Synopsis:
Shen Baoyong has always lived in the Prince of the Ninth's mansion in constant fear, treading carefully. Her adoptive mother was a woman the prince happened to rescue and leave in the back courtyard, without status or title, so Shen Baoyong is even less than nothing.
When the young ladies of the household bully her, she uses a little cunning to protect herself. She never expects Bo Qie, the heir of the household, to see through her tricks. From then on, he keeps an eye on her and stays on guard. Shen Baoyong becomes even more cautious and keeps her head down, putting all her energy into finding a good match so she can leave the mansion as soon as possible.
Later, she gets her wish. She secures a good engagement and finds the man of her dreams. But as she waits happily for her wedding, she discovers that the heir, who should despise her, has somehow developed a possessive desire for her. She may be lowborn and vain, but there are some lofty branches she has no wish to climb. She refuses him, but he has power beyond measure. When he spreads a vast net, where can she possibly run?
On the day Shen Baoyong's engagement is finalized, the usually composed steward and matrons all come to Bo Qie's courtyard to tell him the news. They look relieved and happy for him. The last to arrive is his younger sister, who always says whatever is on her mind. She bluntly remarks, "Well, that's a relief. That little beggar is finally leaving. Brother, now you don't have to worry about her clinging to you and coveting you anymore. She should look in the mirror. Who does she think she is?"
There is nothing wrong with what she says. Shen Baoyong is indeed unworthy of him. Her beggar's background, her current status, her vain and filthy little schemes: none of them are fit to be mentioned in polite company. The only thing anyone could praise is her face.
That night, he dreams of her leaving the marquis's residence as a bride, sharing a wedding night with another man...
Bo Qie has always slept well, but after waking, he lies awake for a long time. A flower bud has bloomed outside the window, so beautiful that it irritates his eyes and unsettles his heart. He reaches out and plucks it, then casually puts it in a vase on his desk. It adds a touch of color to the room, so it isn't entirely useless.
Bo Qie cannot yet imagine that one day this lowborn woman he has always looked down on will make him bow his head, bend his back, and drop to his knees.
Warnings:
1. Includes a forced pursuit and taking someone by force.
2. Bo Qie is more deranged than the male leads in my previous books.
Here's a preview of a story planned for 2026. Thank you for adding it to your collection.
Title: The Ungrateful Wolf
Synopsis:
From the moment the Bai family's young lady gave Bai Lieyang his first bowl of porridge, she became a goddess in his heart.
Bai Moyou was such a good person: beautiful, gentle, and kindhearted. She not only gave him food, but also helped him when she saw others bullying him. Though the young boy knew they were worlds apart, the young lady never looked down on him. He even truly believed they could become friends.
Until one day, he overheard her private conversation with her maid. She said, "If it weren't for Young Master Ma's generosity, and the fact that I need to cater to his interests, who would bother with those beggars? They're crude and filthy. He even looks at me as if he thinks we're close. It's so disgusting. What a waste of those pretty eyes of his. If I didn't have to time it with Young Master Ma's classes so I could put on a show for him, I wouldn't just smile at that beggar. I'd be throwing up."
Her maid chimed in, "Miss, he doesn't even have a name. He took your surname without asking and gave himself some name like Bai Lieyang. Can he even read?"
Bai Moyou said impatiently, "Enough, enough. Stop talking about him. He's nauseating. They say the general is recruiting soldiers in town. If he has any ambition, he should sign up and earn his own food instead of shamelessly living off our charity every day."
Bai Lieyang was an orphan with no name or surname. He took Bai as his surname because he revered and cherished Bai Moyou, and Lieyang was a name he chose for himself. He was young then, and it was winter. He thought the blazing sun was the best thing in the world, never realizing that something too intense could burn you.
Two years later, the beggars on Zhaoqi Street were buzzing with excitement, spreading the news: "Have you heard? That little beggar who enlisted two years ago is a completely different person now. The prince has adopted him as a son, and he's about to return in triumph and be named a great general..."
Bai Moyou breathes a long sigh of relief, grateful for the decision she made back then. Bai Lieyang will never know that she said those things against her will to save him from her stepmother and younger sister. She pretended to humiliate him and drive him away, all to keep him alive.
Now, hearing that he's doing well, Bai Moyou can finally let go of her worry for the childhood friend who had helped her through thick and thin. Her marriage has also been arranged, to the very Young Master Ma she once used as an excuse.
But she misjudged Bai Lieyang's feelings for her and underestimated how fixated he was on her. On her wedding day, General Bai suddenly barges in with an imperial order accusing Lord Ma of treason, then personally has the Ma family arrested and their property seized. When Bai Moyou learns that Bai Lieyang is behind all this as revenge, she asks to see him, hoping to clear up the misunderstanding from years ago.
He finally grants her the favor of seeing him. Dressed in a thin prisoner's robe, she looks utterly wretched. After all these years, Bai Lieyang looks her up and down, from her hair and eyebrows to her eyes. The greed and hatred in his gaze almost make Bai Moyou retreat. But she still steels herself and tells him the truth about what happened back then. She never imagines that he will wrap his arms around her and whisper darkly, "I knew that long ago. I hate that you really were going to marry him. I hate that I was a day too late, and he got to touch you."
Afterward, Lord Ma is successfully framed by Bai Lieyang. The whole thing was his scheme, and he even kills her innocent, kindhearted husband with his own hands. Only then does the anguished and despairing Bai Moyou understand that she had played the fool. The little beggar is a wolf cub that cannot be tamed, a madman.
Reading Guide:
1. A possessive, obsessive male lead takes the female lead by force. Includes a storyline where she runs and he pursues.
2. Since there is a life between them and he killed her husband, they can never be together.
Theme: See life for what it is and pursue a truly good life.
It's hard to comment
What does it mean that Yayi is pitiful? Let Yayi be nicer to Li Xia. Yayi eats and drinks her even if she doesn't, and doesn't fuck her. How else can she be nice? Besides, this is not her own child. She is pitiful because she has a mother who is an outside wife, and it is not Yayi who asked her mother to be an outside wife. Her mother has a mental illness and abuses Li Xia because men don't visit her often. What does it have to do with Yayi? It's not like Yayi abused her, so how can she ask her first wife to give up her man for the sake of the mental health and family happiness of an extramarital affair? How can she still be morally kidnapped? If she wants to be morally kidnapped, she should also go to her father.
Can the heroine still live with the hero? ? ? ? ? ? Unbelievable
The ending gave me a light and airy feeling
Abao was rebellious at first, but now she is completely gone. She is the most daring to die in the novel written by the author. From the beginning, she would rather die than live in ruins. She really wanted to die and did it when she was forced by a man, but she is also the fastest kneeling in the novel written by the author. Yes, the tension in the front and middle of the article was very strong, but when the heroine's first child died, I knew it was a waste. The second male lead was a waste. It was so inexplicable that it was wasted on an arrow casually written by the author. Poor Si Shi, I really wanted to hug him. In fact, whether the child dies or not is the crossroads for the author to continue writing. With this child, the bad male protagonist will never be able to rise to power. Even if the male protagonist controls the overall situation, it is impossible to kill him. However, the child can obviously survive. Even if the female protagonist is depressed or holds back her revenge, she can write about it later, but the author must want him dead, because Because even if he can marry, the male protagonist will need a lot of effort, and he will not get a perfect he that makes the male protagonist feel at ease. The author writes the child to death not for anything else, but to remove the child as a thorn between the male and female protagonists. Although the female protagonist mourns for a while, she will eventually be softened by the other male protagonist's biological son. At the same time, the author places the arrows aimed at the male protagonist at the second male protagonist, just to make the female protagonist give up on the second male protagonist and be able to lie next to the male protagonist with peace of mind in the future. It is far worse than the previous movie "Er Niangniang", but I also understand that what the male protagonist did in the previous movie is life-threatening. The author had to have a difficult time giving birth to finish writing "Er Niangniang", and the author was scolded because of the abuse in the middle. So in my opinion, the male protagonist in this movie is better than the one with "Er Niangniang". It's much better to die. All kinds of humiliation and oppression can persuade some people to quit in the first few chapters, but the author can no longer fight to the death with the male protagonist and cause dystocia like the previous one, so when writing about the death of the male lead and the child, it is rough and makes people feel anticlimactic. That is to say, I can understand why the author wrote it like this, but I can't accept that my Xiaosi died like this or was shot by someone who was written to die under the command of my biological father. So I'm sorry that I haven't ordered all of this book. At the same time, I think the author of the book "His Means" probably couldn't write the kind of decisiveness in the text that the heroine will never give up and definitely doesn't love the hero. It's a bit sad. I've been waiting for that book for a long, long time.
This article sucks, but the beginning and middle are pretty good.
The most vital female protagonist, and the most shameless male protagonist with the highest IQ in history, he talks like farts, lies as fast as he opens his mouth, and what he says sounds like the truth. The ending shouldn't be.
I skipped through it... I will turn around when I see the author in the future. Reading this kind of novel can easily lead to a dark mind.
Ah, where is Chen Song? He still has amnesia.
Suddenly choked, please don't match the children.
Although Bo has changed, but when I think of the heroine's first child, I wouldn't be able to get through this hurdle if it were me.
Later, when he becomes the head of the family, there is really no need to write this part about the male protagonist looking for the female protagonist. I can't accept that the female protagonist can still be with the male protagonist. It feels so rushed.
A Complete Mess
First General Configuration
Shuqing
Who Is More Doggy Than Whom?
Winter Snow, Sudden Thunder
She Saved a Wolf
Sweet Sugar, Bitter Taste
The Second Madam
Fake Transmigration
So Much for Parting on Good Terms
The Immortal Venerable's Tenderness Is All Fake
The Usurper Emperor’s Regret Remedy
It's hard to comment What does it mean that Yayi is pitiful? Let Yayi be nicer to Li Xia. Yayi eats and drinks her even if she doesn't, and doesn't fuck her. How else can she be nice? Besides, this is not her own child. She is pitiful because she has a mother who is an outside wife, and it is not Yayi who asked her mother to be an outside wife. Her mother has a mental illness and abuses Li Xia because men don't visit her often. What does it have to do with Yayi? It's not like Yayi abused her, so how can she ask her first wife to give up her man for the sake of the mental health and family happiness of an extramarital affair? How can she still be morally kidnapped? If she wants to be morally kidnapped, she should also go to her father.
Can the heroine still live with the hero? ? ? ? ? ? Unbelievable
The ending gave me a light and airy feeling
Abao was rebellious at first, but now she is completely gone. She is the most daring to die in the novel written by the author. From the beginning, she would rather die than live in ruins. She really wanted to die and did it when she was forced by a man, but she is also the fastest kneeling in the novel written by the author. Yes, the tension in the front and middle of the article was very strong, but when the heroine's first child died, I knew it was a waste. The second male lead was a waste. It was so inexplicable that it was wasted on an arrow casually written by the author. Poor Si Shi, I really wanted to hug him. In fact, whether the child dies or not is the crossroads for the author to continue writing. With this child, the bad male protagonist will never be able to rise to power. Even if the male protagonist controls the overall situation, it is impossible to kill him. However, the child can obviously survive. Even if the female protagonist is depressed or holds back her revenge, she can write about it later, but the author must want him dead, because Because even if he can marry, the male protagonist will need a lot of effort, and he will not get a perfect he that makes the male protagonist feel at ease. The author writes the child to death not for anything else, but to remove the child as a thorn between the male and female protagonists. Although the female protagonist mourns for a while, she will eventually be softened by the other male protagonist's biological son. At the same time, the author places the arrows aimed at the male protagonist at the second male protagonist, just to make the female protagonist give up on the second male protagonist and be able to lie next to the male protagonist with peace of mind in the future. It is far worse than the previous movie "Er Niangniang", but I also understand that what the male protagonist did in the previous movie is life-threatening. The author had to have a difficult time giving birth to finish writing "Er Niangniang", and the author was scolded because of the abuse in the middle. So in my opinion, the male protagonist in this movie is better than the one with "Er Niangniang". It's much better to die. All kinds of humiliation and oppression can persuade some people to quit in the first few chapters, but the author can no longer fight to the death with the male protagonist and cause dystocia like the previous one, so when writing about the death of the male lead and the child, it is rough and makes people feel anticlimactic. That is to say, I can understand why the author wrote it like this, but I can't accept that my Xiaosi died like this or was shot by someone who was written to die under the command of my biological father. So I'm sorry that I haven't ordered all of this book. At the same time, I think the author of the book "His Means" probably couldn't write the kind of decisiveness in the text that the heroine will never give up and definitely doesn't love the hero. It's a bit sad. I've been waiting for that book for a long, long time.
This article sucks, but the beginning and middle are pretty good. The most vital female protagonist, and the most shameless male protagonist with the highest IQ in history, he talks like farts, lies as fast as he opens his mouth, and what he says sounds like the truth. The ending shouldn't be.
I skipped through it... I will turn around when I see the author in the future. Reading this kind of novel can easily lead to a dark mind.
Ah, where is Chen Song? He still has amnesia.
Suddenly choked, please don't match the children.
Although Bo has changed, but when I think of the heroine's first child, I wouldn't be able to get through this hurdle if it were me.
Later, when he becomes the head of the family, there is really no need to write this part about the male protagonist looking for the female protagonist. I can't accept that the female protagonist can still be with the male protagonist. It feels so rushed.