[Prince of Tennis] Starry Irises

Grab whatever you want.' I think the deputy minister has this spirit very much... The Meteor Street spirit...

I like Shimizu Moe very much. Do you have any articles about her?

So is this... A trap?

What next? Then what?

Jumped over from a pit as big as a well I found another good author, hehe

I don't know if Sister Yan still remembers me. But it doesn't matter if you don't remember. I really want to write a long review for Sister Yan but I obviously don't have time right now. So can I apply to reprint the article? ←Look at my praying eyes. PS: It doesn't matter if it doesn't work.

Sister Fireworks, so short...

——This is a good article that does not hide its flaws. The above are my first thoughts after reading the entire article. Closing my eyes, I can clearly feel some of the author's thoughts, or in other words, the original intention of writing this article. Life may be cruel, but there is love. Forgive me for using such childish words to summarize, but for a moment, this was all I could think of. The author created three and a half people in this article. One is Kirihara Akaya, one is Natsumi Mizuiro, one is Sakai Han, and the other half is Yukimura Seiichi. Kirihara Akaya doesn't appear in many scenes in the manga, and my impression of him is that of an arrogant but suppressed brat. Although the image created by the author is a bit different from my impression, it feels real. (Well, when it comes to Kirihara, I have to mention a relatively big flaw in the author's article [Atobe glared, "Be careful, Tatekai, that rookie kelp leader who will fight for your life."], Kelp head is the nickname of Kirihara in our fandom, but XF did not add the word "kelp head" to the prefix of Kirihara Akaya in the comics. Furthermore, Atobe can't be so rude.) The character of Xia Chengshui is a bit mysterious. Although there are many mentions in the article that she participated in the United Nations peacekeeping mission and was a major, I somehow always felt that there was something to be discovered, but the author just brushed it off. In my eyes, she is a woman who is strong on the outside but fragile on the inside. This fragility is not natural, but the shadow of war and disability. The main contradiction of this article is also here. One is a sunny boy of fourteen or fifteen years old, and the other is a disabled woman in her twenties. The author summarizes Xia Cheng Shuise's inner thoughts in one sentence: "We are not living on a desert island." I couldn't just listen to my heart and ignore the sounds around me. ] She wants to love, but is afraid. Sakai Han is the biggest bug in this article. Without her, Natsumi Mizuki would probably never accept Kirihara in this life. Without her, the character of Yukimura Seiichi may only remain in the ordinary. But the reason why I say she is a bug is that there is another very important reason - she is suspected of being a time traveler. I say suspicious because the author has never said that, and I only guessed it from the sentence [Sakai was embarrassed when he heard this, and became even more powerless after taking the notebook, "Um, Shimizu-san, do you have a relative named Kuchiki Rukia...?"]. I would venture to guess that Han Sakai is a character based on the author. Yukimura Seiichi is just a teenager, no matter how mature he is. This is how I see Yukimura in the eyes of the author. Now that we've talked about Yu, let's talk about flaws. I won't say too much, I'll just pick out the key points. Chapter 4, I don't know why many authors like to write that the protagonist is hit by a ball from Hochotaro that enters the soul while walking in Hyokui… But in my opinion, this completely lacks rationality. First of all, tennis is usually practiced on the tennis court. I don't think that the barbed wire fence of the tennis court is just for good looks. Secondly, even if you don't want to disturb others at the tennis court, Hyokui should have a separate training room or something. I remember that in the manga, Feng and Naido also found an empty classroom to practice, instead of practicing in a place where people may walk by at any time. At the end, I borrow a sentence from Ms. Sakai: "Not only serious literature is literature, grassroots art is also art." Ordinary people are too impetuous to pay attention to aesthetics; and those pretentious literary and artistic people are too aloof and unwilling to turn their attention to daily trivial matters. I just want to find a balance and write something that most people can appreciate. ——This may be what the author wants to bring us, a novel that is meaningful but easy to read.

It's still the incompetent star who left a message passing by… Hold up a sign [By the way, the big letters are really beautiful!

Is this also the name of Van Gogh's painting?