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Wang Chao's "Review of the Propagation of Ming Ci" discusses the spread of Ming Ci in the Ming Dynasty, and uses this to reveal the spread methods, distribution characteristics, and acceptance rules of Ming Ci, enrich the content of the literary history of specific genres, and complete the narrative of the development chain of Ci history. During the research process, based on literature, on the basis of traditional literature collection and interpretation, the intersecting perspective of literature and communication was used to observe the research object. The whole book has a linear structure with various elements of literary communication activities as nodes. It includes both a macroscopic examination of the overall communication of Mingci and a microscopic discussion of special phenomena. In terms of content, in addition to the introduction and conclusion, the nine chapters of the full text can be roughly divided into three parts: The first part (chapters one and two) generally outlines the conditions and background of the spread of literature in the Ming Dynasty, and examines the spread of Ming poetry in the overall situation of Ming Dynasty literature. The second part (chapters 3 to 7) introduces the main ways of spreading Mingci and their communication effects. The third part (Chapter 8 and 9) is an investigation of the special phenomenon of Mingci communication. In short, "Research on the Communication of Ming Ci" re-understands the characteristics and value of Ming Ci through the investigation of the spread of Ming Ci. It believes that Ming Ci inherits and develops the communication methods of previous generations of Ci.

The teacher-instructor relationship is one of the most important interpersonal relationships in ancient China. There are many literary activities surrounding the teacher-instructor relationship, but the academic community rarely approaches literary research from this dimension. This book takes the mentoring activities and literary relationships of scholars in the Northern Song Dynasty as the research object, and makes a relatively full argument on topics such as the genealogy concept of scholars in the Northern Song Dynasty, the mentoring relationship, the flow of literati, daily friendships, and the memory of mentors.

Since the concept of variation in comparative literature was proposed in 2005, it has received in-depth reviews from famous scholars such as David Dammsch of Harvard University, Haun Sausy of the University of Chicago, and Bernard Franco of the Sorbonne University in France. This book comprehensively reviews the current research status at home and abroad, and is divided into two parts for innovative elaboration: Chapters 1, 2, and 3 analyze the academic background, philosophical foundation, and innovative paths of variology from outside the discipline; Chapters 4, 5, and 6 analyze the theoretical connotation, extension boundaries, and practical methods of variology from within the discipline. The main innovations are: Chapter 5 sorts out the four rules of literary variation, which is an effective response to the "degree" of variation; Section 1 of Chapter 6, "Diffusion variation" is divided into translation variation, communication variation and reception variation; Section 2, "Interpretation variation" is divided into misplaced interpretation variation, counterpoint interpretation variation and shift interpretation variation; Section 3, "Structural variation" is divided into literary structure variation, literary theory structure variation and cultural structure variation. These nine branches constitute the practical discourse system of variationology.

This book takes Du Fu's residence and burial place as clues, and takes Du Fu's former residence, ancestral halls, tombs, pavilions and pavilions that have been handed down to later generations as the research object. Based on field investigations, it combines Du Fu's poetics, philology, historical geography and other methods. Method, an in-depth examination of the origin, historical changes and cultural value of Du Fu's relics in fifteen places including Xi'an, Huxian, Yanzhou, Yan'an, Qinzhou, Chengzhou, Liting, Chengdu, Zizhou, Langzhou, Kuizhou, Yanshi, Gongxian, Leiyang and Pingjiang. The chapters in the book are independent but connected with each other, depicting the grand and colorful historical picture of Du Fu's relics from the Tang Dynasty to the present, and showing Du Fu's long-lasting social influence over thousands of years. It is currently the most systematic and comprehensive study of Du Fu's relics.

This book mainly studies Hainan Li literature from the perspective of cross-ethnic comparative literature. Through the overall analysis of Li literature, we sort out the main image genealogy and ideological paradigms, and systematically classify them. Then we carry out cross-ethnic cultural interpretations of these image types, and then deeply grasp the original heterogeneity of Li literature and the research rules of comparative literature hermeneutics. This book mainly has the following chapters: Chapter 1 "Research Current Situation of Hainan Li Literature". Analyze and study existing research data, absorb useful methods and strategies, and point out the main problems in current research. Chapter 2 "The overall characteristics of Hainan Li literature". Mainly from the perspective of national literature, the basic characteristics and occurrence and development rules of Li literature are explained. The third chapter, "The Genealogy of Divine Imagery in Hainan Li Literature," mainly sorts out, categorizes, and sorts out the discussions on divine imagery in Li literature, and explores its main discourse narrative rules. Chapter 4, "The Genealogy of Animal Imagery in Hainan Li Literature," mainly analyzes the symbolic representational characteristics of Li literature that distinguish it from other ethnic literatures from the perspective of animal worship. Chapter 5, "Genealogy of Character Imagery in Hainan Li Literature," mainly analyzes the classic character images sung in Li literature through the ages from the perspectives of national heroes and mythological heroes. Chapter 6, "Cross-ethnic Comparative Literature Interpretation of Li Literary Images", mainly analyzes the origin relationship, spread, interpretation and variation between Li literary images and other ethnic groups' images, and analyzes the basic characteristics of comparative literary hermeneutics.

Rumor has it that the Twelve Houses of Secrets, twelve mysterious organizations, have always been secretive and invisible... Shen Yao carries shocking secrets to pursue one strange case after another, gradually uncovering the true face of the Twelve Houses of Secrets, and revealing the human nature buried deep in his heart.