[Even the author didn't really get invested in this pairing, so enter with caution]
[What on earth am I writing? 2.0]
He is his master's exclusive puppet.
His master is a notorious evil demoness. She takes him with her, killing gods when gods stand in her way and Buddhas when Buddhas stand in her way, leaving all living beings to suffer.
He is only her puppet, her amusement when she is bored, her blade when she seeks revenge, her salvation when she is helpless. Even if he stays by her side day and night, he can only ever be something that belongs to her.
He thinks he has no heart. It is only right that things should be this way.
But when other people appear by his master's side, he finds himself filled with a powerful sense of resistance.
He belongs only to his master, so his master should belong only to him.
P.S.
Over-the-top melodrama and absurd Mary Sue tropes, a romance focused on two people
Wicked woman x cool guy
The worn-out trope of an emotionless AI puppet gaining self-awareness and falling in love with its master
The blurb is from the male lead's perspective, while the story is from the heroine's perspective
Theme: View issues with a dialectical perspective.
No, the heroine is so naive. . . ?
I really like following the article here! The plot line is compact, the rhythm is relaxed and relaxed, the mutual constraints between the characters are also very logical, and none of them are flat. What excites me most so far is the development of the emotional line of the male and female protagonists. How does Aluo solve the crisis that may make him disappear? What kind of opportunity does the heroine discover her feelings for Aluo? Will Aluo "bully the master" 🐶 What a red chicken! (Bushi)
The subject matter is pretty good, but I couldn't stand how the heroine was being played around by these supporting characters. The heroine's force value and IQ are not high, and her defensiveness is 0. She was framed and relied on the hero's force to break the situation. I really like the setting of the puppet awakening its consciousness. I tried my best to ignore some of the unreasonable aspects in the previous part, but the heroine was tricked by the supporting characters over and over again, and I really couldn't stand it anymore. There is no good person around the heroine except the hero, but the heroine is also easy to trust others, and she can fool the heroine in just one or two sentences. Senior brother's childhood friendship, cousin's blood relationship, the shopkeeper's agreement, tmd heroine believed it all, do you dare to believe it?
I'm so speechless. When can the heroine use her brain to look at the people around her? Which one is not suspicious? Why trust them?
Apart from the male protagonist, there is not a single good thing about Daqing
What an idiot, not worthy of liking the heroine
The development of the plot is weird, and the connection is not smooth. Previously, the heroine's sister said that she only found out after she died that they were the people after Yun's puppet surgery. It was not clear how A Luo created them. Now a cousin appears, saying that the heroine trusted this cousin after they played with puppets together when they were young???? Did puppets appear in your home again when you were a kid? Since puppets appeared, why did my sister only learn about puppetry after her death? Moreover, the heroine didn't feel any sense of crisis, and she casually trusted her cousin who showed up halfway without fear of being deceived. Moreover, the previous plot was foreshadowing that Aluo was the main force in the battle, so the heroine just exchanged Aluo so casually? Do you think the heroine is capable of returning to her residence alone without Arlo's help when she is carrying a heavy treasure? Why hasn't the heroine's IQ increased after being hunted so much? 💔
The setting is pretty good, and the plot is good, but the dialogue is too dramatic. No matter who is talking to whom, it gives people a very childish and modern feeling.
It's so cruel, so cruel. When will the protagonist group get back to the game 😭
Like hee hee hee hee hee hee