The Tragedy of the Comparison Group [The 1970s]

I clicked on and deleted this article several times, feeling that the heroine was feeling aggrieved and wanted to read it again. Non-writing guidance just tells me how I feel. Yang Keling is the control group, and Lu Zimu is the stepmother control group. The male and female protagonists are both natives, so there is nothing we can do about it, but there is no need to be trapped in two weird families. The male protagonist's family can take care of their money and fortune, so there is no need to struggle with the past. The heroine's stepfather's family should deal with it during the holidays. There is no need to get involved in the affairs between the stepsister and the mother. If you realize that your mother can't be counted on, there is no need to continue to pester her. If you can't isolate yourself mentally, then physically isolate her. What's the point of other people's rumors or comparison groups as long as you don't care about them? Even if the heroine can't be the heroine's wife now, she should still take the college entrance examination and work hard to free herself and her daughter from this passive life. Why bother with her mother's step-sister anymore? What's important is her and her daughter's life. The heroine now has to take care of her daughter as a female worker, but won't she need it in the future? Why put your life in the torment of other people's coercion and gossip? Let the hero take care of your daughter first, and concentrate on getting into college. Don't quit your work for the time being, and work hard first. You can also take good care of your daughter when she gets into college, and then take a technical or scientific research path. Don't talk about giving up the college entrance examination for the sake of your daughter. If you don't pass, you won't pass. If you don't pass the exam, just live a steady life and see if there are opportunities to improve at work, take over your daughter and continue to work hard in life, and get rid of any control groups and the like. As long as you don't care and don't get entangled, everyone is the protagonist of your own life. Even if it's not as good as the life of a loser, so what?! As long as a person has struggled and lived seriously, even if he fails, the ridicule and comparisons of others are not worth mentioning. I hope the author will not fall into the trap of self-evidence. As a control group, the heroine can be sad for a short time and there is no need to keep feeling aggrieved. Even if what defeats me cannot make me stronger, it should make me more numb, insensitive and entangled. There is no point in being stuck in the past, unless you can punch it back. The reality is that you can't fight it back. It seems that similar comments like mine have been deleted before. It's okay. Best wishes.

How can he be so cruel, whether it is the male protagonist's father or the female protagonist's mother? There is no shortage of those things in the family.

When will the female protagonist and the male protagonist rise?

I feel like the heroine is suffering. Is this still a novel about a heroine? Everyone develops better than women, so what's the point of writing this article? If you don't go to school when it's time to go to school, can't you leave your child to someone else to take care of it, or can't you just go to a university in Shanghai? Having a job means raising a child, which not only improves her own children, but the female protagonist will divorce the male protagonist sooner or later if she doesn't improve herself. The two of them have different families and there are so many external factors interfering with them. Gradually, their thoughts are not on the same level. Divorce is inevitable.

People like Song Ying are quite disgusting

A guilty couple, an unscrupulous stepfather, and a heartless mother. You can only survive by relying on your own efforts.

I know why many people complain about this and feel aggrieved, [covering face, laughing and crying] because the author ran away without writing a slap-in-the-face plot, and the emotional line is very average, and the two people who live together don't even feel familiar. . . [Covering face and laughing and crying] [Covering face and laughing and crying] [Covering face and laughing and crying] The male protagonist's character is very flat, and the female protagonist's portrayal is not likable enough. On the contrary, the scumbag father and scumbag mother are portrayed very well. She is selfish, hypocritical, and cold-blooded. It feels like she has some real-life experience. Even the second heroine is even more lengthy than the heroine. It is described everywhere that the second heroine cares about the heroine. In fact, the heroine also cares about the second heroine. The heroine cares about the second heroine very much. The story is light and gentle, but sometimes it is very awkward and awkward. It feels like this is not going to be a climax and slap in the face, but the plot is just one chapter. . .

380,000 Words have passed, and the heroine's life has not improved at all. It's like being stuck in a swamp. As soon as one foot is lifted out, the next second it sinks deeper. The heroine has lived in rumors the whole time. I know that the pain of the original family is not only material and physical, but so far nothing has been written.

Doesn't this Yang Kelin really think that the world revolves around her? Doesn't she know how much benefit she has received?

The male protagonist loses his mother and loses his family; the female protagonist loses her father and loses her home.