[Hong Kong Film Crossover] Where Wild Lovers Appear

It should be a perspective deviation, similar to the omniscient narrative perspective of Dream of Red Mansions, rather than from Bai Li's perspective. The group portrait presented in this way is very vital but does have a lengthy feeling. If you adjust the angle of view from now on and compare it with the previous article, it will appear as if you have doubled the speed. If the next book is written, the teacher can try to focus on the heroine's perspective. For example, the scene where Shinichi fights can be mentioned in narration afterwards. It is shown that it is raining and dark tonight, and there is a sudden knock on the door. Baili feels panicked and opens the door and smells the smell of blood on Shinichi's body. When helping him bandage, he can replace the fight with a few words. There is also the scene where Tizi sets up a trap. Written from the perspective of the heroine, Tizi suddenly disappeared for two days and only found out later from a letter. This method is very easy to use. As long as a little foreshadowing is buried in the front, it is better than writing it directly. It allows readers to discuss it more. I don't think it's a sadistic novel because I saw an extremely vicious Kowloon fanfic on Laofen that specializes in sadistic female protagonists (the one I mentioned to you, and the more I thought about it, the more angry I was that there were so many people following it), so I don't think this sadistic book can at best be defined as a realistic fairy tale. Also, I think the desire to talk is very important in every relationship. When it comes to discussion between the reader and the teacher, whether it is the plot or the views on the characters, I still hope to get the teacher's reply if possible, but if I am too busy or don't have enough time to type, forget it (seriously, I hope the teacher will update more). Then it's the update time. My sky is falling. I have already guessed that after a month of continuous updates, you will have to ask for leave. But ten days, ten days, 240 hours, 14,400 minutes, teacher, do you know how difficult it is? This is no different from abandonment (just kidding bushi). Teacher, let's take a step back and write some side stories in the next few days, otherwise I really have to show it to you. (I'm kidding, I just want to bargain and read more. If it doesn't work, forget it. In fact, I would like to read the main text, but considering that the teacher is tired of writing, it may be easier to change his mind and make some side stories.) Forget it, it's fine without it. Then you have a good rest and I'll come back in a few days (leaves in tears)

No🙅see ​​you in seven days, I want to see you every day

Teacher, I think you are talking about the problem of writing too much and too slow plot development but cannot be deleted. My personal idea is that when you write it, it is like writing a diary of the development of a city. Everything that happened must be described, whether it is the details of life or the changes in the thoughts of many people. This is actually your advantage. , Which makes your writing delicate and grounded, and will not appear to be false or empty. For example, to describe the charm of the heroine, some people use rhetoric to describe her beauty, but we feel the charm of Amei in your article, and we really like her. We fell in love with her earlier than Tizi Xinyi Twelve and felt sorry for her. But the disadvantage is that there are too many words, and everything is told in a eloquent way (insert, I think of a very funny adjective - the important and difficult points are not highlighted). As a reader who has been following the book, I confirm that the label of female abuser is not suitable for this book, but the author's eloquent narration made Amei suffer in the walled city for 300,000 words before she can reach the next step, which is indeed very painful for the readers. Teacher, you seem to be writing in an immersive way. When the characters you set slowly enter the plot, what happens next is the character's own business. You just use a pen to record their stories. You follow this rule too much. If you want to make the heroine feel better, you have to think about it for a long time before arranging it. But there are too many accidents in the world, and not everything that happens will have normal logic. The pen is in your hand. What kind of article do you want to write? Is the tone of ordinary beautiful women struggling to survive in the walled city? That actually succeeded. But the heroine has traveled through time and is a star. Why is she still positioned as an ordinary woman after you have given her such a big halo? Can an ordinary beautiful woman make Xin Yi Twelve fall in love so quickly? With such a top-notch character, the story happens in a way that conforms to the imagination and logic of ordinary people. The heroine is so beautiful that there will be countless opportunities and accidents in reality. I have been looking forward to A-mei getting out of the city and using her knowledge from her previous life to start a career that would at least make her life more enjoyable. I don't think it matters whether she is with Xinyi, Twelve or Tizi, but after 300,000 words, she is still trying to survive. The lengthy "meiless plot" makes A-mei the sideline heroine. It seems to be recording what happened in the walled city rather than what happened in the heroine's life. A lot of what Luosuosuo writes is from my personal reader's perspective. I don't know if reading it from another perspective can give teachers different inspirations and help them find problems. Some time ago, I really felt that what you wrote, teacher, was too uncomfortable.

When my sister is doing business, will she meet the down-and-out jimmy boy 🐶🌹 who is still selling CDs? Recently, I have been fascinated by the 30-year-old ancient boy 🐶 who is so handsome. Can I let my sister take a bite in conjunction with it? It's really well written! Log in every day to see if there will be any sudden updates. Don't be tired and don't rest 🤩

At that time, the Hong Kong entertainment industry was very dark. Without a backer, actresses were just serving food. For example, at that time, there was a phone book with the contact information of actresses in the circle. Bosses could directly ask actresses to "meet" from it. They even made a movie about it. At that time, the famous actresses all had their backers, such as Rosamund Kwan and Liu Luanxiong (rich businessmen), Zhang Min and Xiang Huasheng (underworld background + Yongsheng boss), Qiu Shuzhen and Wang Jing (famous director), Zhu Yin and Stephen Chow (popular actors). If Amei wants to enter the industry in the future, she should wait until Longcheng Film and Television Company opens before directing and acting on her own. It's safer.

After writing a lot of words, deleting and deleting, I finally want to tell you in the most straightforward, direct, least roundabout, and most objective way: I like your writing, and I also like the creative characters derived from your writing. At first I was not used to the teacher's slow progression of plot chapters, but later I felt that the work was more like a historical record of a city. Maybe the teacher wanted to express this... Each character in the story has an independent core. They are not tool people who can be sacrificed and exploited at any time just to advance someone's emotional line and then be thrown into a corner without writing for a long time. Take Lao Ti for example, his ending can be said to be a new life. I have thought about his different endings in the past. This may be the most perfect one that brings an end to this relationship. In fact, to be honest, I was moved by the texture of his character, and I had the illusion that leaving him would be a good choice. Of course, it can also be an if line! Anyway, I hope the teacher can write articles happily~ We can also follow articles happily✌🏻Love you❤️

Can Ah Feng have a third wife? 😭

Um! (Nods firmly and pretends to have forgotten the ten-chapter countdown) [covers face and peeks] Teacher, I believe you (Is this the big breakthrough I thought it was? 😳

Hahaha, whoever becomes Amei's boyfriend first, Twelve or Shinichi, will win. No matter if it is robbery or coercion, even when the boss is still there, the two bosses will not say anything. After all, they are both gay. They have already done the thing of killing people and selling their fans. Can they still kill their own cubs? Three cups of self-imposed punishment is over. However, both of them are gay and have to maintain the image of young people in front of A-mei. I want A-mei to make her own choice. After dragging Amei to save enough capital, he turned around and said goodbye. Originally, she came to Tizi and even used Tizi as a springboard to look for Xinyi and Twelve because she wanted to find a protective umbrella, but now A-mei has realized that having an addictive boyfriend is a double-edged sword. Who can find a boyfriend who can cause trouble for herself when she can stand up for herself?

I plan to have a longer week... Omg I feel so anxious waiting like this