Serious blurb: Empress Xiaogongren of the Qing dynasty, née Uya, gave birth to three sons and three daughters. Only two sons and one daughter lived to adulthood.
But her eldest son had a strained relationship with her, her youngest son was placed under house arrest by his own brother, and her only daughter to reach adulthood was not married off to a distant land, yet lived only to the age of twenty.
Not-so-serious blurb: Just how happy can a mom be when her kids carry her to success?
Yinzhen, reborn; Yinyou, transmigrated; Yinti, always getting into trouble; a formidable daughter; and their birth mother, just as she was.
Somewhere-in-the-middle blurb: In the twelfth year of Kangxi's reign, after the empress finally conceived an heir with great difficulty, Uya Malu entered the palace through the preliminary selection and, with her clan's influence behind her, became an honored palace maid in the imperial gardens.
From childhood, Uya Malu had been beloved by her family for her beauty. As she entered the palace, they repeatedly told her that they sought neither riches nor status, only that she leave the palace safely.
Uya Malu never forgot.
Unfortunately, people may make plans, but fate has other ideas. She never went looking for trouble, but trouble always found her.
If that's the way it is, why not fight for it? Huh? How did she climb so high before she even started trying?
My eldest boy (kisses him frantically) (Yinzhen squirms madly, How... dare! I...) My youngest boy (kisses him again) (Yinyou blushes bashfully. My mother is as beautiful as a fairy! It's just the Empress Dowager's seat, right? Give it to her, give her everything!) My baby boy (kiss kiss kiss) (Mother, save me!) My sweet girl (gathers her lovingly into her arms and kisses her tenderly) (cheeks burning red, I'll protect Mother!)
Mother is so happy!
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The obsessive, gloomy male leads in various worlds become fixated and twisted over desires they cannot fulfill, causing the original heroines to flee from them in terror.
Given the chance to live their lives over again, all the original heroines choose a completely different path.
Wei Yipin: Since you don't want them, I'll gladly take them off your hands~
But once they lose the male leads' protection, the original heroines don't get the happy lives they imagined. Instead, everything goes wrong, and their lives become a complete mess.
When they try to go back and make amends with the male leads, the men have already found the loves of their lives, the ones they want to protect forever.
World One: A cool, celibate Buddhist scion of the capital's elite and his thorny rose.
World Two: A domineering CEO with skin hunger syndrome and his little swan.
World Three: A gloomy, rugged farmer and his heiress from the capital's elite.
World Four: A deranged master of every elemental power and his naive mermaid princess.
World Five: A belligerent tyrant who unifies the realm and his princess of a fallen kingdom.
(More worlds to come...)
Theme: Love goes both ways.
? Where did the fourth child like us go?
So why does the heroine go to greet her so early every time? She knows she's close and pays attention. It's just right if it's not too early or too late.
The important plot points of co-writing are not mentioned much. It was all a bunch of women chattering.
Your writing is too tedious. Can you write it a little faster?
Too little, not enough to see.
Wu Ya's first born is the fourth child. Can you please stop doing 🍉?
How? The author still needs to put together six, seventy-eight, and the following ten and twenty-three according to history. . .
This emperor is getting more and more outrageous. . . Don't fall apart
I feel like Concubine Hui and Concubine Rong are both very scheming, so worried about Ma Lu!
I thought the heroine's son would set up an early warning, and the big fanfare was just to save a few concubines. Are the people in the Forbidden City important? The people outside are the most important, right?