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This book takes the Chinese mountaineering team's two summits of Mount Everest in 1960 and 1975 as the main axis, and comprehensively reflects the twenty-year history of the Chinese mountaineering team from its establishment in 1955 to its second summit of Mount Everest in 1975. The two summits of Mount Everest were a feat that shocked the whole country and the world at that time. They not only boosted the morale of the Chinese people and created brilliant mountaineering achievements, but also achieved great scientific research results. Some of these achievements are still affecting the scientific and mountaineering circles around the world to this day. However, there has not yet been a complete and detailed documentary work describing this process, and this book fills this gap.

With the passage of time, we walked out of our hometown town, experienced the prosperity of big cities, and experienced the warmth and warmth of human relationships; we had young love and a warm family. Some of the little poems and articles that record time were hidden without a trace, and some were lost in the migration from one city to another. Looking through old poem manuscripts, I found that they had grown to a certain number barbarically. So, I began to sort out these random poems little by little, and finally they became four volumes in the small book "Peck, Peck, In Spring". They are: "Peck Peck, In Spring", "The Past Is Going to Sleep" and "Broken Time".

Later, I had many interactions with Lin Yansong, always drinking tea and chatting together. He still gave me the same feeling. To me, he was a perfect man. I was very reserved in front of him, and our conversations were either dull or sluggish. But I enjoy spending time with him. Every time I see him, it is a grand festival for me. I clean myself up bit by bit from the inside out. He let go of me and started driving. But ten minutes later, the car parked downstairs of my house. He came to kiss me again and said, "Go home. I can't do that. What can I give you?" I kissed him and said, are you a fool or don't you love me? He stopped kissing me, stroked my hair and said don't be stupid, go home. I went home and had sex with Su Heng while crying. At this point I don't know if I am in heaven or hell. Zhong Qinqin is right, there are two men in my bed.

Tao Yue, the birthday boy, sat at the dining table near the sea, stretched his head to face the crowd, winked his slender eyes slyly and said, "How about I give you some dirty jokes today?" "Okay!" The men responded in unison, while the women lowered their pink cheeks but responded with a shy smile, basically acquiescing. Tao Yue cleared his throat and was about to start speaking, but in an instant he was swaying with laughter. This laughter was undoubtedly a good prelude. The laughter stopped suddenly, and he asked again: "First light yellow and then dark yellow, or first dark yellow and then light yellow?" "No dark yellow, only light yellow!" A pink-faced peach-cheeked man commanded sternly. "Okay, okay, light yellow is light yellow.

The life of a young woman born in the 1980s, the feeling of an only child born in the 1980s; the marriage status of the first generation of only children born in the 1980s, like Lian Lizhi, is entangled with each other. The first-generation only child born in the 1980s has been married for five years: "Dear, I don't know how to get along with you; because I have never really lived with people of the same age. I have no brothers or sisters, only parents."

"Being a talented person is truly unparalleled, but it is pitiful to be a king." Emperors in history can be roughly divided into three categories: the kings who founded the country, the kings who maintained the country, and the kings who destroyed the country. Through the discussion of the poems of seventeen emperors, "Tea Talk King" reveals to readers the ordinary feelings of the emperors who regarded themselves as emperors, as well as their rich lives outside official history.

Starting from the perspective of narrative poetry in the early Qing Dynasty, this book conducts a detailed combing and interpretation of the social history during the Ming and Qing dynasties. It discusses and researches the political, economic, cultural and other aspects of the Chongzhen regime, Shunzhi regime, and Nanming regime respectively. It also supplements the historical poetry materials of controversial historical figures in later generations, aiming to use poetry to prove history and to supplement history with poetry. At the same time, this book puts the early Qing narrative poems and their authors into the context of the Ming and Qing dynasties for analysis and commentary. Finally, it discusses the similarities and differences in ideological content and artistic expression between narrative poetry in the early Qing Dynasty and narrative poetry in previous generations, and puts forward the view that narrative poetry in the early Qing Dynasty is the peak of narrative poetry among Chinese literati.