How Many Years Has the Realm Endured?

I love the protagonist Cheng Xiaoliu very much. He is very clear about what he wants and what he doesn't want. What he can want cannot be imagined. He has many shortcomings as well as advantages. The most important thing is that he likes his thoughts. "If you like him, just be nice to him. If he doesn't like himself, then so be it." As the author said, Xiaoliu is obviously the protagonist, but he has no emotional drama and no domineering main character. Basically, all the two sides except the couple of Zhuangzhuang, they seem to be supporting characters to the point where they have an unnamed friendship. The supporting characters are almost criticized by the readers of the article, and the scolding is bloody. It is really miserable... Haha, Gu Xiaoyao didn't even say that he liked him in the end, it was so difficult for Cheng Xiaoliu, hahahaha Maybe it's the protagonist effect. Even though his background is extremely supporting, my favorite character in Jiangshan is also Cheng.

Xiaoyao and Xiaoliu are the most real and comfortable together. Being with Hengshang is so restrictive and restricts their hands and feet. In the officialdom, they can't be themselves at all, and they have to consider too many intrigues. The ending of Liuyao is the best and most comfortable. In the final analysis, the palace is just a cage.

By chance, I reread "How Many Years in the Country" again, and I still really liked it. This was the first physical Danmei I read that year. I sat on the floor of the bookstore and read it all in one afternoon. I loved it so much that I wanted to buy it and take it home even after watching it. Dafeng has always said that there are flaws in her writing, and the reason is probably on the emotional line. When I was a child, I was too young and didn't notice it at all. Now it seems that it is really not very clear, but I think it is harmless. The first time I read it was the simplified Chinese version, which was the ending of Liu Yao. To be honest, whether I watch it back then or now, I feel it is completely within my expectations. There is a feeling that the two of them should be together. Investigating the reason, I don't think it's completely preconceived, and it's not because of the one-sided bamboo horse label. After all, I actually eat more CP from the Tiansheng series. Analysis from Gu Xiaoyao's perspective: Cheng Xiaoliu and Gu Xiaoyao's feelings, relationship, and mode of getting along are more nourishing to Gu Xiaoyao himself. Gu Xiaoyao himself, in fact, doesn't like feeling insecure. It can be seen from the fact that he has always been more delicate and was said by Song and Liu to be more thorough than Cheng Xiaoliu. He is relatively a person who makes decisions before acting. He hopes to master more information and make more plans to avoid bad results and avoid fluctuations in life. Even when he picked up Hengshang and later hoped to take care of him and protect him, he hoped to feel and confirm his own strength through such behavior. This may be because of the subconscious pursuit of safety and security caused by the tight life and wandering around. Taleb expressed in "Antifragility" that those who pursue stability and certainty the most are the most fragile, because stability is an illusion and chaos is reality. Therefore, what is unafraid and can proactively adjust and benefit from the chaos of uncertainty and volatility is antifragility. Xiao Liu is a person with relatively high antifragility. In comparison, he is less afraid of volatility and is better at finding a way out or self-adjustment amid uncertainty. His idleness and lack of stinginess are manifestations of this antifragility. Therefore, Gu Xiaoyao felt natural and safe to follow his heart in everything in front of Cheng Xiaoliu. The emotional energy between the two of them, whether good or bad, can be exported in this relationship, and the aggression of both of them can be released and flow relatively freely. Not all "attacks" are bad things. There must be heterogeneity between any two subjects that cannot be understood by each other. And a deep relationship will definitely come into contact with the existence of such heterogeneity, and there will inevitably be conflicts, contradictions, and aggression. How to deal with the conflicts in the relationship, how to deal with the aggression shown in oneself and the other party, and the heterogeneity that can hurt oneself, this is the practice of a person in a deep relationship. In interactions and dealings, seeing oneself also maintains relationships. The two of them neither worry that their aggression needs to be frequently curbed in this relationship, nor do they worry that their aggression will hurt each other. Therefore, they both give each other a feeling of "the world is ready to catch my overwhelming instincts." This is where the sense of security and so-called confidence comes from. When getting along with Cheng Xiaoliu, Gu Xiaoyao is always influenced by his anti-fragile tendency to move forward no matter what. And Heng Shang and Gu Xiaoyao are both relatively fragile people (maybe more fragile! It's better to be weak). In this regard, getting along with Hengshang does not give Gu Xiaoyao any reference in the face of volatility, and the identity situation that cannot be ignored in this relationship also makes it difficult for Gu Xiaoyao to completely gain a sense of security. At the end, Gu Xiaoyao and Cheng Xiaoliu lamented that they were also pawns in Prince Rui's hands, which made them feel a little sad. This proves that he does not accept being instrumentalized well in important relationships and will feel insecure and uncomfortable as a result. But such emotions were not presented and dealt with in the ending of Fifteen Years Old. I believe that if the plot does not change, such feelings will definitely exist in Gu Xiaoyao's heart no matter which ending direction, but in the ending of Fifteenth Yao, it was covered up by more urgent situations and emotions. Secondly, putting aside the slightly utilitarian topic of so-called personal growth, analyzing it solely from the perspective of relationship and love is really not a good match. Because neither of them seems to have ever really seen each other. In his relationship with Shi Shi, Gu Xiaoyao always first saw the identity of the prince hanging over Heng Shang; Heng Shang always stared at Gu Xiaoyao in the past. There was always a sense of dreaming between the two of them that objectified and symbolized each other. Gu Kuang would feel chilled when he saw Heng Shang "taking advantage" of him. Heng Shang always felt that Cheng Shi was far worse than Gu Kuang, but he didn't realize that Gu Kuang also had the same differences between him and Gu Kuang. The emotional lines between them are often "beautiful" and their interactions have an inexplicable sense of ritual. Maybe this is the reason why the editor tried to change the CP back then, because it is really beautiful, very beautiful, and has the sense of sight of the exquisite landscape required in commercial activities. To a certain extent, it cannot be said that this choice is wrong, but it does not make sense from a logical point of view. After all, love is interaction, not dreaming. It is not about loving a person's flawlessness, but loving his flaws without covering up his flaws. After all, we don't really see each other's good, bad, tall, short, brave, dedicated, despicable, and dark through the "skin". Then all the "goodness" to the other person is not really love, but a kindness. Even in the fifteen-year-old version, I didn't find that the two of them "seeed" each other, and anyone with a discerning eye could still detect it, and the sticky atmosphere in it was obvious. In this relationship, the two people's focus and reluctance were on the "relationship" and "feelings in the relationship" rather than the other person himself. In the ending, the reluctance and epiphany caused by the other party's suicide are more like the cherishment and stress of the relationship. In the end, they were unable to peel off the layers of identities to see the other party and release their relatively authentic selves. It seems that if AB is replaced, these interactions are still beautiful, and they don't have to be Heng Shang and Gu Xiaoyao Of course, this does not mean that only when two personalities are extremely well developed can we enter into love and relationships. People get along with each other while taking care of themselves and improving themselves. But the fifteen-year-old relationship and mode of getting along make it really difficult for me to see this hope. On the contrary, the probability of them consuming each other is greater. When Liu Yao and Liu Yao interacted, it was more about the interaction between "subject" and "subject", with no identity or distance. It may also be because they have been together for too long, and even if they want to dream, it is difficult to use any "mask" to face each other. Over the long years, they have looked at each other and accompanied each other, the good, the bad, the edges, and the ravages. Liuyao and Liu Yao really see and care about each other as a person. It is not that there is no inertia between them from years of getting along, but this inertia will not overshadow each other. You cannot replace A and B casually, because you will be asked who AB is? What kind of person. Cheng Xiaoliu and Gu Xiaoyao are more "not to deal with" than brothers, less "taken" than family members, more intolerable than enemies, and less clingy than lovers, because they never have a fixed identity and relationship that can script the way they get along, so they have no choice but to feel and look at each other in every collision and interaction. But it's too close to see clearly. There is something unclear, chaotic and pure about being in this mountain, "Why did we break up? Just break up with King Rui, there is no past relationship with him to cause embarrassment. How come we broke up with this kid? How can I break up with him? Because we understand Ming is..." It's a brother, it's an enemy, it's a family, it's a "feud", it's love, it's you, it's me, it's us. As soon as I met you, I was forced to put down my airs, withdraw from all kinds of abstract emotions and identities, and become concrete and vivid again. Only when someone interfered was he forced to look away from a micro perspective and look at the other person and the relationship between the two as a whole. What's more, the ending of becoming an official feels more uncomfortable for Xiao Yao. He is better at coordinating things, not being an official. Being an official cannot nourish him. The more he becomes an official, the less he can give himself strength. The higher the environment, the more dangerous he becomes and the more "he can't live without" King Rui; the environment is more unsafe, and there is no volatile relationship for him to grow and interact with. But Qilian Villa is different. He gives full play to his coordinating skills and pre-case work ability. The better he does, the more he nourishes himself. And from many details, it can actually be seen that Gu Xiaoyao appreciates or does not deny Cheng Xiaoliu's "antifragility". The entanglement between the three people is so entangled that no one cares about it. The one who rarely shows careful consideration is a sweet-tempered person who is not good at getting into trouble; the one who is most inquisitive is covered by the identity of a prince who least needs to ask; the one who needs to be asked the most is a "nice gentleman" who does not give the answer until the end. Fortunately, Gu Kuang did not lose to his good instincts and his habitual attachment to a relationship in the end. Instead, he clarified the choice he ultimately wanted by asking and thinking about himself. Cheng Xiaoliu asked, "Except for the reasons listed above, isn't there any reason why you prefer Cheng Xiaoliu to Hengshang?" Gu Xiaoyao didn't give an answer to this question, but I think that at least one thing is certain. The person Gu Xiaoyao gets along with without hallucinations must be Cheng Xiaoliu. In fact, when you watch it as an adult, you can really feel that the rhythm of the plot is not very comfortable, and the emotions of the characters also have a three-dimensional sense of confusion because of the plot structure. On the contrary, there is really a feeling that the little characters who want to express in the plot are forced by the situation to be "uncontrollable". It's just a pity to come to Hengshang again. It's not that Xiaoyao chose him in the end, but that he seemed to be trapped. Because the body is trapped in the identity and the deep palace, the spirit wants to escape even more. Without growing up and thinking clearly, it can only use the past escape experience as a base. The spirit is trapped in the past, unable to find its own way and strength. But destiny is like this. More or less, everyone always seems to have their own gains and losses in the end. The more certain a person is in the structure, the less he can make choices based on his own self. On the contrary, it is the little people in the shadows, in the cracks, and under the stage. Because they are least scrutinized, they have the most human feelings and feedback that belong to the individual self. This is also what I like most about this book besides the writing style of strong winds and flowing water. The heroic view of history is an illusion. You sing and I come on stage. The people's view of history is the real power. The common people are no longer regarded as careless, foils, ignorant people, and the ones to be saved. Instead, they are not only freed from the ignorance and viciousness of the poor and the rich and the conscience, but also freed from the passive role of kindness and weakness. The common people are the ones who have to work hard to earn a living, and they are the ones who have to work hard to give an explanation for their own lives. They are the real productivity and the force that truly drives the times forward. "No matter how hard he is as an official, or whose surname the country is, we can just live comfortably on our own." How many years in Jiangshan is actually the life of two young men in Jiangshan who have always been together and entangled in each other.

I've finished reading it four times. I still really like the relationship between Situ and the emperor. I can say that they are my favorite monarchs and ministers in the novel. I can't find a replacement, so I come back to read it again and again. By the way, I will also write a long review. I have read the online version and the published version. Whether the main CP is 61 or 151, it is not in my aesthetic point, but I personally support 61. Dafeng is the first author I have seen who would write two characters who play a small role in the overall situation as the protagonist. The general direction of the whole book is not determined by the protagonist, and the protagonist is not the most glorious character. In the ending, Xiao Yao chose Xiao Liu instead of the prince who also treated him sincerely without being stabbed in the back. The protagonist chose a less wealthy future because of the gap between the lower class people and the upper class nobles. This is really a rare trend, but I also agree that the best days are when the water flows slowly. From this point of view, you can't just let go of the past just because you've been with a 15-year-old boy, and force yourself to be smooth in order to become an official. Then there is the story about Situ and Heng Yuan. I rewatched it completely four times and watched the plot countless times just for this couple. After digging into the details, I found that Heng Yuan actually had subconscious trust and love for Situ from the beginning. Heng Yuan did not realize it but he did. When Situ first appeared on the scene, he had the mission of calling Prince Rui into the palace, but slowly and leisurely went to see Heng Yuan on his own. Not only was he not punished, but he also made Heng Yuan happy. Don't forget that Heng Yuan liked Prince Rui at this time, and he thought he didn't trust Situ. But he was able to be coaxed by Situ with a few words, and I fell in love with him from here on. Many of the patterns of getting along between two people in the future are Situ smoothing the little emperor's hair, and he has never failed. Although the little emperor is a high-ranking person, he is eaten to death. The contrast is so good that he is stunned. I really like Situ, a foxy man who is unhurried and funny! ! As soon as the emperor appeared on the scene, he became the image of a fat sheep in the eyes of others. How could it not be considered a knock-on point? The fat sheep will be eaten by the fox~ Even if the little emperor had a lot of thoughts about Situ, he was awkward and couldn't see his feelings, so he showed less than a third. It wasn't until he was finally exiled that he knew that Situ could not be saved, and he didn't realize (or admit?) How important Situ was to him. In the last chapter, Situ said, "Your Majesty, do you still remember that you were in the middle of Silan Pavilion before you sent your ministers away? Now you have to sacrifice your ministers for the sake of the overall situation. Your expression is sad and your words are heartbreaking. So I thought that the emperor would be infinitely sad to sacrifice his ministers, and he would be infinitely happy if he did not die." This really amused me to death. The little emperor probably felt that it was embarrassing to be told in person that he had breached his defense, but his reaction was just "stunned". It's very good. The emperor, who was awkward before he was betrothed, finally jumped out of his (self-considered) status as a almsgiver and started to cherish someone. But it was too late. He was forced to choose between Prince Rui and Situ. In the end, for selfishness and Jiangshan (I don't know how to do it after all) He is a man of machinations, and he doesn't know the proportion of family and personal relationships in the decision to commit suicide.) He decided to give up Situ and then die for him. Although he regarded him as an abandoned son, he was willing to bury him with an emperor. He could be regarded as a weak but responsible monarch. Many people in the comments said that Heng Yuan used Situ Chun at first, but that is not true. Being able to die for Situ means that he loves Situ very much. It cannot be said that Heng Yuan ranked Heng Shang ahead of Situ in his heart. He chose Heng Shang because Jiang Shan and Heng Shang were mixed together. Heng Yuan has the responsibility as a monarch. He cannot really sacrifice Heng Shang. As a result, the imperial power is no match for his relatives, and the rebel separatist regime finally rebels. The world is over. Then let's analyze Situ's feelings for the emperor. Personally, I think Situ is not just a "dead-hearted" lover as shown in the article. After all, the beginning of his relationship with the emperor was just to tease the tea leaves, and it was more like playing around and falling into trouble. His love for Heng Yuan, before he confirmed Heng Yuan's feelings for him, may not be a pure love. The reason why he has been lingering with Heng Yuan for so long is indeed because of Heng Yuan itself, but besides that, there may be factors such as Heng Yuan's good birth (after all, the article also said that Master Situ likes to visit brothels, and seems to go to Nanfeng Pavilion, probably because he likes good-looking people), Heng Yuan is the emperor and has imperial power, and other factors. Why do you say this? After all, Situ himself is a very smart person. He feels that even if he falls in love first, he will not suffer a loss in the relationship. He will not sacrifice everything for love until the other person also falls in love with him. He even has many concubines at home. He visits the flower house every day. Compared with Heng Yuan, he is a more rational and calm person. He seems to be scolded by the emperor every day, but he does not let the emperor follow his words every time, and he also gains status and power. Of course, there is no point that Situ doesn't love Heng Yuan. It's just from Situ's last words to the emperor, "The emperor is no longer the emperor, it's best for me." It shows that this person's feelings for Heng Yuan are a bit white and black. If Heng Yuan didn't like Situ that much, might he be taken away by Situ and locked up to force him to love her? From this point of view, Situ is actually quite possessive, and he also has a bit of a crazy feeling that he must get equal rewards for his sincerity, but after all, Heng Yuan's feelings for him are true, and everything is just an assumption. In short, from a personal interpretation, Situ was really passionate at first, while Heng Yuan was pretending to be sincere and passionate. It was very close to my xp. I felt so happy that I fainted. Thank you Dafeng for writing such a pair of monarchs and ministers who are easy to quarrel with! Finally, let's talk about the cute Heng Yuan. He went to the brothel to confront Situ. Fortunately, Situ broke off the relationship with the courtesan, otherwise he would have been so jealous. When he returned, he specifically ordered officials not to visit the brothel. I feel that Situ's attitude towards him has changed a bit from here (after all, he can confirm that the little emperor really likes him). Before, he was a bit like someone he must sleep with (apologies for over-interpretation). Later, he really regarded the little emperor as his lover, and his interactions would make him hallucinate an old married couple. In short, everyone in the government and the public, from personal eunuchs to small soldiers in the rebel army like Gu Kuang, knew that Master Situ was the emperor's bedfellow. Situ and the emperor had been together for a long time~ In the end, the ending said that the two of them died together in the 33rd year of Chongxi, and Master Situ was still walking in front. I didn't believe it hhh. He just ran away to enjoy the blessings among the people. In the last chapter, Situ said that it would be great if Heng Yuan was not the emperor. They are all written by Dafeng. There will be no unnecessary sentences. The previous article did not mention that they were not in good health. I feel that the two people's retirement has been a clear sign. I repeat it last time, Situ Mu returns and Heng Yuan 99 every life

I was so angry when I read the ending of the physical book... Xiao Liu was so jealous throughout the entire process that he even turned it into a joke, which made me so uncomfortable QAQ

I feel that the emperor's pairing was more successfully written. Xiaoliu and Gu look like brothers no matter how they look at each other. I still hope that Gu and Fifteen will be together. The writing of this story is not as good as that of Emperor Uncle. Although the emotional lines are very messy, I feel that Xiao Liu and Gu are not as logical and forced as they are to become the protagonists. I feel so sorry for Fifteen

I rewatched it again. In fact, I have also read the ending of the other version mentioned by Dafeng. At that time, I was still a little sad when I saw Cheng Xiaoliu alone. I would have preferred an ending. The pairing of the Emperor and Master Situ is so wonderful. Your Majesty, you have such a plan, and you are about to go back to the coffin. These love words are worthy of Master Situ. Later, Master Situ died of illness, and the Emperor also left. In just a few words, Dafeng wrote so touchingly, touchingly and with a long aftertaste.

Only the injured world of Guihua Sister-in-law has been achieved

I have read N and reviewed it many times. Among the many novels written by The Wind, I like this one the most, and the reason I like it is simply because the protagonist Cheng Xiaoliu suits my liking. So I have read the endings of both versions of this novel. I only like Cheng Xiaoliu in both versions. I choose Liu Yao purely because Cheng Xiaoliu likes Gu Xiaoyao. If Cheng Xiaoliu doesn't like Gu Xiaoyao, then I am most satisfied with Xiaoliu's unrestrained, free and unique beauty. I actually don't like Gu Xiaoyao very much, because I feel that he is very boring, and I don't understand why two outstanding characters, Xiao Liu and Shi Shi, want to compete with him (not as good as Xiao Liu and Shi Shi's bikes). He feels like a heartthrob, so in Wu Yao's version, aren't he and Shi Shi just two heartthrobs together? The first version I read was Fifteen Little Yao, and the ending of that version left a deep impression on me. After all, it was the first version I read in which the main character was a defeated dog. My heart ached and I felt psychologically shadowed. Although Xiao Liu was beautiful alone, it was good, but it was really sad that the main character couldn't love her. Every time I read this version, I cried my eyes out. I really wanted Xiao Liu to lose his memory quickly. It's not worth it. The ending of Liu Yao is the most satisfying ending for me. After all, Xiao Liu got what he wanted. The only dissatisfaction is that Xiao Liu and Xiao Yao have never confessed to each other. Xiao Liu likes Xiao Yao, but there is still doubt whether Xiao Yao likes Xiao Liu. He left with Xiao Liu purely because he felt uncomfortable with Shi Shi. However, Xiao Yao himself is boring, but once he interacts with Xiao Liu, he is very interesting, fun, and easy to mess with. What a fool brother, fool brother hhhh is my favorite mode of getting along with each other, very comfortable.

To be honest, I think the ending of Liuyi is better, Xiaoliu is such a down-to-earth character