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This book adheres to the literary criticism standards that integrate history and aesthetics, comprehensively uses literary sociology and modern literary theory criticism methods, mainly discusses and explains the theoretical issues of contemporary literature and writers' works, and focuses on analyzing the development trend of "human literature" and "people's literature" in contemporary China, and the service of revolutionary literature and art. The relationship between the object of service and the choice of form, the realist enlightenment quality of Lu Yao's novels, the realistic and cultural critical connotations of new century novels, as well as the characteristics and expression of modern poetry, etc., Present the humanistic nature of contemporary literature that pays attention to society and protects life, as well as the aesthetic spirit of artistically grasping reality and clever dialogue with ideology.

The great changes surrounding the first line of Chunxi Road (Quanyechang, Kejia Lane, Chengshou Street, Beixin Street, etc.) Take geography as the longitude and personnel as the latitude, examine historical anecdotes, salvage legends, sort out the evolution of the streets, highlight the humanistic spirit of Chengdu, and reveal the secret of Chunxi Road's everlasting prosperity. The folk value stance of this book, which focuses on details and narrative, determines the book's strong folk cultural dimension of restoring historical truth.

During the Three Kingdoms period, Shu brocade was famous throughout the country, and Jin officials were set up to manage the Shu brocade production and build a city to protect the Shu brocade production, so it was called Jinguan City. Jinguan City is another name for Chengdu. There are classic poems such as "Jinguan City is full of flowers" and "Beyond Jinguan City is densely populated" which are still sung to this day. The writer Jiang Lan describes the history, culture and character allusions of Jinguan City in three parts: "Shu People's Biography", "Fengwu Hunting Notes" and "Tianfu New Records", such as "Li Tiaoyuan Ode to the Chengdu Lantern Festival", "The Commoner Scholar Luo Chengxiang", "Lin Yutang's In Articles such as "Chengdu", "Isufu and Osprey", "Giant Pandas in History and Culture", "The Evolution of Phoenix Mountain in Chengdu", "Memories of Longchi Bookstore", are like presenting colorful historical pictures of Jinguan City to readers.

Through the channel of poetics, Bachelard attempts to restore the marriage of imagination and perception, that is, imagination exists before perception. He proposed the metaphysics of dreams: I dream, so the world exists through my dreams. And in the fire array he created, the world was indeed melted and recast in the flames he raised. The pure area opened by fire, the limit of fire, whether it is at the top of the flame or in the heart of the fire, the face of fire flows with the trembling of water. Therefore, fire becomes the watchman at both ends of the head and rat, material/spiritual, real/virtual. When fire turns to become a spiritual statue, fire does not forget its own body outside the burning. I think that a person who does not try his best to understand "Candle Fire" will easily miss out on poetry and metaphysical thoughts.

"Sanzhong" book series - running without a goal, gathering without a plan, flying moments, personal history, life arts, and time travels are messed up into mud in the silent disappearance, leaving only words for touch. The so-called extreme people must do extreme things. The extreme times have given them a unique attitude. And created their black iron words that are very different from the norm and speak directly to people's hearts.

This book includes works such as "The Light of Ideals", "Childish Tricks", "One Strike is the Final Word, and the Second Strike Hits the Instep", "The Reason Humans Are Inferior to Dogs", and "The Beauty Is Indescribable".

The core word of "Chengdu Notes (Essence)" written by Jiang Lan is: material culture. It is a literary and historical essay written by the author after many years of reading, examining the historical and humanistic relationships within Greater Chengdu, and focusing on showing the animal culture, plant culture, and architectural culture in the region. There are some ancient illustrations. While using and respecting previous research results, the author of this book has done a lot of fieldwork and truth restoration, further determining many historical truths and clarifying and sorting out the true colors of things. Because it is expressed in prose, the writing style is vivid and highly readable. It fills the gaps in prose interpretation of Chengdu's history and scenery.

For several dawns in the recent period, as soon as I woke up, a scene would appear in front of me, a bit like an over-worn shadow puppet. In places where light should not leak, details of the dream that should not be shown always leaked out, causing those dream characters to prematurely reveal their heroic spirit and bravery. , And the beauty with flaming red lips opened up the white bones under her plump breasts... These are some details that should be completely forgotten. The problem is that they can never be forgotten. They grow arrogantly, ragged and strong, and talk to themselves in front of me, becoming my opponent to laugh at. Fortunately, they could not hold on for long. In broad daylight, they faded and faded, returning to the depths of dreams to hibernate, and continued to interpret chapters of their stories the next day. We are mediocre, but even so, for those who have great responsibilities from heaven, the power of divine revelation in dreams is simply incomparable.

Because television was once called "the most glamorous mass media", this novel describing TV people is called "Matchmaker". Whether it is "matching" or "marrying", it is no longer the exclusive business of matchmaking agencies. In the early days of Chinese TV dramas, there are signs that they will develop greatly in the future. As a member of the cultural circle, the author uses absurd novels as a carrier to satirize reality with bizarre and exaggerated stories. He amplifies the ugly side of the entertainment industry and reveals the hardships and hardships of TV media people in pursuit of fame and fortune under the current tide of commodity economy. This satirizes reality, alerts the world, prompts society and people in the industry to reflect, and calls them to return to rationality and the ultimate value of life.