Seeing the Three Mountains

Specifically explain some issues. The first is about "why almost all the people who appeared in the beginning were men." In the story, Xu Xing's journey can be divided into four stages according to forward time: "countryside - old Xuntianmen - mortal world - Tianmen (i. E. New Xuntianmen)". Under the perspective of "countryside", women are in an arranged and restricted situation. Even if Xu Xing breaks through her own high wall, most of the people she can come into contact with are men; if the countryside belongs to a feudal society, then Xuntianmen is a microcosm of modern "progressive" society. Here, "equality between men and women" and "fairness and justice" are shouted, and the airtight high walls are turned into glass houses. We can see the figures of some women, who " "You can practice Taoism, and even hold high positions (such as Cen Chun Dynasty), but you still can't escape the second sex situation; in the mortal world, Xu Xing has unprecedented freedom. She can choose who to associate with, and can stay and wander as she pleases. Therefore, at this time, an important female supporting role officially appears; as for the new Xuantianmen, in my imagination, it is a small world dominated by women, but due to limited thinking, it has not been developed. As for what the future will be like, various discussions are inconsistent, leaving it to me to explore later. Secondly, regarding the gender issue of Guangze Jun. As a symbolic figure, spiritually he transcends gender; physically, I tried to align this character with the image of the "saint" in male videos who is always sacrificing and waiting to be saved. Again, regarding issues such as "the content is frivolous" and "the plot progresses too quickly". This is indeed a very serious and obvious flaw. First, because every chapter is speculated and sold immediately, leaving no room for reflection; second, because I am relatively lazy, and I am too lazy to write many places where the narrative should be expanded; third, because of the lack of experience in writing medium and long novels, I often have the problem of focusing on one thing at the expense of the other, and neglecting the big at the expense of small things. Finally, I really appreciate everyone's questions and suggestions. Anything that can push me to think continuously is precious. [Compare hearts][Compare hearts]

It's a very confusing article that talks about the plight of women but focuses on two male characters. A man who has low self-esteem and is conceited and selfish. He doesn't even visit his sister when she is seriously ill, but he likes to use his identity as an older brother to control his sister. A cowardly and self-pitying Mr. Guangze. His teacher did nothing when his family was about to be ruined. He ignored his mother and father when they committed suicide. Instead, he was active as a spiritual energy reserve bottle and won the pity of others. What is really pitiful is that his natural spiritual talent was wasted on a waste. He lived as dazedly as mud, and made a clay "Bodhisattva" out of mud.

This article is my favorite of all the articles about strong women that I have read recently. Stories about time travel, Golden Finger, or female harems are fun, but they usually give people a sense of suspension. I know this is a story, I will envy the romance, and I will admire the heroine, but I can't resonate with it. I can't travel to a certain continent and seek to usurp the throne. I also feel that I don't have the beauty and strength to play with all the men in the applause. I It's too ordinary, and I'm in too much pain. I'm sorry for my mother's incomprehension when she said I was "mentally ill" because of my blood connection. I'm sorry for my father's subtext that "it's hard to get married after getting a doctorate." ?? At this time, "Seeing Three Mountains" appeared. Out of boredom or my recent obsession with cultivating immortals, I opened it. I saw Xu Xing, a "madman" Xu Xing who was as misunderstood as me. Xu Xing's real name was Xu Xing, which was changed for her by her sister who died in childbirth. After her sister died, Xu Xing was locked in the attic for being deviant, until she met an immortal who was like a "Holy Father". The immortal was male and named Guangze Immortal. He took on the role that all women have played throughout the ages and were often criticized for being stupid: the "Mother" who saves the world with her own body. The Immortal Lord brought Xu Xing back to the sect to teach her how to become an immortal. What you are cultivating is not the golden elixir, but the "literary way". Xu Xing doesn't practice hard at all. She just writes whatever comes to mind. She doesn't immerse herself in studying. But maybe the "madman" has more experience than others. Xu Xing is quite talented in practicing literature. Xu Xing went down the mountain to experience, and Xu Xing went sightseeing again. People around Xu Xing also came and went... The more we looked at the back, the more we realized that Xu Xing had nothing special and no aura as a protagonist. Xu Xing just lived a very free life. She's not perfect, she doesn't need to be perfect, she won't be perfect, she's just being herself. I want to have the courage of Xu Xing's self, and I also hope to be as strong as Tianqing, or just like that fisher girl, escaping from the fate of being bound and escaping to another world. This article brought me not only a story, but also a thought. We always say that strong women are strong women, and we also constrain ourselves. Do strong women have to be successful and famous? This is good, but if you are just ordinary and can live freely without being bound by the shackles of the world, isn't it also a strong person? We are always too harsh on women, or in other words, too harsh on ourselves. We use body, appearance, age and character as weapons to treat ourselves and others. In fact, girls write what they want to write, do what they want to do, get married if they want, have children if they want, have children if they don't want to have children, and fall in love if they don't want to fall in love. If we can control our own lives, make ourselves feel comfortable and happy, and have the freedom of choice, this is a kind of strong woman. So I am very touched to come across this article. The author is really great, great, great! [Rose] We really need this type of work. It is this type of work that helps us explore what feminism is. In this discussion, it will also promote the perfection of feminism. We don't have to know the definition of feminism, but we need to know how to make ourselves live better. If there can be one more happy and free woman in the world, I think there is nothing better than this. If we can convey this voice and let the world see our votes, that will be something worthy of great celebration! [Spread flowers]

The short story "Cultivation to Immortality" is fast-paced, so some details and causes and consequences are appropriately left blank. Overall, I really like this story. Xu Xing sticks to his original intention of following his heart and nature, being open-minded and free, from beginning to end. There is a feeling of being indifferent to everything, and walking together for a while when we meet each other. This is the case for everyone in Xuntianmen, and the same is true for Tianqing. Tianche is a powerful swordsman who chops off the plaque with one sword; Qiuyi, who is decisive and stabbing, is not a delicate and easy-to-control girl, but a good girl who has the strength to make a living by killing fish; Yunya, who sincerely protects the Lord and is brave... Girls have their own different looks, and what they look like is what a girl looks like. I still miss the time when I first entered Xuantianmen the most. At that time, everyone seemed to be carefree teenagers and everything felt so good. Although the ending is not bad, I just felt that growing up or being forced to grow up was still too frustrating. My favorite description is that Xu Qiushi is lecturing Xu Hui, and Xu Xing is reciting corresponding sentences in the disciple rules, which is very ironic. Xu Xing said that the difference was that he would implement whatever he wanted to do. He felt that the principles in the book were not entirely correct, so he said he would not study any more and would not go to school. If you want to practice Taoism, you will practice Taoism. If you want to cultivate Taoism, you will become a teacher. If you are asked to leave your 'home', you will never step in again. Don't judge by right or wrong, just follow your heart. The first paragraph of Chapter 4 says that there are three types of women in their eyes: in the attic, in front of the stove, and on top of the snow-capped mountains. In fact, when I watched it at the time, my first reaction was all negative. 1. The obedient woman was invisibly locked in the attic by the female bride's ethics. The ordinary woman should contribute to her husband's family peacefully and stay in front of the stove. The disobedient woman was buried on the top of the snow mountain. Then I thought for a moment that it was Xu Xing who was imprisoned in the attic in the original text, so I thought it could be understood this way. 2. The disobedient woman was imprisoned in the attic, the sensible and well-behaved woman was busy in front of the stove, and the free and brave woman stood on the top of the snow mountain. Xu Xing was not locked in the attic, she went in by herself. She doesn't need anyone to save her. "I am alone in the world and only myself." She is arrogant and arrogant, and she especially likes... I recall the conversation between Xu Xing and Wu Yue when they were young: "We are dressed in brown but pregnant with jade, but we shouldn't be angry?" ' I thought about whether the two brothers Guan Xu and Guan Yue would have ended up like this if they had been angry because they were wearing brown clothes when they first met. They were too flattering and it was difficult to stand upright, and they were too upright and easy to break. Such people would not live long in the court. It's just that I'm still sad. It would have been better if I had received Guan Yue's request for help at that time. . At the beginning, Wuyue told Xu Xing that maybe he should not study. If he became a farmer, he might not have these worries. After giving up taking the imperial examination and farming at home, I began to miss the past again. People always seem to think that the path they did not choose would be better, but in fact it is the same. I had talked about this topic with a friend before. She probably said that he tried not to let himself regret it, such as Ru Gu doing it again and losing all his experience and memories after that. At that time, he would still make that choice. If he regretted it, he would be blaming himself, but that may have been the best choice she could make under various conditions. The same is true for May. After the last meeting, I hope he can find his own jade bar. Xu Hui didn't dare to open the attic door at that time. He always hesitated, always had difficulties and difficulties, and was always waiting for Xu Xing to come to him. He never thought that he would take a step out. Xu Xing walked out and Xu Hui was locked up. And did Fifth Star get what he wanted again? Jealous Xu Hui grabbed everything when he had it. Jealous brother suppressed him at every turn. In the end, did he ever regret when he found out that his jealousy was in vain? . I still miss the time when I first entered Xuantianmen the most. At that time, everyone seemed to be carefree teenagers and everything felt so good. Although the ending is not bad, I just felt that growing up or being forced to grow up was still too frustrating. When I first met Zi Chi, the lively and innocent little crybaby seemed to have grown up after becoming the leader. Cen Jin named her sword Zi Chi and wished her to stick to her original intention. I just felt sad. When Yi Yu started to say that the world of cultivation was like this, she just felt that it had been so long when everyone was skipping classes, playing cards, and talking about Senior Brother Fei. They were not afraid of her or alienated from her, but they were not like teenagers in the end. Ruan You is a pitiful and soft-hearted idiot. How will she choose between the pleasant lie and the unpleasant truth? Everyone is hiding it from her, but no one seems to be really doing it for her good. In fact, Dong Xi must know about the jade pendant. She has no family anymore. I particularly like the ending of Guangze's mother. There is a paragraph in the original article that says, "On the journey of cultivation, all you want is 'truth', but some people choose to wrap it up in a coat of hypocrisy, and then peel off the cocoons to find the truth. The world is complicated, perhaps because people put on thick clothes while trying to see their naked appearance. So." So Xu Xing told him the truth. He didn't need to choose for whom, but he had the right to decide his own life. Although he knew it would be like this, he still felt very sad. The ending seemed to come out naturally according to the character and the development of the plot. (Because this is the final chapter in my mind, I will leave a comment here.)

Farmers in ancient times often lived a miserable life and had no books to read. So when you see the protagonist being urged to go to school, you are tacitly assuming that the story is set in the ancient times. Women can be officials, everyone has enough to eat, and even the bottom class has enough money for women to study. However, the criticism received by the protagonist is particularly feudal. It can only be said that the author's writing skills are not good enough. The plot is simple and frivolous, and the protagonist seems sober but actually does nothing real. He passively accepts the shallow plot arranged by the author. At the end of the day, he is "cultivating immortality", which is still an escape from an objective view. There is so much useless rhetoric, the background setting is still unclear, the characters are logically contradictory, and the plot is also logically inconsistent. At the age of seven, he didn't go to school and threw away all his books, but he hid in the attic and worked behind closed doors and became literate and familiar with common sense? In addition, it is also a bug that the lower-class peasants still have attics. The protagonist is picked up, but it is also full of flaws. It is obvious that the Xu family is a low-level farmer in ancient times, but they can provide for their descendants to study. The family has an attic and has enough food and clothing. They even see an abandoned baby girl who has enough food and kindness to take her home and raise her. Are you not aware of the historical facts of the Abandoned Baby Tower? Earlier, I wrote that the protagonist believed that her sister's son was the enemy who sucked her blood. Later, I arranged a plot where the nephew "falls in love" with the protagonist. Seeing this can only be said to be like seeing a fly. In addition, the protagonist still did nothing. From being hugged by her nephew, being seen by others, being surrounded by the whole family to vent her emotions, and being accused of being her own fault, a series of plots flowed smoothly. In addition to the lack of logic, replacing the protagonist with a desk lamp in her place had no impact on the plot. I can't see where the subjectification of the protagonist lies. There is no protagonist except for the empty setting of "self-taught" to avoid everyone without a trace of logic, and from time to time to show off that he "sees through everything" and "just doesn't bother to argue with others." The summary is that the protagonist is "dead" to the point where people have to scold the protagonist in front of the messy plot.

Alas, there is real tension between Guangze and Xu Xing, but Xu Xing can grow up only if he leaves Guangze's gentle hometown.

This nephew is really bad. He only wants the harmonious and beautiful family he imagined and doesn't take his aunt's real thoughts seriously. . . It's like a rotten husband who doesn't help solve the conflict between mother-in-law and daughter-in-law and will only get along with him.

I like this book very much. The rhythm is very casual (a compliment). Like Xu Xing, it fits the tone of the article very well. Such a story should be in this style. It's really, really good! Like!

I insist on mentioning it all the time, getting angry all the time, and resisting all the time, until this mountain is leveled!

If you like it so much, you have to be ambitious!