The plot (especially the second half) is rather sloppy. The emotional scenes are interesting, but a little tepid. After watching it, I felt a little incompletely burned.
The previous plot setting is quite interesting. But the male protagonist seemed too stupid, he didn't do anything, and it felt like it was the female protagonist's one-man show. The plot becomes very ordinary later on.
There's a section in the middle that's particularly good, and it's getting better. But the Black Room didn't fare so well in the later stages. After the heroine escaped, it was quite boring, and the ending was so crude.
Some passages are very fragrant. But overall (plot and characters) are very thin. The logic of the plot is not solid, and the motivations of the characters are insufficient, making everything superficial. It can be better.
The story is quite interesting. But the male protagonist really has a dog's temper and a dog's virtues. It makes no sense that someone with such a bad temper would be attracted to him. If it were another little white flower, the heroine would have been suppressed all the time, but if the heroine is such a hot-tempered princess, she would still be suppressed by the male protagonist... The male protagonist has also been relying on the heroine's own feelings, using ambiguous kisses to deal with his deception of her. Not only trivial things, but also big things are plotted against the heroine, she is rubbish.
The emotional drama is quite interesting, and the male and female protagonists are not clichéd either. But the second half is all about political struggles, so I don't really like watching it.
It was pretty good-looking at first, and somewhat interesting, but the pace was too slow, and the male protagonist's mouth was too weak, and I couldn't stand it. Jumping directly from 36 to 92 feels comfortable, and then I skipped to finish reading. The Garbage Emperor died so quickly and happily that it made me a little angry.
The story is okay, I don't hate this type of crematorium. However, the character of the heroine in her previous life was too strange to be that cowardly.
I don't write many emotional scenes, and the ones I write are average. The overall plot was okay, but too long-winded. The heroine's father/villain is a bit interesting to write.
It's actually quite good, but the second half is a little off topic, and it ends so suddenly that it feels like it's not finished, but the male and female protagonists have an explanation.
Top-heavy. It's almost halfway through the story of the writing. The ending is a bit rushed. Comparing the previous half of the plot, there is no clear explanation of many people and things. I don't understand why it takes so long to write at the beginning. It would be better if I started reading from the middle. However, the emotional line is quite delicate and somewhat interesting.
The heroine's sense of detachment when she was at her husband's house before the divorce was particularly good. It's not a special crematorium, but it does give off a bad breath. At the end, I suddenly realized that the emperor and queen were not a tragic version of his good wife.
It's very ordinary and has no merit, very bland and relaxed. The male and female protagonists are not given any particularly cool identities, they are just ordinary people, which is quite interesting.
The subject matter is interesting, but there are very few emotional scenes. Especially the male protagonist, I fell in love with him as soon as I met him, which is inexplicable.
The heroine and the story are both my type. But this article is in a state of incomplete combustion from beginning to end. Emotions are always up and down, and there is no breakthrough. That is, after the male protagonist loses his memory, it will be better to let go of the emotions.
The heroine is very sweet and cute. The story is okay too. Just the fact that the male protagonist induces the female protagonist to have an affair with him without a matchmaker is enough for him to go to the eighteenth level of hell. Not to mention that the back was exposed and the heroine was pointed at. In this relationship, the male protagonist takes all the benefits and suffers no disadvantages. The female protagonist takes all the risks and even causes fear and fear. In the second half, it was better to have an engagement, and later he sacrificed his life to save the heroine, but in my opinion it was not enough. If it weren't for the heroine, it would definitely not be a three-star movie, let alone finish it.
It's okay, but there aren't many emotional scenes, especially towards the end, the male protagonist's scenes become less and less. But the male protagonist didn't come to take advantage of her, bully the female protagonist, or anything like that, which is good.
Relatively mediocre. In fact, it is quite interesting that the male protagonist is crazy one second and humble the next, but it is too little. More can be written in this direction.
A strange flower in the crematorium of Chasing His Wife is very interesting and quite funny. I felt that the rest of the movie was only focused on torturing the male protagonist, and there were fewer emotional twists. In fact, it could have been more satisfying.
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