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The Great Feng Dynasty firmly believes in fate and birth charts.
Those born to humble families can rise to great heights and earn people's respect if their birth charts promise wealth and honor.
Those born into riches may still be looked down upon, even if they never lack food or clothing, if their birth charts are inauspicious.
Shen Yinyin is a hapless girl of low birth, whose birth chart foretells great misfortune, and whom no one can stand wherever she goes.
After spending fifteen years at a mountain temple, she returns to the Yong'an Marquis household. On her very first day, the taunts never let up. Even as she falls asleep, two matrons outside her room are still muttering that Shen Yinyin is a cold-faced, stone-faced girl who keeps everything bottled up, and that just looking at her is infuriating.
Deep in the night, with no one around, her shabby, gloomy room suddenly turns icy cold. A female ghost's shrill laughter rushes toward the bed, only to meet a pair of cold, composed eyes.
"You... can see me?"
Smack!
The ghost's face is slapped to one side.
"You can see me!"
Smack!
"You..."
Smack!
Before dawn, the ghost is cowering in a corner, cradling her swollen, pig-like face. At last, she has proven that the little girl on the bed can not only see her, but hit her, too.
Shen Yinyin shakes out her aching hand and looks toward the thousands of lights in Fengdu City. She doesn't like it here, but she has no choice but to come... She needs to find someone and do something.
Theme: Face hardship together
After watching it for the second time, I still can't accept it. Master Futu is doing something so despicable. Originally, she raised the heroine because her mother was kind to her. This is called retaliation. But because she is a subordinate of the precious concubine, she selfishly asks the heroine to protect the young master on her behalf??? Doesn't this make the heroine a servant? The child who was raised in order to repay the favor ended up being developed into one of his subordinates. If the female protagonist had not developed a friendship with the male protagonist, this would have turned into a master-servant novel, which is terrible enough.
Could it be that the male protagonist is actually an old guy?
I can't understand why the male protagonist has some big secret that deserves the master's explanation. And why do you ask Yin Yin to do it? What does this mean? Do you have to pay your debt? I feel so uncomfortable.
"Shen Yinyin lay back on the bed again,..." This is a big bug for the author~ Is it Shen?
What Zhou Tongcheng said is not fair. When talking about the power that the male protagonist left behind because of his wife, why don't you think about who left the mess? Whose son did so many bad things and became the biggest villain, causing trouble everywhere and no one can deal with it. Now the male protagonist is basically helping his father to clean up, and it is still the beginning of Tianbeng. Even if he has power, he still has to fight for these powers one by one to gain recognition. At that time, the succession of the throne was not so tragic, and the male protagonist did not have to work so hard. I hope that the male protagonist can finally return to a leisurely life with the female protagonist, and don't really have to become the emperor just because he killed the emperor. That would make the male protagonist untenable. He is not "forced" for self-defense, protection and revenge, but is also fighting for the recognition of these forces for his own ambitions and interests.
I just praised He Wenying for being taught by her mother not to despise women, so why hasn't this fine tradition been passed on, and He Wenying's son still went back to his old ways?
It turns out that he is also tired. He thought that the emperor was enjoying it. If you think about it carefully, isn't this just playing with a dog? Deliberately dangle a piece of meat in front of two dogs, and keep asking them to sit down and wait, wait, and wait. The dogs can't wait to stretch out their paws to test, and then beat them back one by one, and then order, wait, and so on. Repeatedly, the dogs are restless, and the dogs are tired.
The male protagonist does have a violent background. He has been too soft recently and almost forgot about the way he wanted to punish the female protagonist when he first appeared, and the way he dealt with the fake Taoist priest who deceived him before...
Alas, it's really annoying to have to be associated with the imperial power again. If there wasn't a shocking case behind the male protagonist's back, and there weren't too many connections with the male protagonist, I would have wanted to see the female protagonist walk freely in the world. Why does every ancient text have to dig into the imperial power?
Isn't Nanzen Temple just outside the Imperial City? I thought it was so far away that I hadn't seen it for more than ten years.