
[Pride and Prejudice Crossover] Camellia's Guide to Teaching
[综傲慢与偏见]卡米莉亚教书指南
Synopsis
In booklists 11
Plot-Driven, Smart Female-Led Stories [All Complete]
My priorities are 1. prose, 2. worldbuilding, 3. plot, 4. logic, 5. values... I'm not into romance, and I love feminism. Overall, this is a mixed bag, with lots of infrastructure-building, management, and progression stories. Feel free to chat!
Pride and Prejudice
Some break up the original couples
Western Classics Derivative Fiction
Pride and Prejudice, The Lady of the Camellias, The Count of Monte Cristo, The Phantom of the Opera, Anna Karenina, and more. (Please support the official release.) Click my ID for Western history.
Aoshi Male/Female Fanfiction
Some are crossovers with other series
Today, My Surname Is Bennet
Western classics and British or American TV show fanfiction
A Bit of Everything
Anime crossovers, Marvel/DC crossovers, Harry Potter, and original danmei, with both BL and BG. My ratings are subjective, extremely subjective. A four-star rating might just mean Jinjiang wouldn't let me give it five stars (so annoying).
Western Classics
Mostly fan fiction based on classic Western literature, along with fan fiction about British history, offering a glimpse into the customs and culture of other lands.
Mid-Autumn Festival Challenge
Event
Pride and Prejudice Fanfiction
Some good Pride and Prejudice fanfiction
Eclectic Taste, Almost No Shallow Reads
My favorites are overflowing, and I don’t want to go through them one by one, so here are a few recommendations.
Reading in 2023
More by this author
Wife, Why Are We Pointing Swords at Each Other?
[Harry Potter] A Letter from a Stranger
[Classic Literature Crossover] The Great Fashion Queen
[Ne Zha] After I Played with the Third Prince's Heart and Cast Him Aside
I Won Over That Corrupted White Moonlight
Has the Anonymous Matchmaker Been Unmasked?
[Dream of the Red Chamber] Cultivating Immortality with Daiyu
The Laid-Back Girl Just Wants to Watch the Drama
[Pride and Prejudice] Sophia Is Always Forced Into the Picture
Reader comments 30
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Lily can't help her. Helping too much will really get her into trouble.
Ah, this is a bit high and low. There is little development in the emotional line in the back. The male protagonist is semi-invisible and does nothing in the end and still embraces the beauty.
Although the emotional line is indeed a bit regretful, but as Leah said to Anthony when watching the children's country drama: there will be no male protagonist, this is Eleanor's story, and the protagonist will only be herself.
I don't know why the male protagonist has become this image in my mind: I'm sorry for letting you see such a clumsy me, I'm leaving now (turn around and leave) (quietly glance sideways) (finding that Leah is not looking, she turns around and leaves even more sadly)
The king of hell cannot save a ghost who wants to die
Camelia: Checking in today's famous scenes
The emotional line is equal to 0. The extra story is also written from the perspective of the granddaughter. I still want to see the positive emotional development.
It's rare to see all of Bridgerton, it's great!
Wu! Feeling good but not completely good
The number of emotional lines is so small that it can be ignored. It makes me heartbroken.