing the traces of poetry, beauty and love, the infinite hesitation and persistence of one's own personality, and looking forward to the changes in the wilderness in retrospect, the thinking is concentrated, and the style is deliberately unfolded one by one under the ever-changing prose style. The three books form a series of their own, with an extended line that ends at the moment of secret farewell, and are combined into "Qi Lai Qian Shu".