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The manuscript sorts out and summarizes the contemporary research results on Lu Xun around the world from three dimensions: Lu Xun's ideological tradition, Lu Xun's literary world, and Lu Xun's global communication. The content covers the traditional exploration of Lu Xun's thoughts and the analysis of the classic significance and value of his works. It also reviews and summarizes the history of Lu Xun's spread and acceptance overseas. It is a display of the latest achievements in the field of Lu Xun research in recent years.

When the plane took off from Beijing, it was delayed by more than half an hour. It was a suffocating day with yellow sand in the sky. We arrived in Paris more than ten hours later. The weather was quite nice. The temperatures in the east and west were similar, but the weather was so different. Li Ji, Executive Vice President of the Palace Museum, and Wang Qingzheng, Deputy Director of the Shanghai Museum, who were traveling with us, had come to France many times. They did not appear very excited along the way, but Brother Chunyu and I were very interested. Everything is fresh. When I got off the plane, there were Chinese people everywhere. It seemed like I was in a small town in the south of China. People with yellow skin have taken root in many corners of the world. However, when entering the city, I felt that it was a real European style, and the impression was much better than at the airport. The airport in Paris is very old and not as grand as those in Tokyo, Beijing and Singapore. France seems to be inferior to the fashionable Easterners when it comes to modern architecture, but when we get to Paris, we realize why the French disdain skyscrapers.

This book takes the works of famous writers influenced by Lu Xun as examples, examines the historical changes of modern and contemporary literature, tracks the hot topics of the times in modern and contemporary literature, and directly faces the existing problems of modern and contemporary literature, providing a reference for contemporary Chinese literature to reflect on itself. Although the emphasis of each chapter in the book is different, they are all related to the Lu Xun tradition in modern and contemporary Chinese literature. The views are fair, the discussion is appropriate, the text is plain, and the text is highly readable. It is an excellent literary criticism work that can withstand scrutiny and testing.

The first part of the book, "Oriental Ballet Flower Drum Lantern" interweaves reality and ancient myths and legends with time and space, integrating the folk customs up and down the river, the reincarnation and divinity of disasters and blessings, the inheritance and perseverance of several generations of drum lantern artists, the exquisiteness and skill of the flower drum lantern art, the inheritance and tenacious vitality of different eras, etc., Into the whole book about the lantern saints and lantern saints. Under the exquisitely conceived "inscriptions and postscripts" such as lamp soul, lamp eye, lamp stand, lamp girl, lamp god, etc., In the wonderful philosophical thoughts and flowing narration, the wonderful titles and stories from the folk such as Tian Xiaoyinzi, Thousand Miles of Huaihe River, Gaijiujiang, Jumping Fish, Heartthrob, Angry Monkey, Floating on the Water, etc. Are written vividly on the paper. The next chapter of this book is entitled "Little Troupe of Grassroots People in a Big Country", which introduces Anhui Sizhou Opera, also known as "Lahun Tune", which has a history of more than 300 years and is one of the four outstanding opera types in Anhui along with Hui Opera, Huangmei Opera and Lu Opera. Sizhou Opera has a profound mass foundation and rich cultural heritage. With its beautiful singing style and beautiful melody, Sizhou Opera is sung on both sides of the Huaihe River and north and south of the Yangtze River. The article tells the story of the survival and development of a "little troupe", that is, a folk art group with "soul tune". The book uses the personal experiences of several folk artists to tell the story of generations of artists relying on their love, persistence and perseverance in this art form.

Sun Yu joined the Northeast during the late "Cultural Revolution" and began literary creation. Influenced by Russian literature in his early years, he later enjoyed reading classical philosophy, and then embarked on the path of literary criticism. In the 1980s, he graduated from the Chinese Department of Shenyang Normal University with a Master of Arts. His research and writing focus on the culture of the Republic of China, observing the atmosphere of literati in the old era and examining the current writing trend. His words are elegant and gentle, he understands the pain of the soul, and conveys the joys and sorrows of life. The thoughts and life he tells are heavy, true, and deeply intimate. His prose combines profound human expression, a neutral humanistic stance, and rich human emotions. It is a model text for intellectual writing that combines vision, education, conscience, and taste.

A history of modern Chinese literature that is different from the academic one. Mr. Sun Yu gathered what he had learned, felt and seen over the years to discuss the literary styles and genres of the Republic of China from a unique perspective, and to criticize writers and works. The book is divided into 15 topics, covering the literary ecology of the late Qing Dynasty and the early Republic of China, the starting point of new literature, old school novels, old poetry, new poetry, scholars' notes, Liyuan style of writing, leftist novels, grassroots literature and other historical narratives, as well as the evaluation of many writers such as Lu Xun, Zhou Zuoren, Lao She, Cao Yu, Shen Congwen, Zhang Ailing, Qian Zhongshu, Xiao Hong and their works, which uniquely restores the literary scene of the Republic of China period. It's insightful, beautifully written, and fun to read.

This book is a collection of academic essays written by Sun Yu, a professor at Renmin University of China and an expert on Lu Xun. The whole book focuses on modern literary figures represented by Lu Xun, and uses a broad vision to conduct a multi-dimensional comparison of the works of writers from different schools at home and abroad, both ancient and modern, thereby raising some in-depth questions and enlightening readers. Reflects academic content and theoretical depth.

Kuyuzhai is the name of Zhou Zuoren's study. In the 1920s and 1930s, a special group of literati was formed with Zhou Zuoren as the core. They are very different from the left-wing intellectuals led by Lu Xun, and also different from the so-called liberal intellectuals represented by Hu Shi. In the form of essays, this book freely, vividly and vividly describes the cultural psychology, value choices, life attitude and social orientation of this group of literati. This book is a revised version of the author's old work. On the basis of the old edition, the author has modified and polished some of the textual expressions, added three chapters, "The Fifth Disciple", "Buddhist Scenery" and "With Lucianos", and deleted the "Postscript". It is obvious that more than ten years after the first edition, the author of this book has deepened his understanding of Zhou Zuoren and his historical influence.

This book is one of the "Literary Classics Reader Series" edited by Mr. Qian Liqun. The goal of the series is to contribute to the Chinese training and humanistic cultivation of college and middle school students and general readers from a literary perspective and in a literary way. The specific compilation focuses on literary classics, selecting masterpieces by famous writers, and strives to highlight a clue of literary history, a cultural tradition, and a "layered" process through linear selections. There is a general introduction at the front of the book, and before each selected article there is an introduction and review of the writer's works written by the editor, followed by reflection questions and comments by famous experts (part of which is in the catalogue). This book is part of contemporary literature, edited by Sun Yu.

This book is a collection of fine essays written by the author over many years. The book collects 19 prose works by the author, most of which have been published in large-scale literary journals at the national and provincial levels. The word "love" is used throughout the book. The author reviews his growth process, his mental journey along the way, and expresses his gratitude to his relatives, teachers, and benefactors.

"Thinking Elsewhere" is a new collection of essays written by Mr. Sun Yu, former dean of the School of Liberal Arts of Renmin University, former director of the Lu Xun Museum, winner of the 12th Chinese Literature Media Award, and annual literary critic, with a total of 32 articles in three series. In these articles, the author reviews various writers and their works, including Lu Xun, Kafka, Zhou Zuoren, Pushkin, Qian Zhongshu, Hesse, Wang Xiaobo, Mo Yan, etc. Through these various works, he enters into the literary world and personal destiny of these people, bursts out new ideas from "other places", reconstructs the vitality of language, and demonstrates the beauty of thought. The text in the book is beautiful and concise, the expressions are unique, and it is a hearty read.

What kind of group are Daibei soldiers? What kind of historical actions are there? What kind of social, cultural and ethnic relations does it reflect? This book attempts to answer these questions with a large amount of historical data. The author discusses this from three aspects: group definition, group attributes and group behavior.

The novel "Hiding into the Plateau" uses wonderful imagination to interpret the mystery of why the Gu Dynasty, which once dominated the top of the plateau for seven hundred years, mysteriously disappeared overnight. It tells a legendary story about the entangled struggle of power, emotion, and human nature. The writing style is desolate and gloomy, and it is a masterpiece with epic potential.