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Tsukuyomi set the filter type to low-pass, -24 dB/oct, then turned the circular cutoff-frequency knob to between ten and eleven o'clock. "When the pitch shifts, it also affects the filter's cutoff. When the bass gets higher, it sounds quite harsh."
"How are you going to adjust it?"
Amatorifune set the resonance knob and keyboard control knob beside the cutoff-frequency knob his upperclassman had adjusted, along with the other controls, to zero. "The attack on the amplitude envelope is zero, the decay is zero, the sustain is turned all the way up, and the release is zero..."
They watched the triangular waveform on the control panel turn into an organ-like shape.
Tsukuyomi pressed a key and released it a few seconds later.
A powerful, sharply "cut off" sound reverberated through the recording studio.
Theme: To be added
