Including female no cp or male background boards, all female protagonists, strong women, male abusers, male children, narcissus, palace fights and traditional romances, etc. The tastes are different, be careful to collect them with one click
The eldest lady is really cool. I hope the eldest lady can be the eldest lady forever.
Overall, it's okay. Most of the time, it's fun to be the eldest lady, but there are always times, whether it's compromise, soft-heartedness, or whatever, that makes people feel uncomfortable, and they just can't keep having fun smoothly.
The male protagonist is really annoying in the early stage, and some of the eldest lady's followers and friends in the later stage are also annoying in the early stage. All in all, it doesn't feel like a completely enjoyable story.
Overall, I enjoyed it very much. This article is really imaginative and complicated, and I feel like "I'm not sure I'll read it again". Thank you to the author for your hard work. Although the timeline was probably too long and tiring at the end, so the pace sped up a lot, and I probably didn't have any spare time to polish and render it, resulting in it looking like an outline with no sense of substitution. But I felt that I was pretty good at being able to complete it and round up all the foreshadowings. I can totally understand why I had to go back and revise the text over and over again, because it was really too difficult.
The power of the original plot in the novel is really difficult to change. In the later stage, I felt that the original plot was so crazy that it stopped the heroine without considering logic. Spending countless reincarnations trying to reverse the ending and failing would really make it look more aggrieved than the heroine trying to turn the tide all at once.
In the early stage of Seraph, I really loved TT. The author also said that he gave the male protagonist the configuration. Unfortunately, our female protagonist prefers big cats. I feel that when I see a big cat, I subconsciously start to tease. I can't control it just like the big cat's tail. Getting along with the two of them is like adults having trouble. So I also love big cats, but later on I only loved big cats.
The heroine is really cruel to herself and has a bit of a bad personality. I actually quite like her being both good and evil.
I really like this setting. When the truth is false, the false is also true. The female lead was not exposed until the end, but made the lie come true.
Another novel of the same type by the author has a finishing score that says, "The ending where the male protagonist reconciles at light speed just to achieve a traditional heart-to-heart ending is too abrupt. It would be better to let the female protagonist deceive her from beginning to end and become a master of deception." So this one may be the result of improvement? Not only was he deceived from beginning to end, but more importantly, the deception came true.
It's very cool, unlike other articles that always focus on the embarrassment when the horse falls.
Although the writing and plot still need to be improved, the setting is good.
The extra round is a big one! ! Must watch extra episode
It's okay, sisters are better than men. I feel like I don't care much about those three scumbags. I would at most interact with the male protagonist more.
I like it. In fact, I still like the atypical ending the best, but it's a pity that it's too short and not fun enough. The biggest regret is that the monologues in some places are a bit awkward and can easily cause drama.
What a pity, brother! Although my brother's character actually makes Female Goose uncomfortable, it is still unclear what the outcome would have been if his brother had not encountered any misfortune.
This book is different from the author's previous male abuse novels. It may be that he sacrificed a certain degree for the integrity of the plot logic, resulting in it being far inferior to the previous novels, and even felt like it was in the opposite direction. I can understand that the author is writing a plot line, but the emotional line is poorly written for the plot line, which makes the audience of this article uncomfortable. I have read three of the author's books before and said that abuse is real abuse. Because I trust the author's ability to abuse men, I read this book without thinking. As a result, the more I read it, the more uneasy I became and I doubted whether it could be as real abuse as before. This is the first time I've read an author's article and felt so worried about the heroine's personal safety. The male protagonist stopped reading several times before he became addicted. He relied entirely on the copywriting to catch carrots in front of him. He didn't have the courage to read every chapter.
The author may have used reversal plots to torture men when writing emotional novels in the past, but now when he wants to write plot novels, he always resorts to inversion. Appropriate reversal is of course beneficial to the plot, but not everyone should reverse everything so that others cannot guess the truth. This article has too many reverses of good and bad, leaving no room for anything. I hate the wrong person and then hate again, love the wrong person and then love again. I can't breathe.
In the novel, the heroine deceives the male protagonist, and the male protagonist deceives the female protagonist first. This is considered to have a reason. But being poisoned by someone is worse than the poison given by the heroine. At least then I don't have to feel sorry for the heroine's hard work. Before, I thought it was a reversal of love and hate with memories, but it turned out that the male protagonist lost his memory after being poisoned, and it didn't feel that way anymore. And I think the setting of this poison is still very vague. Why doesn't the general who was poisoned first hate his adjutant, and why doesn't the male protagonist hate his god?
When I saw the poisoned place, I felt that the two protagonists were fighting against the will of the world like a worm shaking a tree. It was neither an abuse of the female protagonist nor an abuse of the male protagonist. It was a kind of sadness that was unable to change. At that time, I felt really heavy and difficult. I wanted to love you and protect you. I tried my best but still couldn't do it.
The author said that there is absolutely no barrier such as human life in the middle. I thought it was the efforts of the male protagonist, but it turns out that the good guys are all the efforts of others. Saving the family's lives was down to Mr. Gu, Butler Yuan and the heroine. Saving the heroine's innocence was down to the big brother. My suggestion is don't save it, there's nothing you can do about it.
In the later part of the torture of men, even if the subjective pain is described from the perspective of the male protagonist, I felt that the operation was as fierce as a tiger and the damage was 0.5. Maybe it's because the old saying only allows you to torture the body, hair and skin. It's all about what the male protagonist thinks is the heaviest punishment. In fact, the readers' attitude after reading this is: Oh
I really didn't expect that the old enemy Princess Beihu would actually be a good person to the heroine. Every character in this article was beyond my imagination. In fact, her structure is as big as that of the original male protagonist, and everyone in the world is a subject. And the twin who was sent out under good protection had an attitude of "Uzbek bastard". I don't know what the meaning of this so-called preserved bloodline is? In the end, I was very unhappy because the villain's theory could only be discussed in half a chapter at most. If I elaborated any more, it would be repetitive and irritating to the readers. Why spend so much time writing an irritating speech?
I can feel that the author is trying to gradually change his style, which may be a good thing for the author.
I wanted to quit reading halfway through, but I finally finished it. I really liked the ending of the main story. It's a pity that the extra chapter didn't go into details about how to return home and establish diplomatic relations with the stars in the end. Maybe it's not important to Su Liang anymore.
I don't really like the male protagonist's character, it's quite frustrating. Although he is sincere, it's really difficult for me to be tempted.
The overall description is quite good, but the author has no awareness of the inequality between men and women. He feels that he loves his daughter very much and writes that her daughter is very independent. In fact, the impression given to everyone and others in the book is that she is "spoiled". The best word to praise her daughter is actually "good"
Qi Xiaoyun is so cute
Second brush. Unexpectedly, the two of them were not married until the end of the text (not counting the if line), and they did not issue an edict to be buried together until they died. Thinking about it carefully, I quite like this. After all, low self-esteem is the best dowry for a man.
This is the most authentic draft article written by the veteran Xiufen. Completing this book is like finishing the draft.
I seem to be back in that ever-bloody atmosphere.
The overall story is good, but there are many details that could be improved. And I suddenly remembered that there are still many practical problems that have not been solved. The reasons that the heroine used to reject the second male lead who did not want to get married have not been solved now, right?
In addition, there are a lot of mistakes and omissions... If you have time, Madam, please catch the bugs from beginning to end and revise the article. "She", "He" is often written incorrectly, etc.
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