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The basis for the construction of the Tianwu Baolun is the small universe. The size of the small universe directly affects the construction success and perfect state of the Saga Tianwu battle formation. Therefore, in order to solve the relative equilibrium state of Tianwu Baolun, the first thing to solve is the problem of the small universe. First of all, the composition of Tianwu is a small universe. The reason why Shaka closes his eyes is to accumulate more small universes, so as to build a space that surpasses other tricks. In other words, it suppresses and surpasses the enemy in the capacity of the small universe. The accumulation of small universes with eyes closed is Shaka's unique way of accumulating small universes. The size of the microcosm accumulated with eyes closed is determined by the time the eyes are closed. It belongs to the energy boost obtained from closed normal vision. Once the closed and accumulated small universe is released, it will not regenerate in the short term and will require a certain period of time to recover. The energy of burning small universes that does not need to be accumulated can be generated at any time, and the degree of burning small universes has a lot to do with its own will. The release of the Tianwu in the 12th house and the release of the Shuangshuyuan Tianwu are both one-time large-scale explosions of the small universes accumulated by Shaka, and the small universes accumulated with closed eyes are the premise for creating the Tianwu space during the explosion to show a strong degree of control. The microcosm accumulated by closing his eyes is different from the microcosm realized during normal practice, and it is also different from the normal high energy obtained through the combustion of the microcosm. He obtains part of the normal energy storage by closing his vision. Moreover, normal warriors cannot completely perceive how many accumulated microcosms there are. The seventh sense is the basis for the Golden Warriors to burn their basic microcosms, and closing eyes is just Shaka's special means of accumulating microcosms. The Golden Saint reaches a higher level of the microcosm by reaching the seventh sense, and is improved by the microcosm. The energy accumulated by Shaka's autistic vision obviously does not belong to the category of burning the microcosm. Burning the microcosm is a behavior that can be sensed by the opponent (for example, this can be reflected in the battle between the Five Xiaoqiang and the enemy). Shaka does not mention the burning of the microcosm in the comics when his eyes are closed, which means that the burning of the microcosm is imperceptible. It is an imperceptible act for Shaka to accumulate normal energy by closing his eyes. No one knows how much energy he has accumulated by closing his eyes. Xiao Ai once warned Bronze that Shaka must not open his eyes, otherwise everything in front of him will be destroyed. This shows that Xiao Ai has never seen Shaka with his eyes open, so he can only guess that the release of energy with closed eyes is very destructive, but the specific performance cannot be sensed in advance, and can only be felt when Shaka releases energy. Burning the microcosm is an act that can be sensed throughout the entire process. Before Shaka launched the demon surrender on Cancer Palace, the three of them had already sensed Shaka's extreme burning of the microcosm. The three of them can even sense the disappearance of Yaldi's weak microcosm. Generally speaking, the Golden Warrior will not burn the microcosm when not in a combat state, while Shaka can accumulate energy through autistic vision even in a non-combat state. Autistic vision accumulates energy. This is Shaka's active behavior. Not all golden saints have this ability. If they all have this ability, then other golds can also close their senses in the normal state to accumulate the small universe and obtain the large-scale energy of the small universe, but in fact gold does not do this. That is to say, other golds do not have the ability to block the increase in sensory energy under normal conditions. About the rise of the microcosm caused by deprivation of the five senses Deprivation of the five senses can cause a rapid upgrading of the microcosm under special circumstances. The example is like Xiaoqiang. A. In the 12th Palace battle, Xiaoqiang, who was half-dead in several games, comprehended the seventh-sense microcosm while losing his five senses, and surpassed the Golden Battle Saint in the microcosm explosion. But this was only a momentary state, and it was relative to himself, and had nothing to do with the stable normal state. B. Shaka also chose to accumulate small universes by closing his eyes to cause the improvement of the small universe. Physiological injuries have nothing to do with the origin of the microcosm, that is to say, no matter how severe the body is, the essence of the microcosm will not disappear, only the state of the microcosm will disappear. It can be seen from the two-tree station of Saga: The blocking of the four senses has seriously affected the performance and physical factors of Saga's three people. Sensory deprivation is a double-edged sword. When the battle evolves into a confrontation between the microcosms, people who have lost part of their senses can have a more powerful microcosm explosion.

The basis for the construction of the Tianwu Baolun is the small universe. The size of the small universe directly affects the construction success and perfect state of the Saga Tianwu battle formation. Therefore, in order to solve the relative equilibrium state of Tianwu Baolun, the first thing to solve is the problem of the small universe. First of all, the composition of Tianwu is a small universe. The reason why Shaka closes his eyes is to accumulate more small universes, so as to build a space that surpasses other tricks. In other words, it suppresses and surpasses the enemy in the capacity of the small universe. The accumulation of small universes with eyes closed is Shaka's unique way of accumulating small universes. The size of the microcosm accumulated with eyes closed is determined by the time the eyes are closed. It belongs to the energy boost obtained from closed normal vision. Once the closed and accumulated small universe is released, it will not regenerate in the short term and will require a certain period of time to recover. The energy of burning small universes that does not need to be accumulated can be generated at any time, and the degree of burning small universes has a lot to do with its own will. The release of the Tianwu in the 12th house and the release of the Shuangshuyuan Tianwu are both one-time large-scale explosions of the small universes accumulated by Shaka, and the small universes accumulated with closed eyes are the premise for creating the Tianwu space during the explosion to show a strong degree of control. The microcosm accumulated by closing his eyes is different from the microcosm realized during normal practice, and it is also different from the normal high energy obtained through the combustion of the microcosm. He obtains part of the normal energy storage by closing his vision. Moreover, normal warriors cannot completely perceive how many accumulated microcosms there are. The seventh sense is the basis for the Golden Warriors to burn their basic microcosms, and closing eyes is just Shaka's special means of accumulating microcosms. The Golden Saint reaches a higher level of the microcosm by reaching the seventh sense, and is improved by the microcosm. The energy accumulated by Shaka's autistic vision obviously does not belong to the category of burning the microcosm. Burning the microcosm is a behavior that can be sensed by the opponent (for example, this can be reflected in the battle between the Five Xiaoqiang and the enemy). Shaka does not mention the burning of the microcosm in the comics when his eyes are closed, which means that the burning of the microcosm is imperceptible. It is an imperceptible act for Shaka to accumulate normal energy by closing his eyes. No one knows how much energy he has accumulated by closing his eyes. Xiao Ai once warned Bronze that Shaka must not open his eyes, otherwise everything in front of him will be destroyed. This shows that Xiao Ai has never seen Shaka with his eyes open, so he can only guess that the release of energy with closed eyes is very destructive, but the specific performance cannot be sensed in advance, and can only be felt when Shaka releases energy. Burning the microcosm is an act that can be sensed throughout the entire process. Before Shaka launched the demon surrender on Cancer Palace, the three of them had already sensed Shaka's extreme burning of the microcosm. The three of them can even sense the disappearance of Yaldi's weak microcosm. Generally speaking, the Golden Warrior will not burn the microcosm when not in a combat state, while Shaka can accumulate energy through autistic vision even in a non-combat state. Autistic vision accumulates energy. This is Shaka's active behavior. Not all golden saints have this ability. If they all have this ability, then other golds can also close their senses in the normal state to accumulate the small universe and obtain the large-scale energy of the small universe, but in fact gold does not do this. That is to say, other golds do not have the ability to block the increase in sensory energy under normal conditions. About the rise of the microcosm caused by deprivation of the five senses Deprivation of the five senses can cause a rapid upgrading of the microcosm under special circumstances. The example is like Xiaoqiang. A. In the 12th Palace battle, Xiaoqiang, who was half-dead in several games, comprehended the seventh-sense microcosm while losing his five senses, and surpassed the Golden Battle Saint in the microcosm explosion. But this was only a momentary state, and it was relative to himself, and had nothing to do with the stable normal state. B. Shaka also chose to accumulate small universes by closing his eyes to cause the improvement of the small universe. Physiological injuries have nothing to do with the origin of the microcosm, that is to say, no matter how severe the body is, the essence of the microcosm will not disappear, only the state of the microcosm will disappear. It can be seen from the two-tree station of Saga: The blocking of the four senses has seriously affected the performance and physical factors of Saga's three people. Sensory deprivation is a double-edged sword. When the battle evolves into a confrontation between the microcosms, people who have lost part of their senses can have a more powerful microcosm explosion.

The basis for the construction of the Tianwu Baolun is the small universe. The size of the small universe directly affects the construction success and perfect state of the Saga Tianwu battle formation. Therefore, in order to solve the relative equilibrium state of Tianwu Baolun, the first thing to solve is the problem of the small universe. First of all, the composition of Tianwu is a small universe. The reason why Shaka closes his eyes is to accumulate more small universes, so as to build a space that surpasses other tricks. In other words, it suppresses and surpasses the enemy in the capacity of the small universe. The accumulation of small universes with eyes closed is Shaka's unique way of accumulating small universes. The size of the microcosm accumulated with eyes closed is determined by the time the eyes are closed. It belongs to the energy boost obtained from closed normal vision. Once the closed and accumulated small universe is released, it will not regenerate in the short term and will require a certain period of time to recover. The energy of burning small universes that does not need to be accumulated can be generated at any time, and the degree of burning small universes has a lot to do with its own will. The release of the Tianwu in the 12th house and the release of the Shuangshuyuan Tianwu are both one-time large-scale explosions of the small universes accumulated by Shaka, and the small universes accumulated with closed eyes are the premise for creating the Tianwu space during the explosion to show a strong degree of control. The microcosm accumulated by closing his eyes is different from the microcosm realized during normal practice, and it is also different from the normal high energy obtained through the combustion of the microcosm. He obtains part of the normal energy storage by closing his vision. Moreover, normal warriors cannot completely perceive how many accumulated microcosms there are. The seventh sense is the basis for the Golden Warriors to burn their basic microcosms, and closing eyes is just Shaka's special means of accumulating microcosms. The Golden Saint reaches a higher level of the microcosm by reaching the seventh sense, and is improved by the microcosm. The energy accumulated by Shaka's autistic vision obviously does not belong to the category of burning the microcosm. Burning the microcosm is a behavior that can be sensed by the opponent (for example, this can be reflected in the battle between the Five Xiaoqiang and the enemy). Shaka does not mention the burning of the microcosm in the comics when his eyes are closed, which means that the burning of the microcosm is imperceptible. It is an imperceptible act for Shaka to accumulate normal energy by closing his eyes. No one knows how much energy he has accumulated by closing his eyes. Xiao Ai once warned Bronze that Shaka must not open his eyes, otherwise everything in front of him will be destroyed. This shows that Xiao Ai has never seen Shaka with his eyes open, so he can only guess that the release of energy with closed eyes is very destructive, but the specific performance cannot be sensed in advance, and can only be felt when Shaka releases energy. Burning the microcosm is an act that can be sensed throughout the entire process. Before Shaka launched the demon surrender on Cancer Palace, the three of them had already sensed Shaka's extreme burning of the microcosm. The three of them can even sense the disappearance of Yaldi's weak microcosm. Generally speaking, the Golden Warrior will not burn the microcosm when not in a combat state, while Shaka can accumulate energy through autistic vision even in a non-combat state. Autistic vision accumulates energy. This is Shaka's active behavior. Not all golden saints have this ability. If they all have this ability, then other golds can also close their senses in the normal state to accumulate the small universe and obtain the large-scale energy of the small universe, but in fact gold does not do this. That is to say, other golds do not have the ability to block the increase in sensory energy under normal conditions. About the rise of the microcosm caused by deprivation of the five senses Deprivation of the five senses can cause a rapid upgrading of the microcosm under special circumstances. The example is like Xiaoqiang. A. In the 12th Palace battle, Xiaoqiang, who was half-dead in several games, comprehended the seventh-sense microcosm while losing his five senses, and surpassed the Golden Battle Saint in the microcosm explosion. But this was only a momentary state, and it was relative to himself, and had nothing to do with the stable normal state. B. Shaka also chose to accumulate small universes by closing his eyes to cause the improvement of the small universe. Physiological injuries have nothing to do with the origin of the microcosm, that is to say, no matter how severe the body is, the essence of the microcosm will not disappear, only the state of the microcosm will disappear. It can be seen from the two-tree station of Saga: The blocking of the four senses has seriously affected the performance and physical factors of Saga's three people. Sensory deprivation is a double-edged sword. When the battle evolves into a confrontation between the microcosms, people who have lost part of their senses can have a more powerful microcosm explosion.

In India, people have believed in "reincarnation" since ancient times, that is, they believe that people are not destroyed in this life, but resurrected through death to a new life. Buddhism is based on the theory of reincarnation and explains the fundamental issue of "life and death" from a deeper and eternal view of life. Life and death coexist with life. Life is eternal and infinitely transforms life and death. "If you correct my mind, there will be no beginning and therefore no end." My mind is the life of one thought. It has no beginning and no end, and it does not disappear from this universe due to death. Therefore, "Never forget that death is by no means the last. The saints who once lived in this world have transcended the realm of death..." That is the existence of "I" that is constantly integrated with the universe between the flow of life and death. The external universe is infinite, and similarly, the small universe-human life has no boundaries. The life of one thought is a relative existence that transcends life and death, size, breadth and narrowness. Once you understand the root of your life, "life and death" will naturally not scare you. Death is by no means a failure of "life", but an important turning point for reviving new life. Shakya also understood that under the two sal trees, the blood-stained petals were handed over to the breeze and passed away with a smile. Such a smile was as elegant as the dust. His chicness is not like that of a purple dragon, but the calmness of a falling green leaf. After one enlightenment, all dharmas are empty and all phenomena are in darkness. Shakya rarely opens his eyes to see the world, because he understands that what he sees with his eyes may not necessarily be the truth, so he always sits in meditation and talks to the Buddha. He uses his inner eye, which has already opened another eye in his small universe. This eye accompanies his small universe to the boundary of life and death. So when he opened his eyes, the light radiated out was not just his small universe. Those eyes were indeed breathtaking, but they contained a lot of compassion for the human world. Even though there is such a rich Buddhist culture accompanying Shakya, we cannot see the divine aura that has lost its "popularity" in this "person" who is closest to God. He was arrogant, and his dismissive attitude towards the bronze warriors might attract people's attention. However, when he looked closely at the golden warriors, Milo said, "It's a shame to dodge your punches." Shura said, "I don't want your dirty blood to pollute my palace." This must be the case for his extraordinary status. He is sincere and candid about the shock and confusion Yihui brought to him. It can be said that "Buddhists do not lie". In front of the wall of sighs, he also had times when he was desperate and helpless and needed someone to comfort him. He is not an invulnerable god, but a person with feelings and fears, which makes him charming. The flowers and snow were falling, and his lake-blue eyes were clear and crystal clear. It's common to see you close your eyes tightly and remain silent; it's common to see you smile slightly and be deeply absorbed. When the pearl shines, I see that you are determined not to change. I said I was thinking about the problem, but in fact I had already thought about it, but "all things are alive and all things die", which was as light as the wind. Your blond hair moved slightly, and at this moment, you opened your bright eyes. Everything finally returned to its original point. "The devil surrendered" led thousands of people to return to their clan, whether they were near or far, sometimes far or near. Now, the petals are falling, where are you... Edit this paragraph for the first time The first time I met Shaka was during the Battle of the Golden Zodiac in "Saint Seiya". Many people call Shaka at this time "Shaka who has not shed the shell of God", talking about how he is inhumane, how ruthless, how conceited and arrogant, how ruthless and decisive he is, how sharp and harsh his words... In short, except for a flawless face, there is nothing commendable about the actions of this newly revealed golden warrior. "The reincarnation of Buddha" and "the person closest to God" have been given the "best" interpretation: powerful, decisive and ruthless, "I am the only one in heaven and under heaven". He completely looks like a god who regards all things as trivial. Although Shaka later "recovered his humanity" slightly, "the mistake was made and there was no way to reverse it." There is also this understanding: The reason why Shaka is merciless is not because he is really cold in his heart and "will kill quickly", but because he insists on this life creed: love is the source of all suffering. The intention is not to take people's lives, but to use the most decisive way to let all living beings trapped by love (such as the bronze boys who cannot be killed) realize as soon as possible: the sea of ​​love is boundless, and turning back is the end. Although the methods are extreme, the intentions are pure and kind. Who knows about Sha Jia's heart-wrenching thought of "I am the only one who can save the whole world"? Having stayed in the Holy Land since he was seven years old, and having nothing else to do but guard the Maiden Palace for the past thirteen years, he has had such a monotonous life experience. The twenty-year-old Shaka's life experience may not be comparable to that of those bronze teenagers. Without the ups and downs of emotions, without the ups and downs of life, all Shakya can believe at this time is his own eyes and heart. Without understanding each other, the bronzes that broke into the Zodiac were undoubtedly outright intruders, disturbing the original peace and tranquility of the sanctuary (although perhaps only on the surface). How could a qualified warrior show mercy to his enemy? What's more, Shaka's ability is not limited to qualifications. At this time, Shaka is like a jade in the rough. Although it has begun to shine, it still needs to be pondered. The paleness of life experience and the lack of personal emotions make the young man who already possesses super strength appear to be more spiritual than calm. What he needs is the elevation of the emotional experience of a higher human being, not the knocking off of the cloak of a non-existent God. We meet the gorgeous blond hair again in the Pluto chapter (although there are glimpses in Nordic and Poseidon, it is too hasty, and the gold only exists as a background. Although both stories are good, the Nordic chapter is particularly exciting). "After experiencing many battles and witnessing the perseverance and sincere friendship of the Bronzemen, Shaka's emotions changed. He finally walked down from the high lotus platform. He no longer looked at the world from a bird's eye view. Without the glory of God, he became a real human being." In my opinion, this view is only half right. It is indeed because of the increase in life experience that Shaka, who originally only understood "love" at a metaphysical level, made a qualitative breakthrough (the one-hour battle in the Zodiac must have learned more than Shaka has learned in the past twenty years), and gradually realized the true meaning of "love". Otherwise, Shaka, who is naturally self-respecting, would never let go of Bronze so easily, nor would he say "You confuse me" to Ikki, which shows that the belief he has persisted for twenty years has begun to waver. But this did not make him "step down", but "step up", standing at a higher level, looking at the joys and sorrows of the world more objectively and seriously, and understanding things not only from his own perspective, but also from the perspective of others. The ignorant and willful young man is gone. Shaka, who has both extraordinary wisdom and magnanimity, makes people unable to help but feel heartbroken. Although I feel a little sorry for the departure of that willful and proud little warrior, I am still sincerely moved by Shaka's growth - I am willing to shock the world in one battle and live up to my posthumous reputation. He really did it, fighting in the Sharo Shuangshu Garden. No pain, no tears, just endless peace and quiet joy. Watching him brushing away the blood from his forehead as if unintentionally; watching him calmly say the shocking words: "Go to the burial place"; watching his blond figure disappearing into the carved gate of Double Tree Garden; watching his eternal pride and clarity when his eyebrows are raised; watching him smiling in front of the colorful fallen flowers in the garden... Behind the coldness of leaving the world and being independent, there is actually a brightness and sadness that is no different from ordinary people. More pure than Buddha and more beautiful than God. One hundred and eight beads draw the arc of a shooting star, and the chanting, like the sound of nature that is both sentimental and enlightened, actually becomes the final sound of life... Shaka's words and deeds are pure and natural, originating from nature. His words do not offend the vulgar, and his steps are clean from dust. His person is also like a beautiful jade, like a bright mirror, bright, clear, and clean without any clutter of the world. If there are flaws, they are also a common problem among teenagers: life exists for burning, and it is never meant to be a meaningless detention in this world. It is precisely because of this that the golden holy clothes on his body have a brilliant brilliance that will never fade away - the brilliance at the top of life. When the wind and jade stand, the flowers shine by the water. When you raise your eyebrows and smile, your hair will fly, and the flowers will fall like rain - the flowers of the two trees of Salo. Edit this paragraph's character traits Shaka (transliteration of Shaka), the highest-level guardian warrior of the goddess Athena in the masterpiece "Saint Seiya" by Japanese cartoonist Masami Kurumada, is the golden saint of Virgo in the sixth house of the sanctuary. It is said to be the reincarnation of Buddha. Among the Golden Twelve Saints, he is the second youngest Golden Saint. Sitting high on the lotus platform, with a calm face and eyes lightly closed, Shakya is holy and solemn. Shaka rarely shows ordinary emotions of joy, anger, sorrow and joy. In his view, human emotions are the source of suffering. Sitting high up, Shaka has always viewed human beings with a compassionate attitude. It is a kind of compassion for the strong towards the weak, and the transcendent towards the addicted. But Shaka's compassion for the weak is to let them reach bliss as soon as possible and thus be relieved.

In India, people have believed in "reincarnation" since ancient times, that is, they believe that people are not destroyed in this life, but resurrected through death to a new life. Buddhism is based on the theory of reincarnation and explains the fundamental issue of "life and death" from a deeper and eternal view of life. Life and death coexist with life. Life is eternal and infinitely transforms life and death. "If you correct my mind, there will be no beginning and therefore no end." My mind is the life of one thought. It has no beginning and no end, and it does not disappear from this universe due to death. Therefore, "Never forget that death is by no means the last. The saints who once lived in this world have transcended the realm of death..." That is the existence of "I" that is constantly integrated with the universe between the flow of life and death. The external universe is infinite, and similarly, the small universe-human life has no boundaries. The life of one thought is a relative existence that transcends life and death, size, breadth and narrowness. Once you understand the root of your life, "life and death" will naturally not scare you. Death is by no means a failure of "life", but an important turning point for reviving new life. Shakya also understood that under the two sal trees, the blood-stained petals were handed over to the breeze and passed away with a smile. Such a smile was as elegant as the dust. His chicness is not like that of a purple dragon, but the calmness of a falling green leaf. After one enlightenment, all dharmas are empty and all phenomena are in darkness. Shakya rarely opens his eyes to see the world, because he understands that what he sees with his eyes may not necessarily be the truth, so he always sits in meditation and talks to the Buddha. He uses his inner eye, which has already opened another eye in his small universe. This eye accompanies his small universe to the boundary of life and death. So when he opened his eyes, the light radiated out was not just his small universe. Those eyes were indeed breathtaking, but they contained a lot of compassion for the human world. Even though there is such a rich Buddhist culture accompanying Shakya, we cannot see the divine aura that has lost its "popularity" in this "person" who is closest to God. He was arrogant, and his dismissive attitude towards the bronze warriors might attract people's attention. However, when he looked closely at the golden warriors, Milo said, "It's a shame to dodge your punches." Shura said, "I don't want your dirty blood to pollute my palace." This must be the case for his extraordinary status. He is sincere and candid about the shock and confusion Yihui brought to him. It can be said that "Buddhists do not lie". In front of the wall of sighs, he also had times when he was desperate and helpless and needed someone to comfort him. He is not an invulnerable god, but a person with feelings and fears, which makes him charming. The flowers and snow were falling, and his lake-blue eyes were clear and crystal clear. It's common to see you close your eyes tightly and remain silent; it's common to see you smile slightly and be deeply absorbed. When the pearl shines, I see that you are determined not to change. I said I was thinking about the problem, but in fact I had already thought about it, but "all things are alive and all things die", which was as light as the wind. Your blond hair moved slightly, and at this moment, you opened your bright eyes. Everything finally returned to its original point. "The devil surrendered" led thousands of people to return to their clan, whether they were near or far, sometimes far or near. Now, the petals are falling, where are you... Edit this paragraph for the first time The first time I met Shaka was during the Battle of the Golden Zodiac in "Saint Seiya". Many people call Shaka at this time "Shaka who has not shed the shell of God", talking about how he is inhumane, how ruthless, how conceited and arrogant, how ruthless and decisive he is, how sharp and harsh his words... In short, except for a flawless face, there is nothing commendable about the actions of this newly revealed golden warrior. "The reincarnation of Buddha" and "the person closest to God" have been given the "best" interpretation: powerful, decisive and ruthless, "I am the only one in heaven and under heaven". He completely looks like a god who regards all things as trivial. Although Shaka later "recovered his humanity" slightly, "the mistake was made and there was no way to reverse it." There is also this understanding: The reason why Shaka is merciless is not because he is really cold in his heart and "will kill quickly", but because he insists on this life creed: love is the source of all suffering. The intention is not to take people's lives, but to use the most decisive way to let all living beings trapped by love (such as the bronze boys who cannot be killed) realize as soon as possible: the sea of ​​love is boundless, and turning back is the end. Although the methods are extreme, the intentions are pure and kind. Who knows about Sha Jia's heart-wrenching thought of "I am the only one who can save the whole world"? Having stayed in the Holy Land since he was seven years old, and having nothing else to do but guard the Maiden Palace for the past thirteen years, he has had such a monotonous life experience. The twenty-year-old Shaka's life experience may not be comparable to that of those bronze teenagers. Without the ups and downs of emotions, without the ups and downs of life, all Shakya can believe at this time is his own eyes and heart. Without understanding each other, the bronzes that broke into the Zodiac were undoubtedly outright intruders, disturbing the original peace and tranquility of the sanctuary (although perhaps only on the surface). How could a qualified warrior show mercy to his enemy? What's more, Shaka's ability is not limited to qualifications. At this time, Shaka is like a jade in the rough. Although it has begun to shine, it still needs to be pondered. The paleness of life experience and the lack of personal emotions make the young man who already possesses super strength appear to be more spiritual than calm. What he needs is the elevation of the emotional experience of a higher human being, not the knocking off of the cloak of a non-existent God. We meet the gorgeous blond hair again in the Pluto chapter (although there are glimpses in Nordic and Poseidon, it is too hasty, and the gold only exists as a background. Although both stories are good, the Nordic chapter is particularly exciting). "After experiencing many battles and witnessing the perseverance and sincere friendship of the Bronzemen, Shaka's emotions changed. He finally walked down from the high lotus platform. He no longer looked at the world from a bird's eye view. Without the glory of God, he became a real human being." In my opinion, this view is only half right. It is indeed because of the increase in life experience that Shaka, who originally only understood "love" at a metaphysical level, made a qualitative breakthrough (the one-hour battle in the Zodiac must have learned more than Shaka has learned in the past twenty years), and gradually realized the true meaning of "love". Otherwise, Shaka, who is naturally self-respecting, would never let go of Bronze so easily, nor would he say "You confuse me" to Ikki, which shows that the belief he has persisted for twenty years has begun to waver. But this did not make him "step down", but "step up", standing at a higher level, looking at the joys and sorrows of the world more objectively and seriously, and understanding things not only from his own perspective, but also from the perspective of others. The ignorant and willful young man is gone. Shaka, who has both extraordinary wisdom and magnanimity, makes people unable to help but feel heartbroken. Although I feel a little sorry for the departure of that willful and proud little warrior, I am still sincerely moved by Shaka's growth - I am willing to shock the world in one battle and live up to my posthumous reputation. He really did it, fighting in the Sharo Shuangshu Garden. No pain, no tears, just endless peace and quiet joy. Watching him brushing away the blood from his forehead as if unintentionally; watching him calmly say the shocking words: "Go to the burial place"; watching his blond figure disappearing into the carved gate of Double Tree Garden; watching his eternal pride and clarity when his eyebrows are raised; watching him smiling in front of the colorful fallen flowers in the garden... Behind the coldness of leaving the world and being independent, there is actually a brightness and sadness that is no different from ordinary people. More pure than Buddha and more beautiful than God. One hundred and eight beads draw the arc of a shooting star, and the chanting, like the sound of nature that is both sentimental and enlightened, actually becomes the final sound of life... Shaka's words and deeds are pure and natural, originating from nature. His words do not offend the vulgar, and his steps are clean from dust. His person is also like a beautiful jade, like a bright mirror, bright, clear, and clean without any clutter of the world. If there are flaws, they are also a common problem among teenagers: life exists for burning, and it is never meant to be a meaningless detention in this world. It is precisely because of this that the golden holy clothes on his body have a brilliant brilliance that will never fade away - the brilliance at the top of life. When the wind and jade stand, the flowers shine by the water. When you raise your eyebrows and smile, your hair will fly, and the flowers will fall like rain - the flowers of the two trees of Salo. Edit this paragraph's character traits Shaka (transliteration of Shaka), the highest-level guardian warrior of the goddess Athena in the masterpiece "Saint Seiya" by Japanese cartoonist Masami Kurumada, is the golden saint of Virgo in the sixth house of the sanctuary. It is said to be the reincarnation of Buddha. Among the Golden Twelve Saints, he is the second youngest Golden Saint. Sitting high on the lotus platform, with a calm face and eyes lightly closed, Shakya is holy and solemn. Shaka rarely shows ordinary emotions of joy, anger, sorrow and joy. In his view, human emotions are the source of suffering. Sitting high up, Shaka has always viewed human beings with a compassionate attitude. It is a kind of compassion for the strong towards the weak, and the transcendent towards the addicted. But Shaka's compassion for the weak is to let them reach bliss as soon as possible and thus be relieved.

This is the transcendence of Shaka as the person closest to God. However, during the Battle of the Zodiac, Shaka watched those passionate teenagers fall down and tenaciously get up again and again in front of him. His views on human emotions were shaken, and he found strong strength from the persistent beliefs of the teenagers. At the moment when Bronze Saint Ikki is willing to rush into the uncertain space with him for the sake of his brothers and comrades, Shaka understands that not all emotions are the source of suffering. Some emotions can bring powerful power to people and warm people's hearts. Such emotions are worth protecting with their lives. In the battle of Pluto's Twelve Palaces, Shaka was driven by his identity and emotions to perform the most tragic scene in the Sala Garden: Seeing his former comrades mixed in among the Hades, Shaka's emotional expression was anger. He mercilessly took off the underworld clothes disguised on Saga and others, and tried to get the three to reveal the true purpose of breaking into the palace. When Saga said firmly, "We are going to take Athena's head!", Saga was worried about the unspeakable difficulties hidden behind Saga's stoic expression, because he believed that these three people would never betray the sanctuary... Worry prompted him to make the decision to go to the underworld to check the reality in person! This decision was made based on trust in friends and love for the world we protect. This feeling of sharing weal and woe belongs to and only belongs to human beings. At this time, Shakya was not so much the reincarnation of the Buddha as a person who transcended the realm of life and death. If Shakya under the twin sal trees is a person who has understood the power of human emotions, then Shakya beside the sighing wall is a Buddha in the true sense. When he took the rosary from Mu's hand, when he saw brothers who share life and death fighting for the same belief, Shaka once again felt the power of friendship. He seemed to see sunshine and hope rising little by little in the hands of himself and his partners. Using your life to pave a road to light for mankind, isn't this the compassionate mind that the Buddha talked about? At this moment, Shakya completely completed the transformation from human to Buddha, and also reached the ultimate unity with his previous life, Sakyamuni. Edit this plot summary Buddha reincarnation

This is the transcendence of Shaka as the person closest to God. However, during the Battle of the Zodiac, Shaka watched those passionate teenagers fall down and tenaciously get up again and again in front of him. His views on human emotions were shaken, and he found strong strength from the persistent beliefs of the teenagers. At the moment when Bronze Saint Ikki is willing to rush into the uncertain space with him for the sake of his brothers and comrades, Shaka understands that not all emotions are the source of suffering. Some emotions can bring powerful power to people and warm people's hearts. Such emotions are worth protecting with their lives. In the battle of Pluto's Twelve Palaces, Shaka was driven by his identity and emotions to perform the most tragic scene in the Sala Garden: Seeing his former comrades mixed in among the Hades, Shaka's emotional expression was anger. He mercilessly took off the underworld clothes disguised on Saga and others, and tried to get the three to reveal the true purpose of breaking into the palace. When Saga said firmly, "We are going to take Athena's head!", Saga was worried about the unspeakable difficulties hidden behind Saga's stoic expression, because he believed that these three people would never betray the sanctuary... Worry prompted him to make the decision to go to the underworld to check the reality in person! This decision was made based on trust in friends and love for the world we protect. This feeling of sharing weal and woe belongs to and only belongs to human beings. At this time, Shakya was not so much the reincarnation of the Buddha as a person who transcended the realm of life and death. If Shakya under the twin sal trees is a person who has understood the power of human emotions, then Shakya beside the sighing wall is a Buddha in the true sense. When he took the rosary from Mu's hand, when he saw brothers who share life and death fighting for the same belief, Shaka once again felt the power of friendship. He seemed to see sunshine and hope rising little by little in the hands of himself and his partners. Using your life to pave a road to light for mankind, isn't this the compassionate mind that the Buddha talked about? At this moment, Shakya completely completed the transformation from human to Buddha, and also reached the ultimate unity with his previous life, Sakyamuni. Edit this plot summary Buddha reincarnation

The Birth of the Saint: Since Athena hates weapons, the boys only fight with their own weapons. However, under Poseidong's fierce attack, many well-known young warriors on the earth were left dead on the battlefield. Athena, saddened by the casualties of the boys, gave them protective gear called Cloths. These young men wearing holy clothes are called Saints. The Birth of the Holy Cloth: The Holy Cloth worn by the Saint is said to have been made by the alchemists of the Mu continent under instructions from Athena. Its material is Orichalcum, Gammanium and Star Dust Sand, so if the holy garment is slightly damaged, it can be repaired by itself. The Cloth Box (Cloth Box) used for storage is similar to the life support device of the Holy Cloth. The special box made for each Holy Cloth seems to give the Holy Cloth the power to promote self-healing function. The 88 constellations shining in the night sky are said to have appeared based on Athena's ideas, and it seems to be the design blueprint for the Holy Cloth. Therefore, if you do not have the same guardian constellation as the Holy Cloth, you cannot wear the Holy Cloth. The Mystery of the 88 Saint Cloths: It is known that there are 88 Saint Seiyas in total. There are 12 gold saints, 24 silver saints, and 48 bronze saints with the zodiac as their guardian constellations. The other four are the highest-level Saints of the Sun. (There are only 16 Silver Saints and 11 Bronze Saints appearing in the comics.) The First Holy War: Athena, who had regained her previous disadvantage due to the birth of the Saints, tried to persuade Poseidon to give up his ambition and return to the sea. But Poseidon ignored his proposal and stayed in Atlantis with the sea warriors, causing great floods and earthquakes, destroying all life. Furious Athena sent 8 Saints to Atlantis. After a fierce battle, Atlantis was destroyed and sank to the bottom of the sea. The most brutal battle: Among the several holy wars, the most brutal one was the battle with Ares, the God of War. Ares is said to be the most cruel of the gods, sowing the seeds of strife throughout the world and inciting humans to start wars. Ares's legion is divided into four legions: "Flame", "Fire", "Terror" and "Disaster". They are called Berserkers (Berserkers) who are capable of extreme destruction and killing. Ares's 4 Berserker Legions and Athena's Saints continue an endless battle. At that time, the number of recorded participants in the battle was 58, which was the total number of Saints at that time (by the way, even today, 88 Saints probably cannot gather together, because the holders of several Holy Cloths are not present). Even though the bronze, silver, and gold saints fought hard, they could not restore their decline, and they all died under the fists of the mad warriors. First use of weapons: Libra's Holy Cloth can be broken down into 6 types and 12 weapons. But Saints who fight with their own weapons are not allowed to use weapons. Weapons can only be used if Athena and Libra Saints agree that they are used correctly. Looking back on the past history of holy wars, the only confirmed use of the Libra Saint Cloth weapon was the battle against the Berserkers. Faced with this situation, Athena made an exception and allowed the Saints to use weapons for the first time in the battle. So, under the leadership of the Libra Saints, everyone held the weapons of Libra and challenged the mad fighters again. After a fierce fight, Ares' army was finally defeated. [2] Kurumada Masami is the fourth generation of Japanese cartoonists. The fourth generation is the generation of cartoonists who began to use dotted paper extensively. His technique of using dots in "Saint" is obvious to all. Kurumada-sensei became one of the most famous manga artists in Japan in the 1980s with his extremely outstanding work "Saint Seiya". Born in Tokyo, Japan on December 6, 1953, he has been interested in comics since he was a child. He has been contributing to comics magazines since he was in high school, hoping to win the Newcomer Award. In 1974, she published "Strong Girl Storm" in the "Shōnen Jump" weekly magazine and began to rise to prominence. From then on, he started to create comics with "Shōnen Jump" as the centerpiece. In "The Boxer's Bet", he broke the style and concept of comics and boldly used frame shifting and exciting actions, which formed the characteristics of his work and was enthusiastically welcomed by readers. Then, "Fuuma Kojiro", "Osaka" and "Thunder Zeki" further consolidated his position in Shueisha. Among them, the masterpiece "Saint Seiya" is Masami Kurumada's fifth work. With the release of "Saint Seiya", his works have reached a new heyday. This comic has not only become popular all over Japan, but also swept across mainland China, Taiwan, Hong Kong and other regions, occupying almost all bookstores and newsstands. In 1986, the TV animation was broadcast nationwide in Japan.

The Birth of the Saint: Since Athena hates weapons, the boys only fight with their own weapons. However, under Poseidong's fierce attack, many well-known young warriors on the earth were left dead on the battlefield. Athena, saddened by the casualties of the boys, gave them protective gear called Cloths. These young men wearing holy clothes are called Saints. The Birth of the Holy Cloth: The Holy Cloth worn by the Saint is said to have been made by the alchemists of the Mu continent under instructions from Athena. Its material is Orichalcum, Gammanium and Star Dust Sand, so if the holy garment is slightly damaged, it can be repaired by itself. The Cloth Box (Cloth Box) used for storage is similar to the life support device of the Holy Cloth. The special box made for each Holy Cloth seems to give the Holy Cloth the power to promote self-healing function. The 88 constellations shining in the night sky are said to have appeared based on Athena's ideas, and it seems to be the design blueprint for the Holy Cloth. Therefore, if you do not have the same guardian constellation as the Holy Cloth, you cannot wear the Holy Cloth. The Mystery of the 88 Saint Cloths: It is known that there are 88 Saint Seiyas in total. There are 12 gold saints, 24 silver saints, and 48 bronze saints with the zodiac as their guardian constellations. The other four are the highest-level Saints of the Sun. (There are only 16 Silver Saints and 11 Bronze Saints appearing in the comics.) The First Holy War: Athena, who had regained her previous disadvantage due to the birth of the Saints, tried to persuade Poseidon to give up his ambition and return to the sea. But Poseidon ignored his proposal and stayed in Atlantis with the sea warriors, causing great floods and earthquakes, destroying all life. Furious Athena sent 8 Saints to Atlantis. After a fierce battle, Atlantis was destroyed and sank to the bottom of the sea. The most brutal battle: Among the several holy wars, the most brutal one was the battle with Ares, the God of War. Ares is said to be the most cruel of the gods, sowing the seeds of strife throughout the world and inciting humans to start wars. Ares's legion is divided into four legions: "Flame", "Fire", "Terror" and "Disaster". They are called Berserkers (Berserkers) who are capable of extreme destruction and killing. Ares's 4 Berserker Legions and Athena's Saints continue an endless battle. At that time, the number of recorded participants in the battle was 58, which was the total number of Saints at that time (by the way, even today, 88 Saints probably cannot gather together, because the holders of several Holy Cloths are not present). Even though the bronze, silver, and gold saints fought hard, they could not restore their decline, and they all died under the fists of the mad warriors. First use of weapons: Libra's Holy Cloth can be broken down into 6 types and 12 weapons. But Saints who fight with their own weapons are not allowed to use weapons. Weapons can only be used if Athena and Libra Saints agree that they are used correctly. Looking back on the past history of holy wars, the only confirmed use of the Libra Saint Cloth weapon was the battle against the Berserkers. Faced with this situation, Athena made an exception and allowed the Saints to use weapons for the first time in the battle. So, under the leadership of the Libra Saints, everyone held the weapons of Libra and challenged the mad fighters again. After a fierce fight, Ares' army was finally defeated. [2] Kurumada Masami is the fourth generation of Japanese cartoonists. The fourth generation is the generation of cartoonists who began to use dotted paper extensively. His technique of using dots in "Saint" is obvious to all. Kurumada-sensei became one of the most famous manga artists in Japan in the 1980s with his extremely outstanding work "Saint Seiya". Born in Tokyo, Japan on December 6, 1953, he has been interested in comics since he was a child. He has been contributing to comics magazines since he was in high school, hoping to win the Newcomer Award. In 1974, she published "Strong Girl Storm" in the "Shōnen Jump" weekly magazine and began to rise to prominence. From then on, he started to create comics with "Shōnen Jump" as the centerpiece. In "The Boxer's Bet", he broke the style and concept of comics and boldly used frame shifting and exciting actions, which formed the characteristics of his work and was enthusiastically welcomed by readers. Then, "Fuuma Kojiro", "Osaka" and "Thunder Zeki" further consolidated his position in Shueisha. Among them, the masterpiece "Saint Seiya" is Masami Kurumada's fifth work. With the release of "Saint Seiya", his works have reached a new heyday. This comic has not only become popular all over Japan, but also swept across mainland China, Taiwan, Hong Kong and other regions, occupying almost all bookstores and newsstands. In 1986, the TV animation was broadcast nationwide in Japan.

The Birth of the Saint: Since Athena hates weapons, the boys only fight with their own weapons. However, under Poseidong's fierce attack, many well-known young warriors on the earth were left dead on the battlefield. Athena, saddened by the casualties of the boys, gave them protective gear called Cloths. These young men wearing holy clothes are called Saints. The Birth of the Holy Cloth: The Holy Cloth worn by the Saint is said to have been made by the alchemists of the Mu continent under instructions from Athena. Its material is Orichalcum, Gammanium and Star Dust Sand, so if the holy garment is slightly damaged, it can be repaired by itself. The Cloth Box (Cloth Box) used for storage is similar to the life support device of the Holy Cloth. The special box made for each Holy Cloth seems to give the Holy Cloth the power to promote self-healing function. The 88 constellations shining in the night sky are said to have appeared based on Athena's ideas, and it seems to be the design blueprint for the Holy Cloth. Therefore, if you do not have the same guardian constellation as the Holy Cloth, you cannot wear the Holy Cloth. The Mystery of the 88 Saint Cloths: It is known that there are 88 Saint Seiyas in total. There are 12 gold saints, 24 silver saints, and 48 bronze saints with the zodiac as their guardian constellations. The other four are the highest-level Saints of the Sun. (There are only 16 Silver Saints and 11 Bronze Saints appearing in the comics.) The First Holy War: Athena, who had regained her previous disadvantage due to the birth of the Saints, tried to persuade Poseidon to give up his ambition and return to the sea. But Poseidon ignored his proposal and stayed in Atlantis with the sea warriors, causing great floods and earthquakes, destroying all life. Furious Athena sent 8 Saints to Atlantis. After a fierce battle, Atlantis was destroyed and sank to the bottom of the sea. The most brutal battle: Among the several holy wars, the most brutal one was the battle with Ares, the God of War. Ares is said to be the most cruel of the gods, sowing the seeds of strife throughout the world and inciting humans to start wars. Ares's legion is divided into four legions: "Flame", "Fire", "Terror" and "Disaster". They are called Berserkers (Berserkers) who are capable of extreme destruction and killing. Ares's 4 Berserker Legions and Athena's Saints continue an endless battle. At that time, the number of recorded participants in the battle was 58, which was the total number of Saints at that time (by the way, even today, 88 Saints probably cannot gather together, because the holders of several Holy Cloths are not present). Even though the bronze, silver, and gold saints fought hard, they could not restore their decline, and they all died under the fists of the mad warriors. First use of weapons: Libra's Holy Cloth can be broken down into 6 types and 12 weapons. But Saints who fight with their own weapons are not allowed to use weapons. Weapons can only be used if Athena and Libra Saints agree that they are used correctly. Looking back on the past history of holy wars, the only confirmed use of the Libra Saint Cloth weapon was the battle against the Berserkers. Faced with this situation, Athena made an exception and allowed the Saints to use weapons for the first time in the battle. So, under the leadership of the Libra Saints, everyone held the weapons of Libra and challenged the mad fighters again. After a fierce fight, Ares' army was finally defeated. [2] Kurumada Masami is the fourth generation of Japanese cartoonists. The fourth generation is the generation of cartoonists who began to use dotted paper extensively. His technique of using dots in "Saint" is obvious to all. Kurumada-sensei became one of the most famous manga artists in Japan in the 1980s with his extremely outstanding work "Saint Seiya". Born in Tokyo, Japan on December 6, 1953, he has been interested in comics since he was a child. He has been contributing to comics magazines since he was in high school, hoping to win the Newcomer Award. In 1974, she published "Strong Girl Storm" in the "Shōnen Jump" weekly magazine and began to rise to prominence. From then on, he started to create comics with "Shōnen Jump" as the centerpiece. In "The Boxer's Bet", he broke the style and concept of comics and boldly used frame shifting and exciting actions, which formed the characteristics of his work and was enthusiastically welcomed by readers. Then, "Fuuma Kojiro", "Osaka" and "Thunder Zeki" further consolidated his position in Shueisha. Among them, the masterpiece "Saint Seiya" is Masami Kurumada's fifth work. With the release of "Saint Seiya", his works have reached a new heyday. This comic has not only become popular all over Japan, but also swept across mainland China, Taiwan, Hong Kong and other regions, occupying almost all bookstores and newsstands. In 1986, the TV animation was broadcast nationwide in Japan.