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Since the founding of the People's Republic of China on October 1, 1949, New China has gone through 60 years of ups and downs. History is a mirror, and we can interpret it from multiple perspectives and sides. However, one thing is certain, that is, under the leadership of the Communist Party of China for more than half a century, profound changes have taken place in China's politics, economy, military, diplomacy, culture, education, science and technology, society, people's livelihood and other fields. The Chinese people have stood up, and the Chinese nation has stood firm among the nations of the world.

Since the founding of the People's Republic of China on October 1, 1949, New China has gone through 60 years of ups and downs. History is a mirror, and we can interpret it from multiple perspectives and sides. However, one thing is certain, that is, under the leadership of the Communist Party of China for more than half a century, profound changes have taken place in China's politics, economy, military, diplomacy, culture, education, science and technology, society, people's livelihood and other fields. The Chinese people have stood up, and the Chinese nation has stood firm among the nations of the world.

Poetry in the pre-Qin period includes ballads from primitive society, the Book of Songs, Songs of Chu, and some folk songs from the Spring and Autumn Period and the Warring States Period. The poetry of the pre-Qin period, with its rich content, complete rhythm, and exquisite conception, marked a very high beginning for Chinese poetry and was the origin of the poetry of future generations. The Yuefu poetry of the Han Dynasty is the representative of the poetry of the Han Dynasty. It has a very high status in the history of poetry and can stand side by side with the "Book of Songs" and "Chu Ci"; on the other hand, it plays a role in the history of Chinese poetry as a link between the past and the future. It not only inherits and carries forward the realism tradition of "The Book of Songs", but also inherits and carries forward the romantic spirit of "Chu Ci".

Chinese culture is extensive and profound. It is the sum of the material civilization and spiritual civilization created and inherited by the Chinese people of all ethnic groups over more than 5,000 years. Its content is all-encompassing and vast, with a strong sense of cultural depth and rich treasures. Inheriting and carrying forward excellent national cultural traditions and protecting national cultural heritage have attracted attention from all walks of life. This is not only of far-reaching significance to the great cause of the rejuvenation of the Chinese nation, but also an important contribution to the protection of human cultural diversity. This set of works displays a panoramic view, vertically and horizontally, tells stories, has popular language, pictures and texts, intuitive images, ancient elegance, and warm style. It has strong readability, appreciation and knowledge. It can allow readers to fully touch and feel the connotation and charm of Chinese culture, and enhance the national Self-esteem and cultural pride, and the ability to well inherit and carry forward Chinese culture, create an advanced national culture with Chinese characteristics in the future, and lead the Chinese nation towards a great rejuvenation. On the stage of the future world, in the gorgeous dreamland of Chinese rejuvenation, it will show its unique charm of flying dragons and phoenixes.

The origin of ancient Chinese prose can be traced back to the Yin and Shang Dynasties. Many complete sentences have appeared in the oracle bone inscriptions of the Shang Dynasty. Bronze vessels of the Western Zhou Dynasty were often engraved with inscriptions of three to five hundred words. These sentences and inscriptions are the earliest prose in our country. The Spring and Autumn Period and the Warring States Period were a period of vigorous development of pre-Qin prose, and many excellent prose works appeared. The prose at that time can be divided into two types, one is historical prose and the other is prose by scholars. The prose of the Han Dynasty inherited the tradition of the Pre-Qin Dynasty and developed in many aspects, and many famous prose writers emerged. Han Fu is a kind of rhymed prose that emerged in the Han Dynasty. During the 400 years of the Han Dynasty, ordinary literati devoted themselves to writing in this style of writing, so it flourished for a while.

"The Biography of King Gesar" is a great heroic epic created collectively by the Tibetan people in my country. It is voluminous, rich in content, and majestic. It is the only living epic in the world. In Tibet, Sichuan, Inner Mongolia, Qinghai and other regions of my country, hundreds of folk artists sing about the great achievements of the heroic King Gesar. "The Biography of King Gesar" contains the form of primitive society and rich information, and represents the highest achievement of ancient Tibetan culture. From generation to basic finalization to continuous evolution, the epic contains all the original core of Tibetan culture. It has high academic value, aesthetic value and appreciation value, and is known as the "Homeric Epic of the East".

Ci is a poetry style that matches emerging music. It is also called "quci", "Qinqu", "Yuefu", "Shiyu", etc. Because the sentence patterns of Ci are different in length, it is also known as "long and short sentences". The words are filled in according to the tune, and the tune has a tune name, also known as the "word brand name". Each tone is generally divided into two chapters, called "upper piece" and "lower piece", or "upper line" and "lower line". There are also long tunes divided into three or four pieces. The formation of Ci has gone through a long process from folk to literary creation. It is generally believed that Ci was conceived in the late Southern and Northern Dynasties and emerged during the Sui and Tang Dynasties. After the Mid-Tang Dynasty, there were more and more literary creations, and the late Tang and Five Dynasties became increasingly prosperous.

"The Romance of the Gods" is a Ming Dynasty novel with 100 chapters written by Xu Zhonglin. The whole book is based on "Wang Wu's Defeat of Zhou Ping Hua", a historical text written in the Song and Yuan Dynasties, and is a full-length novel about gods and demons based on folklore. "Fengshen Yanyi" expresses the ideological tendency of praising kingship and benevolent government and opposing tyrants and tyranny, and illustrates the importance of people's support. At the same time, "Fengshen Yanyi" promotes the idea of ​​fatalism and the unity of Confucianism, Buddhism and Taoism through the description of the battle between gods and demons. "The Romance of the Gods" is famous for its huge content and strange fantasy. It takes advantage of myths and legends' ability to imagine and exaggerate, leaving a deep impression on readers. It is known as the masterpiece of gods and demons novels second only to "Journey to the West".

Since the founding of the People's Republic of China on October 1, 1949, New China has gone through 60 years of ups and downs. History is a mirror, and we can interpret it from multiple perspectives and sides. However, one thing is certain, that is, under the leadership of the Communist Party of China for more than half a century, profound changes have taken place in China's politics, economy, military, diplomacy, culture, education, science and technology, society, people's livelihood and other fields. The Chinese people have stood up, and the Chinese nation has stood firm among the nations of the world.

In ancient times, primitive ancestors used simple tools to transform the world. In their social practice, they created ancient myths. The content of myths involves all aspects of the natural environment and social life, and expresses their understanding and wishes of natural and social phenomena in the form of stories. These ancient myths became the source of narratives in later novels, and they possess the two basic elements of novels: characters and plot. After the ancient myths, fables, historical biographies and various legends from the Pre-Qin period also became the source of narrative narratives in later generations, and developed further. The mature fables at that time already had a relatively complete structure, characters and historical background, which laid a favorable foundation for the maturity of later novels.

"The Romance of the Three Kingdoms", written by Luo Guanzhong, a novelist in the late Yuan and early Ming dynasties, is my country's first full-length retrospective historical romance novel and a classic of historical romance novels. "The Romance of the Three Kingdoms" mainly describes wars, reflecting the political and military struggles of the three dynasties of Shu, Han, Wei, and Wu. It also reflects rich historical content. The names of characters, geographical names, and major events are basically the same as those in "The Romance of the Three Kingdoms." "The Romance of the Three Kingdoms" on the one hand reflects the true history of the Three Kingdoms; on the other hand, it exaggerates, beautifies, and vilifies the characters of the Three Kingdoms to a certain extent based on the actual social conditions of the Ming Dynasty. It not only reflects the true appearance of the history of the Three Kingdoms more truly, but also reflects many social contents of the Ming Dynasty.