A perfect score of 6 out of 10 is given to me. I don't even know whether this book should be classified as a human being or not. There are four male characters, an anti-social mermaid AI and a painted ghost. According to my standards, the mermaid barely counts.
It's very subtle when I read it. It gave me the feeling that the first short story is about biological children, and the following few are about adopted children. The interaction with the first male protagonist, the murderer reserve, was okay when I was young, but not so good when I grew up and started falling in love. In the end, the double-death ending finally made things come true, and I felt like I could do it again. The second one is the Poseidon in the form of a mermaid, my love among people, but I didn't expect that the author would be entangled in how the two of them live together, whether you become a human or I become a fish. In the end, there is no choice between the two, they don't owe each other, and the love feeling instantly flew away. In the end, it seems like the heroine is doing a good person and a good deed in order to send the sea creatures back to where they belong. The third one is an AI who actually wants to become a god. The first impression is that he is arrogant and arrogant. Moreover, because he is too pretentious to compete with him in a battle of wits and courage, it highlights the heroine's IQ. There is no sense of ambiguity at all. The AI doesn't even feel it and even wrote a paragraph of do. There's really no way to explain the fourth one. It feels like the author suddenly thought of promoting women's rights and then wrote it. It's nice but not fully written. If the next three are on par with the first, I'll give it four stars.
You have to say that the heroine has principles. For example, she tried her best to ensure the safety of the people around her, and even the golden retriever in the AI was saved. However, in the end, the male protagonist killed a werewolf cub in front of her, and she was not saved. It was very subtle. The moral bottom line is really difficult to grasp in different specific circumstances. If you are not careful, you may become a virgin or a double-faced fake. The author doesn't seem to be able to grasp the Shura field, and the male protagonist is really embarrassed when they get together. I don't feel that the AI owes the heroine a blood debt. The heroine was stabbed purely because she wanted to capture him. She would not die if she didn't capture him. Later, it was written that the AI regretted and felt sad because of this, which was a bit embarrassing for the forced crematorium.
Compared with the author's previous campus novels, the pace and tension are a bit less intense. The character creation is as interesting and interactive as ever. The candy-eating and crazy brother is my favorite, but it's a pity that there are few scenes.
The heroine is a moth, so please be careful when entering, a GB boy, the character is well created, the heroine's growth is relatively smooth, the relationship is very sweet, the plot is okay, there is an early plot of him running away from her and chasing after her (laughing to death), and the most important thing is that he can do porn. Just kidding, the author of Jinjiang Driving is a treasure.
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