
The Golden Hairpin in the Water and Moonlight
水月金钗
- Status
- –
- Length
- 23k Words
- Genre
- Romance
- Era
- Ancient Era
- Updated
- 19y ago
- Source
- JJWXC
Synopsis
14Chapters
5Favorites
688Clicks per chapter
2Comments
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Reader comments 2
Translated by Google Translate
I had an extremely weird dream a few days ago. Many inexplicable people appeared in the dream. I seemed to be one of them, and I didn't seem to be one. This dream is a very long story. The scene changes several times and is extremely clear and beautiful, just like the background of Zhang Yimou's movie. When I woke up from the dream, I couldn't summarize what kind of dream I had. I just felt depressed and panicked, as if I had lost something. Xi Zhi's "Shui Yue Jin Cha" gave me the feeling of such a gorgeous and strange dream. When reading, all I had to do was turn the pages, and then turn the pages... I couldn't seem to summarize the plot of the story after reading it. It was like waking up from a dream and not knowing what I had dreamed about, and why I felt sad. My first impression of "Shui Yue Jin Cha" is that the writing is beautiful and smooth. Although it is a first-person description, the narrative tone in the article is indifferent and elegant. Sometimes, it seems that "I" is not "I", but just a bystander or recollector, giving people a feeling that it is not a dream but a dream. The heroine in the article is the only clue to this article, or it is more accurate to say "idea". Xi Zhi doesn't have many positive descriptions of the protagonist's psychological activities. I just used her eyes to quietly look at the surrounding scenery and people. There are not many dialogues between the characters, the plot is downplayed, and the scenes change frequently, just like a silent movie. Originally written in this way, it would be easy for people to feel boring and lose patience to read on. However, the description of the characters' subtle movements, expressions, scenes, senses, etc. In "Shui Yue Jin Cha" can make people feel the feelings of the characters. For example, in the sentence at the beginning, "He took off his black cloak and put it on my shoulders. The black cloak wrapped around me loosely, fluttering in the wind, like the wings of a jackdaw." Therefore, although the heroine did not have a psychological narration such as "You are my quilt in winter," nor did she shyly blush or blush, she just looked up and smiled, and I felt the emotional communication between the two people walking together and relying on each other. In addition, some sentences with obscure meanings in the article can also capture people's hearts. For example, the swordsman's sentence "I have been lost for twelve years." And Qiusheng's sentence later, "Some days are bound to come." At first glance, it may seem that he is talking about a simple thing or you have no idea what he is talking about, but in fact it implies another meaning. Such a sentence is like a touch of green paint on the canvas. Some people look at it and say it looks like the moss outside my balcony, while others say it might be the woods below my house. Abstract, but it is easy for readers to relate or imagine the whole scene. From the beginning of the article, the protagonist and the swordsman are walking. Although it is said that he went to the Jianghu to find the protagonist's "little brother", this person is already gone. The protagonist's brother died long ago under the swordsman's arrow. Although the protagonist doesn't seem to know that this is just a misunderstanding. In fact, the swordsman's death does not seem to be the protagonist's revenge. After the swordsman died, the protagonist took the piano left by the swordsman to the desert - the place they were originally going to go to. However, everything seemed to be just the beginning, and it seemed to be all a memory. Anyway, after seeing that, I still don't quite understand what the protagonist wants, what is it? Why do this? This is a suspense that is fascinating to watch. In addition. From Xi Zhi's previous description, we can vaguely feel that the desert in the article is not a desert, and Jiangnan is not Jiangnan. They are just scenery seen on the road. So when I saw that the heroine had exchanged with a goblin and gained eternal life, I roughly understood that what she wanted might be death. And then I saw that "many things are like death, always waiting on the road ahead." We are destined to never return. I am sure that the theme of this article is not love or growth, but an attitude towards life and death. To be honest, this topic is a bit heavy and seems to be worthless for discussion, because if a person wants to die, he has to die, and if he doesn't want to die, he still has to die. This is something that cannot be avoided. But what Ruhua wants to praise is the thinking process this article brings to people. Many details in the article are worthy of chewing and thinking. For example, when the protagonist and the swordsman walked to the beautiful lake, what if it were like the heroine said. If they stop moving forward, they may live a happier life. But they continued walking to the desert, but when they walked together, only one person was left behind. There are accidental factors and inevitable factors. The choice only depends on the moment. It is impossible to say whether it is right or wrong, but the result cannot be changed. Therefore, when waking up from the dream, the dreamer will probably feel that something is missing.
Hmm... Why, my dear, can you write so well and write so much? I always feel that I can write something like this, but the atmosphere is too solemn and I can't write it! 8 Wrong 8 wrong dear!