Su Liyi was a top salesperson in the real world. Then, on her way out one day, she got into a car accident and ended up in an infinite world.
Unlike the other players, Su Liyi was chosen by the infinite world to sell items to players because of her profession.
Other players have to clear games to survive, but Su Liyi is different. She survives by promoting and selling items.
Every infinite game has a sales quota. As long as Su Liyi meets it, she can clear the game and earn the same rewards as the other players. What's more, Su Liyi comes with a buff: she cannot be injured in infinite games.
Players struggling to survive in the infinite games have all heard of Su Liyi, a player who is in a league of her own.
While the other players are running for their lives, Su Liyi strolls along calmly behind them, loudly pitching her wares as she goes.
When they encounter a locked door, Su Liyi pulls a key from her pocket and tells them they can buy it with points.
When a boss sends them fleeing in every direction, Su Liyi sits calmly in a chair, watching them run while still making sure to promote her wares.
Selling items and becoming a top salesperson in the infinite games: she has it all carved into her mind.
But in her sales career, Su Liyi encounters an oddball, an incredibly stingy guy whom she just can't persuade to buy anything.
Li Wanghe, the extremely stingy man who values points more than his life: "There's absolutely no way I'm giving you my points. Not unless I'm dead!!!"
Su Liyi glares at Li Wanghe: "Just you wait. I'll make you hand over those points willingly."
Theme: Helping one another
The setting is quite interesting, but the heroine has such a strange personality. She pretends to be an adult in front of others, but feels stupid in front of the hero.
Why do we have to hold on tight? If he doesn't want to buy it, then he shouldn't bother and ask others to buy the same white one. There won't be any reward for buying it. . .
Hmm I've finished reading it... I wonder if this is the author's practice work? Do you have any suggestions/reflections after reading this? I want to tell the author (I hope the author doesn't mind...) I don't think there's any big problem with the author's overall plot writing. The plot doesn't feel suddenly weird or unsmooth. However, maybe because it's a short story, the character creation and setting are relatively weak, and it's the strangest and most dramatic one in the whole book? The most important thing is the emotional scenes and dialogues... The author's plot is good, but every time I see the heroine talking to the hero, I want to abandon the story... 1. First of all, the female protagonist is obsessed with the male protagonist. The male protagonist behaves coldly and does not waste points to buy props. However, the female protagonist keeps talking to the male protagonist, approaches the male protagonist, and makes the male protagonist seem different. And this makes the female protagonist a little annoyed? , Of course in the last chapter we see that the heroine wants to cooperate with the hero, but until the last chapter we don't quite understand why the heroine wants to cling to the hero. 2. When it comes to emotional scenes, it can be a bit awkward. This includes the male and female protagonists (I don't know why they suddenly fell in love with each other, other embarrassing things will be discussed later), and another pair of CPs named Tang and Shi Mei. 3. The main embarrassing points and reasons. Hmm dialogue is the most obvious place. The heroine often talks about x kid, x little brother, brat, etc., Which makes me question the age of the heroine. Although I already knew that it was a sister-brother relationship at the beginning, and I was mentally prepared, when I saw these, I always felt that the heroine was a greasy aunt... (Referring to her 40-50 years old). Sometimes she would tilt her head when speaking, or jump down to ask the male protagonist to catch her. As long as there were actions and dialogues related to the male protagonist, the heroine would suddenly become greasy? Feeling. The emotional drama behind Tang and Shi Mei, who both have the same surname, was a bit prominent, and when he said silly woman (I don't know if he remembered it correctly, but it was roughly the word), he suddenly acted out, and it felt very oily... 4. Another problem with the character creation of the heroine is that the author tries to show the heroine's strength and unique abilities. He wants to write a cool novel, but when he writes it, it gradually feels like the heroine is pretending. When I watched it, I actually felt that there was nothing wrong with the copy, and the writing style of the overall plot didn't affect me much. It mainly focuses on characterization (this may be because it is a short story), emotional scenes and dialogue. If the author writes a longer novel in the future, and the emotional scenes don't need to be so urgent and can be laid out slowly, this problem may not arise. I also suggest that if you don't write it so exaggeratedly and quickly (meaning you fall in love all of a sudden, and the emotional drama is prominent), you should be fine. This is just my little opinion after reading it. I hope it can help the author write better. I hope the author doesn't mind… Come on (I typed this as I was thinking about it, so the sentences may be a little different. I hope you can understand my general meaning (><))
Suli quilt. Simply and neatly... Being blocked by Lu Jiang's sensitive words made me laugh to death
It's so pretty, but it's too short. Woohoo.
The copywriting is mine, haha~
Shu Xiaoyu is really a typical selfish person
Claws, happy Mid-Autumn Festival
Coming, coming, I'm coming!
Stopped suddenly... A bit unfinished