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In the Qingyi industry, Xiao Yanqiu felt that she was not playing Chang'e, but she herself was Chang'e. Twenty years ago, in order to grab the role of Chang'e, she picked up a cup of hot water and poured it on the face of her mentor Li Xuefen. This cup of hot water filled with jealousy extinguished Xiao Yanqiu's dream of a dream in Qingyi. She had to leave the troupe and teach in an opera school. Away from the stage, her life is just like that of Chang'e, only boring repetition and dead cold perfunctory. Twenty years later, the troupe was in decline and Tsing Yi was in decline. At the dinner table, the cigarette factory owner's funds came to the table, giving the troupe hope again and allowing Xiao Yanqiu to see the opportunity to recover "Chang'e". After twenty years of waiting and suffering, Xiao Yanqiu tried her best and failed to regain the charm of Tsing Yi back then. However, Chun Lai, the apprentice she trained with her own hands, had the charm of Chang'e that she could not match. After several struggles, Xiao Yanqiu, who seemed desperate, decided to let Chun Lai regain her dream of "Chang'e" for her. But when the curtain opened, she understood that there was only one Chang'e in the world, and that was Xiao Yanqiu, and she could only be Xiao Yanqiu. She would risk her life to return to the stage...

This anthology, compiled by the famous contemporary Chinese writer Bi Feiyu and sorted by creation time, has a total of more than one million words and includes all the author's important works including "Once Upon a Time in Shanghai", "Tsing Yi" and "Breastfeeding Woman". This collection includes short and medium-length works, mainly short works. These four volumes of Bi Feiyu's collected works have become, in a sense, a panacea for him to "get to the bottom of things".

This anthology, compiled by the famous contemporary Chinese writer Bi Feiyu and sorted by creation time, has a total of more than one million words and includes all the author's important works including "Once Upon a Time in Shanghai", "Tsing Yi" and "Breastfeeding Woman". This collection includes short and medium-length works, mainly short works. These four volumes of Bi Feiyu's collected works have become, in a sense, a panacea for him to "get to the bottom of things".

This book is a novel by the famous contemporary writer Bi Feiyu. The protagonist of this book is a college student studying vocal music, and his mother is an educated youth who has returned to the city. When I recalled them, I unexpectedly discovered that the source of "Tsing Yi" and "Corn" lies in this book, quietly and without any hint of turmoil. This is such a wonderful and worth looking forward to.

This book is a collection of Bi Feiyu's short stories, including a total of 24 representative short stories, reflecting the highest level of the writer's short story creation. Bi Feiyu has written nearly one hundred short stories and short stories. In recent years, Bi Feiyu has won many awards and is known as: "The best male writer who writes about female psychology." The book "Walking in Style" includes short stories such as "Who's Talking Late at Night", "Breastfeeding Woman", "What's Left of a Man", etc.

This book is a novella written by Bi Feiyu. It tells the story of "I" and my classmate Hongdou, and highlights Hongdou's tragic life. Hongdou, who was equally heavy physically and mentally, took Erhu as the object of empathy, and finally said goodbye to his painful and helpless life with the end of his life. It selects 12 representative short stories and short stories by Bi Feiyu, including "Narrative", "Tsing Yi", "Marshmallows on a Rainy Day", "Wangjiazhuang on Earth", "Ma Family Father and Son", "Days of Love", "Twenty-two Days with Alai", and "Spring Festival of 1975".

This book is a collection of novellas by Bi Feiyu, winner of the first Lu Xun Literature Award for Short Story. The book consists of 10 strange youth stories. The novels take cruel youth and warm life experience as the theme - the characters in the novels are both evil and good, with different styles. There are many wonderful sentences and the ending is thought-provoking. Bi Feiyu's works have been translated into many languages ​​and published abroad. "The Breastfeeding Woman" won the first Lu Xun Literature Award for short story.

The novellas in this book reflect the lives of people in contemporary rural areas, cities, and fish islands. "World Map" also corrects a misconception we have about the world. Regarding the world, people in Wangjiazhuang have always believed that the world is a square plane, with Wangjiazhuang as the center and extending in the four directions of southeast, northwest and northwest. It doesn't look right now. The world is far more open than we expected, and it is not square, but elliptical. The huge brackets on the left and right sides of the map illustrate this problem completely.

This book is compiled and selected by the famous writer Bi Feiyu himself, and collects his best short stories since his publication, including "That Boy Is Me", "Who's Talking in the Night", "Lactating Woman", "White Night", "What's Left of a Man", "Cricket Cricket", "Missing My Sister Xiaoqing", "Wangjiazhuang on Earth", "Rainbow", "Family Affair", "Days of Love" and other representative works.

This anthology, compiled by the famous contemporary Chinese writer Bi Feiyu and sorted by creation time, has a total of more than one million words and includes all the author's important works including "Once Upon a Time in Shanghai", "Tsing Yi" and "Breastfeeding Woman". This collection includes short and medium-length works, mainly short works. These four volumes of Bi Feiyu's collected works have become, in a sense, a panacea for him to "get to the bottom of things".

This anthology, compiled by the famous contemporary Chinese writer Bi Feiyu and sorted by creation time, has a total of more than one million words and includes all the author's important works including "Once Upon a Time in Shanghai", "Tsing Yi" and "Breastfeeding Woman". This collection includes short and medium-length works, mainly short works. These four volumes of Bi Feiyu's collected works have become, in a sense, a panacea for him to "get to the bottom of things".

This "Novel Class" systematically collects Bi Feiyu's lecture notes on novels taught at Nanjing University, Peking University, Tsinghua University, Zhejiang University and other universities. From the perspective of an "insider" as a novel creator, the author goes deep into the works of "Strange Stories from a Chinese Studio", "A Dream of Red Mansions", "Water Margin", and other classic writers such as Hardy, Hemingway, Naipaul, Wang Zengqi, and Lu Xun. Bi Feiyu has rich writing experience and good theoretical literacy. However, he took a different approach. He did not start from the theoretical system and historical ethics, but started from his personal aesthetic experience. He completed the exquisite interpretation of his personality and individual abilities with humor and insight. This version adds two articles, one is "Li Shangyin's Sun, Li Shangyin's Rain", which talks about poetry; the other is "Along the Inside of the Circle, From Victory to Victory", which is a lecture about "The True Story of Ah Q". Of course, this version of "Novel Lesson" not only has additions but also deletions. The deleted article is "Feedback - The Reverse Shaping of Fictional Characters on Novel Authors".

The book "Good Stories" includes 9 representative classic short stories and short stories by Bi Feiyu, including "Breastfeeding Woman", "Qingyi", "Wangjiazhuang on Earth", "Yuxiu", and "Days of Love". These works fully demonstrate the author's creative style. Some have won the Lu Xun Literature Award, and some have been rated as national publication outstanding works awards. Many of his works have been selected by "Selected Novels" and "Novel Monthly".

In rural China in 1976, the wheat was ripe. Duan Fang graduated from high school and returned to his hometown of Wangjiazhuang to meet the landlord's daughter Sanya. The two young people's hormones started to rise. Their desires approached each other through temptation, and the two finally tasted the forbidden fruit for the first time. However, passionate love cannot overcome the huge identity gap, and the fate of the two takes a turn for the worse...

This book is divided into two parts, the medium-length and the short. The medium-length works include "Narrative", "Chushui", "Sleeping with Eyes Wide Open", "Qing Yi", "Corn"; the short-length articles include "May 9th and 10th", "Who Talks in the Late Night", "Writing", "Lactating Woman", "Ma's Father and Son", "Remote Control", "What's Left of a Man", "White Night", "Traveling in Style", "Missing My Sister Xiaoqing", "Twenty-two Days with Alai", "Cricket Cricket", "A Flower Singing Xipi's Erhuang".

"Massage" is a rare domestic literary work based on the blind group. Based on respect and understanding of the blind, the novel describes the unique lives of a group of blind masseurs in a subtle and original way, penetrating into the hearts of this special group. Among this group of lively people, there are ambitious entrepreneurs Sha Fuming and Zhang Zongqi, Doctor Wang and Xiao Kong who are in love and worried about getting married, Xiao Ma who is trapped in desire and ethical entanglements, Tai Lai who was injured in legendary love, Jin Yan who is bold and aggressive and travels thousands of miles to actively pursue love, and Du Hong who is so "beautiful" that she suddenly withers away. Each story is poignant and moving, and all express the entanglement of dignity, love, responsibility and desire in life. And these contradictions and struggles in life seem to become more sensitive in the dark world. This novel shows the private and real private world of a blind masseur in real life, and shows another kind of joy and sorrow in life of the blind group that people rarely understand. What is particularly emphasized in the novel is that, like normal people, disabled and blind people have the same love, hatred, ups and downs as normal people, and have a spiritual world that also needs respect and attention. The significance of the novel is that it writes about the happiness, sorrow, love, desire, and fantasy of disabled people, and breaks the emotional cage of our understanding of disabled people.

"Lactating Woman" tells the story of a little boy in Duanqiao Town, whose parents both went out to work, bit the breast of Hui Sao, a "lactating woman", causing an uproar. The author uses poetic brushstrokes to vividly outline a radiant image of a breastfeeding woman. The novel won the National Top Ten Short Story Award and the First Lu Xun Literature Award Short Story Award.

The novel "Once Upon a Time in Shanghai" is narrated in the tone of Tang Shuisheng, a country boy who came to Shanghai and was assigned to work as a maid next to the popular dancer Xiao Jinbao. It uses the eyes of a countryman to examine the changes in the ten-mile foreign market in Shanghai. Little Jinbao is the mistress of the gang leader Mr. Tang, but in his heart he loves Mr. Tang's brother John Song. Although Song John and Xiao Jinbao have an affair, they only want to obtain Mr. Tang's status. In the power game between Mr. Tang and his general John Song, little Jinbao's fate is arranged and controlled by others, like a leaf in the wind, unable to control himself.

"Corn" is Bi Feiyu's landmark masterpiece. Through the different personalities, fates, and life stories of the three sisters, Maize, Yuxiu, and Yuyang, the novel presents to us the common yet peculiar relationship between sisters, as well as between them, their surroundings, and the times. Corn's life is divided into two parts, before marriage and after marriage. Before marriage, Maize is proud and full of hot energy. Even if the person she writes to is "thousands of miles away", people can still feel the surging love in those "black and white letters". After marriage, the corn is humble and self-satisfied. Behind her are her father, her mother, and her sisters. The desire for power corrodes people's hearts and consumes them. All of this originated from that night when the straw fragrant, corn, jade show, jade seedlings, the lives of the three sisters in Wangjiazhuang changed suddenly from here. These are three ordinary women in China who are loyal to love, lose love, and hate love. These are three stories that escape the scrutiny of others. They struggle, are shattered, and indulge. How often do we yearn for a world without prying eyes? How many times have we longed for an unfettered self?